|
|
Muscle memory? Moving-do?
|
|
| |
| Author |
Message |
rei
Ear training newbie
|
| Feb 26, 2010 2:37 am |
|
|
I find that the exercises are more doable when I rely on muscle memory or moving-do solfege in my head -- but both of these seem to me to be "cheating", especially the moving-do, as it is slow and ends up being impractical in determining chords that don't begin on the tonic.
Muscle memory is quite limited for me, since I play violin (and not piano at all). Once the pitches go out of range, I need to make the additional step of transposing up one octave.
Should I learn piano for this purpose? Or should I at least try to identify intervals and chords entirely by ear? Is there a way to escape moving-do solfege?
Thanks in advance,
Rei
|
|
 |
Quentin
EarMaster.com
|
| Feb 26, 2010 3:35 am |
|
|
There are quite a number of countries where movable-do solfege is not used at all, and where fixed-do solfege is preferred (Italy, France, etc.). There are pros and cons for both systems, and you are free to decide which one you would like to use in EarMaster.
|
|
 |
|
|
|