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EarMaster Standard Tutor |
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Thanks to Birthe Skou for assisting the development of the EarMaster Standard Tutor. Birthe Skou is an ear training professor at the Royal Danish Music Conservatory.
Intervals
INTERVAL COMPARISON
[-1-] Minor and major 2nd - ascending
[-2-] Minor and major 2nd - descending
[-3-] Minor and major 2nd - harmonic
[-4-] Minor and major 3rd - ascending
[-5-] Minor and major 3rd - descending
[-6-] Minor and major 3rd - harmonic
[-7-] Perfect 4th, Tritone and Perfect 5th - ascending
[-8-] 4th, Tritone and 5th - descending
[-9-] 4th, Tritone and 5th - harmonic
[-10-] All intervals from Unison to 5th - ascending
[-11-] All intervals from Unison to 5th - descending
[-12-] All intervals from Unison to 5th - harmonic
[-13-] Minor and major 2nd - ascending
[-14-] Minor and major 2nd - descending
[-15-] Minor and major 2nd - harmonic
[-16-] Minor and major 3rd - ascending
[-17-] Minor and major 3rd - descending
[-18-] Minor and major 3rd - harmonic
[-19-] Perfect 4th, Tritone and Perfect 5th - ascending
[-20-] 4th, Tritone and 5th - descending
[-21-] 4th, Tritone and 5th - harmonic
[-22-] All intervals from Unison to 5th - ascending
[-23-] All intervals from Unison to 5th - descending
[-24-] All intervals from Unison to 5th - harmonic
[-25-] Minor and major 6th - ascending
[-26-] Minor and major 6th - descending
[-27-] Minor and major 6th - harmonic
[-28-] Minor and major 7th - ascending
[-29-] Minor and major 7th - descending
[-30-] Minor and major 7th - harmonic
[-31-] All intervals - Unison to Octave - ascending
[-32-] All intervals - Unison to Octave - descending
[-33-] All intervals - Unison to Octave - harmonic
[-34-] Minor and major 6th - ascending
[-35-] Minor and major 6th - descending
[-36-] Minor and major 6th - harmonic
[-37-] Minor and major 7th - ascending
[-38-] Minor and major 7th - descending
[-39-] Minor and major 7th - harmonic
[-40-] All intervals Unison to Octave - ascending
[-41-] All intervals Unison to Octave - descending
[-42-] All intervals from Unison to Octave - harmonic
INTERVAL IDENTIFICATION
[-1-] Unison, Major 2nd and Major 3rd - ascending
[-2-] Unison, Major 2nd and Major 3rd - harmonic
[-3-] Unison, Major 2nd and Major 3rd - ascending
[-4-] Unison, Major 2nd and Major 3rd - harmonic
[-5-] Diatonic intervals - Unison to 5th - ascending
[-6-] Unison to 5th - harmonic
[-7-] Unison to 5th - ascending
[-8-] Unison to 5th - harmonic
[-9-] Diatonic intervals Unison to Octave - ascending
[-10-] Unison to Octave - harmonic
[-11-] Unison to Octave - ascending - random pitch
[-12-] Unison to Octave - harmonic - random pitch
[-13-] Unison, Minor 2nd and Minor 3rd - descending
[-14-] Unison, Minor 2nd and Minor 3rd - descending
[-15-] Diatonic intervals - Unison to 5th - descending
[-16-] Unison to 5th - descending - random pitch
[-17-] Unison to Octave - descending
[-18-] Unison to Octave - descending - random pitch
[-19-] Diatonic - Unison to 5th ALL STEPS - ascending
[-20-] Diatonic intervals from all steps - ascending
[-21-] Diatonic intervals from all steps - descending
[-22-] Diatonic intervals from all steps - harmonic
[-23-] Diatonic intervals in Bb - ascending
[-24-] Diatonic intervals in Bb - descending
