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Ear Training lessons in EarMaster



EarMaster Standard Tutor
Thanks to Birthe Skou for assisting the development of the EarMaster Standard Tutor. Birthe Skou is an ear training professor at the Royal Danish Music Conservatory.


Intervals
INTERVAL COMPARISON

[-1-] Minor and major 2nd - ascending
[-2-] Minor and major 2nd - descending
[-3-] Minor and major 2nd - harmonic
[-4-] Minor and major 3rd - ascending
[-5-] Minor and major 3rd - descending
[-6-] Minor and major 3rd - harmonic
[-7-] Perfect 4th, Tritone and Perfect 5th - ascending
[-8-] 4th, Tritone and 5th - descending
[-9-] 4th, Tritone and 5th - harmonic
[-10-] All intervals from Unison to 5th - ascending
[-11-] All intervals from Unison to 5th - descending
[-12-] All intervals from Unison to 5th - harmonic
[-13-] Minor and major 2nd - ascending
[-14-] Minor and major 2nd - descending
[-15-] Minor and major 2nd - harmonic
[-16-] Minor and major 3rd - ascending
[-17-] Minor and major 3rd - descending
[-18-] Minor and major 3rd - harmonic
[-19-] Perfect 4th, Tritone and Perfect 5th - ascending
[-20-] 4th, Tritone and 5th - descending
[-21-] 4th, Tritone and 5th - harmonic
[-22-] All intervals from Unison to 5th - ascending
[-23-] All intervals from Unison to 5th - descending
[-24-] All intervals from Unison to 5th - harmonic
[-25-] Minor and major 6th - ascending
[-26-] Minor and major 6th - descending
[-27-] Minor and major 6th - harmonic
[-28-] Minor and major 7th - ascending
[-29-] Minor and major 7th - descending
[-30-] Minor and major 7th - harmonic
[-31-] All intervals - Unison to Octave - ascending
[-32-] All intervals - Unison to Octave - descending
[-33-] All intervals - Unison to Octave - harmonic
[-34-] Minor and major 6th - ascending
[-35-] Minor and major 6th - descending
[-36-] Minor and major 6th - harmonic
[-37-] Minor and major 7th - ascending
[-38-] Minor and major 7th - descending
[-39-] Minor and major 7th - harmonic
[-40-] All intervals Unison to Octave - ascending
[-41-] All intervals Unison to Octave - descending
[-42-] All intervals from Unison to Octave - harmonic


INTERVAL IDENTIFICATION

[-1-] Unison, Major 2nd and Major 3rd - ascending
[-2-] Unison, Major 2nd and Major 3rd - harmonic
[-3-] Unison, Major 2nd and Major 3rd - ascending
[-4-] Unison, Major 2nd and Major 3rd - harmonic
[-5-] Diatonic intervals - Unison to 5th - ascending
[-6-] Unison to 5th - harmonic
[-7-] Unison to 5th - ascending
[-8-] Unison to 5th - harmonic
[-9-] Diatonic intervals Unison to Octave - ascending
[-10-] Unison to Octave - harmonic
[-11-] Unison to Octave - ascending - random pitch
[-12-] Unison to Octave - harmonic - random pitch
[-13-] Unison, Minor 2nd and Minor 3rd - descending
[-14-] Unison, Minor 2nd and Minor 3rd - descending
[-15-] Diatonic intervals - Unison to 5th - descending
[-16-] Unison to 5th - descending - random pitch
[-17-] Unison to Octave - descending
[-18-] Unison to Octave - descending - random pitch
[-19-] Diatonic - Unison to 5th ALL STEPS - ascending
[-20-] Diatonic intervals from all steps - ascending
[-21-] Diatonic intervals from all steps - descending
[-22-] Diatonic intervals from all steps - harmonic
[-23-] Diatonic intervals in Bb - ascending
[-24-] Diatonic intervals in Bb - descending
[-25-] Diatonic intervals in Bb - harmonic
[-26-] Diatonic intervals - more keys - ascending
[-27-] Diatonic intervals - more keys - descending
[-28-] Diatonic intervals - more keys - harmonic
[-29-] Diatonic intervals - random keys - ascending
[-30-] Diatonic intervals - random keys - descending
[-31-] Diatonic intervals - random keys - harmonic
[-32-] Diatonic intervals - Unison to 10th - ascending
[-33-] Diatonic intervals - Unison to 10th - descending
[-34-] Diatonic intervals - Unison to 10th - harmonic
[-35-] Diatonic - Unison to two octaves - ascending
[-36-] Diatonic - Unison to two octaves - descending
[-37-] Diatonic - Unison to two octaves - harmonic


