- Descripción
- Características
- Actividades
- Included courses
- Nuevo en la versión 7
- Comentarios
- Instituciones usando EarMaster
- Requisitos del sistema
EarMaster 7
Entrenamiento auditivo & formación musical en PC y Mac
La manera más fácil, motivadora y eficaz para convertirse en un mejor músico
Más de 2500 ejercicios para todos los niveles de entrenamiento auditivo, lectura a primera vista, entrenamiento rítmico, armonía de Jazz, Swing y mucho más
Aprende a reconocer, transcribir y cantar melodías, escalas, acordes, intervalos, progresiones de acordes y ritmos
Cursos de Jazz con ritmos de swing y acordes, y canto a primera vista de standards de Jazz
Evaluación y estadísticas detalladas de su progreso
Personaliza los ejercicios para practicar de la manera que quieras
Responde a las preguntas entre las opciones de múltiples-respuestas: en pentagrama, en el piano en pantalla (piano, guitarra, bajo, violín, chelo, mandolina), en sílabas de solfeo, en grados de la escala y más
Utiliza un micrófono para cantar o tocar sus respuestas en tiempo real
Utiliza un teclado MIDI para reproducir sus respuestas y controlar las funciones de EarMaster de forma remota
Más de un centenar de sonidos sampleados de instrumentos reales
Comprar ahora>> Descarga para PC o Mac>>
Creemos que EarMaster es lo mejor del mercado actual, pero no somos los únicos que lo pensamos...
Miles de profesores de música, aficionados y estudiantes de música utilizan EarMaster para entrenar sus habilidades auditivas. Como Pat David, instructor de música de Youtube que descubrió EarMaster recientemente:
¡Deja de ser un BUEN músico. Conviértete en un EXCELENTE músico!
Desarrollar nuestras habilidades auditivas es la clave para convertirse en un mejor músico. Puedes tener una gran técnica, saber de memoria las escalas, entender las reglas de la armonia, pero si no desarrollamos completamente nuestras habilidades auditivas llegaremos a un punto donde no podremos avanzar.
Para obtenerlas, necesitas entrenar tu oído. Y uno de los métodos más eficientes para hacerlo es EarMaster.
Usado por miles de escuelas en la mayoría de los países durante muchos años, EarMaster es una herramienta de trabajo seriosa y responsable que te ayudará a mejorar tus habilidades auditivas y conseguir nuevos niveles de maestría musical - Porqué la diferencia entre ser un buen músico y un excelente
músico casi siempre se debe a disponer de un buen oído musical.
¿Quién debería utilizar EarMaster?
EarMaster ha sido diseñado en colaboración con profesores de música. Fue diseñado para satisfacer las necesidades de:
Estudiantes de música que necesitan practicar percepción auditiva y lectura a primera vista para sus exámenes
Profesores de música, escuelas y coros buscando una herramienta de trabajo responsable para enseñar percepción auditiva y
lectura a primera vista a todos los niveles de enseñanza
Músicos profesionales & aficionados interesados en mantener su oído en buena forma
Disponible en 2 versiones
EarMaster Pro 7 (PC & Mac) - .95
Para todos los músicos y estudiantes de música.
La herramienta perfecta para obtener un oído experto, aprobar tus exámenes y convertirse en un mejor músico.
Perfecto para Teoria Musical AP, ABRSM, RCM (modelos de exámenes americanos) y exámenes estándards parecidos.
Comprar ahora >>
EarMaster para iPad
La mejor aplicación de entrenamiento auditivo y lectura a primera vista que puedes encontrar en iPad.
Muchas aplicaciones en una para desarrollar unas habilidades auditivas perfectas en todos los niveles.
Licencia multi-usuario para escuelas de música
EarMaster Cloud (PC, Mac & iPad)
Para usarlo en casa y en la escuela
Tiene acceso al software completo de EarMaster para los estudiantes y profesores en PC, Mac y iPad
Sincroniza tareas y resultados a través de internet
Fácil gestión de las licencias online
Actualizaciones gratuitas y soporte gratuito
¡La solución Cloud más económica para formación musical - desde 0.45€ / US[module-121].45 al mes por usuario!
Más información >>
Características de EarMaster 7
Todo lo que necesitas saber para leer a primera vista y entrenar auditivamente y rítmicamente!
Usado por escuelas y conservatorios de todo el mundo para entrenar a los músicos del mañana, EarMaster llevará tus habilidades auditivas al siguiente nivel y te hará convertir en un mejor músico.
El programa incluye todo lo que necesitas para un entrenamiento auditivo altamente efectivo, practicar la lectura a primera vista y la lectura rítmica.
La forma fácil, motivadora y eficiente de convertirte en un mejor músico
Estudiantes de música, músicos profesionales and amateurs: EarMaster está hecho para ti!
EarMaster es para músicos de todos los niveles. Los estudiantes de música, los aficionados o los músicos profesionales siempre encontrarán ejercicios, actividades y pruebas que desafiarán tus habilidades de lectura a primera vista, auditivas y rítmicas, independientemente de tu nivel actual de música. Además de esto, los cursos progresivos incorporados de EarMaster aumentarán la dificultad en cada ejercicio y te acompañarán en el camino hacia unas mejores habilidades auditivas.
Más de 2500 ejercicios para todos los niveles
Simplemente sigue la guía
Más de 2500 ejercicios que te ayudarán a organizar tu entrenamiento. A medida que avanzas en los ejercicios, la dificultad aumentará automáticamente para que coincida con tu nivel y habilidades auditivas.
No solo progresarás con cada nueva sesión de entrenamiento, sino que también experimentarás cómo el entrenamiento auditivo y la lectura a primera vista puede ser motivador, entretenido y eficaz!
EarMaster contiene ejercicios para que puedas reconocer, transcribir, leer, cantar y tocar:
- Intervalos
- Acordes
- Inversión de acordes
- Progresiones armónicas y cadencias
- Escalas y modos
- Ritmos
- Melodías
Jazz
Practica tus habilidades con armonías de Jazz, ritmos swing y stándares de Jazz
El nuevo curso de EarMaster Jazz incluye cientos de ejercicios para leer a primera vista y entrenar auditivamente (dictados melódicos y tocar melodías). Las lecciones cubren varios tópicos como «Escalas Blues o Canciones de Blues, «Hits Americanos de los 1920», «Baladas y Blues en menor», «Novelty Songs y Ritmos», «Baladas Irlandesas y Música Folk», «Diversión con Irving Berlin», así como stándares clásicos de Jazz y Blues de todos los tiempos como “After You've Gone”, “St. James Infirmary”, “Mandy”, “The Sheik of Arabia”, “At the Devil's Ball”, “Missouri Waltz” y muchos más.
El curso de jazz EarMaster también incluye ejercicios sobre los aspectos específicos de la música de jazz: acordes de jazz, progresiones de jazz y ritmos de swing. EarMaster siempre le ha otorgado un lugar importante al Jazz en sus ejercicios, por lo que si quieres empezar con un entrenamiento auditivo de Jazz exigente, EarMaster es el camino a seguir: solmización, lectura a primera vista de bajos, tocar ritmos de swing y más.Completamente personalizable
Entrenamiento auditivo y de lectura a primera vista a pedido
¿Necesitas practicar unos intervalos, acordes, o escalas específicas en diferentes tonalidades? ¿Usar calve de Sol, Fa o Do? ¿Practicar lectura a primera vista en escalas específicas? ¿Usar do-relativo o nombrar los grados de una escala? ¿Necesitas crear ejercicios de máximo nivel para preparate para los exámenes?
Con EarMaster, to lo que necesitas es seleccionar Ejercicios Personalizados y configurar tu sesión de entrenamiento personalizada en mayúsculas.
Entrada de voz a tempo real
¡Deja el ratón de lado y canta o toca todas tus respuestas!
La mayoría de los ejercicios se pueden realizar con un micrófono cantando o marcando con las palmas las respuestas a tempo real. Por ejemplo, los ejercicios de Imitación Melódica y Rítmica se pueden convertir en ejercicios pregunta-respuesta en los que puedes interactuar con el programa cantando o repitiendo lo que escuchas sin parar. Se dibujará una curva tonal en el pentagrama al cantar los tonos, y EarMaster señalará las notas que están bien, ligeramente desafinadas o incorrectas. ¡Pruébalo, es muy divertido!
Instrumentos en pantalla
¡Elige la interfaz visual que más te guste!
Puedes elegir muchas interfaces visuales para ver e introducir notas en EarMaster: pentagrama (uno o doble), piano, guitarra, bajo, violín, violonchelo, mandolina, banjo, grados de escala, sílabas de solfeo o incluso botones de opción múltiple.
Preguntas adaptables
Pusimos inteligencia artificial en EarMaster
Otra característica única de EarMaster: ¡Inteligencia Artificial! La mayoría de las lecciones incluyen una función de "preguntas adaptativas" que analizan tu rendimiento y adaptan el contenido a tus necesidades. Si lo estás haciendo realmente bien, la lección se detendrá antes de tiempo, si tienes un poco de dificultad, la lección se ampliará con preguntas adicionales para asegurarse de que estás comprendiendo el tema tratado.
Estadísticas detalladas
Analiza tus sesiones de práctica
Para ayudar a monitorizar tu progreso y analizar tus puntos débiles y fuertes, EarMaster te ofrece una visión detallada de tus resultados donde podrás ver tu progreso entre lección y lección, y día tras día. Podrás darte cuenta en qué áreas auditivas necesitas practicar un poco más, y fácilmente en Ejercicios Personalizados podrás diseñar a tu manera los ejercicios.
Actividades disponibles en EarMaster 7
EarMaster 7 incluye 14 lecciones para el entrenamiento auditivo, lectura a primera vista y entrenamiento rítmico. Éstas son las bases de las más de 2500 actividades que encontrarás en el software.
Intervalos
Comparación de intervalos
EarMaster toca dos intervalos: A y B. Tendrás que indicar cuál es el mayor de los dos.
Un intervalo es la distancia tonal entre dos notas. Por lo tanto, el tamaño de un intervalo se mide por la distancia entre esas dos notas. Averiguar el mayor de los intervalos es identificar el intervalo donde la distancia entre sus dos tonos es más grande. Por ejemplo, el intervalo de Do – Mi (3ª Mayor) es más grande que el de Do – Re (2ª Mayor).
Identificación de intervalos
EarMaster toca un intervalo y pide que lo identifiques por su nombre entre los botones de multi-respuestas, o que transcribas los tonos en la interfaz de la pantalla que escojas: en pentagrama, piano, guitarra, bajo, violín, teclado de solfeo y más.
Entonación de intervalos
EarMaster toca un tono y pide que cantes o toques un intervalo por encima o por debajo de éste.
Ejemplo: Se toca la nota Re, y aparece en la barra inferior de la pantalla: "Cante la 5ª Justa sobre Re." Entonces tendrás que cantar la quinta justa sobre Re que es La.
Acordes & Escalas
Identificación de acordes
EarMaster toca un acorde y pide que lo identifiques por su nombre entre los botones de multi-respuestas, o que transcribas los tonos en la interfaz de la pantalla que escojas: en pentagrama, piano, guitarra, bajo, violín, teclado de solfeo y más.
Inversiones de acordes
EarMaster toca un acorde en posición invertida y pide que lo identifiques por su nombre entre los botones de multi-respuestas, o que transcribas los tonos en la interfaz de la pantalla que escojas: en pentagrama, piano, guitarra, bajo, violín, teclado de solfeo y más.
Progresiones de acordes
EarMaster toca una progresión de acordes y pide que la identifiques por su nombre entre los botones de multi-respuesta, o que especifiques el grado (I, V, bIII etc) y la tríada (mayor, menor, 7, sus4, etc) de cada acorde.
Identificación de escala
EarMaster toca una escala y pide que lo identifiques por su nombre entre los botones de multi-respuestas, o que transcribas los tonos en la interfaz de la pantalla que escojas: en pentagrama, piano, guitarra, bajo, violín, teclado de solfeo y más.
Ritmo
Lectura rítmica
EarMaster muestra un ritmo anotado en el pentagrama, y pide que toques los rtimos mientras sigues al metrónomo.
Puedes responder a las preguntas picando los ritmos con tus manos delante de un micrófono, tocando el ritmo con la barra espaciadora del teclado del ordenador o tocar en un instrumento MIDI.
Imitación rítmica
EarMaster toca un ritmo y pide que lo toques de nuevo a tempo con el metrónomo.
Puede responder a las preguntas picando con sus manos delante de un micrófono, tocando el ritmo con la barra espaciadora del teclado del ordenador o tocar en un instrumento MIDI.
Detección de error rítmico
EarMaster muestra un ritmo anotado en el pentagrama y, a continuación, lo toca con algunos cambios.
Tu tarea consiste en identificar estos cambios señalando en el pentagrama los valores rítmicos que son diferentes de los primeros que has escuchado.
Puede haber cambios de dos tipos:
- Una nota ha sido eliminada
- Una nota ha sido dividida en dos notas
Usando esta actividad detectivesca, mejorarás tu habilidad de reconocer variaciones rítmicas.
Dictado rítmico
EarMaster toca un ritmo y pide que lo transcribas en el pentagrama.
Melodías
Dictado melódico
EarMaster tocará una frase melódica, y su tarea consiste en transcribir en el pentagrama. Para ello, puedes utilizar la barra de herramientas de notación a la izquierda de la pantalla para seleccionar los diferentes valores de las notas que te gustaría escribir, o utilizar atajos. Las melodías se pueden reproducir aisladamente o con acompañamiento (con acordes o con hasta 4 voces melódicas).
Imitación melódica
EarMaster toca una frase melódica y pide que la cantes o toques de nuevo siguiendo al metrónomo.
Puedes responder a las preguntas cantando la melodía delante un micrófono, tocándola en un instrumento musical conectado a la tarjeta de sonido, o tocándola en un instrumento MIDI.
Lectura melódica a primera vista
EarMaster muestra una frase melódica en el pentagrama o en sílabas de solfeo y pide que la cantes o toques mientras sigues al metrónomo.
Puedes responder a las preguntas cantando la melodía delante un micrófono, tocándola en un instrumento musical conectado a la tarjeta de sonido, o tocándola en un instrumento MIDI.