[-25-] Diatonic intervals in Bb - harmonic
[-26-] Diatonic intervals - more keys - ascending
[-27-] Diatonic intervals - more keys - descending
[-28-] Diatonic intervals - more keys - harmonic
[-29-] Diatonic intervals - random keys - ascending
[-30-] Diatonic intervals - random keys - descending
[-31-] Diatonic intervals - random keys - harmonic
[-32-] Diatonic intervals - Unison to 10th - ascending
[-33-] Diatonic intervals - Unison to 10th - descending
[-34-] Diatonic intervals - Unison to 10th - harmonic
[-35-] Diatonic - Unison to two octaves - ascending
[-36-] Diatonic - Unison to two octaves - descending
[-37-] Diatonic - Unison to two octaves - harmonic
INTERVAL SINGING
Customized exercise only
Chords
CHORD IDENTIFICATION
[-1-] Get to know the Major triad
[-2-] Get to know the Minor triad
[-3-] Major and Minor triads
[-4-] Get to know the Augmented triad
[-5-] Get to know the Diminished triad
[-6-] Augmented and Diminished triads
[-7-] Identify the main four triads
[-8-] Sus2 and Sus4 triads
[-9-] All triads - ascending
[-10-] All triads - descending
[-11-] All triads - harmonic
[-12-] Seventh chords: 7 and maj7
[-13-] Seventh chords: mi7 and half-dim (mi7b5)
[-14-] 7, maj7, mi7, dim and half dim - ascending
[-15-] 7, maj7, mi7, dim and half dim - descending
[-16-] 7, maj7, mi7, dim and half dim - harmonic
[-17-] 7(b5), 7(#5) and sus4,7 - ascending
[-18-] mi, maj7 and 7(#5) - ascending
[-19-] 6 and mi6 - ascending
[-20-] Seventh and sixth chords - ascending
[-21-] Seventh and sixth chords - descending
[-22-] Seventh and sixth chords - harmonic
[-23-] Identify the main 9th chords - ascending
[-24-] Identify the main 9th chords - descending
[-25-] Identify the main 9th chords - harmonic
CHORD INVERSIONS
[-1-] Inversions of the Major triad
[-2-] Inversions of the Minor triad
[-3-] Inversions of the Diminished triad
[-4-] Major, Minor, Dim and Aug triads - ascending
[-5-] Major, Minor, Dim and Aug triads - descending
[-6-] Major, Minor, Dim and Aug triads - harmonic
[-7-] Inversions of the 7th chord - ascending
[-8-] Inversions of the 7th chord - descending
[-9-] Inversions of the 7th chord - harmonic
[-10-] Inversions of the mi7 chord
[-11-] Inversions of the half dim (ø) chord
[-12-] Mi7 and half dim - ascending
[-13-] Mi7 and half dim - descending
[-14-] Mi7 and half dim - harmonic
[-15-] Inversions of the Maj7 - ascending
[-16-] Inversions of the Maj7 - descending
[-17-] Inversions of the Maj7 - harmonic
[-18-] 7, mi7, maj7 and half dim - ascending
[-19-] 7, mi7, maj7 and half dim - descending
[-20-] 7, mi7, maj7 and half dim - harmonic
CHORD PROGRESSIONS
[-1-] Identify major and minor tonic in V-I
[-2-] Dominants with and without 7
[-3-] VIIdim7 - in Major and minor
[-4-] Common dominant - tonic combinations
[-5-] Major/minor subdominant (IV) and supertonic (II)
[-6-] Various dominant-tonic combinations
[-7-] II - V - I combinations
[-8-] II - V - I and II - bII - I combinations
[-9-] IV - I combinations (Plagal cadences)
[-10-] Two mediant combinations
[-11-] Four mediant combinations
[-12-] Three part plagal cadences
[-13-] Extended tonal cadences
[-14-] Fifth sequences
[-15-] Folk progressions
[-16-] Progressions with bVII7(b5)
[-17-] Interrupted cadences
[-18-] Modulations #1
[-19-] Modulations #2
[-20-] Modulations to bIII and bVI
[-21-] Last step!