INTERVAL SINGING
Customized exercise only


Chords
CHORD IDENTIFICATION

[-1-] Get to know the Major triad
[-2-] Get to know the Minor triad
[-3-] Major and Minor triads
[-4-] Get to know the Augmented triad
[-5-] Get to know the Diminished triad
[-6-] Augmented and Diminished triads
[-7-] Identify the main four triads
[-8-] Sus2 and Sus4 triads
[-9-] All triads - ascending
[-10-] All triads - descending
[-11-] All triads - harmonic
[-12-] Seventh chords: 7 and maj7
[-13-] Seventh chords: mi7 and half-dim (mi7b5)
[-14-] 7, maj7, mi7, dim and half dim - ascending
[-15-] 7, maj7, mi7, dim and half dim - descending
[-16-] 7, maj7, mi7, dim and half dim - harmonic
[-17-] 7(b5), 7(#5) and sus4,7 - ascending
[-18-] mi, maj7 and 7(#5) - ascending
[-19-] 6 and mi6 - ascending
[-20-] Seventh and sixth chords - ascending
[-21-] Seventh and sixth chords - descending
[-22-] Seventh and sixth chords - harmonic
[-23-] Identify the main 9th chords - ascending
[-24-] Identify the main 9th chords - descending
[-25-] Identify the main 9th chords - harmonic


CHORD INVERSIONS

[-1-] Inversions of the Major triad
[-2-] Inversions of the Minor triad
[-3-] Inversions of the Diminished triad
[-4-] Major, Minor, Dim and Aug triads - ascending
[-5-] Major, Minor, Dim and Aug triads - descending
[-6-] Major, Minor, Dim and Aug triads - harmonic
[-7-] Inversions of the 7th chord - ascending
[-8-] Inversions of the 7th chord - descending
[-9-] Inversions of the 7th chord - harmonic
[-10-] Inversions of the mi7 chord
[-11-] Inversions of the half dim (ø) chord
[-12-] Mi7 and half dim - ascending
[-13-] Mi7 and half dim - descending
[-14-] Mi7 and half dim - harmonic
[-15-] Inversions of the Maj7 - ascending
[-16-] Inversions of the Maj7 - descending
[-17-] Inversions of the Maj7 - harmonic
[-18-] 7, mi7, maj7 and half dim - ascending
[-19-] 7, mi7, maj7 and half dim - descending
[-20-] 7, mi7, maj7 and half dim - harmonic


CHORD PROGRESSIONS

[-1-] Identify major and minor tonic in V-I
[-2-] Dominants with and without 7
[-3-] VIIdim7 - in Major and minor
[-4-] Common dominant - tonic combinations
[-5-] Major/minor subdominant (IV) and supertonic (II)
[-6-] Various dominant-tonic combinations
[-7-] II - V - I combinations
[-8-] II - V - I and II - bII - I combinations
[-9-] IV - I combinations (Plagal cadences)
[-10-] Two mediant combinations
[-11-] Four mediant combinations
[-12-] Three part plagal cadences
[-13-] Extended tonal cadences
[-14-] Fifth sequences
[-15-] Folk progressions
[-16-] Progressions with bVII7(b5)
[-17-] Interrupted cadences
[-18-] Modulations #1
[-19-] Modulations #2
[-20-] Modulations to bIII and bVI
[-21-] Last step!


Scales, Modes and Melodies
SCALE IDENTIFICATION

[-1-] Major, Lydian and Mixolydian (begin with 1-1)
[-2-] Scales with minor sound (begin with 1-½)
[-3-] Phrygian and Locrian (begin with ½-1)
[-4-] All modes and harmonic and melodic minor
[-5-] Whole tone and variants of Lydian and Mixolydian
[-6-] Melodic minor, Locrian (#2) and Dim (1-½)
[-7-] Phrygian (#6), Altered and Dim (½-1)
[-8-] Derivatives of melodic minor, Whole tone and Dim
[-9-] All scales and modes from lessons 1-8
[-10-] Derivatives of harmonic minor
[-11-] The two pentatonic scales
[-12-] All modes - descending
[-13-] Derivatives of harmonic minor - descending