Mientras estás cantando o tocando tu respuesta, EarMaster dibuja una curva en el pentagrama para ilustrar tu interpretación y mostrar la precisión de ritmo y altura de tu respuesta detalladamente.
Courses and workshops available in EarMaster
Click on a course or workshop title to view its full content.
Notice that the availability of the courses and workshops listed below depends on the license that you purchased. For more information, please refer to this Version comparison.
📕 Beginner's Course |
|
1: Welcome to the Beginner's Course |
|
| 1.1 Introduction to the course | |
2: Pitch |
|
| 2.1 Musical Pitch | |
| 2.2 Pitch Matching: One Note (any note in range) | |
| 2.3 Introduction to Pitch Intervals | |
| 2.4 More Pitch Intervals | |
| 2.5 Pitch Interval Names | |
| 2.6 Pitch Matching: Two Notes (C, D) | |
| 2.7 Module Recap | |
3: Pulse |
|
| 3.1 Beat (Pulse) | |
| 3.2 Tapping with the Metronome | |
| 3.3 Skipping Beats | |
| 3.4 Introduction to Beat Notation | |
| 3.5 Beat Error Detections | |
| 3.6 Beat Dictation | |
| 3.7 Module Recap | |
4: Pitch Notation |
|
| 4.1 Pitch Sight-Singing | |
| 4.2 Pitch Dictation with 2 notes | |
| 4.3 Pitch Dictation with 3 notes | |
| 4.4 Pitch Dictation with 4 notes | |
| 4.5 Melodic Dictation | |
| 4.6 Module Recap | |
5: Duration |
|
| 5.1 Rhythmic Duration | |
| 5.2 Performing Note Onsets and Offsets | |
| 5.3 Rhythm Error Detection | |
| 5.4 Rhythm Sight-Reading | |
| 5.5 Rhythm Dictation | |
| 5.6 Clapping Back Rhythms with Half Rests | |
| 5.7 Half Rest Error Detection | |
| 5.8 Sight-Reading Rhythms with Half Rests | |
| 5.9 Rhythmic Dictation with Half Rests | |
| 5.10 Module Recap | |
6: Tonality |
|
| 6.1 Tonality | |
| 6.2 Pitch Matching | |
| 6.3 Three Melodic Intervals | |
| 6.4 Interval Identification | |
| 6.5 Interval Singing | |
| 6.6 Tonal Threads (3 notes) | |
| 6.7 Pitch Dictation | |
| 6.8 Singing Melodic Fragments by ear | |
| 6.9 Singing Melodic Fragments by sight | |
| 6.10 Melodic Dictation | |
| 6.11 Singing a Tune: Tchaikovsky's 1812 Overture | |
| 6.12 Module Recap | |
7: Measures |
|
| 7.1 Whole Notes & Rests | |
| 7.2 Whole notes & whole rests | |
| 7.3 Whole Note Error Detection | |
| 7.4 Whole Note Sight-Reading | |
| 7.5 Whole Note Rhythmic Dictation | |
| 7.6 Two Beat Measures: Clapback | |
| 7.7 Two Beat Measures: Error detection | |
| 7.8 Two Beat Measures: Sight-Reading | |
| 7.9 Two Beat Measures: Dictation | |
| 7.10 Singing a Tune | |
| 7.11 Module Recap | |
8: The Sub-dominant |
|
| 8.1 The Sub-dominant Scale Degree | |
| 8.2 Interval Learning (Perfect 4th) | |
| 8.3 Melodic Interval Identification | |
| 8.4 Singing within the Major Scale | |
| 8.5 Tonal Threads (3 notes) | |
| 8.6 Pitch Dictation (4 notes) | |
| 8.7 Singing Melodic Fragments (by ear) | |
| 8.8 Singing Melodic Fragments (by sight) | |
| 8.9 Dictating Melodies | |
| 8.10 Singing A Tune | |
| 8.11 Module Recap | |
9: Dotted Half Note Rhythms |
|
| 9.1 Dotted Rhythms | |
| 9.2 Dotted Half Notes & Dotted Half Rests | |
| 9.3 Dotted Half Note Error Detection | |
| 9.4 Dotted Half Note Sight-Reading | |
| 9.5 Dotted Half Note Rhythmic Dictation | |
| 9.6 Three Beat Measures: Clapback | |
| 9.7 Three Beat Measures: Error Detection | |
| 9.8 Three Beat Measures: Sight-Reading | |
| 9.9 Three Beat Measures: Dictation | |
| 9.10 Module Recap | |
10: The Dominant |
|
| 10.1 The Dominant | |
| 10.2 The Perfect 5th | |
| 10.3 Interval Identification | |
| 10.4 Interval Singing | |
| 10.5 Tonal Threads (3 notes) | |
| 10.6 Pitch Dictation (4 notes) | |
| 10.7 Pitch Dictation (5 notes) | |
| 10.8 Singing Melodic Fragments (by ear) | |
| 10.9 Singing Melodic Fragments (by sight) | |
| 10.10 Dictating Melodies | |
| 10.11 Singing A Tune: Frère Jacques | |
| 10.12 Module Recap | |
11: Consonance & Dissonance |
|
| 11.1 Hearing Harmonically | |
| 11.2 Dissonance & Consonance | |
| 11.3 Dissonance & Consonance | |
| 11.4 Consonant & Dissonant Chords | |
| 11.5 Chords in context | |
| 11.6 Chords in context (3 chord progressions) | |
| 11.7 Singing a Tune: Beethoven's Ode to Joy | |
| 11.8 Module Recap | |
12: Simple Subdivisions |
|
| 12.1 Subdivisions of the Beat | |
| 12.2 Constant Subdivisions | |
| 12.3 Eighth Note Clapback | |
| 12.4 Eighth Note Error Detection | |
| 12.5 Eighth Note Sight-Reading | |
| 12.6 Eighth Note Rhythmic Dictation | |
| 12.7 Rhythmic Dictation: Joy to the World | |
| 12.8 Singing a Tune: Simple Gifts | |
| 12.9 Module Recap | |
13: The Leading Tone |
|
| 13.1 The Leading Tone | |
| 13.2 Interval Comparison | |
| 13.3 Interval Identification | |
| 13.4 Interval Singing | |
| 13.5 Tonal Threads (3 notes) | |
| 13.6 Pitch Dictation (4 notes) | |
| 13.7 Pitch Dictation (5 notes) | |
| 13.8 Singing Melodic Fragments (by ear) | |
| 13.9 Singing Melodic Fragments (by sight) | |
| 13.10 Transcribing Melodies | |
| 13.11 Singing a Tune: Haydn's Surprise Symphony | |
| 13.12 Module Recap | |
14: Triads |
|
| 14.1 Triads | |
| 14.2 Ascending Melodic Thirds | |
| 14.3 Ascending Melodic Thirds: Identification | |
| 14.4 Ascending Melodic Triads | |
| 14.5 Descending Melodic Thirds: Learning | |
| 14.6 Descending Melodic Thirds: Identification | |
| 14.7 Descending Melodic Triads: Identification | |
| 14.8 Harmonic Thirds: Learning | |
| 14.9 Harmonic Thirds: Identification | |
| 14.10 Harmonic Triads: Identification | |
| 14.11 Singing A Tune: Rossini's William Tell Overture | |
| 14.12 Module Recap | |
15: Syncopation |
|
| 15.1 Syncopation | |
| 15.2 Basic Syncopated Rhythms | |
| 15.3 Syncopation Clapback | |
| 15.4 Syncopation Error Detection | |
| 15.5 Syncopation Error Detection (2) | |
| 15.6 Syncopated Sight-Reading | |
| 15.7 Syncopation Rhythmic Dictation | |
| 15.8 Tapping a Tune: Panama | |
| 15.9 Singing A Tune: Mozart's Eine Kleine Nachtmusik | |
| 15.10 Module Recap | |
16: The Submediant |
|
| 16.1 The Submediant | |
| 16.2 The Submediant Scale Degree | |
| 16.3 Interval Identification | |
| 16.4 Interval Singing | |
| 16.5 Tonal Threads (3 notes) | |
| 16.6 Pitch Dictation (4 notes) | |
| 16.7 Pitch Dictation (5 notes) | |
| 16.8 Singing Melodic Fragments (by ear) | |
| 16.9 Singing Melodic Fragments (by sight) | |
| 16.10 Transcribing Melodies | |
| 16.11 Singing a Tune: Twinkle, Twinkle Little Star | |
| 16.12 Module Recap | |
17: Other Triad Types |
|
| 17.1 Augmented and Diminished Triads | |
| 17.2 Review of Ascending Thirds | |
| 17.3 The Four Triads (ascending) | |
| 17.4 Review of Descending Thirds | |
| 17.5 The Four Triads (descending) | |
| 17.6 Review of Harmonic Thirds | |
| 17.7 The Four Triads (harmonic) | |
| 17.8 Review of thirds (mixed) | |
| 17.9 The Four Triad types (mixed) | |
| 17.10 Singing a Tune: Home on the Range | |
| 17.11 Module Recap | |
18: Ties |
|
| 18.1 Rhythmic Ties | |
| 18.2 Clapping Back Rhythms with Ties | |
| 18.3 Clapping Back Rhythms with Ties (2) | |
| 18.4 Detecting Errors in Rhythms with Ties | |
| 18.5 Detecting Errors in Rhythms with Ties (2) | |
| 18.6 Sight-Reading Rhythms with Ties | |
| 18.7 Transcribing Rhythms with Ties | |
| 18.8 Tapping a Tune: All the Girls Go Crazy | |
| 18.9 Singing a Tune: Rock-A My Soul | |
| 18.10 Module Recap | |
19: Harmonic Progressions |
|
| 19.1 Introduction to Harmonic Progressions | |
| 19.2 Singing Bass Patterns | |
| 19.3 Bass Pattern Dictation | |
| 19.4 Singing a Tune: Pachabel's Canon in D | |
| 19.5 Chord Quality Review (Major & Minor) | |
| 19.6 Chord Progressions (I, ii, V) | |
| 19.7 Chord Progressions (I, ii, V) | |
| 19.8 Subdominant Bass Patterns | |
| 19.9 Subdominant Bass Pattern Dictation | |
| 19.10 Two-Chord Progressions (I, ii, IV, V) | |
| 19.11 Chord Progressions (I, ii, IV, V) | |
| 19.12 Module Recap | |
20: Compound Subdivisions |
|
| 20.1 Compound Beat Subdivisions | |
| 20.2 Introduction to Compound Beat Subdivisions | |
| 20.3 Clapping Back Compound Beat Subdivisions | |
| 20.4 Detecting Errors in Compound Beat Subdivisions | |
| 20.5 Detecting Errors in Compound Beat Subdivisions (2) | |
| 20.6 Sight-Reading Rhythms with Compound Subdivisions | |
| 20.7 Transcribing Rhythms with Compound Subdivisions | |
| 20.8 Tapping a Tune: Courenta dei Butei | |
| 20.9 Singing a Tune: Bach's Jesu, Joy of Man's Desiring | |
| 20.10 Module Recap | |
21: The Complete Major Scale |
|
| 21.1 The Complete Major Scale | |
| 21.2 Interval Comparison | |
| 21.3 Interval Identification | |
| 21.4 Interval Singing | |
| 21.5 Tonal Threads (3 notes) | |
| 21.6 Pitch Dictation (4 notes) | |
| 21.7 Pitch Dictation (5 Notes) | |
| 21.8 Singing Melodic Fragments (by ear) | |
| 21.9 Singing Melodic Fragments (by sight) | |
| 21.10 Transcribing Melodies | |
| 21.11 Singing a Tune: Row, Row, Row Your Boat | |
| 21.12 Module Recap | |
22: Course Mastery Tests |
|
| 22.1 The Mastery Module | |
| 22.2 Interval Comparison Mastery | |
| 22.3 Interval Identification Mastery | |
| 22.4 Triad Identification Mastery | |
| 22.5 Chord Progression Mastery | |
| 22.6 Rhythmic Sight-reading Mastery | |
| 22.7 Rhythmic Dictation Mastery | |
| 22.8 Pitch Sight-Singing Mastery | |
| 22.9 Pitch Dictation Mastery | |
| 22.10 Melodic Sight-Reading Mastery | |
| 22.11 Melodic Dictation Mastery | |
| 22.12 Tapping a Tune: Mastery | |
| 22.13 Learning A Tune: Mastery | |
| 22.14 Course Completion | |
📕 General Workshops - Chord Identification |
|
1: Identify the Major & the Minor Chords |
|
| 1.1 Major & Minor - Ascending | |
| 1.2 Major & Minor - Descending | |
| 1.3 Major & Minor - Harmonic | |
| 1.4 Major & Minor - Harmonic, Ascending & Descending | |
2: Identify the Major, Minor & Sus4 Chords |
|
| 2.1 Major, Minor & Sus4 - Ascending | |
| 2.2 Major, Minor & Sus4 - Descending | |
| 2.3 Major, Minor & Sus4 - Harmonic | |
| 2.4 Major, Minor & Sus4 - Harmonic, Ascending & Descending | |
3: Major Chords with Alternating 5th |
|
| 3.1 Major, Major(b5) & Aug - Ascending | |
| 3.2 Major, Major(b5) & Aug - Descending | |
| 3.3 Major, Major(b5) & Aug - Harmonic | |
| 3.4 Major, Major(b5) & Aug - Harmonic, Ascending & Descending | |
4: Identify the Minor & the Minor(b5) Chords |
|
| 4.1 Minor & Dim - Ascending | |
| 4.2 Minor & Dim - Descending | |
| 4.3 Minor & Dim - Harmonic | |
| 4.4 Minor & Dim - Harmonic, Ascending & Descending | |
5: Identify the Sus Chords |
|
| 5.1 Sus2 & Sus4 - Ascending | |
| 5.2 Sus2 & Sus4 - Descending | |
| 5.3 Sus2 & Sus4 - Harmonic | |
| 5.4 Sus2 & Sus4 - Harmonic, Ascending & Descending | |
6: Triads with an Altered 5th |
|
| 6.1 Dim, Major(b5) & Aug - Ascending | |
| 6.2 Dim, Major(b5) & Aug - Descending | |
| 6.3 Dim, Major(b5) & Aug - Harmonic | |
| 6.4 Dim, Major(b5) & Aug - Harmonic, Ascending & Descending | |
7: Identify All Triads |
|
| 7.1 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Ascending | |
| 7.2 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Descending | |
| 7.3 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic | |
| 7.4 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic, Ascending & Descending | |
8: Major Triad with an Added Chord Tone |
|
| 8.1 7, Maj7 & Add6 - Ascending | |
| 8.2 7, Maj7 & Add6 - Descending | |
| 8.3 7, Maj7 & Add6 - Harmonic | |
| 8.4 7, Maj7 & Add6 - Harmonic, Ascending & Descending | |
9: Minor Triad with an Added Chord Tone |
|
| 9.1 Mi7, Mi,maj7 & Mi,add6 - Ascending | |
| 9.2 Mi7, Mi,maj7 & Mi,add6 - Descending | |
| 9.3 Mi7, Mi,maj7 & Mi,add6 - Harmonic | |
| 9.4 Mi7, Mi,maj7 & Mi,add6 - Harmonic, Ascending & Descending | |
10: Minor(b5) with an Added Chord Tone |
|
| 10.1 Dim7, Mi7(b5) & dim,maj7 - Ascending | |
| 10.2 Dim7, Mi7(b5) & dim,maj7 - Descending | |
| 10.3 Dim7, Mi7(b5) & dim,maj7 - Harmonic | |
| 10.4 Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending | |
11: Major(b5) with an Added Chord Tone |
|
| 11.1 7(b5) & maj7(b5) - Ascending | |
| 11.2 7(b5) & maj7(b5) - Descending | |
| 11.3 7(b5) & maj7(b5) - Harmonic | |
| 11.4 7(b5) & maj7(b5) - Harmonic, Ascending & Descending | |
12: Major(#5) with an Added Chord Tone |
|
| 12.1 7(#5) & maj7(#5) - Ascending | |
| 12.2 7(#5) & maj7(#5) - Descending | |
| 12.3 7(#5) & maj7(#5) - Harmonic | |
| 12.4 7(#5) & maj7(#5) - Harmonic, Ascending & Descending | |
13: Sus Triads with an Added Minor 7th |
|
| 13.1 7(sus4) & 7(sus2) - Ascending | |
| 13.2 7(sus4) & 7(sus2) - Descending | |
| 13.3 7(sus4) & 7(sus2) - Harmonic | |
| 13.4 7(sus4) & 7(sus2) - Harmonic, Ascending & Descending | |
14: Sus Triads with an Added Major 7th |
|
| 14.1 maj7(sus2) & maj7(sus4) - Ascending | |
| 14.2 maj7(sus2) & maj7(sus4) - Descending | |
| 14.3 maj7(sus2) & maj7(sus4) - Harmonic | |
| 14.4 maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending | |
15: Sus Seventh Chords |
|
| 15.1 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Ascending | |
| 15.2 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Descending | |
| 15.3 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic | |
| 15.4 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending | |
16: Maj7 Chords with a Perfect or Altered 5th |
|
| 16.1 Maj7, maj7(b5) & maj7(#5) - Ascending | |
| 16.2 Maj7, maj7(b5) & maj7(#5) - Descending | |
| 16.3 Maj7, maj7(b5) & maj7(#5) - Harmonic | |
| 16.4 Maj7, maj7(b5) & maj7(#5) - Harmonic, Ascending & Descending | |
17: 7th Chords with a Perfect or Altered 5th |
|
| 17.1 7, 7(b5) & 7(#5) - Ascending | |
| 17.2 7, 7(b5) & 7(#5) - Descending | |
| 17.3 7, 7(b5) & 7(#5) - Harmonic | |
| 17.4 7, 7(b5) & 7(#5) - Harmonic, Ascending & Descending | |
18: Minor7 and Maj7 Chords with a Perfect or Altered 5th |
|
| 18.1 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Ascending | |
| 18.2 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Descending | |
| 18.3 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic | |
| 18.4 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending | |
19: All the Maj7 Chords |
|
| 19.1 All the Maj7 chords - Ascending | |
| 19.2 All the Maj7 chords - Descending | |
| 19.3 All the Maj7 chords - Harmonic | |
| 19.4 All the Maj7 chords - Harmonic, Ascending & Descending | |
20: All Chords with a Minor 7th |
|
| 20.1 All chords with a minor 7th - Ascending | |
| 20.2 All chords with a minor 7th - Descending | |
| 20.3 All chords with a minor 7th - Harmonic | |
| 20.4 All chords with a minor 7th - Harmonic, Ascending & Descending | |
21: Chords with a Major 6th or Diminished 7 |
|
| 21.1 Dim7, Add6 & Mi,add6 - Ascending | |
| 21.2 Dim7, Add6 & Mi,add6 - Descending | |
| 21.3 Dim7, Add6 & Mi,add6 - Harmonic | |
| 21.4 Dim7, Add6 & Mi,add6 - Harmonic, Ascending & Descending | |
22: All 7th Chords |
|
| 22.1 All 7th chords - Ascending | |
| 22.2 All 7th chords - Descending | |
| 22.3 All 7th chords - Harmonic | |
| 22.4 All 7th chords - Harmonic, Ascending & Descending | |
📕 General Workshops - Chord Inversions |
|
1: Module 1 |
|
| 1.1 Inversions of the Major chord - Ascending | |
| 1.2 Inversions of the Major chord - Descending | |
| 1.3 Inversions of the Major chord - Harmonic | |
| 1.4 Inversions of the Major chord - Harmonic, Ascending & Descending | |
2: Module 2 |
|
| 2.1 Inversions of the Minor chord - Ascending | |
| 2.2 Inversions of the Minor chord - Descending | |
| 2.3 Inversions of the Minor chord - Harmonic | |
| 2.4 Inversions of the Minor chord - Harmonic, Ascending & Descending | |
3: Module 3 |
|
| 3.1 Inversions of the Sus4 chord - Ascending | |
| 3.2 Inversions of the Sus4 chord - Descending | |
| 3.3 Inversions of the Sus4 chord - Harmonic | |
| 3.4 Inversions of the Sus4 chord - Harmonic, Ascending & Descending | |
4: Module 4 |
|
| 4.1 Inversions of the Major(b5) chord - Ascending | |
| 4.2 Inversions of the Major(b5) chord - Descending | |
| 4.3 Inversions of the Major(b5) chord - Harmonic | |
| 4.4 Inversions of the Major(b5) chord - Harmonic, Ascending & Descending | |
5: Module 5 |
|
| 5.1 Inversions of the Dim chord - Ascending | |
| 5.2 Inversions of the Dim chord - Descending | |
| 5.3 Inversions of the Dim chord - Harmonic | |
| 5.4 Inversions of the Dim chord - Harmonic, Ascending & Descending | |
6: Major with Perfect or Altered 5th |
|
| 6.1 Major, Aug & Major(b5) - Ascending | |
| 6.2 Major, Aug & Major(b5) - Descending | |
| 6.3 Major, Aug & Major(b5) - Harmonic | |
| 6.4 Major, Aug & Major(b5) - Harmonic, Ascending & Descending | |
7: Minor with Perfect or Altered 5th |
|
| 7.1 Inversions of the Minor & Dim chords - Ascending | |
| 7.2 Inversions of the Minor & Dim chords - Descending | |
| 7.3 Inversions of the Minor & Dim chords - Harmonic | |
| 7.4 Inversions of the Minor & Dim chords - Harmonic, Ascending & Descending | |
8: Minor & Major with Altered 5th |
|
| 8.1 Inversions of the Dim, Aug & Major(b5) chords - Ascending | |
| 8.2 Inversions of the Dim, Aug & Major(b5) chords - Descending | |
| 8.3 Inversions of the Dim, Aug & Major(b5) chords - Harmonic | |
| 8.4 Inversions of the Dim, Aug & Major(b5) chords - Harmonic, Ascending & Descending | |
9: All the Triads |
|
| 9.1 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Ascending | |
| 9.2 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Descending | |
| 9.3 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic | |
| 9.4 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic, Ascending & Descending | |
10: Module 10 |
|
| 10.1 Inversions of the Maj7 & 7 chords - Ascending | |
| 10.2 Inversions of the Maj7 & 7 chords - Descending | |
| 10.3 Inversions of the Maj7 & 7 chords - Harmonic | |
| 10.4 Inversions of the Maj7 & 7 chords - Harmonic, Ascending & Descending | |
11: Module 11 |
|
| 11.1 Inversions of the Mi7 & Mi,maj7 chords - Ascending | |
| 11.2 Inversions of the Mi7 & Mi,maj7 chords - Descending | |
| 11.3 Inversions of the Mi7 & Mi,maj7 chords - Harmonic | |
| 11.4 Inversions of the Mi7 & Mi,maj7 chords - Harmonic, Ascending & Descending | |
12: Module 12 |
|
| 12.1 Inversions of the Mi7(b5), Dim7 & chords - Ascending | |
| 12.2 Inversions of the Mi7(b5), Dim7 & chords - Descending | |
| 12.3 Inversions of the Mi7(b5), Dim7 & chords - Harmonic | |
| 12.4 Inversions of the Mi7(b5), Dim7 & chords - Harmonic, Ascending & Descending | |
13: Module 13 |
|
| 13.1 Inversions of the 7(b5) & chords - Ascending | |
| 13.2 Inversions of the 7(b5) & chords - Descending | |
| 13.3 Inversions of the 7(b5) & chords - Harmonic | |
| 13.4 Inversions of the 7(b5) & chords - Harmonic, Ascending & Descending | |
14: Module 14 |
|
| 14.1 Inversions of the 7(#5) & chords - Ascending | |
| 14.2 Inversions of the 7(#5) & chords - Descending | |
| 14.3 Inversions of the 7(#5) & chords - Harmonic | |
| 14.4 Inversions of the 7(#5) & chords - Harmonic, Ascending & Descending | |
15: Module 15 |
|
| 15.1 Inversions of the 7, 7(b5) & 7(#5) chords - Ascending | |
| 15.2 Inversions of the 7, 7(b5) & 7(#5) chords - Descending | |
| 15.3 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic | |
| 15.4 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic, Ascending & Descending | |
16: Module 16 |
|
| 16.1 Inversions of the Maj7, & chords - Ascending | |
| 16.2 Inversions of the Maj7, & chords - Descending | |
| 16.3 Inversions of the Maj7, & chords - Harmonic | |
| 16.4 Inversions of the Maj7, & chords - Harmonic, Ascending & Descending | |
17: Module 17 |
|
| 17.1 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Ascending | |
| 17.2 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Descending | |
| 17.3 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic | |
| 17.4 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic, Ascending & Descending | |
18: All the 7 Chords |
|
| 18.1 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Ascending | |
| 18.2 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Descending | |
| 18.3 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic | |
| 18.4 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic, Ascending & Descending | |
📕 General Workshops - Chord Progressions |
|
1: Module 1 |
|
| 1.1 Identify major and minor tonic in V-I | |
| 1.2 Dominants with and without 7 | |
| 1.3 VIIdim7 - in Major and minor | |
| 1.4 Common dominant - tonic combinations | |
| 1.5 Major/minor subdominant (IV) and supertonic (II) | |
| 1.6 Various dominant-tonic combinations | |
| 1.7 II - V - I combinations | |
| 1.8 II - V - I and II - bII - I combinations | |
| 1.9 IV - I combinations (Plagal cadences) | |
| 1.10 Two mediant combinations | |
| 1.11 Four mediant combinations | |
| 1.12 Three part plagal cadences | |
| 1.13 Extended tonal cadences | |
| 1.14 Fifth sequences | |
| 1.15 Folk progressions | |
| 1.16 Progressions with bVII7(b5) | |
| 1.17 Interrupted cadences | |
| 1.18 Modulations #1 | |
| 1.19 Modulations #2 | |
| 1.20 Modulations to bIII and bVI | |
| 1.21 Last step! | |
📕 General Workshops - Interval Comparison |
|
1: Compare the Perfect Intervals - Common 1st Tone |
|
| 1.1 Introduction to perfect intervals | |
| 1.2 Perfect 4th & Octave - Ascending (common tone) | |
| 1.3 Perfect 4th & Octave - Descending (common tone) | |
| 1.4 Perfect 4th & Octave - Harmonic (common tone) | |
| 1.5 Perfect 5th & Octave - Ascending (common tone) | |
| 1.6 Perfect 5th & Octave - Descending (common tone) | |
| 1.7 Perfect 5th & Octave - Harmonic (common tone) | |
| 1.8 Perfect 4th & Perfect 5th - Ascending (common tone) | |
| 1.9 Perfect 4th & Perfect 5th - Descending (common tone) | |
| 1.10 Perfect 4th & Perfect 5th - Harmonic (common tone) | |
| 1.11 Test : Perfect intervals with a common 1st tone | |
2: Compare the Imperfect Consonant Intervals - Common 1st Tone |
|
| 2.1 Introduction to imperfect consonant intervals | |
| 2.2 Major 3rd & Minor 6th - Ascending (common tone) | |
| 2.3 Major 3rd & Minor 6th - Descending (common tone) | |
| 2.4 Major 3rd & Minor 6th - Harmonic (common tone) | |
| 2.5 Minor 3rd & Major 6th - Ascending (common tone) | |
| 2.6 Minor 3rd & Major 6th - Descending (common tone) | |