Scales, Modes and Melodies
SCALE IDENTIFICATION
[-1-] Major, Lydian and Mixolydian (begin with 1-1)
[-2-] Scales with minor sound (begin with 1-½)
[-3-] Phrygian and Locrian (begin with ½-1)
[-4-] All modes and harmonic and melodic minor
[-5-] Whole tone and variants of Lydian and Mixolydian
[-6-] Melodic minor, Locrian (#2) and Dim (1-½)
[-7-] Phrygian (#6), Altered and Dim (½-1)
[-8-] Derivatives of melodic minor, Whole tone and Dim
[-9-] All scales and modes from lessons 1-8
[-10-] Derivatives of harmonic minor
[-11-] The two pentatonic scales
[-12-] All modes - descending
[-13-] Derivatives of harmonic minor - descending
MELODIC DICTATION
[-1-] Identify a scale tone from a cadence in major
[-2-] Identify a scale tone in all major keys
[-3-] Identify a scale tone from a cadence in minor
[-4-] Identify a scale tone in all minor keys
[-5-] Three scale tones in major
[-6-] Three scale tones in all major keys
[-7-] Three scale tones in minor
[-8-] Three scale tones in all minor keys
[-9-] 5 scale tones in major
[-10-] 5 scale tones in all major keys
[-11-] 5 scale tones in harmonic minor
[-12-] 5 scale tones in harmonic minor - all keys
[-13-] 5 scale tones in major - Unison to 4th intervals
[-14-] 5 tones in all major keys - Unison to 4th intervals
[-15-] 5 tones in harmonic minor - Unison to 4th intervals
[-16-] 5 tones in harm. minor - Unison to 4th - all keys
[-17-] 5 tones in all major keys - Unison to 6th intervals
[-18-] 5 tones in harmonic minor - Unison to 6th intervals
[-19-] 5 tones in major keys - Unison to 7th intervals
[-20-] 5 tones in harmonic minor - Unison to 7th intervals
[-21-] 5 tones in major keys - Unison to octave intervals
[-22-] 5 tones in harmonic minor - Unison to octave
[-23-] 7 tones in major keys - Unison to octave intervals
[-24-] 7 tones in harmonic minor - Unison to octave
[-25-] 5 tones relative to first tone - whole tone scale
[-26-] 5 tones relative to first tone - chromatic scale
[-27-] 7 tones relative to first tone - whole tone scale
[-28-] 7 tones relative to first tone - chromatic scale
[-29-] 7 tones relative to root tone - IV-V-I progression
[-30-] 9 tones relative to root tone - IV-V-I progression
[-31-] 7 tones relative to root tone - IImi7 - V7 - I maj7
[-32-] 9 tones relative to root tone - IImi7 - V7 - I maj7
[-33-] 9 tones relative to first tone - whole tone scale
[-34-] 9 tones relative to first tone - chromatic scale
[-35-] 11 tones relative to root tone - IV-V-I progression
[-36-] 11 tones relative to root tone - IImi7-V7-I maj7
[-37-] 9 tones in major keys - Unison to octave intervals
[-38-] 9 tones in harmonic minor - Unison to octave
[-39-] 11 tones in major keys - Unison to octave intervals
[-40-] 11 tones in harmonic minor - Unison to octave
[-41-] 11 tones relative to first tone - whole tone scale
[-42-] 11 tones relative to first tone - chromatic scale
Rhythm
RHYTHM IMITATION
[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Whole, half and quarter notes - with ties
[-6-] Whole, half, quarter and eighth notes - with ties
[-7-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-8-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-9-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-10-] 4/4, 3/4, 2/4 and 5/4 - with ties
[-11-] 4/4, 3/4, 2/4 and 5/4 - dotted, rests and ties
[-12-] Introducing 4/8, 3/8 and 6/8 time signatures
[-13-] 4/8, 3/8 and 6/8 - with rests
[-14-] 4/8, 3/8 and 6/8 - with dotted notes
[-15-] 4/8, 3/8 and 6/8 - with ties
[-16-] 4/8, 3/8 and 6/8 - with ties #2
[-17-] 4/8, 3/8 and 6/8 - dotted, rests and ties
[-18-] Introducing 4/2, 3/2 and 2/2 time signatures
[-19-] 4/2, 3/2 and 2/2 - with rests
[-20-] 4/2, 3/2 and 2/2 - with dotted notes
[-21-] 4/2, 3/2 and 2/2 - with ties
[-22-] 4/2, 3/2 and 2/2 - dotted, rests and ties
[-23-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-24-] Combinations of eighth and 16th notes
[-25-] Combinations of eighth and 16th notes - with rests
[-26-] Eighth note triplets - #1
[-27-] Eighth note triplets - #2
[-28-] Eighth note triplets - #3
[-29-] Eighth note triplets - #4
[-30-] Eighth note triplets - #5
[-31-] 16th note triplets - #1
[-32-] 16th note triplets - #2
[-33-] 16th note triplets - #3
[-34-] 16th note triplets - #4
[-35-] Eighth note units with 32nd notes - #1
[-36-] Eighth note units with 32nd notes - #2
[-37-] Eighth note units with 32nd notes - #3
[-38-] Eighth note units with 32nd notes - #4
[-39-] 16th note triplets and 32nd notes - #1
[-40-] 16th note triplets and 32nd notes - #2
[-41-] 16th note triplets and 32nd notes - #3
[-42-] 4/2, 3/2 and 2/2 with eighth notes
[-43-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-44-] 4/2, 3/2 and 2/2 with quarter note triplets
[-45-] 4/2, 3/2 and 2/2 with dots, rests and ties
[-46-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-47-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-48-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-49-] 6/8 with 16th notes
[-50-] 9/8 with 16th notes
[-51-] 12/8 with 16th notes
[-52-] 5/8 with 16th notes
[-53-] 5/8 with dots, rests and ties
[-54-] 7/8 with 16th notes
[-55-] 7/8 with dots, rests and ties
[-56-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-57-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-58-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-59-] Half, quarter and eighth note triplets
[-60-] Difficult!