MELODIC DICTATION

[-1-] Identify a scale tone from a cadence in major
[-2-] Identify a scale tone in all major keys
[-3-] Identify a scale tone from a cadence in minor
[-4-] Identify a scale tone in all minor keys
[-5-] Three scale tones in major
[-6-] Three scale tones in all major keys
[-7-] Three scale tones in minor
[-8-] Three scale tones in all minor keys
[-9-] 5 scale tones in major
[-10-] 5 scale tones in all major keys
[-11-] 5 scale tones in harmonic minor
[-12-] 5 scale tones in harmonic minor - all keys
[-13-] 5 scale tones in major - Unison to 4th intervals
[-14-] 5 tones in all major keys - Unison to 4th intervals
[-15-] 5 tones in harmonic minor - Unison to 4th intervals
[-16-] 5 tones in harm. minor - Unison to 4th - all keys
[-17-] 5 tones in all major keys - Unison to 6th intervals
[-18-] 5 tones in harmonic minor - Unison to 6th intervals
[-19-] 5 tones in major keys - Unison to 7th intervals
[-20-] 5 tones in harmonic minor - Unison to 7th intervals
[-21-] 5 tones in major keys - Unison to octave intervals
[-22-] 5 tones in harmonic minor - Unison to octave
[-23-] 7 tones in major keys - Unison to octave intervals
[-24-] 7 tones in harmonic minor - Unison to octave
[-25-] 5 tones relative to first tone - whole tone scale
[-26-] 5 tones relative to first tone - chromatic scale
[-27-] 7 tones relative to first tone - whole tone scale
[-28-] 7 tones relative to first tone - chromatic scale
[-29-] 7 tones relative to root tone - IV-V-I progression
[-30-] 9 tones relative to root tone - IV-V-I progression
[-31-] 7 tones relative to root tone - IImi7 - V7 - I maj7
[-32-] 9 tones relative to root tone - IImi7 - V7 - I maj7
[-33-] 9 tones relative to first tone - whole tone scale
[-34-] 9 tones relative to first tone - chromatic scale
[-35-] 11 tones relative to root tone - IV-V-I progression
[-36-] 11 tones relative to root tone - IImi7-V7-I maj7
[-37-] 9 tones in major keys - Unison to octave intervals
[-38-] 9 tones in harmonic minor - Unison to octave
[-39-] 11 tones in major keys - Unison to octave intervals
[-40-] 11 tones in harmonic minor - Unison to octave
[-41-] 11 tones relative to first tone - whole tone scale
[-42-] 11 tones relative to first tone - chromatic scale


Rhythm
RHYTHM IMITATION

[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Whole, half and quarter notes - with ties
[-6-] Whole, half, quarter and eighth notes - with ties
[-7-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-8-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-9-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-10-] 4/4, 3/4, 2/4 and 5/4 - with ties
[-11-] 4/4, 3/4, 2/4 and 5/4 - dotted, rests and ties
[-12-] Introducing 4/8, 3/8 and 6/8 time signatures
[-13-] 4/8, 3/8 and 6/8 - with rests
[-14-] 4/8, 3/8 and 6/8 - with dotted notes
[-15-] 4/8, 3/8 and 6/8 - with ties
[-16-] 4/8, 3/8 and 6/8 - with ties #2
[-17-] 4/8, 3/8 and 6/8 - dotted, rests and ties
[-18-] Introducing 4/2, 3/2 and 2/2 time signatures
[-19-] 4/2, 3/2 and 2/2 - with rests
[-20-] 4/2, 3/2 and 2/2 - with dotted notes
[-21-] 4/2, 3/2 and 2/2 - with ties
[-22-] 4/2, 3/2 and 2/2 - dotted, rests and ties
[-23-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-24-] Combinations of eighth and 16th notes
[-25-] Combinations of eighth and 16th notes - with rests
[-26-] Eighth note triplets - #1
[-27-] Eighth note triplets - #2
[-28-] Eighth note triplets - #3
[-29-] Eighth note triplets - #4
[-30-] Eighth note triplets - #5
[-31-] 16th note triplets - #1
[-32-] 16th note triplets - #2
[-33-] 16th note triplets - #3
[-34-] 16th note triplets - #4
[-35-] Eighth note units with 32nd notes - #1
[-36-] Eighth note units with 32nd notes - #2
[-37-] Eighth note units with 32nd notes - #3
[-38-] Eighth note units with 32nd notes - #4
[-39-] 16th note triplets and 32nd notes - #1
[-40-] 16th note triplets and 32nd notes - #2
[-41-] 16th note triplets and 32nd notes - #3
[-42-] 4/2, 3/2 and 2/2 with eighth notes
[-43-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-44-] 4/2, 3/2 and 2/2 with quarter note triplets
[-45-] 4/2, 3/2 and 2/2 with dots, rests and ties
[-46-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-47-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-48-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-49-] 6/8 with 16th notes
[-50-] 9/8 with 16th notes
[-51-] 12/8 with 16th notes
[-52-] 5/8 with 16th notes
[-53-] 5/8 with dots, rests and ties
[-54-] 7/8 with 16th notes
[-55-] 7/8 with dots, rests and ties
[-56-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-57-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-58-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-59-] Half, quarter and eighth note triplets
[-60-] Difficult!