| 2.7 Minor 3rd & Major 6th - Harmonic (common tone) | |
| 2.8 Minor 3rd & Major 3rd - Ascending (common tone) | |
| 2.9 Minor 3rd & Major 3rd - Descending (common tone) | |
| 2.10 Minor 3rd & Major 3rd - Harmonic (common tone) | |
| 2.11 Minor 6th & Major 6th - Ascending (common tone) | |
| 2.12 Minor 6th & Major 6th - Descending (common tone) | |
| 2.13 Minor 6th & Major 6th - Harmonic (common tone) | |
| 2.14 Test: Imperfect consonant intervals with a common 1st tone | |
3: Compare the Dissonant Intervals - Common 1st Tone |
|
| 3.1 Introduction to dissonant intervals | |
| 3.2 Major 2nd & Minor 7th - Ascending (common tone) | |
| 3.3 Major 2nd & Minor 7th - Descending (common tone) | |
| 3.4 Major 2nd & Minor 7th - Harmonic (common tone) | |
| 3.5 Minor 2nd & Major 7th - Ascending (common tone) | |
| 3.6 Minor 2nd & Major 7th - Descending (common tone) | |
| 3.7 Minor 2nd & Major 7th - Harmonic (common tone) | |
| 3.8 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone) | |
| 3.9 Major 2nd, Dim 5th & Minor 7th - Descending (common tone) | |
| 3.10 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone) | |
| 3.11 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone) | |
| 3.12 Minor 2nd, Dim 5th & Major 7th - Descending (common tone) | |
| 3.13 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone) | |
| 3.14 Minor 2nd & Major 2nd - Ascending (common tone) | |
| 3.15 Minor 2nd & Major 2nd - Descending (common tone) | |
| 3.16 Minor 2nd & Major 2nd - Harmonic (common tone) | |
| 3.17 Minor 7th & Major 7th - Ascending (common tone) | |
| 3.18 Minor 7th & Major 7th - Descending (common tone) | |
| 3.19 Minor 7th & Major 7th - Harmonic (common tone) | |
| 3.20 Test: Dissonant intervals with a common 1st tone | |
4: Compare All Simple Intervals - Common Common 1st Tone |
|
| 4.1 All intervals from Minor 6th to Major 7th - Ascending (common tone) | |
| 4.2 All intervals from Minor 6th to Major 7th - Descending (common tone) | |
| 4.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone) | |
| 4.4 All intervals from Perfect 5th to Octave - Ascending (common tone) | |
| 4.5 All intervals from Perfect 5th to Octave - Descending (common tone) | |
| 4.6 All intervals from Perfect 5th to Octave - Harmonic (common tone) | |
| 4.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone) | |
| 4.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone) | |
| 4.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone) | |
| 4.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone) | |
| 4.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone) | |
| 4.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone) | |
| 4.13 Test: Simple intervals with a common 1st tone | |
5: Compare Compound Intervals Up to 2 Octaves - Common 1st Tone |
|
| 5.1 Introduction to Compound intervals | |
| 5.2 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone) | |
| 5.3 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone) | |
| 5.4 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone) | |
| 5.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone) | |
| 5.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone) | |
| 5.7 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone) | |
| 5.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone) | |
| 5.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone) | |
| 5.10 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone) | |
| 5.11 Test: Compound intervals with a common 1st tone | |
6: Compare the Perfect Intervals - Common 1st or 2nd tone |
|
| 6.1 Perfect 4th & Octave - Ascending (common tone) | |
| 6.2 Perfect 4th & Octave - Descending (common tone) | |
| 6.3 Perfect 4th & Octave - Harmonic (common tone) | |
| 6.4 Perfect 5th & Octave - Ascending (common tone) | |
| 6.5 Perfect 5th & Octave - Descending (common tone) | |
| 6.6 Perfect 5th & Octave - Harmonic (common tone) | |
| 6.7 Perfect 4th & Perfect 5th - Ascending (common tone) | |
| 6.8 Perfect 4th & Perfect 5th - Descending (common tone) | |
| 6.9 Perfect 4th & Perfect 5th - Harmonic (common tone) | |
| 6.10 Test : Perfect intervals with a common 1st or 2nd tone | |
7: Compare the Imperfect Consonant Intervals - Common 1st or 2nd tone |
|
| 7.1 Major 3rd & Minor 6th - Ascending (common tone) | |
| 7.2 Major 3rd & Minor 6th - Descending (common tone) | |
| 7.3 Major 3rd & Minor 6th - Harmonic (common tone) | |
| 7.4 Minor 3rd & Major 6th - Ascending (common tone) | |
| 7.5 Minor 3rd & Major 6th - Descending (common tone) | |
| 7.6 Minor 3rd & Major 6th - Harmonic (common tone) | |
| 7.7 Minor 3rd & Major 3rd - Ascending (common tone) | |
| 7.8 Minor 3rd & Major 3rd - Descending (common tone) | |
| 7.9 Minor 3rd & Major 3rd - Harmonic (common tone) | |
| 7.10 Minor 6th & Major 6th - Ascending (common tone) | |
| 7.11 Minor 6th & Major 6th - Descending (common tone) | |
| 7.12 Minor 6th & Major 6th - Harmonic (common tone) | |
| 7.13 Test: Imperfect consonant intervals with a common 1st or 2nd tone | |
8: Compare the Dissonant Intervals - Common 1st or 2nd tone |
|
| 8.1 Major 2nd & Minor 7th - Ascending (common tone) | |
| 8.2 Major 2nd & Minor 7th - Descending (common tone) | |
| 8.3 Major 2nd & Minor 7th - Harmonic (common tone) | |
| 8.4 Minor 2nd & Major 7th - Ascending (common tone) | |
| 8.5 Minor 2nd & Major 7th - Descending (common tone) | |
| 8.6 Minor 2nd & Major 7th - Harmonic (common tone) | |
| 8.7 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone) | |
| 8.8 Major 2nd, Dim 5th & Minor 7th - Descending (common tone) | |
| 8.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone) | |
| 8.10 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone) | |
| 8.11 Minor 2nd, Dim 5th & Major 7th - Descending (common tone) | |
| 8.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone) | |
| 8.13 Minor 2nd & Major 2nd - Ascending (common tone) | |
| 8.14 Minor 2nd & Major 2nd - Descending (common tone) | |
| 8.15 Minor 2nd & Major 2nd - Harmonic (common tone) | |
| 8.16 Minor 7th & Major 7th - Ascending (common tone) | |
| 8.17 Minor 7th & Major 7th - Descending (common tone) | |
| 8.18 Minor 7th & Major 7th - Harmonic (common tone) | |
| 8.19 Test: Dissonant intervals with a common 1st or 2nd tone | |
9: Compare All Simple Intervals - Common 1st or 2nd tone |
|
| 9.1 All intervals from Minor 6th to Major 7th - Ascending (common tone) | |
| 9.2 All intervals from Minor 6th to Major 7th - Descending (common tone) | |
| 9.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone) | |
| 9.4 All intervals from Perfect 5th to Octave - Ascending (common tone) | |
| 9.5 All intervals from Perfect 5th to Octave - Descending (common tone) | |
| 9.6 All intervals from Perfect 5th to Octave - Harmonic (common tone) | |
| 9.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone) | |
| 9.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone) | |
| 9.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone) | |
| 9.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone) | |
| 9.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone) | |
| 9.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone) | |
| 9.13 Test: Simple intervals with a common 1st or 2nd tone | |
10: Compare Compound Intervals Up to 2 Octaves - Common 1st or 2nd tone |
|
| 10.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone) | |
| 10.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone) | |
| 10.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone) | |
| 10.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone) | |
| 10.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone) | |
| 10.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone) | |
| 10.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone) | |
| 10.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone) | |
| 10.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone) | |
| 10.10 Test: Compound intervals with a common 1st or 2nd tone | |
11: Compare the Perfect Intervals - Nearby 1st tones |
|
| 11.1 Perfect 4th & Octave - Ascending (nearby common tone) | |
| 11.2 Perfect 4th & Octave - Descending (nearby common tone) | |
| 11.3 Perfect 4th & Octave - Harmonic (nearby common tone) | |
| 11.4 Perfect 5th & Octave - Ascending (nearby common tone) | |
| 11.5 Perfect 5th & Octave - Descending (nearby common tone) | |
| 11.6 Perfect 5th & Octave - Harmonic (nearby common tone) | |
| 11.7 Perfect 4th & Perfect 5th - Ascending (nearby common tone) | |
| 11.8 Perfect 4th & Perfect 5th - Descending (nearby common tone) | |
| 11.9 Perfect 4th & Perfect 5th - Harmonic (nearby common tone) | |
| 11.10 Test : Perfect intervals with nearby first tones | |
12: Compare the Imperfect Consonant Intervals - Nearby 1st tones |
|
| 12.1 Major 3rd & Minor 6th - Ascending (nearby common tone) | |
| 12.2 Major 3rd & Minor 6th - Descending (nearby common tone) | |
| 12.3 Major 3rd & Minor 6th - Harmonic (nearby common tone) | |
| 12.4 Minor 3rd & Major 6th - Ascending (nearby common tone) | |
| 12.5 Minor 3rd & Major 6th - Descending (nearby common tone) | |
| 12.6 Minor 3rd & Major 6th - Harmonic (nearby common tone) | |
| 12.7 Minor 3rd & Major 3rd - Ascending (nearby common tone) | |
| 12.8 Minor 3rd & Major 3rd - Descending (nearby common tone) | |
| 12.9 Minor 3rd & Major 3rd - Harmonic (nearby common tone) | |
| 12.10 Minor 6th & Major 6th - Ascending (nearby common tone) | |
| 12.11 Minor 6th & Major 6th - Descending (nearby common tone) | |
| 12.12 Minor 6th & Major 6th - Harmonic (nearby common tone) | |
| 12.13 Test: Imperfect consonant intervals with nearby first tones | |
13: Compare the Dissonant Intervals - Nearby 1st tones |
|
| 13.1 Major 2nd & Minor 7th - Ascending (nearby common tone) | |
| 13.2 Major 2nd & Minor 7th - Descending (nearby common tone) | |
| 13.3 Major 2nd & Minor 7th - Harmonic (nearby common tone) | |
| 13.4 Minor 2nd & Major 7th - Ascending (nearby common tone) | |
| 13.5 Minor 2nd & Major 7th - Descending (nearby common tone) | |
| 13.6 Minor 2nd & Major 7th - Harmonic (nearby common tone) | |
| 13.7 Major 2nd, Dim 5th & Minor 7th - Ascending (nearby common tone) | |
| 13.8 Major 2nd, Dim 5th & Minor 7th - Descending (nearby common tone) | |
| 13.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (nearby common tone) | |
| 13.10 Minor 2nd, Dim 5th & Major 7th - Ascending (nearby common tone) | |
| 13.11 Minor 2nd, Dim 5th & Major 7th - Descending (nearby common tone) | |
| 13.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (nearby common tone) | |
| 13.13 Minor 2nd & Major 2nd - Ascending (nearby common tone) | |
| 13.14 Minor 2nd & Major 2nd - Descending (nearby common tone) | |
| 13.15 Minor 2nd & Major 2nd - Harmonic (nearby common tone) | |
| 13.16 Minor 7th & Major 7th - Ascending (nearby common tone) | |
| 13.17 Minor 7th & Major 7th - Descending (nearby common tone) | |