RHYTHM READING
[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Whole, half and quarter notes - with ties
[-6-] Whole, half, quarter and eighth notes - with ties
[-7-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-8-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-9-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-10-] 4/4, 3/4, 2/4 and 5/4 - with ties
[-11-] 4/4, 3/4, 2/4 and 5/4 - dotted, rests and ties
[-12-] Introducing 4/8, 3/8 and 6/8 time signatures
[-13-] 4/8, 3/8 and 6/8 - with rests
[-14-] 4/8, 3/8 and 6/8 - with dotted notes
[-15-] 4/8, 3/8 and 6/8 - with ties
[-16-] 4/8, 3/8 and 6/8 - with ties #2
[-17-] 4/8, 3/8 and 6/8 - dotted, rests and ties
[-18-] Introducing 4/2, 3/2 and 2/2 time signatures
[-19-] 4/2, 3/2 and 2/2 - with rests
[-20-] 4/2, 3/2 and 2/2 - with dotted notes
[-21-] 4/2, 3/2 and 2/2 - with ties
[-22-] 4/2, 3/2 and 2/2 - dotted, rests and ties
[-23-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-24-] Combinations of eighth and 16th notes
[-25-] Combinations of eighth and 16th notes - with rests
[-26-] Eighth note triplets - #1
[-27-] Eighth note triplets - #2
[-28-] Eighth note triplets - #3
[-29-] Eighth note triplets - #4
[-30-] Eighth note triplets - #5
[-31-] 16th note triplets - #1
[-32-] 16th note triplets - #2
[-33-] 16th note triplets - #3
[-34-] 16th note triplets - #4
[-35-] Eighth note units with 32nd notes - #1
[-36-] Eighth note units with 32nd notes - #2
[-37-] Eighth note units with 32nd notes - #3
[-38-] Eighth note units with 32nd notes - #4
[-39-] 16th note triplets and 32nd notes - #1
[-40-] 16th note triplets and 32nd notes - #2
[-41-] 16th note triplets and 32nd notes - #3
[-42-] 4/2, 3/2 and 2/8 with eighth notes
[-43-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-44-] 4/2, 3/2 and 2/2 with quarter note triplets
[-45-] 4/2, 3/2 and 2/2 with dots, rests and ties
[-46-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-47-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-48-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-49-] 6/8 with 16th notes
[-50-] 9/8 with 16th notes
[-51-] 12/8 with 16th notes
[-52-] 5/8 with 16th notes
[-53-] 5/8 with dots, rests and ties
[-54-] 7/8 with 16th notes
[-55-] 7/8 with dots, rests and ties
[-56-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-57-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-58-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-59-] Half, quarter and eighth note triplets
[-60-] Difficult!