RHYTHM READING

[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Whole, half and quarter notes - with ties
[-6-] Whole, half, quarter and eighth notes - with ties
[-7-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-8-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-9-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-10-] 4/4, 3/4, 2/4 and 5/4 - with ties
[-11-] 4/4, 3/4, 2/4 and 5/4 - dotted, rests and ties
[-12-] Introducing 4/8, 3/8 and 6/8 time signatures
[-13-] 4/8, 3/8 and 6/8 - with rests
[-14-] 4/8, 3/8 and 6/8 - with dotted notes
[-15-] 4/8, 3/8 and 6/8 - with ties
[-16-] 4/8, 3/8 and 6/8 - with ties #2
[-17-] 4/8, 3/8 and 6/8 - dotted, rests and ties
[-18-] Introducing 4/2, 3/2 and 2/2 time signatures
[-19-] 4/2, 3/2 and 2/2 - with rests
[-20-] 4/2, 3/2 and 2/2 - with dotted notes
[-21-] 4/2, 3/2 and 2/2 - with ties
[-22-] 4/2, 3/2 and 2/2 - dotted, rests and ties
[-23-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-24-] Combinations of eighth and 16th notes
[-25-] Combinations of eighth and 16th notes - with rests
[-26-] Eighth note triplets - #1
[-27-] Eighth note triplets - #2
[-28-] Eighth note triplets - #3
[-29-] Eighth note triplets - #4
[-30-] Eighth note triplets - #5
[-31-] 16th note triplets - #1
[-32-] 16th note triplets - #2
[-33-] 16th note triplets - #3
[-34-] 16th note triplets - #4
[-35-] Eighth note units with 32nd notes - #1
[-36-] Eighth note units with 32nd notes - #2
[-37-] Eighth note units with 32nd notes - #3
[-38-] Eighth note units with 32nd notes - #4
[-39-] 16th note triplets and 32nd notes - #1
[-40-] 16th note triplets and 32nd notes - #2
[-41-] 16th note triplets and 32nd notes - #3
[-42-] 4/2, 3/2 and 2/8 with eighth notes
[-43-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-44-] 4/2, 3/2 and 2/2 with quarter note triplets
[-45-] 4/2, 3/2 and 2/2 with dots, rests and ties
[-46-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-47-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-48-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-49-] 6/8 with 16th notes
[-50-] 9/8 with 16th notes
[-51-] 12/8 with 16th notes
[-52-] 5/8 with 16th notes
[-53-] 5/8 with dots, rests and ties
[-54-] 7/8 with 16th notes
[-55-] 7/8 with dots, rests and ties
[-56-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-57-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-58-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-59-] Half, quarter and eighth note triplets
[-60-] Difficult!