| 13.18 Minor 7th & Major 7th - Harmonic (nearby common tone) | |
| 13.19 Test: Dissonant intervals with nearby first tones | |
14: Compare All Simple Intervals - Nearby 1st tones |
|
| 14.1 All intervals from Minor 6th to Major 7th - Ascending (nearby common tone) | |
| 14.2 All intervals from Minor 6th to Major 7th - Descending (nearby common tone) | |
| 14.3 All intervals from Minor 6th to Major 7th - Harmonic (nearby common tone) | |
| 14.4 All intervals from Perfect 5th to Octave - Ascending (nearby common tone) | |
| 14.5 All intervals from Perfect 5th to Octave - Descending (nearby common tone) | |
| 14.6 All intervals from Perfect 5th to Octave - Harmonic (nearby common tone) | |
| 14.7 All intervals from Minor 2nd to Major 3rd - Ascending (nearby common tone) | |
| 14.8 All intervals from Minor 2nd to Major 3rd - Descending (nearby common tone) | |
| 14.9 All intervals from Minor 2nd to Major 3rd - Harmonic (nearby common tone) | |
| 14.10 All intervals from Minor 2nd to Dim 5th - Ascending (nearby common tone) | |
| 14.11 All intervals from Minor 2nd to Dim 5th - Descending (nearby common tone) | |
| 14.12 All intervals from Minor 2nd to Dim 5th - Harmonic (nearby common tone) | |
| 14.13 Test: Simple intervals with nearby first tones | |
15: Compare Compound Intervals up to 2 octaves - Nearby 1st tones |
|
| 15.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (nearby common tone) | |
| 15.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (nearby common tone) | |
| 15.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (nearby common tone) | |
| 15.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (nearby common tone) | |
| 15.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (nearby common tone) | |
| 15.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (nearby common tone) | |
| 15.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (nearby common tone) | |
| 15.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (nearby common tone) | |
| 15.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (nearby common tone) | |
| 15.10 Test: Compound intervals with nearby first tones | |
16: Compare the Perfect Intervals - No common tones |
|
| 16.1 Perfect 4th & Octave - Ascending (no common tone) | |
| 16.2 Perfect 4th & Octave - Descending (no common tone) | |
| 16.3 Perfect 4th & Octave - Harmonic (no common tone) | |
| 16.4 Perfect 5th & Octave - Ascending (no common tone) | |
| 16.5 Perfect 5th & Octave - Descending (no common tone) | |
| 16.6 Perfect 5th & Octave - Harmonic (no common tone) | |
| 16.7 Perfect 4th & Perfect 5th - Ascending (no common tone) | |
| 16.8 Perfect 4th & Perfect 5th - Descending (no common tone) | |
| 16.9 Perfect 4th & Perfect 5th - Harmonic (no common tone) | |
| 16.10 Test : Perfect intervals without common tone | |
17: Compare the Imperfect Consonant Intervals - No common tones |
|
| 17.1 Major 3rd & Minor 6th - Ascending (no common tone) | |
| 17.2 Major 3rd & Minor 6th - Descending (no common tone) | |
| 17.3 Major 3rd & Minor 6th - Harmonic (no common tone) | |
| 17.4 Minor 3rd & Major 6th - Ascending (no common tone) | |
| 17.5 Minor 3rd & Major 6th - Descending (no common tone) | |
| 17.6 Minor 3rd & Major 6th - Harmonic (no common tone) | |
| 17.7 Minor 3rd & Major 3rd - Ascending (no common tone) | |
| 17.8 Minor 3rd & Major 3rd - Descending (no common tone) | |
| 17.9 Minor 3rd & Major 3rd - Harmonic (no common tone) | |
| 17.10 Minor 6th & Major 6th - Ascending (no common tone) | |
| 17.11 Minor 6th & Major 6th - Descending (no common tone) | |
| 17.12 Minor 6th & Major 6th - Harmonic (no common tone) | |
| 17.13 Test: Imperfect consonant intervals without common tone | |
18: Compare the Dissonant Intervals - No common tones |
|
| 18.1 Major 2nd & Minor 7th - Ascending (no common tone) | |
| 18.2 Major 2nd & Minor 7th - Descending (no common tone) | |
| 18.3 Major 2nd & Minor 7th - Harmonic (no common tone) | |
| 18.4 Minor 2nd & Major 7th - Ascending (no common tone) | |
| 18.5 Minor 2nd & Major 7th - Descending (no common tone) | |
| 18.6 Minor 2nd & Major 7th - Harmonic (no common tone) | |
| 18.7 Major 2nd, Dim 5th & Minor 7th - Ascending (no common tone) | |
| 18.8 Major 2nd, Dim 5th & Minor 7th - Descending (no common tone) | |
| 18.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (no common tone) | |
| 18.10 Minor 2nd, Dim 5th & Major 7th - Ascending (no common tone) | |
| 18.11 Minor 2nd, Dim 5th & Major 7th - Descending (no common tone) | |
| 18.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (no common tone) | |
| 18.13 Minor 2nd & Major 2nd - Ascending (no common tone) | |
| 18.14 Minor 2nd & Major 2nd - Descending (no common tone) | |
| 18.15 Minor 2nd & Major 2nd - Harmonic (no common tone) | |
| 18.16 Minor 7th & Major 7th - Ascending (no common tone) | |
| 18.17 Minor 7th & Major 7th - Descending (no common tone) | |
| 18.18 Minor 7th & Major 7th - Harmonic (no common tone) | |
| 18.19 Test: Dissonant intervals without common tone | |
19: Compare All Simple Intervals - No common tones |
|
| 19.1 All intervals from Minor 6th to Major 7th - Ascending (no common tone) | |
| 19.2 All intervals from Minor 6th to Major 7th - Descending (no common tone) | |
| 19.3 All intervals from Minor 6th to Major 7th - Harmonic (no common tone) | |
| 19.4 All intervals from Perfect 5th to Octave - Ascending (no common tone) | |
| 19.5 All intervals from Perfect 5th to Octave - Descending (no common tone) | |
| 19.6 All intervals from Perfect 5th to Octave - Harmonic (no common tone) | |
| 19.7 All intervals from Minor 2nd to Major 3rd - Ascending (no common tone) | |
| 19.8 All intervals from Minor 2nd to Major 3rd - Descending (no common tone) | |
| 19.9 All intervals from Minor 2nd to Major 3rd - Harmonic (no common tone) | |
| 19.10 All intervals from Minor 2nd to Dim 5th - Ascending (no common tone) | |
| 19.11 All intervals from Minor 2nd to Dim 5th - Descending (no common tone) | |
| 19.12 All intervals from Minor 2nd to Dim 5th - Harmonic (no common tone) | |
| 19.13 Test: Simple intervals without common tone | |
20: Compare Compound Intervals up to 2 octaves - No common tones |
|
| 20.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (no common tone) | |
| 20.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (no common tone) | |
| 20.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (no common tone) | |
| 20.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (no common tone) | |
| 20.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (no common tone) | |
| 20.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (no common tone) | |
| 20.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (no common tone) | |
| 20.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (no common tone) | |
| 20.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (no common tone) | |
| 20.10 Test: Compound intervals without common tone | |
📕 General Workshops - Interval Identification |
|
1: Identify the Minor & Major 2nd Intervals |
|
| 1.1 Minor 2nd & Major 2nd - Ascending | |
| 1.2 Minor 2nd & Major 2nd - Descending | |
| 1.3 Minor 2nd & Major 2nd - Harmonic | |
| 1.4 Minor 2nd & Major 2nd - Harmonic, Ascending & Descending | |
2: Identify the Minor & Major 3rd Intervals |
|
| 2.1 Minor 3rd & Major 3rd - Ascending | |
| 2.2 Minor 3rd & Major 3rd - Descending | |
| 2.3 Minor 3rd & Major 3rd - Harmonic | |
| 2.4 Minor 3rd & Major 3rd - Harmonic, Ascending & Descending | |
3: Identify the Minor & Major 2nds and 3rds |
|
| 3.1 All intervals from Minor 2nd to Major 3rd - Ascending | |
| 3.2 All intervals from Minor 2nd to Major 3rd - Descending | |
| 3.3 All intervals from Minor 2nd to Major 3rd - Harmonic | |
| 3.4 All intervals from Minor 2nd to Major 3rd - Harmonic, Ascending & Descending | |
4: Identify the Perfect 4th & the Tritone |
|
| 4.1 Perfect 4th & Dim 5th - Ascending | |
| 4.2 Perfect 4th & Dim 5th - Descending | |
| 4.3 Perfect 4th & Dim 5th - Harmonic | |
| 4.4 Perfect 4th & Dim 5th - Harmonic, Ascending & Descending | |
5: Identify the Tritone & Perfect 5th |
|
| 5.1 Dim 5th & Perfect 5th - Ascending | |
| 5.2 Dim 5th & Perfect 5th - Descending | |
| 5.3 Dim 5th & Perfect 5th - Harmonic | |
| 5.4 Dim 5th & Perfect 5th - Harmonic, Ascending & Descending | |
6: Identify the Perfect 4th, Tritone and Perfect 5th |
|
| 6.1 Perfect 4th, Dim 5th & Perfect 5th - Ascending | |
| 6.2 Perfect 4th, Dim 5th & Perfect 5th - Descending | |
| 6.3 Perfect 4th, Dim 5th & Perfect 5th - Harmonic | |
| 6.4 Perfect 4th, Dim 5th & Perfect 5th - Harmonic, Ascending & Descending | |
7: Identify All the Intervals from Minor 2nd to Perfect 5th |
|
| 7.1 All intervals from Minor 2nd to Perfect 5th - Ascending | |
| 7.2 All intervals from Minor 2nd to Perfect 5th - Descending | |
| 7.3 All intervals from Minor 2nd to Perfect 5th - Harmonic | |
| 7.4 All intervals from Minor 2nd to Perfect 5th - Harmonic, Ascending & Descending | |
8: Identify the Minor & Major 6th |
|
| 8.1 Minor 6th & Major 6th - Ascending | |
| 8.2 Minor 6th & Major 6th - Descending | |
| 8.3 Minor 6th & Major 6th - Harmonic | |
| 8.4 Minor 6th & Major 6th - Harmonic, Ascending & Descending | |
9: Identify the Minor & Major 7th |
|
| 9.1 Minor 7th & Major 7th - Ascending | |
| 9.2 Minor 7th & Major 7th - Descending | |
| 9.3 Minor 7th & Major 7th - Harmonic | |
| 9.4 Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
10: Identify the Minor & Major 6ths and 7ths |
|
| 10.1 All intervals from Minor 6th to Major 7th - Ascending | |
| 10.2 All intervals from Minor 6th to Major 7th - Descending | |
| 10.3 All intervals from Minor 6th to Major 7th - Harmonic | |
| 10.4 All intervals from Minor 6th to Major 7th - Harmonic, Ascending & Descending | |
11: Identify All Intervals from Perfect 4th to Major 7th |
|
| 11.1 All intervals from Perfect 4th to Major 7th - Ascending | |
| 11.2 All intervals from Perfect 4th to Major 7th - Descending | |
| 11.3 All intervals from Perfect 4th to Major 7th - Harmonic | |
| 11.4 All intervals from Perfect 4th to Major 7th - Harmonic, Ascending & Descending | |
12: Identify All the Intervals from Minor 2nd to Major 7th |
|
| 12.1 All intervals from Minor 2nd to Major 7th - Ascending | |
| 12.2 All intervals from Minor 2nd to Major 7th - Descending | |
| 12.3 All intervals from Minor 2nd to Major 7th - Harmonic | |
| 12.4 All intervals from Minor 2nd to Major 7th - Harmonic, Ascending & Descending | |
13: Practice with the Perfect Intervals within an Octave |
|
| 13.1 Unison & Octave - Harmonic | |
| 13.2 Unison & Octave - Harmonic, Ascending & Descending | |
| 13.3 Perfect 4th & Perfect 5th - Harmonic | |
| 13.4 Perfect 4th & Perfect 5th - Harmonic, Ascending & Descending | |
| 13.5 Unison, Perfect 4th, Perfect 5th & Octave - Ascending | |
| 13.6 Unison, Perfect 4th, Perfect 5th & Octave - Descending | |
| 13.7 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic | |
| 13.8 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic, Ascending & Descending | |
14: Practice with the Consonant Intervals within an Octave |
|
| 14.1 Minor 3rd & Major 6th - Harmonic | |
| 14.2 Minor 3rd & Major 6th - Harmonic, Ascending & Descending | |
| 14.3 Major 3rd & Minor 6th - Harmonic | |
| 14.4 Major 3rd & Minor 6th - Harmonic, Ascending & Descending | |
| 14.5 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Ascending | |
| 14.6 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Descending | |
| 14.7 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic | |
| 14.8 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic, Ascending & Descending | |
15: Practice with the Dissonant Intervals within an Octave |
|
| 15.1 Minor 2nd & Major 7th - Harmonic | |
| 15.2 Minor 2nd & Major 7th - Harmonic, Ascending & Descending | |
| 15.3 Major 2nd & Minor 7th - Harmonic | |
| 15.4 Major 2nd & Minor 7th - Harmonic, Ascending & Descending | |
| 15.5 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Ascending | |
| 15.6 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Descending | |
| 15.7 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic | |
| 15.8 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
| 15.9 Minor 2nd, Dim 5th & Major 7th - Ascending | |
| 15.10 Minor 2nd, Dim 5th & Major 7th - Descending | |
| 15.11 Minor 2nd, Dim 5th & Major 7th - Harmonic | |
| 15.12 Major 2nd, Dim 5th & Minor 7th - Ascending | |
| 15.13 Major 2nd, Dim 5th & Minor 7th - Descending | |
| 15.14 Major 2nd, Dim 5th & Minor 7th - Harmonic | |
| 15.15 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Ascending | |
| 15.16 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Descending | |
| 15.17 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic | |
| 15.18 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
16: Practice with All Intervals within an Octave |
|
| 16.1 All intervals from Unison to Octave - Ascending | |
| 16.2 All intervals from Unison to Octave - Descending | |
| 16.3 All intervals from Unison to Octave - Harmonic | |
| 16.4 All intervals from Unison to Octave - Harmonic, Ascending & Descending | |
📕 General Workshops - Interval Singing |
|
1: Ascending Intervals from Do |
|
| 1.1 Do - Re (Major 2nd) | |
| 1.2 Do - Mi (Major 3rd) | |
| 1.3 Do - Re and Do - Mi | |
| 1.4 Do - Fa (Perfect 4th) | |
| 1.5 Do - So (Perfect 5th) | |
| 1.6 Do - Fa and Do - So | |
| 1.7 Do to Re, Mi, Fa and So | |
| 1.8 Do - La (Major 6th) | |
| 1.9 Do - Ti (Major 7th) | |
| 1.10 Do - Do (Octave) | |
| 1.11 Do to La, Ti and Do | |
| 1.12 All Ascending Intervals from Do | |
2: Descending Intervals from Do |
|
| 2.1 Do - Ti (Minor 2nd) | |
| 2.2 Do - La (Minor 3rd) | |
| 2.3 Do - Ti and Do - La | |
| 2.4 Do - So (Perfect 4th) | |
| 2.5 Do - Fa (Perfect 5th) | |
| 2.6 Do - So and Do - Fa | |
| 2.7 Do to Ti, La, So and Fa | |
| 2.8 Do - Mi (Minor 6th) | |
| 2.9 Do - Re (Minor 7th) | |
| 2.10 Do - Do (Octave) | |
| 2.11 Do to Mi, Re and Do | |
| 2.12 All Descending Intervals from Do | |
3: Complementary intervals from Do - Ascending and Descending |
|
| 3.1 Do - Re (Major 2nd up or Minor 7th down) | |
| 3.2 Do - Mi (Major 3rd up or Minor 6th down) | |
| 3.3 Do - Re and Do - Mi | |
| 3.4 Do - Fa (Perfect 4th up or Perfect 5th down) | |
| 3.5 Do - So (Perfect 5th up or Perfect 4th down) | |
| 3.6 Do - Fa and Do - So | |
| 3.7 Do to Re, Mi, Fa and So | |
| 3.8 Do - La (Major 6th up or Minor 3rd down) | |
| 3.9 Do - Ti (Major 7th up or Minor 2nd down) | |
| 3.10 Do - Do (Octave up or octave down) | |
| 3.11 Do to La, Ti and Do | |
| 3.12 All intervals from Do | |
📕 General Workshops - Melodic Dictation |
|
1: 3 to 4 Tones from the C Major Scale |
|
| 1.1 Do, Re - 3 tones | |
| 1.2 Do, Re, Mi | |
| 1.3 Do, Re, Mi, Fa | |
| 1.4 Do, Re, Mi, Fa, So | |
| 1.5 Do, Re, Mi, Fa, So, La | |
| 1.6 Do, Re, Mi, Fa, So, La, Ti | |
| 1.7 Do, Re - 4 tones | |
| 1.8 Do, Re, Mi | |
| 1.9 Do, Re, Mi, Fa | |
| 1.10 Do, Re, Mi, Fa, So | |
| 1.11 Do, Re, Mi, Fa, So, La | |
| 1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
| 2.1 Do, Re - 5 tones | |
| 2.2 Do, Re, Mi | |
| 2.3 Do, Re, Mi, Fa | |
| 2.4 Do, Re, Mi, Fa, So | |
| 2.5 Do, Re, Mi, Fa, So, La | |
| 2.6 Do, Re, Mi, Fa, So, La, Ti | |
| 2.7 Do, Re - 6 tones | |
| 2.8 Do, Re, Mi | |
| 2.9 Do, Re, Mi, Fa | |
| 2.10 Do, Re, Mi, Fa, So | |
| 2.11 Do, Re, Mi, Fa, So, La | |
| 2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
| 3.1 Do, Re, Mi - 7 tones | |
| 3.2 Do, Re, Mi, Fa | |
| 3.3 Do, Re, Mi, Fa, So | |
| 3.4 Do, Re, Mi, Fa, So, La | |
| 3.5 Do, Re, Mi, Fa, So, La, Ti | |
| 3.6 Do, Re, Mi - 8 tones | |
| 3.7 Do, Re, Mi, Fa | |
| 3.8 Do, Re, Mi, Fa, So | |
| 3.9 Do, Re, Mi, Fa, So, La | |
| 3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: 5 Tones with Only Do Given |
|
| 4.1 Do, Re | |
| 4.2 Do, Re, Mi | |
| 4.3 Do, Re, Mi, Fa | |
| 4.4 Do, Re, Mi, Fa, So | |
| 4.5 Do, Re, Mi, Fa, So, La | |
| 4.6 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies with Rhythm. 4/4 |
|
| 5.1 Do, Re - 1 bar | |
| 5.2 Do, Re, Mi | |
| 5.3 Do, Re, Mi, Fa | |
| 5.4 Do, Re, Mi, Fa, So | |
| 5.5 Do, Re, Mi, Fa, So, La | |
| 5.6 Do, Re, Mi, Fa, So, La, Ti | |
| 5.7 Do, Re, Mi - 2 bars | |
| 5.8 Do, Re, Mi, Fa | |
| 5.9 Do, Re, Mi, Fa, So | |
| 5.10 Do, Re, Mi, Fa, So, La | |
| 5.11 Do, Re, Mi, Fa, So, La, Ti | |
6: Melodies with Rhythm. 3/4 |
|
| 6.1 Do, Re - 1 bar | |
| 6.2 Do, Re, Mi | |
| 6.3 Do, Re, Mi, Fa | |
| 6.4 Do, Re, Mi, Fa, So | |
| 6.5 Do, Re, Mi, Fa, So, La | |
| 6.6 Do, Re, Mi, Fa, So, La, Ti | |
| 6.7 Do, Re, Mi - 2 bars | |
| 6.8 Do, Re, Mi, Fa | |
| 6.9 Do, Re, Mi, Fa, So | |
| 6.10 Do, Re, Mi, Fa, So, La | |
| 6.11 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 4/4 |
|
| 7.1 Do, Re - 1 bar | |
| 7.2 Do, Re, Mi | |
| 7.3 Do, Re, Mi, Fa | |
| 7.4 Do, Re, Mi, Fa, So | |
| 7.5 Do, Re, Mi, Fa, So, La | |
| 7.6 Do, Re, Mi, Fa, So, La, Ti | |
| 7.7 Do, Re, Mi - 2 bars | |
| 7.8 Do, Re, Mi, Fa | |
| 7.9 Do, Re, Mi, Fa, So | |
| 7.10 Do, Re, Mi, Fa, So, La | |
| 7.11 Do, Re, Mi, Fa, So, La, Ti | |
8: Adding 8th Notes. 3/4 |
|
| 8.1 Do, Re - 1 bar | |
| 8.2 Do, Re, Mi | |
| 8.3 Do, Re, Mi, Fa | |
| 8.4 Do, Re, Mi, Fa, So | |
| 8.5 Do, Re, Mi, Fa, So, La | |
| 8.6 Do, Re, Mi, Fa, So, La, Ti | |
| 8.7 Do, Re, Mi - 2 bars | |
| 8.8 Do, Re, Mi, Fa | |
| 8.9 Do, Re, Mi, Fa, So | |
| 8.10 Do, Re, Mi, Fa, So, La | |
| 8.11 Do, Re, Mi, Fa, So, La, Ti | |
9: Different Keys. 4/4 |
|
| 9.1 Do, Re - 1 bar | |
| 9.2 Do, Re, Mi | |
| 9.3 Do, Re, Mi, Fa | |
| 9.4 Do, Re, Mi, Fa, So | |
| 9.5 Do, Re, Mi, Fa, So, La | |
| 9.6 Do, Re, Mi, Fa, So, La, Ti | |
| 9.7 Do, Re, Mi - 2 bars | |
| 9.8 Do, Re, Mi, Fa | |
| 9.9 Do, Re, Mi, Fa, So | |
| 9.10 Do, Re, Mi, Fa, So, La | |
| 9.11 Do, Re, Mi, Fa, So, La, Ti | |
10: Different Keys. 3/4 |
|
| 10.1 Do, Re - 1 bar | |
| 10.2 Do, Re, Mi | |
| 10.3 Do, Re, Mi, Fa | |
| 10.4 Do, Re, Mi, Fa, So | |
| 10.5 Do, Re, Mi, Fa, So, La | |
| 10.6 Do, Re, Mi, Fa, So, La, Ti | |
| 10.7 Do, Re, Mi - 2 bars | |
| 10.8 Do, Re, Mi, Fa | |
| 10.9 Do, Re, Mi, Fa, So | |
| 10.10 Do, Re, Mi, Fa, So, La | |
| 10.11 Do, Re, Mi, Fa, So, La, Ti | |
11: Different Keys. Adding 8th Notes. 4/4 |
|
| 11.1 Do, Re - 1 bar | |
| 11.2 Do, Re, Mi | |
| 11.3 Do, Re, Mi, Fa | |
| 11.4 Do, Re, Mi, Fa, So | |
| 11.5 Do, Re, Mi, Fa, So, La | |
| 11.6 Do, Re, Mi, Fa, So, La, Ti | |
| 11.7 Do, Re, Mi - 2 bars | |
| 11.8 Do, Re, Mi, Fa | |
| 11.9 Do, Re, Mi, Fa, So | |
| 11.10 Do, Re, Mi, Fa, So, La | |
| 11.11 Do, Re, Mi, Fa, So, La, Ti | |
12: Different Keys. Adding 8th Notes. 3/4 |
|
| 12.1 Do, Re - 1 bar | |
| 12.2 Do, Re, Mi | |
| 12.3 Do, Re, Mi, Fa | |
| 12.4 Do, Re, Mi, Fa, So | |
| 12.5 Do, Re, Mi, Fa, So, La | |
| 12.6 Do, Re, Mi, Fa, So, La, Ti | |
| 12.7 Do, Re, Mi - 2 bars | |
| 12.8 Do, Re, Mi, Fa | |
| 12.9 Do, Re, Mi, Fa, So | |
| 12.10 Do, Re, Mi, Fa, So, La | |
| 12.11 Do, Re, Mi, Fa, So, La, Ti | |
13: Melodies in A minor. 4/4 |
|
| 13.1 Do, Re - 1 bar | |
| 13.2 Do, Re, Me | |
| 13.3 Do, Re, Me, Fa | |
| 13.4 Do, Re, Me, Fa, So | |
| 13.5 Do, Re, Me, Fa, So, Le | |
| 13.6 Do, Re, Me, Fa, So, Le, Te | |
| 13.7 Do, Re, Me - 2 bars | |
| 13.8 Do, Re, Me, Fa | |
| 13.9 Do, Re, Me, Fa, So | |
| 13.10 Do, Re, Me, Fa, So, Le | |
| 13.11 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A Minor. 3/4 |
|
| 14.1 Do, Re - 1 bar | |
| 14.2 Do, Re, Me | |
| 14.3 Do, Re, Me, Fa | |
| 14.4 Do, Re, Me, Fa, So | |
| 14.5 Do, Re, Me, Fa, So, Le | |
| 14.6 Do, Re, Me, Fa, So, Le, Te | |
| 14.7 Do, Re, Me - 2 bars | |
| 14.8 Do, Re, Me, Fa | |
| 14.9 Do, Re, Me, Fa, So | |
| 14.10 Do, Re, Me, Fa, So, Le | |
| 14.11 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A Minor. 4/4 Adding 8th Notes |
|
| 15.1 Do, Re - 1 bar | |
| 15.2 Do, Re, Me | |
| 15.3 Do, Re, Me, Fa | |
| 15.4 Do, Re, Me, Fa, So | |
| 15.5 Do, Re, Me, Fa, So, Le | |
| 15.6 Do, Re, Me, Fa, So, Le, Te | |
| 15.7 Do, Re - 2 bars | |
| 15.8 Do, Re, Me - 2 bars | |
| 15.9 Do, Re, Me, Fa | |
| 15.10 Do, Re, Me, Fa, So | |
| 15.11 Do, Re, Me, Fa, So, Le | |
| 15.12 Do, Re, Me, Fa, So, Le, Te | |
16: Melodies in A Minor. 3/4 Adding 8th Notes |
|
| 16.1 Do, Re, Me - 1 bar | |
| 16.2 Do, Re, Me, Fa | |
| 16.3 Do, Re, Me, Fa, So | |
| 16.4 Do, Re, Me, Fa, So, Le | |
| 16.5 Do, Re, Me, Fa, So, Le, Te | |
| 16.6 Do, Re, Me - 2 bars | |
| 16.7 Do, Re, Me, Fa | |
| 16.8 Do, Re, Me, Fa, So | |
| 16.9 Do, Re, Me, Fa, So, Le | |
| 16.10 Do, Re, Me, Fa, So, Le, Te | |
17: All Minor Keys. 4/4 with 8th Notes. |
|
| 17.1 Do, Re, Me - 1 bar | |
| 17.2 Do, Re, Me, Fa | |
| 17.3 Do, Re, Me, Fa, So | |
| 17.4 Do, Re, Me, Fa, So, Le | |
| 17.5 Do, Re, Me, Fa, So, Le, Te | |
| 17.6 Do, Re, Me - 2 bars | |
| 17.7 Do, Re, Me, Fa | |
| 17.8 Do, Re, Me, Fa, So | |
| 17.9 Do, Re, Me, Fa, So, Le | |
| 17.10 Do, Re, Me, Fa, So, Le, Te | |
18: Harmonic Minor. 4/4 with 8th Notes. |
|
| 18.1 A minor harmonic. 1 bar | |
| 18.2 A minor harmonic. 2 bars | |
| 18.3 A minor harmonic. 4 bars | |
| 18.4 Harmonic minor (all keys). 1 bar | |
| 18.5 Harmonic minor (all keys). 2 bars | |
| 18.6 Harmonic minor (all keys). 4 bars | |
📕 General Workshops - Melodic Sight-Singing |
|
1: 3 to 4 Tones from the C Major Scale |
|
| 1.1 Do, Re - 3 tones | |
| 1.2 Do, Re, Mi | |
| 1.3 Do, Re, Mi, Fa | |
| 1.4 Do, Re, Mi, Fa, So | |
| 1.5 Do, Re, Mi, Fa, So, La | |
| 1.6 Do, Re, Mi, Fa, So, La, Ti | |
| 1.7 Do, Re - 4 tones | |
| 1.8 Do, Re, Mi | |
| 1.9 Do, Re, Mi, Fa | |
| 1.10 Do, Re, Mi, Fa, So | |
| 1.11 Do, Re, Mi, Fa, So, La | |
| 1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
| 2.1 Do, Re - 5 tones | |
| 2.2 Do, Re, Mi | |
| 2.3 Do, Re, Mi, Fa | |
| 2.4 Do, Re, Mi, Fa, So | |
| 2.5 Do, Re, Mi, Fa, So, La | |
| 2.6 Do, Re, Mi, Fa, So, La, Ti | |
| 2.7 Do, Re - 6 tones | |
| 2.8 Do, Re, Mi | |
| 2.9 Do, Re, Mi, Fa | |
| 2.10 Do, Re, Mi, Fa, So | |
| 2.11 Do, Re, Mi, Fa, So, La | |
| 2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