RHYTHM CORRECTION
[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-6-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-7-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-8-] 4/4, 3/4, 2/4 and 5/4 - dots and rests
[-9-] Introducing 4/8, 3/8 and 6/8 time signatures
[-10-] 4/8, 3/8 and 6/8 - with rests
[-11-] 4/8, 3/8 and 6/8 - with dotted notes
[-12-] 4/8, 3/8 and 6/8 - dots and rests
[-13-] Introducing 4/2, 3/2 and 2/2 time signatures
[-14-] 4/2, 3/2 and 2/2 - with rests
[-15-] 4/2, 3/2 and 2/2 - with dotted notes
[-16-] 4/2, 3/2 and 2/2 - dots and rests
[-17-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-18-] Combinations of eighth and 16th notes
[-19-] Combinations of eighth and 16th notes - with rests
[-20-] Eighth note triplets - #1
[-21-] Eighth note triplets - #2
[-22-] Eighth note triplets - #3
[-23-] Eighth note triplets - #4
[-24-] Eighth note triplets - #5
[-25-] 16th note triplets - #1
[-26-] 16th note triplets - #2
[-27-] 16th note triplets - #3
[-28-] 16th note triplets - #4
[-29-] Eighth note units with 32nd notes - #1
[-30-] Eighth note units with 32nd notes - #2
[-31-] Eighth note units with 32nd notes - #3
[-32-] Eighth note units with 32nd notes - #4
[-33-] 16th note triplets and 32nd notes - #1
[-34-] 16th note triplets and 32nd notes - #2
[-35-] 16th note triplets and 32nd notes - #3
[-36-] 4/2, 3/2 and 2/8 with eighth notes
[-37-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-38-] 4/2, 3/2 and 2/2 with quarter note triplets
[-39-] 4/2, 3/2 and 2/2 with dots and rests
[-40-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-41-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-42-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-43-] 6/8 with 16th notes
[-44-] 9/8 with 16th notes
[-45-] 12/8 with 16th notes
[-46-] 5/8 with 16th notes
[-47-] 5/8 with dots and rests
[-48-] 7/8 with 16th notes
[-49-] 7/8 with dots and rests
[-50-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-51-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-52-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-53-] Half, quarter and eighth note triplets
[-54-] Difficult!
RHYTHM DICTATION
[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Whole, half and quarter notes - with ties
[-6-] Whole, half, quarter and eighth notes - with ties
[-7-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-8-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-9-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-10-] 4/4, 3/4, 2/4 and 5/4 - with ties
[-11-] 4/4, 3/4, 2/4 and 5/4 - dotted, rests and ties
[-12-] Introducing 4/8, 3/8 and 6/8 time signatures
[-13-] 4/8, 3/8 and 6/8 - with rests
[-14-] 4/8, 3/8 and 6/8 - with dotted notes
[-15-] 4/8, 3/8 and 6/8 - with ties
[-16-] 4/8, 3/8 and 6/8 - with ties #2
[-17-] 4/8, 3/8 and 6/8 - dotted, rests and ties
[-18-] Introducing 4/2, 3/2 and 2/2 time signatures
[-19-] 4/2, 3/2 and 2/2 - with rests
[-20-] 4/2, 3/2 and 2/2 - with dotted notes
[-21-] 4/2, 3/2 and 2/2 - with ties
[-22-] 4/2, 3/2 and 2/2 - dotted, rests and ties
[-23-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-24-] Combinations of eighth and 16th notes
[-25-] Combinations of eighth and 16th notes - with rests
[-26-] Eighth note triplets - #1
[-27-] Eighth note triplets - #2
[-28-] Eighth note triplets - #3
[-29-] Eighth note triplets - #4
[-30-] Eighth note triplets - #5
[-31-] 16th note triplets - #1
[-32-] 16th note triplets - #2
[-33-] 16th note triplets - #3
[-34-] 16th note triplets - #4
[-35-] Eighth note units with 32nd notes - #1
[-36-] Eighth note units with 32nd notes - #2
[-37-] Eighth note units with 32nd notes - #3
[-38-] Eighth note units with 32nd notes - #4
[-39-] 16th note triplets and 32nd notes - #1
[-40-] 16th note triplets and 32nd notes - #2
[-41-] 16th note triplets and 32nd notes - #3
[-42-] 4/2, 3/2 and 2/8 with eighth notes
[-43-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-44-] 4/2, 3/2 and 2/2 with quarter note triplets
[-45-] 4/2, 3/2 and 2/2 with dots, rests and ties
[-46-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-47-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-48-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-49-] 6/8 with 16th notes
[-50-] 9/8 with 16th notes
[-51-] 12/8 with 16th notes
[-52-] 5/8 with 16th notes
[-53-] 5/8 with dots, rests and ties
[-54-] 7/8 with 16th notes
[-55-] 7/8 with dots, rests and ties
[-56-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-57-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-58-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-59-] Half, quarter and eighth note triplets
[-60-] Difficult!