RHYTHM CORRECTION

[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-6-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-7-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-8-] 4/4, 3/4, 2/4 and 5/4 - dots and rests
[-9-] Introducing 4/8, 3/8 and 6/8 time signatures
[-10-] 4/8, 3/8 and 6/8 - with rests
[-11-] 4/8, 3/8 and 6/8 - with dotted notes
[-12-] 4/8, 3/8 and 6/8 - dots and rests
[-13-] Introducing 4/2, 3/2 and 2/2 time signatures
[-14-] 4/2, 3/2 and 2/2 - with rests
[-15-] 4/2, 3/2 and 2/2 - with dotted notes
[-16-] 4/2, 3/2 and 2/2 - dots and rests
[-17-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-18-] Combinations of eighth and 16th notes
[-19-] Combinations of eighth and 16th notes - with rests
[-20-] Eighth note triplets - #1
[-21-] Eighth note triplets - #2
[-22-] Eighth note triplets - #3
[-23-] Eighth note triplets - #4
[-24-] Eighth note triplets - #5
[-25-] 16th note triplets - #1
[-26-] 16th note triplets - #2
[-27-] 16th note triplets - #3
[-28-] 16th note triplets - #4
[-29-] Eighth note units with 32nd notes - #1
[-30-] Eighth note units with 32nd notes - #2
[-31-] Eighth note units with 32nd notes - #3
[-32-] Eighth note units with 32nd notes - #4
[-33-] 16th note triplets and 32nd notes - #1
[-34-] 16th note triplets and 32nd notes - #2
[-35-] 16th note triplets and 32nd notes - #3
[-36-] 4/2, 3/2 and 2/8 with eighth notes
[-37-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-38-] 4/2, 3/2 and 2/2 with quarter note triplets
[-39-] 4/2, 3/2 and 2/2 with dots and rests
[-40-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-41-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-42-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-43-] 6/8 with 16th notes
[-44-] 9/8 with 16th notes
[-45-] 12/8 with 16th notes
[-46-] 5/8 with 16th notes
[-47-] 5/8 with dots and rests
[-48-] 7/8 with 16th notes
[-49-] 7/8 with dots and rests
[-50-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-51-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-52-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-53-] Half, quarter and eighth note triplets
[-54-] Difficult!


RHYTHM DICTATION

[-1-] 4/4: Quarters and eighths
[-2-] Whole, half, quarter and eighth notes
[-3-] Whole, half, quarter and eighth notes - with rests
[-4-] Whole, half, quarter and eighth notes - dotted
[-5-] Whole, half and quarter notes - with ties
[-6-] Whole, half, quarter and eighth notes - with ties
[-7-] Introducing 4/4, 3/4, 2/4 and 5/4 time signatures
[-8-] 4/4, 3/4, 2/4 and 5/4 - with rests
[-9-] 4/4, 3/4, 2/4 and 5/4 - with dotted notes
[-10-] 4/4, 3/4, 2/4 and 5/4 - with ties
[-11-] 4/4, 3/4, 2/4 and 5/4 - dotted, rests and ties
[-12-] Introducing 4/8, 3/8 and 6/8 time signatures
[-13-] 4/8, 3/8 and 6/8 - with rests
[-14-] 4/8, 3/8 and 6/8 - with dotted notes
[-15-] 4/8, 3/8 and 6/8 - with ties
[-16-] 4/8, 3/8 and 6/8 - with ties #2
[-17-] 4/8, 3/8 and 6/8 - dotted, rests and ties
[-18-] Introducing 4/2, 3/2 and 2/2 time signatures
[-19-] 4/2, 3/2 and 2/2 - with rests
[-20-] 4/2, 3/2 and 2/2 - with dotted notes
[-21-] 4/2, 3/2 and 2/2 - with ties
[-22-] 4/2, 3/2 and 2/2 - dotted, rests and ties
[-23-] 4/4, 3/4, 2/4 and 5/4 - with 16th notes
[-24-] Combinations of eighth and 16th notes
[-25-] Combinations of eighth and 16th notes - with rests
[-26-] Eighth note triplets - #1
[-27-] Eighth note triplets - #2
[-28-] Eighth note triplets - #3
[-29-] Eighth note triplets - #4
[-30-] Eighth note triplets - #5
[-31-] 16th note triplets - #1
[-32-] 16th note triplets - #2
[-33-] 16th note triplets - #3
[-34-] 16th note triplets - #4
[-35-] Eighth note units with 32nd notes - #1
[-36-] Eighth note units with 32nd notes - #2
[-37-] Eighth note units with 32nd notes - #3
[-38-] Eighth note units with 32nd notes - #4
[-39-] 16th note triplets and 32nd notes - #1
[-40-] 16th note triplets and 32nd notes - #2
[-41-] 16th note triplets and 32nd notes - #3
[-42-] 4/2, 3/2 and 2/8 with eighth notes
[-43-] 4/2, 3/2 and 2/2 with eighth notes and rests
[-44-] 4/2, 3/2 and 2/2 with quarter note triplets
[-45-] 4/2, 3/2 and 2/2 with dots, rests and ties
[-46-] 4/2, 3/2 and 2/2 with eighth note triplets - #1
[-47-] 4/2, 3/2 and 2/2 with eighth note triplets - #2
[-48-] 4/2, 3/2 and 2/2 with eighth note triplets - #3
[-49-] 6/8 with 16th notes
[-50-] 9/8 with 16th notes
[-51-] 12/8 with 16th notes
[-52-] 5/8 with 16th notes
[-53-] 5/8 with dots, rests and ties
[-54-] 7/8 with 16th notes
[-55-] 7/8 with dots, rests and ties
[-56-] 4/4, 3/4, 2/4 and 5/4 with triplets - #1
[-57-] 4/4, 3/4, 2/4 and 5/4 with triplets - #2
[-58-] 4/4, 3/4, 2/4 and 5/4 with triplets - #3
[-59-] Half, quarter and eighth note triplets
[-60-] Difficult!