| 3.1 Do, Re, Mi - 7 tones | |
| 3.2 Do, Re, Mi, Fa | |
| 3.3 Do, Re, Mi, Fa, So | |
| 3.4 Do, Re, Mi, Fa, So, La | |
| 3.5 Do, Re, Mi, Fa, So, La, Ti | |
| 3.6 Do, Re, Mi - 8 tones | |
| 3.7 Do, Re, Mi, Fa | |
| 3.8 Do, Re, Mi, Fa, So | |
| 3.9 Do, Re, Mi, Fa, So, La | |
| 3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: 5 Tones with Only Do Given |
|
| 4.1 Do, Re | |
| 4.2 Do, Re, Mi | |
| 4.3 Do, Re, Mi, Fa | |
| 4.4 Do, Re, Mi, Fa, So | |
| 4.5 Do, Re, Mi, Fa, So, La | |
| 4.6 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies with Rhythm. 4/4 - 1, 2 and 4 Bars. |
|
| 5.1 Do, Re - 1 bar | |
| 5.2 Do, Re, Mi | |
| 5.3 Do, Re, Mi, Fa | |
| 5.4 Do, Re, Mi, Fa, So | |
| 5.5 Do, Re, Mi, Fa, So, La | |
| 5.6 Do, Re, Mi, Fa, So, La, Ti | |
| 5.7 Do, Re, Mi - 2 bars | |
| 5.8 Do, Re, Mi, Fa | |
| 5.9 Do, Re, Mi, Fa, So | |
| 5.10 Do, Re, Mi, Fa, So, La | |
| 5.11 Do, Re, Mi, Fa, So, La, Ti | |
| 5.12 Do, Re, Mi - 4 bars | |
| 5.13 Do, Re, Mi, Fa | |
| 5.14 Do, Re, Mi, Fa, So | |
| 5.15 Do, Re, Mi, Fa, So, La | |
| 5.16 Do, Re, Mi, Fa, So, La, Ti | |
6: Melodies with Rhythm. 3/4 - 1, 2 and 4 Bars. |
|
| 6.1 Do, Re - 1 bar | |
| 6.2 Do, Re, Mi | |
| 6.3 Do, Re, Mi, Fa | |
| 6.4 Do, Re, Mi, Fa, So | |
| 6.5 Do, Re, Mi, Fa, So, La | |
| 6.6 Do, Re, Mi, Fa, So, La, Ti | |
| 6.7 Do, Re, Mi - 2 bars | |
| 6.8 Do, Re, Mi, Fa | |
| 6.9 Do, Re, Mi, Fa, So | |
| 6.10 Do, Re, Mi, Fa, So, La | |
| 6.11 Do, Re, Mi, Fa, So, La, Ti | |
| 6.12 Do, Re, Mi - 4 bars | |
| 6.13 Do, Re, Mi, Fa | |
| 6.14 Do, Re, Mi, Fa, So | |
| 6.15 Do, Re, Mi, Fa, So, La | |
| 6.16 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 4/4 - 1, 2 and 4 Bars. |
|
| 7.1 Do, Re - 1 bar | |
| 7.2 Do, Re, Mi | |
| 7.3 Do, Re, Mi, Fa | |
| 7.4 Do, Re, Mi, Fa, So | |
| 7.5 Do, Re, Mi, Fa, So, La | |
| 7.6 Do, Re, Mi, Fa, So, La, Ti | |
| 7.7 Do, Re, Mi - 2 bars | |
| 7.8 Do, Re, Mi, Fa | |
| 7.9 Do, Re, Mi, Fa, So | |
| 7.10 Do, Re, Mi, Fa, So, La | |
| 7.11 Do, Re, Mi, Fa, So, La, Ti | |
| 7.12 Do, Re, Mi - 4 bars | |
| 7.13 Do, Re, Mi, Fa | |
| 7.14 Do, Re, Mi, Fa, So | |
| 7.15 Do, Re, Mi, Fa, So, La | |
| 7.16 Do, Re, Mi, Fa, So, La, Ti | |
8: Adding 8th Notes. 3/4 - 1, 2 and 4 Bars. |
|
| 8.1 Do, Re - 1 bar | |
| 8.2 Do, Re, Mi | |
| 8.3 Do, Re, Mi, Fa | |
| 8.4 Do, Re, Mi, Fa, So | |
| 8.5 Do, Re, Mi, Fa, So, La | |
| 8.6 Do, Re, Mi, Fa, So, La, Ti | |
| 8.7 Do, Re, Mi - 2 bars | |
| 8.8 Do, Re, Mi, Fa | |
| 8.9 Do, Re, Mi, Fa, So | |
| 8.10 Do, Re, Mi, Fa, So, La | |
| 8.11 Do, Re, Mi, Fa, So, La, Ti | |
| 8.12 Do, Re, Mi - 4 bars | |
| 8.13 Do, Re, Mi, Fa | |
| 8.14 Do, Re, Mi, Fa, So | |
| 8.15 Do, Re, Mi, Fa, So, La | |
| 8.16 Do, Re, Mi, Fa, So, La, Ti | |
9: Different Keys. 4/4 - 1, 2 and 4 Bars. |
|
| 9.1 Do, Re - 1 bar | |
| 9.2 Do, Re, Mi | |
| 9.3 Do, Re, Mi, Fa | |
| 9.4 Do, Re, Mi, Fa, So | |
| 9.5 Do, Re, Mi, Fa, So, La | |
| 9.6 Do, Re, Mi, Fa, So, La, Ti | |
| 9.7 Do, Re, Mi - 2 bars | |
| 9.8 Do, Re, Mi, Fa | |
| 9.9 Do, Re, Mi, Fa, So | |
| 9.10 Do, Re, Mi, Fa, So, La | |
| 9.11 Do, Re, Mi, Fa, So, La, Ti | |
| 9.12 Do, Re, Mi - 4 bars | |
| 9.13 Do, Re, Mi, Fa | |
| 9.14 Do, Re, Mi, Fa, So | |
| 9.15 Do, Re, Mi, Fa, So, La | |
| 9.16 Do, Re, Mi, Fa, So, La, Ti | |
10: Different Keys. 3/4 - 1, 2 and 4 Bars. |
|
| 10.1 Do, Re - 1 bar | |
| 10.2 Do, Re, Mi | |
| 10.3 Do, Re, Mi, Fa | |
| 10.4 Do, Re, Mi, Fa, So | |
| 10.5 Do, Re, Mi, Fa, So, La | |
| 10.6 Do, Re, Mi, Fa, So, La, Ti | |
| 10.7 Do, Re, Mi - 2 bars | |
| 10.8 Do, Re, Mi, Fa | |
| 10.9 Do, Re, Mi, Fa, So | |
| 10.10 Do, Re, Mi, Fa, So, La | |
| 10.11 Do, Re, Mi, Fa, So, La, Ti | |
| 10.12 Do, Re, Mi - 4 bars | |
| 10.13 Do, Re, Mi, Fa | |
| 10.14 Do, Re, Mi, Fa, So | |
| 10.15 Do, Re, Mi, Fa, So, La | |
| 10.16 Do, Re, Mi, Fa, So, La, Ti | |
11: Different Keys. Adding 8th Notes. 4/4 - 1, 2 and 4 Bars. |
|
| 11.1 Do, Re - 1 bar | |
| 11.2 Do, Re, Mi | |
| 11.3 Do, Re, Mi, Fa | |
| 11.4 Do, Re, Mi, Fa, So | |
| 11.5 Do, Re, Mi, Fa, So, La | |
| 11.6 Do, Re, Mi, Fa, So, La, Ti | |
| 11.7 Do, Re, Mi - 2 bars | |
| 11.8 Do, Re, Mi, Fa | |
| 11.9 Do, Re, Mi, Fa, So | |
| 11.10 Do, Re, Mi, Fa, So, La | |
| 11.11 Do, Re, Mi, Fa, So, La, Ti | |
| 11.12 Do, Re, Mi - 4 bars | |
| 11.13 Do, Re, Mi, Fa | |
| 11.14 Do, Re, Mi, Fa, So | |
| 11.15 Do, Re, Mi, Fa, So, La | |
| 11.16 Do, Re, Mi, Fa, So, La, Ti | |
12: Different Keys. Adding 8th Notes. 3/4 - 1, 2 and 4 Bars. |
|
| 12.1 Do, Re - 1 bar | |
| 12.2 Do, Re, Mi | |
| 12.3 Do, Re, Mi, Fa | |
| 12.4 Do, Re, Mi, Fa, So | |
| 12.5 Do, Re, Mi, Fa, So, La | |
| 12.6 Do, Re, Mi, Fa, So, La, Ti | |
| 12.7 Do, Re, Mi - 2 bars | |
| 12.8 Do, Re, Mi, Fa | |
| 12.9 Do, Re, Mi, Fa, So | |
| 12.10 Do, Re, Mi, Fa, So, La | |
| 12.11 Do, Re, Mi, Fa, So, La, Ti | |
| 12.12 Do, Re, Mi - 4 bars | |
| 12.13 Do, Re, Mi, Fa | |
| 12.14 Do, Re, Mi, Fa, So | |
| 12.15 Do, Re, Mi, Fa, So, La | |
| 12.16 Do, Re, Mi, Fa, So, La, Ti | |
13: Melodies in A minor. 4/4 - 1, 2 and 4 Bars. |
|
| 13.1 Do, Re - 1 bar | |
| 13.2 Do, Re, Me | |
| 13.3 Do, Re, Me, Fa | |
| 13.4 Do, Re, Me, Fa, So | |
| 13.5 Do, Re, Me, Fa, So, Le | |
| 13.6 Do, Re, Me, Fa, So, Le, Te | |
| 13.7 Do, Re, Me - 2 bars | |
| 13.8 Do, Re, Me, Fa | |
| 13.9 Do, Re, Me, Fa, So | |
| 13.10 Do, Re, Me, Fa, So, Le | |
| 13.11 Do, Re, Me, Fa, So, Le, Te | |
| 13.12 Do, Re, Me - 4 bars | |
| 13.13 Do, Re, Me, Fa | |
| 13.14 Do, Re, Me, Fa, So | |
| 13.15 Do, Re, Me, Fa, So, Le | |
| 13.16 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A Minor. 3/4 - 1, 2 and 4 Bars. |
|
| 14.1 Do, Re - 1 bar | |
| 14.2 Do, Re, Me | |
| 14.3 Do, Re, Me, Fa | |
| 14.4 Do, Re, Me, Fa, So | |
| 14.5 Do, Re, Me, Fa, So, Le | |
| 14.6 Do, Re, Me, Fa, So, Le, Te | |
| 14.7 Do, Re, Me - 2 bars | |
| 14.8 Do, Re, Me, Fa | |
| 14.9 Do, Re, Me, Fa, So | |
| 14.10 Do, Re, Me, Fa, So, Le | |
| 14.11 Do, Re, Me, Fa, So, Le, Te | |
| 14.12 Do, Re, Me - 4 bars | |
| 14.13 Do, Re, Me, Fa | |
| 14.14 Do, Re, Me, Fa, So | |
| 14.15 Do, Re, Me, Fa, So, Le | |
| 14.16 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A Minor. 4/4 Adding 8th Notes |
|
| 15.1 Do, Re - 1 bar | |
| 15.2 Do, Re, Me | |
| 15.3 Do, Re, Me, Fa | |
| 15.4 Do, Re, Me, Fa, So | |
| 15.5 Do, Re, Me, Fa, So, Le | |
| 15.6 Do, Re, Me, Fa, So, Le, Te | |
| 15.7 Do, Re - 2 bars | |
| 15.8 Do, Re, Me - 2 bars | |
| 15.9 Do, Re, Me, Fa | |
| 15.10 Do, Re, Me, Fa, So | |
| 15.11 Do, Re, Me, Fa, So, Le | |
| 15.12 Do, Re, Me, Fa, So, Le, Te | |
| 15.13 Do, Re, Me - 4 bars | |
| 15.14 Do, Re, Me, Fa | |
| 15.15 Do, Re, Me, Fa, So | |
| 15.16 Do, Re, Me, Fa, So, Le | |
| 15.17 Do, Re, Me, Fa, So, Le, Te | |
16: Melodies in A Minor. 3/4 Adding 8th Notes |
|
| 16.1 Do, Re, Me - 1 bar | |
| 16.2 Do, Re, Me, Fa | |
| 16.3 Do, Re, Me, Fa, So | |
| 16.4 Do, Re, Me, Fa, So, Le | |
| 16.5 Do, Re, Me, Fa, So, Le, Te | |
| 16.6 Do, Re, Me - 2 bars | |
| 16.7 Do, Re, Me, Fa | |
| 16.8 Do, Re, Me, Fa, So | |
| 16.9 Do, Re, Me, Fa, So, Le | |
| 16.10 Do, Re, Me, Fa, So, Le, Te | |
| 16.11 Do, Re, Me - 4 bars | |
| 16.12 Do, Re, Me, Fa | |
| 16.13 Do, Re, Me, Fa, So | |
| 16.14 Do, Re, Me, Fa, So, Le | |
| 16.15 Do, Re, Me, Fa, So, Le, Te | |
17: All Minor Keys. 4/4 with 8th Notes. |
|
| 17.1 Do, Re, Me - 1 bar | |
| 17.2 Do, Re, Me, Fa | |
| 17.3 Do, Re, Me, Fa, So | |
| 17.4 Do, Re, Me, Fa, So, Le | |
| 17.5 Do, Re, Me, Fa, So, Le, Te | |
| 17.6 Do, Re, Me - 2 bars | |
| 17.7 Do, Re, Me, Fa | |
| 17.8 Do, Re, Me, Fa, So | |
| 17.9 Do, Re, Me, Fa, So, Le | |
| 17.10 Do, Re, Me, Fa, So, Le, Te | |
| 17.11 Do, Re, Me - 4 bars | |
| 17.12 Do, Re, Me, Fa | |
| 17.13 Do, Re, Me, Fa, So | |
| 17.14 Do, Re, Me, Fa, So, Le | |
| 17.15 Do, Re, Me, Fa, So, Le, Te | |
18: Harmonic Minor. 4/4 with 8th Notes. |
|
| 18.1 A minor harmonic. 1 bar | |
| 18.2 A minor harmonic. 2 bars | |
| 18.3 A minor harmonic. 4 bars | |
| 18.4 Harmonic minor (all keys). 1 bar | |
| 18.5 Harmonic minor (all keys). 2 bars | |
| 18.6 Harmonic minor (all keys). 4 bars | |
📕 General Workshops - Melody Singback |
|
1: 3 to 4 Tones from the C Major Scale |
|
| 1.1 Do, Re - 3 tones | |
| 1.2 Do, Re, Mi | |
| 1.3 Do, Re, Mi, Fa | |
| 1.4 Do, Re, Mi, Fa, So | |
| 1.5 Do, Re, Mi, Fa, So, La | |
| 1.6 Do, Re, Mi, Fa, So, La, Ti | |
| 1.7 Do, Re - 4 tones | |
| 1.8 Do, Re, Mi | |
| 1.9 Do, Re, Mi, Fa | |
| 1.10 Do, Re, Mi, Fa, So | |
| 1.11 Do, Re, Mi, Fa, So, La | |
| 1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
| 2.1 Do, Re - 5 tones | |
| 2.2 Do, Re, Mi | |
| 2.3 Do, Re, Mi, Fa | |
| 2.4 Do, Re, Mi, Fa, So | |
| 2.5 Do, Re, Mi, Fa, So, La | |
| 2.6 Do, Re, Mi, Fa, So, La, Ti | |
| 2.7 Do, Re - 6 tones | |
| 2.8 Do, Re, Mi | |
| 2.9 Do, Re, Mi, Fa | |
| 2.10 Do, Re, Mi, Fa, So | |
| 2.11 Do, Re, Mi, Fa, So, La | |
| 2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
| 3.1 Do, Re, Mi - 7 tones | |
| 3.2 Do, Re, Mi, Fa | |
| 3.3 Do, Re, Mi, Fa, So | |
| 3.4 Do, Re, Mi, Fa, So, La | |
| 3.5 Do, Re, Mi, Fa, So, La, Ti | |
| 3.6 Do, Re, Mi - 8 tones | |
| 3.7 Do, Re, Mi, Fa | |
| 3.8 Do, Re, Mi, Fa, So | |
| 3.9 Do, Re, Mi, Fa, So, La | |
| 3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: Melodies in C Major with Rhythm. 4/4 |
|
| 4.1 Do, Re - 1 bar | |
| 4.2 Do, Re, Mi | |
| 4.3 Do, Re, Mi, Fa | |
| 4.4 Do, Re, Mi, Fa, So | |
| 4.5 Do, Re, Mi, Fa, So, La | |
| 4.6 Do, Re, Mi, Fa, So, La, Ti | |
| 4.7 Do, Re, Mi - 2 bars | |
| 4.8 Do, Re, Mi, Fa | |
| 4.9 Do, Re, Mi, Fa, So | |
| 4.10 Do, Re, Mi, Fa, So, La | |
| 4.11 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies in C Major with Rhythm. 3/4 |
|
| 5.1 Do, Re - 1 bar | |
| 5.2 Do, Re, Mi | |
| 5.3 Do, Re, Mi, Fa | |
| 5.4 Do, Re, Mi, Fa, So | |
| 5.5 Do, Re, Mi, Fa, So, La | |
| 5.6 Do, Re, Mi, Fa, So, La, Ti | |
| 5.7 Do, Re, Mi - 2 bars | |
| 5.8 Do, Re, Mi, Fa | |
| 5.9 Do, Re, Mi, Fa, So | |
| 5.10 Do, Re, Mi, Fa, So, La | |
| 5.11 Do, Re, Mi, Fa, So, La, Ti | |
6: Adding 8th Notes. 4/4 |
|
| 6.1 Do, Re - 1 bar | |
| 6.2 Do, Re, Mi | |
| 6.3 Do, Re, Mi, Fa | |
| 6.4 Do, Re, Mi, Fa, So | |
| 6.5 Do, Re, Mi, Fa, So, La | |
| 6.6 Do, Re, Mi, Fa, So, La, Ti | |
| 6.7 Do, Re, Mi - 2 bars | |
| 6.8 Do, Re, Mi, Fa | |
| 6.9 Do, Re, Mi, Fa, So | |
| 6.10 Do, Re, Mi, Fa, So, La | |
| 6.11 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 3/4 |
|
| 7.1 Do, Re - 1 bar | |
| 7.2 Do, Re, Mi | |
| 7.3 Do, Re, Mi, Fa | |
| 7.4 Do, Re, Mi, Fa, So | |
| 7.5 Do, Re, Mi, Fa, So, La | |
| 7.6 Do, Re, Mi, Fa, So, La, Ti | |
| 7.7 Do, Re, Mi - 2 bars | |
| 7.8 Do, Re, Mi, Fa | |
| 7.9 Do, Re, Mi, Fa, So | |
| 7.10 Do, Re, Mi, Fa, So, La | |
| 7.11 Do, Re, Mi, Fa, So, La, Ti | |
8: Around the Circle of Fifths. 4/4 |
|
| 8.1 Do, Re - 1 bar | |
| 8.2 Do, Re, Mi | |
| 8.3 Do, Re, Mi, Fa | |
| 8.4 Do, Re, Mi, Fa, So | |
| 8.5 Do, Re, Mi, Fa, So, La | |
| 8.6 Do, Re, Mi, Fa, So, La, Ti | |
| 8.7 Do, Re, Mi - 2 bars | |
| 8.8 Do, Re, Mi, Fa | |
| 8.9 Do, Re, Mi, Fa, So | |
| 8.10 Do, Re, Mi, Fa, So, La | |
| 8.11 Do, Re, Mi, Fa, So, La, Ti | |