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EarMaster Jazz Tutor |
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Thanks to Martin Granum who developed this jazz tutor. Martin Granum is an ear training professor at the Danish Royal Academy of Music.
Jazz Chords
CHORD IDENTIFICATION
[-1-] Four note chords #1: major
[-2-] Four note chords #2: minor
[-3-] Four note chords #3: dim7, mi7(b5)
[-4-] Four note chords #4
[-5-] Four note chords #5: maj7 dissonant
[-6-] Four note chords #6: major7 dissonant
[-7-] Four note chords #7: minor dissonant
[-8-] Four note chords #8: the six most dissonant
[-9-] Four note chords #9: all
[-10-] Tonic major: Five and six note chords
[-11-] Tonic major: 4 to 7 note chords, Lydian scale
[-12-] Tonic major, mixed
[-13-] Tonic minor: 5 and 6 note chords
[-14-] Tonic minor: Dorian and melodic scales
[-15-] mi7(b5) chords
[-16-] Minor chords, mixed
[-17-] Dominants, Mixolydian scale
[-18-] Dominants, Mixolydian #11 mode
[-19-] Dominants, altered scale
[-20-] Dominants, diminished scale
[-21-] Dominants, mixed
[-22-] All chords, mixed
CHORD PROGRESSIONS
[-1-] Diatonic progressions, major
[-2-] Diatonic progressions, major
[-3-] Diatonic progressions, major
[-4-] Diatonic progressions, minor
[-5-] Diatonic progressions, minor, with Dominant 7
[-6-] Diatonic progressions, major, with Dominant V7/IV
[-7-] Diatonic major, with Dominant V7/V
[-8-] Diatonic major, with Dominant V7/II
[-9-] Diatonic major, with Dominant V7/VI
[-10-] Diatonic major, with Dominant V7/III
[-11-] Major with all 5 secondary dominants
[-12-] Major with tritone substituted dominants #1
[-13-] Major with tritone substituted dominants #2
[-14-] Major with tritone substituted dominants #3
[-15-] Major with a modal interchange chord
[-16-] Major with at least 2 modal interchange chords
[-17-] Major, various number of modal interchange chords
[-18-] All themes mixed!
Jazz Rhythm
RHYTHM IMITATION
[-1-] 4/4 swing, half-, quarter- and eighth notes
[-2-] 4/4 swing with rests
[-3-] 4/4 swing, quarter notes and eighths, faster tempo
[-4-] 3/4 swing, quarter notes, eighths and rests
[-5-] 3/4 and 4/4 swing - two bars!
[-6-] 4/4 swing with eighth note triplets
[-7-] 4/4 swing with triplets
[-8-] 4/4 swing with triplets and rests
[-9-] 3/4 swing with triplets
[-10-] 3/4 and 4/4 swing, triplets and rest
[-11-] 6/8
[-12-] 6/8 with rests
[-13-] 6/8, with rests and ties
[-14-] 4/4 straight with eighths and sixteenths.
[-15-] 3/4 and 4/4 straight with rests
[-16-] 6/8 with sixteenths
[-17-] 6/8 with sixteenths and ties
[-18-] 6/8 with sixteenths, rests and ties
[-19-] 6/8 with sixteenths. 2 bars.
[-20-] 6/8 with sixteenths and ties. 2 bars.
[-21-] 6/8 with sixteenths, rests and ties
[-22-] Medium upswing, quarter notes, eighths and rests
[-23-] Up-tempo swing, quarter notes, eighths and rests
[-24-] Medium upswing, with rests and ties
[-25-] Up-tempo swing, with rests and ties
[-26-] Medium upswing, quarter notes, eighths and rests.
[-27-] Up-tempo swing, tempo 200. Two bars
[-28-] Medium upswing, with rests and ties. Two bars
[-29-] Medium upswing, 2 bars, with quarter note triplets
[-30-] Up-tempo swing, rests and ties.