EarMaster Jazz Tutor
Thanks to Martin Granum who developed this jazz tutor. Martin Granum is an ear training professor at the Danish Royal Academy of Music.


Jazz Chords
CHORD IDENTIFICATION

[-1-] Four note chords #1: major
[-2-] Four note chords #2: minor
[-3-] Four note chords #3: dim7, mi7(b5)
[-4-] Four note chords #4
[-5-] Four note chords #5: maj7 dissonant
[-6-] Four note chords #6: major7 dissonant
[-7-] Four note chords #7: minor dissonant
[-8-] Four note chords #8: the six most dissonant
[-9-] Four note chords #9: all
[-10-] Tonic major: Five and six note chords
[-11-] Tonic major: 4 to 7 note chords, Lydian scale
[-12-] Tonic major, mixed
[-13-] Tonic minor: 5 and 6 note chords
[-14-] Tonic minor: Dorian and melodic scales
[-15-] mi7(b5) chords
[-16-] Minor chords, mixed
[-17-] Dominants, Mixolydian scale
[-18-] Dominants, Mixolydian #11 mode
[-19-] Dominants, altered scale
[-20-] Dominants, diminished scale
[-21-] Dominants, mixed
[-22-] All chords, mixed


CHORD PROGRESSIONS

[-1-] Diatonic progressions, major
[-2-] Diatonic progressions, major
[-3-] Diatonic progressions, major
[-4-] Diatonic progressions, minor
[-5-] Diatonic progressions, minor, with Dominant 7
[-6-] Diatonic progressions, major, with Dominant V7/IV
[-7-] Diatonic major, with Dominant V7/V
[-8-] Diatonic major, with Dominant V7/II
[-9-] Diatonic major, with Dominant V7/VI
[-10-] Diatonic major, with Dominant V7/III
[-11-] Major with all 5 secondary dominants
[-12-] Major with tritone substituted dominants #1
[-13-] Major with tritone substituted dominants #2
[-14-] Major with tritone substituted dominants #3
[-15-] Major with a modal interchange chord
[-16-] Major with at least 2 modal interchange chords
[-17-] Major, various number of modal interchange chords
[-18-] All themes mixed!


Jazz Rhythm
RHYTHM IMITATION

[-1-] 4/4 swing, half-, quarter- and eighth notes
[-2-] 4/4 swing with rests
[-3-] 4/4 swing, quarter notes and eighths, faster tempo
[-4-] 3/4 swing, quarter notes, eighths and rests
[-5-] 3/4 and 4/4 swing - two bars!
[-6-] 4/4 swing with eighth note triplets
[-7-] 4/4 swing with triplets
[-8-] 4/4 swing with triplets and rests
[-9-] 3/4 swing with triplets
[-10-] 3/4 and 4/4 swing, triplets and rest
[-11-] 6/8
[-12-] 6/8 with rests
[-13-] 6/8, with rests and ties
[-14-] 4/4 straight with eighths and sixteenths.
[-15-] 3/4 and 4/4 straight with rests
[-16-] 6/8 with sixteenths
[-17-] 6/8 with sixteenths and ties
[-18-] 6/8 with sixteenths, rests and ties
[-19-] 6/8 with sixteenths. 2 bars.
[-20-] 6/8 with sixteenths and ties. 2 bars.
[-21-] 6/8 with sixteenths, rests and ties
[-22-] Medium upswing, quarter notes, eighths and rests
[-23-] Up-tempo swing, quarter notes, eighths and rests
[-24-] Medium upswing, with rests and ties
[-25-] Up-tempo swing, with rests and ties
[-26-] Medium upswing, quarter notes, eighths and rests.
[-27-] Up-tempo swing, tempo 200. Two bars
[-28-] Medium upswing, with rests and ties. Two bars
[-29-] Medium upswing, 2 bars, with quarter note triplets
[-30-] Up-tempo swing, rests and ties.
[-31-] Up-tempo swing, with quarter note triplets
[-32-] Sixteenths swing. One bar
[-33-] Sixteenths swing with sixteenth note triplets
[-34-] Sixteenths swing with triplets and ties
[-35-] Sixteenths swing with sixteenth note triplets
[-36-] Straight rhythms with 16th and 32nd notes
[-37-] Rhythms with 16th and 32nd notes and ties
[-38-] Up-tempo swing with quarter note triplets. Two bars
[-39-] Up-tempo swing with rests. Two bars
[-40-] Up-tempo swing with more eighths. Two bars.
[-41-] Up-tempo swing with quarter note triplets. 3 bars!
[-42-] Up-tempo swing with rests. 3 bars.
[-43-] Swing eighths with straight sixteenths.
[-44-] Swing eighths with straight sixteenths and rests.
[-45-] Sixteenths swing. 2 bars.
[-46-] Sixteenths swing with triplets and ties. 2 bars.
[-47-] Up-tempo swing with more eighths.
[-48-] Swinging eighths and straight sixteenths.
[-49-] Swinging eighths, straight sixteenths and rests.