[-31-] Up-tempo swing, with quarter note triplets
[-32-] Sixteenths swing. One bar
[-33-] Sixteenths swing with sixteenth note triplets
[-34-] Sixteenths swing with triplets and ties
[-35-] Sixteenths swing with sixteenth note triplets
[-36-] Straight rhythms with 16th and 32nd notes
[-37-] Rhythms with 16th and 32nd notes and ties
[-38-] Up-tempo swing with quarter note triplets. Two bars
[-39-] Up-tempo swing with rests. Two bars
[-40-] Up-tempo swing with more eighths. Two bars.
[-41-] Up-tempo swing with quarter note triplets. 3 bars!
[-42-] Up-tempo swing with rests. 3 bars.
[-43-] Swing eighths with straight sixteenths.
[-44-] Swing eighths with straight sixteenths and rests.
[-45-] Sixteenths swing. 2 bars.
[-46-] Sixteenths swing with triplets and ties. 2 bars.
[-47-] Up-tempo swing with more eighths.
[-48-] Swinging eighths and straight sixteenths.
[-49-] Swinging eighths, straight sixteenths and rests.
RHYTHM READING
[-1-] 4/4 swing, half-, quarter- and eighth notes
[-2-] 4/4 swing with rests
[-3-] 4/4 swing, quarter notes and eighths, faster tempo
[-4-] 3/4 swing, quarter notes, eighths and rests
[-5-] 3/4 and 4/4 swing - two bars!
[-6-] 4/4 swing with eighth note triplets
[-7-] 4/4 swing with triplets
[-8-] 4/4 swing with triplets and rests
[-9-] 3/4 swing with triplets
[-10-] 3/4 and 4/4 swing, triplets and rest
[-11-] 6/8
[-12-] 6/8 with rests
[-13-] 6/8, with rests and ties
[-14-] 4/4 straight with eighths and sixteenths.
[-15-] 3/4 and 4/4 straight with rests
[-16-] 6/8 with sixteenths
[-17-] 6/8 with sixteenths and ties
[-18-] 6/8 with sixteenths, rests and ties
[-19-] Medium upswing, quarter notes, eighths and rests
[-20-] Medium upswing with rests and ties
[-21-] Sixteenths swing.
[-22-] Sixteenths swing with sixteenth note triplets
[-23-] Sixteenths swing with triplets and ties
[-24-] Straight rhythms with 16th and 32nd notes
[-25-] Rhythms with 16th and 32nd notes and ties
[-26-] Up-tempo swing
[-27-] Up-tempo swing with rests
[-28-] Up-tempo swing with more eighths
[-29-] Swing eighths with straight sixteenths.
[-30-] Swing eighths with straight sixteenths and rests.
RHYTHM CORRECTION
[-1-] 4/4 swing, one bar, one error
[-2-] 4/4 swing, 2 bars, 2 errors
[-3-] 4/4 swing with rests
[-4-] 4/4 swing with rests, 2 bars, 2 errors
[-5-] 4/4 swing, faster tempo
[-6-] 4/4 swing, 2 bars, 2 errors
[-7-] 3/4 swing, 2 bars, 2 errors
[-8-] 3/4 and 4/4 swing, 2 errors
[-9-] 4/4 swing with eighth note triplets, 2 errors
[-10-] 4/4 swing with triplets, 2 errors
[-11-] 4/4 swing with triplets, 3 errors
[-12-] 4/4 swing with triplets and rests, 2 errors
[-13-] 4/4 swing with triplets and rests, 3 errors
[-14-] 3/4 swing with triplets, 2 bars, 2 errors
[-15-] 3/4 and 4/4 swing, triplets and rests, 4 errors
[-16-] 6/8, 2 errors
[-17-] 6/8, 2 errors
[-18-] 6/8 with rests, 2 errors
[-19-] 6/8 with rests, 3 errors
[-20-] 6/8 with rests and more eighths, 2 errors
[-21-] 6/8 with rests, 4 errors
[-22-] 4/4 with straight eighths and sixteenths, 2 errors
[-23-] 4/4 with straight eighths and sixteenths, 4 errors
[-24-] 3/4 and 4/4 straight, with rests, 2 errors
[-25-] 3/4 and 4/4 straight, with rests, 4 errors
[-26-] 6/8 with sixteenths, 2 errors
[-27-] 6/8 with sixteenths, 3 errors
[-28-] 6/8 with sixteenths, 2 errors
[-29-] 6/8 with triplets, 3 errors
[-30-] Medium upswing
[-31-] Medium upswing
[-32-] Sixteenths swing
[-33-] Sixteenths swing
[-34-] Sixteenths swing with sixteenth note triplets
[-35-] Sixteenths swing with sixteenth note triplets
[-36-] Straight rhythms with 16th and 32nd notes #1
[-37-] Straight rhythms with 16th and 32nd notes #2
[-38-] Straight rhythms with 16th and 32nd notes #3
[-39-] Up-tempo swing #1
[-40-] Up-tempo swing #2
[-41-] Up-tempo swing #3
[-42-] Swing eighths with straight sixteenths
[-43-] Swing eighths with straight sixteenths
RHYTHM DICTATION
[-1-] 4/4 swing, half-, quarter- and eighth notes
[-2-] 4/4 swing with rests
[-3-] 4/4 swing, quarter notes and eighths, faster tempo
[-4-] 3/4 swing, quarter notes, eighths and rests
[-5-] 3/4 and 4/4 swing - two bars!