RHYTHM READING

[-1-] 4/4 swing, half-, quarter- and eighth notes
[-2-] 4/4 swing with rests
[-3-] 4/4 swing, quarter notes and eighths, faster tempo
[-4-] 3/4 swing, quarter notes, eighths and rests
[-5-] 3/4 and 4/4 swing - two bars!
[-6-] 4/4 swing with eighth note triplets
[-7-] 4/4 swing with triplets
[-8-] 4/4 swing with triplets and rests
[-9-] 3/4 swing with triplets
[-10-] 3/4 and 4/4 swing, triplets and rest
[-11-] 6/8
[-12-] 6/8 with rests
[-13-] 6/8, with rests and ties
[-14-] 4/4 straight with eighths and sixteenths.
[-15-] 3/4 and 4/4 straight with rests
[-16-] 6/8 with sixteenths
[-17-] 6/8 with sixteenths and ties
[-18-] 6/8 with sixteenths, rests and ties
[-19-] Medium upswing, quarter notes, eighths and rests
[-20-] Medium upswing with rests and ties
[-21-] Sixteenths swing.
[-22-] Sixteenths swing with sixteenth note triplets
[-23-] Sixteenths swing with triplets and ties
[-24-] Straight rhythms with 16th and 32nd notes
[-25-] Rhythms with 16th and 32nd notes and ties
[-26-] Up-tempo swing
[-27-] Up-tempo swing with rests
[-28-] Up-tempo swing with more eighths
[-29-] Swing eighths with straight sixteenths.
[-30-] Swing eighths with straight sixteenths and rests.


RHYTHM CORRECTION

[-1-] 4/4 swing, one bar, one error
[-2-] 4/4 swing, 2 bars, 2 errors
[-3-] 4/4 swing with rests
[-4-] 4/4 swing with rests, 2 bars, 2 errors
[-5-] 4/4 swing, faster tempo
[-6-] 4/4 swing, 2 bars, 2 errors
[-7-] 3/4 swing, 2 bars, 2 errors
[-8-] 3/4 and 4/4 swing, 2 errors
[-9-] 4/4 swing with eighth note triplets, 2 errors
[-10-] 4/4 swing with triplets, 2 errors
[-11-] 4/4 swing with triplets, 3 errors
[-12-] 4/4 swing with triplets and rests, 2 errors
[-13-] 4/4 swing with triplets and rests, 3 errors
[-14-] 3/4 swing with triplets, 2 bars, 2 errors
[-15-] 3/4 and 4/4 swing, triplets and rests, 4 errors
[-16-] 6/8, 2 errors
[-17-] 6/8, 2 errors
[-18-] 6/8 with rests, 2 errors
[-19-] 6/8 with rests, 3 errors
[-20-] 6/8 with rests and more eighths, 2 errors
[-21-] 6/8 with rests, 4 errors
[-22-] 4/4 with straight eighths and sixteenths, 2 errors
[-23-] 4/4 with straight eighths and sixteenths, 4 errors
[-24-] 3/4 and 4/4 straight, with rests, 2 errors
[-25-] 3/4 and 4/4 straight, with rests, 4 errors
[-26-] 6/8 with sixteenths, 2 errors
[-27-] 6/8 with sixteenths, 3 errors
[-28-] 6/8 with sixteenths, 2 errors
[-29-] 6/8 with triplets, 3 errors
[-30-] Medium upswing
[-31-] Medium upswing
[-32-] Sixteenths swing
[-33-] Sixteenths swing
[-34-] Sixteenths swing with sixteenth note triplets
[-35-] Sixteenths swing with sixteenth note triplets
[-36-] Straight rhythms with 16th and 32nd notes #1
[-37-] Straight rhythms with 16th and 32nd notes #2
[-38-] Straight rhythms with 16th and 32nd notes #3
[-39-] Up-tempo swing #1
[-40-] Up-tempo swing #2
[-41-] Up-tempo swing #3
[-42-] Swing eighths with straight sixteenths
[-43-] Swing eighths with straight sixteenths


RHYTHM DICTATION

[-1-] 4/4 swing, half-, quarter- and eighth notes
[-2-] 4/4 swing with rests
[-3-] 4/4 swing, quarter notes and eighths, faster tempo
[-4-] 3/4 swing, quarter notes, eighths and rests
[-5-] 3/4 and 4/4 swing - two bars!
[-6-] 4/4 swing with eighth note triplets
[-7-] 4/4 swing with triplets
[-8-] 4/4 swing with triplets and rests
[-9-] 3/4 swing with triplets
[-10-] 3/4 and 4/4 swing, triplets and rest
[-11-] 6/8
[-12-] 6/8 with rests
[-13-] 6/8, with rests and ties
[-14-] 4/4 straight with eighths and sixteenths.
[-15-] 3/4 and 4/4 straight with rests
[-16-] 6/8 with sixteenths
[-17-] 6/8 with sixteenths and ties
[-18-] 6/8 with sixteenths, rests and ties
[-19-] 6/8 with sixteenths. 2 bars.
[-20-] 6/8 with sixteenths and ties. 2 bars.
[-21-] 6/8 with sixteenths, rests and ties
[-22-] Medium upswing, quarter notes, eighths and rests
[-23-] Up-tempo swing, quarter notes, eighths and rests
[-24-] Medium upswing, with rests and ties
[-25-] Up-tempo swing, with rests and ties
[-26-] Medium upswing, quarter notes, eighths and rests.
[-27-] Up-tempo swing, tempo 200. Two bars
[-28-] Medium upswing, with rests and ties. Two bars
[-29-] Medium upswing, 2 bars, with quarter note triplets
[-30-] Up-tempo swing, rests and ties.
[-31-] Up-tempo swing, with quarter note triplets
[-32-] Sixteenths swing. One bar
[-33-] Sixteenths swing with sixteenth note triplets
[-34-] Sixteenths swing with triplets and ties
[-35-] Sixteenths swing with sixteenth note triplets.
[-36-] Straight rhythms with 16th and 32nd notes
[-37-] Rhythms with 16th and 32nd notes and ties
[-38-] Up-tempo swing with quarter note triplets. Two bars
[-39-] Up-tempo swing with rests. Two bars
[-40-] Up-tempo swing with more eighths. Two bars.
[-41-] Up-tempo swing with quarter note triplets. 3 bars!
[-42-] Up-tempo swing with rests. 3 bars.
[-43-] Swing eighths with straight sixteenths.
[-44-] Swing eighths with straight sixteenths and rests.
[-45-] Sixteenths swing. 2 bars.
[-46-] Sixteenths swing with triplets and ties. 2 bars.
[-47-] Up-tempo swing with more eighths.
[-48-] Swinging eighths and straight sixteenths.
[-49-] Swinging eighths, straight sixteenths and rests.
Ear training activities

EarMaster Pro and School include 12 ear training activities, for a total of 651 lessons:

Interval Comparison*

Interval Identification*

Interval Singing

Chord Identification*

Chord Progression Identification

Scale Identification

Rhythm Imitation

Rhythm Reading*

Rhythm Correction

Rhythm Dictation

Melodic Dictation

* Exercise areas included in the Essential version
 
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Member of TI:ME
Technology Institute for Music Educators
 
EarMaster is a proud and active member of TI:ME (Technology Institute for Music Educators), and supports the advance of the use of technology in music education.