[-6-] 4/4 swing with eighth note triplets
[-7-] 4/4 swing with triplets
[-8-] 4/4 swing with triplets and rests
[-9-] 3/4 swing with triplets
[-10-] 3/4 and 4/4 swing, triplets and rest
[-11-] 6/8
[-12-] 6/8 with rests
[-13-] 6/8, with rests and ties
[-14-] 4/4 straight with eighths and sixteenths.
[-15-] 3/4 and 4/4 straight with rests
[-16-] 6/8 with sixteenths
[-17-] 6/8 with sixteenths and ties
[-18-] 6/8 with sixteenths, rests and ties
[-19-] 6/8 with sixteenths. 2 bars.
[-20-] 6/8 with sixteenths and ties. 2 bars.
[-21-] 6/8 with sixteenths, rests and ties
[-22-] Medium upswing, quarter notes, eighths and rests
[-23-] Up-tempo swing, quarter notes, eighths and rests
[-24-] Medium upswing, with rests and ties
[-25-] Up-tempo swing, with rests and ties
[-26-] Medium upswing, quarter notes, eighths and rests.
[-27-] Up-tempo swing, tempo 200. Two bars
[-28-] Medium upswing, with rests and ties. Two bars
[-29-] Medium upswing, 2 bars, with quarter note triplets
[-30-] Up-tempo swing, rests and ties.
[-31-] Up-tempo swing, with quarter note triplets
[-32-] Sixteenths swing. One bar
[-33-] Sixteenths swing with sixteenth note triplets
[-34-] Sixteenths swing with triplets and ties
[-35-] Sixteenths swing with sixteenth note triplets.
[-36-] Straight rhythms with 16th and 32nd notes
[-37-] Rhythms with 16th and 32nd notes and ties
[-38-] Up-tempo swing with quarter note triplets. Two bars
[-39-] Up-tempo swing with rests. Two bars
[-40-] Up-tempo swing with more eighths. Two bars.
[-41-] Up-tempo swing with quarter note triplets. 3 bars!
[-42-] Up-tempo swing with rests. 3 bars.
[-43-] Swing eighths with straight sixteenths.
[-44-] Swing eighths with straight sixteenths and rests.
[-45-] Sixteenths swing. 2 bars.
[-46-] Sixteenths swing with triplets and ties. 2 bars.
[-47-] Up-tempo swing with more eighths.
[-48-] Swinging eighths and straight sixteenths.
[-49-] Swinging eighths, straight sixteenths and rests.
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| Ear training activities |
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EarMaster Pro and School include 12 ear training activities, for a total of 651 lessons:
Interval Comparison*
Interval Identification*
Interval Singing
Chord Identification*
Chord Progression Identification
Scale Identification
Rhythm Imitation
Rhythm Reading*
Rhythm Correction
Rhythm Dictation
Melodic Dictation
* Exercise areas included in the Essential version
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| Member of TI:ME |
EarMaster is a proud and active member of TI:ME (Technology Institute for Music Educators), and supports the advance of the use of technology in music education.
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