9: Around the Circle of Fifths. 3/4 |
|
| 9.1 Do, Re - 1 bar | |
| 9.2 Do, Re, Mi | |
| 9.3 Do, Re, Mi, Fa | |
| 9.4 Do, Re, Mi, Fa, So | |
| 9.5 Do, Re, Mi, Fa, So, La | |
| 9.6 Do, Re, Mi, Fa, So, La, Ti | |
| 9.7 Do, Re, Mi - 2 bars | |
| 9.8 Do, Re, Mi, Fa | |
| 9.9 Do, Re, Mi, Fa, So | |
| 9.10 Do, Re, Mi, Fa, So, La | |
| 9.11 Do, Re, Mi, Fa, So, La, Ti | |
10: Around the Circle of Fifths. 4/4 with 8th Notes. |
|
| 10.1 Do, Re - 1 bar | |
| 10.2 Do, Re, Mi | |
| 10.3 Do, Re, Mi, Fa | |
| 10.4 Do, Re, Mi, Fa, So | |
| 10.5 Do, Re, Mi, Fa, So, La | |
| 10.6 Do, Re, Mi, Fa, So, La, Ti | |
| 10.7 Do, Re, Mi - 2 bars | |
| 10.8 Do, Re, Mi, Fa | |
| 10.9 Do, Re, Mi, Fa, So | |
| 10.10 Do, Re, Mi, Fa, So, La | |
| 10.11 Do, Re, Mi, Fa, So, La, Ti | |
11: Around the Circle of Fifths. 3/4 with 8th Notes. |
|
| 11.1 Do, Re - 1 bar | |
| 11.2 Do, Re, Mi | |
| 11.3 Do, Re, Mi, Fa | |
| 11.4 Do, Re, Mi, Fa, So | |
| 11.5 Do, Re, Mi, Fa, So, La | |
| 11.6 Do, Re, Mi, Fa, So, La, Ti | |
| 11.7 Do, Re, Mi - 2 bars | |
| 11.8 Do, Re, Mi, Fa | |
| 11.9 Do, Re, Mi, Fa, So | |
| 11.10 Do, Re, Mi, Fa, So, La | |
| 11.11 Do, Re, Mi, Fa, So, La, Ti | |
12: Melodies in A minor. 4/4 |
|
| 12.1 Do, Re - 1 bar | |
| 12.2 Do, Re, Me | |
| 12.3 Do, Re, Me, Fa | |
| 12.4 Do, Re, Me, Fa, So | |
| 12.5 Do, Re, Me, Fa, So, Le | |
| 12.6 Do, Re, Me, Fa, So, Le, Te | |
| 12.7 Do, Re, Me - 2 bars | |
| 12.8 Do, Re, Me, Fa | |
| 12.9 Do, Re, Me, Fa, So | |
| 12.10 Do, Re, Me, Fa, So, Le | |
| 12.11 Do, Re, Me, Fa, So, Le, Te | |
13: Melodies in A minor. 3/4 |
|
| 13.1 Do, Re - 1 bar | |
| 13.2 Do, Re, Me | |
| 13.3 Do, Re, Me, Fa | |
| 13.4 Do, Re, Me, Fa, So | |
| 13.5 Do, Re, Me, Fa, So, Le | |
| 13.6 Do, Re, Me, Fa, So, Le, Te | |
| 13.7 Do, Re, Me - 2 bars | |
| 13.8 Do, Re, Me, Fa | |
| 13.9 Do, Re, Me, Fa, So | |
| 13.10 Do, Re, Me, Fa, So, Le | |
| 13.11 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A minor. 4/4 with 8th Notes |
|
| 14.1 Do, Re - 1 bar | |
| 14.2 Do, Re, Me | |
| 14.3 Do, Re, Me, Fa | |
| 14.4 Do, Re, Me, Fa, So | |
| 14.5 Do, Re, Me, Fa, So, Le | |
| 14.6 Do, Re, Me, Fa, So, Le, Te | |
| 14.7 Do, Re - 2 bars | |
| 14.8 Do, Re, Me - 2 bars | |
| 14.9 Do, Re, Me, Fa | |
| 14.10 Do, Re, Me, Fa, So | |
| 14.11 Do, Re, Me, Fa, So, Le | |
| 14.12 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A minor. 3/4 with 8th Notes |
|
| 15.1 Do, Re, Me - 1 bar | |
| 15.2 Do, Re, Me, Fa | |
| 15.3 Do, Re, Me, Fa, So | |
| 15.4 Do, Re, Me, Fa, So, Le | |
| 15.5 Do, Re, Me, Fa, So, Le, Te | |
| 15.6 Do, Re, Me - 2 bars | |
| 15.7 Do, Re, Me, Fa | |
| 15.8 Do, Re, Me, Fa, So | |
| 15.9 Do, Re, Me, Fa, So, Le | |
| 15.10 Do, Re, Me, Fa, So, Le, Te | |
16: All Minor Keys. 4/4 with 8th Notes. |
|
| 16.1 Do, Re, Me - 1 bar | |
| 16.2 Do, Re, Me, Fa | |
| 16.3 Do, Re, Me, Fa, So | |
| 16.4 Do, Re, Me, Fa, So, Le | |
| 16.5 Do, Re, Me, Fa, So, Le, Te | |
| 16.6 Do, Re, Me - 2 bars | |
| 16.7 Do, Re, Me, Fa | |
| 16.8 Do, Re, Me, Fa, So | |
| 16.9 Do, Re, Me, Fa, So, Le | |
| 16.10 Do, Re, Me, Fa, So, Le, Te | |
17: Harmonic Minor. 4/4 with 8th Notes. |
|
| 17.1 A minor harmonic. 1 bar | |
| 17.2 A minor harmonic. 2 bars | |
| 17.3 A minor harmonic. 4 bars | |
| 17.4 Harmonic minor (all keys). 1 bar | |
| 17.5 Harmonic minor (all keys). 2 bars | |
| 17.6 Harmonic minor (all keys). 4 bars | |
📕 General Workshops - Rhythm Clapback |
|
1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 1 bar: Quarter notes - including rests | |
| 1.2 4/4 - 1 bar: 8th & Quarter notes | |
| 1.3 4/4 - 1 bar: 8th notes - including rests | |
| 1.4 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 1 bar: Quarter & Half notes - including rests | |
| 1.6 4/4 - 1 bar: Half & Whole notes - including rests | |
| 1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 1 bar: Quarter notes - including rests | |
| 2.2 3/4 - 1 bar: 8th & Quarter notes | |
| 2.3 3/4 - 1 bar: 8th notes - including rests | |
| 2.4 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 1 bar: Quarter & Half notes - including rests | |
| 2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 1 bar: Quarter notes - including rests | |
| 3.2 2/4 - 1 bar: 8th & Quarter notes | |
| 3.3 2/4 - 1 bar: 8th notes - including rests | |
| 3.4 2/4 - 1 bar: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 1 bar: Quarter & Half notes - including rests | |
| 3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 2 bars: Quarter notes - including rests | |
| 4.2 4/4 - 2 bars: 8th & Quarter notes | |
| 4.3 4/4 - 2 bars: 8th notes - including rests | |
| 4.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 2 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 2 bars: Quarter notes - including rests | |
| 5.2 3/4 - 2 bars: 8th & Quarter notes | |
| 5.3 3/4 - 2 bars: 8th notes - including rests | |
| 5.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 2 bars: Quarter notes - including rests | |
| 6.2 2/4 - 2 bars: 8th & Quarter notes | |
| 6.3 2/4 - 2 bars: 8th notes - including rests | |
| 6.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
| 7.1 4/4 - 1 bar: 16th & Quarter notes | |
| 7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
| 8.1 3/4 - 1 bar: 16th & Quarter notes | |
| 8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
| 9.1 2/4 - 1 bar: 16th & Quarter notes | |
| 9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
| 10.1 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.2 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.3 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.5 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.6 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.7 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
| 11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.5 4/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.6 3/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.7 2/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
| 12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
| 13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
| 14.1 4/4 - 1 bar: Quarter notes, 8th triplets | |
| 14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.5 4/4 - 1 bar: 8th & Quarter triplets | |
| 14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 14.9 4/4 - 1 bar: Half triplets | |
| 14.10 4/4 - 1 bar: Half triplets - including rests | |
| 14.11 4/4 - 1 bar: Quarter notes, 16th triplets | |
| 14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 14.13 4/4 - 1 bar: 16th triplets - including rests | |
| 14.14 4/4 - 1 bar: 16th & 8th triplets | |
| 14.15 4/4 - 1 bar: 16th & 8th triplets - including rests | |
| 14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets | |
| 14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
| 15.1 3/4 - 1 bar: Quarter notes, 8th triplets | |
| 15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.5 3/4 - 1 bar: 8th & Quarter triplets | |
| 15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 3/4 - 1 bar: Quarter notes, 16th triplets | |
| 15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 15.11 3/4 - 1 bar: 16th triplets - including rests | |
| 15.12 3/4 - 1 bar: 16th & 8th triplets | |
| 15.13 3/4 - 1 bar: 16th & 8th triplets - including rests | |
| 15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets | |
| 15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
| 16.1 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.2 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes | |
| 17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests | |
| 17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes | |
| 17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
| 18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
| 19.1 9/8 - 1 bar: 16th & 8th notes | |
| 19.2 9/8 - 1 bar: 16th & 8th notes - including rests | |
| 19.3 9/8 - 1 bar: 16th, 8th & Quarter notes | |
| 19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
| 20.1 12/8 - 1 bar: 16th & 8th notes | |
| 20.2 12/8 - 1 bar: 16th & 8th notes - including rests | |
| 20.3 12/8 - 1 bar: 16th, 8th & Quarter notes | |
| 20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes | |
| 21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests | |
| 21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes | |
| 21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes | |
| 22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests | |
| 22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes | |
| 22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
| 23.1 4/4 - 1 bar: 8th notes, 8th triplets | |
| 23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 23.3 4/4 - 1 bar: Quarter notes, Quarter triplets | |
| 23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 23.7 4/4 - 1 bar: 16th notes, 16th triplets | |
| 23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
| 24.1 3/4 - 1 bar: 8th notes, 8th triplets | |
| 24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 24.3 3/4 - 1 bar: Quarter notes, Quarter triplets | |
| 24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 3/4 - 1 bar: 16th notes, 16th triplets | |
| 24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
| 25.1 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 25.2 4/4 - 1 bar: 16th & 8th notes - including rests | |
| 25.3 4/4 - 1 bar: 32nd & 16th notes | |
| 25.4 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.5 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.6 4/4 - 1 bar: 32nd notes - including rests | |
| 25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
| 26.1 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 26.2 3/4 - 1 bar: 16th & 8th notes - including rests | |
| 26.3 3/4 - 1 bar: 32nd & 16th notes | |
| 26.4 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.5 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.6 3/4 - 1 bar: 32nd notes - including rests | |
| 26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
27: Final roundup |
|
| 27.1 Simple meters | |
| 27.2 Simple meters with rests | |
| 27.3 Compound meters | |
| 27.4 Compound meters with rests | |
| 27.5 Asymmetrical meters I | |
| 27.6 Asymmetrical meters II | |
📕 General Workshops - Rhythm Error Detection |
|
1: 4/4 - 2 bars: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 2 bars: Quarter notes - including rests | |
| 1.2 4/4 - 2 bars: 8th & Quarter notes | |
| 1.3 4/4 - 2 bars: 8th notes - including rests | |
| 1.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
| 1.6 4/4 - 2 bars: Half & Whole notes - including rests | |
| 1.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 2 bars: Quarter notes - including rests | |
| 2.2 3/4 - 2 bars: 8th & Quarter notes | |
| 2.3 3/4 - 2 bars: 8th notes - including rests | |
| 2.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
| 2.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 2 bars: Quarter notes - including rests | |
| 3.2 2/4 - 2 bars: 8th & Quarter notes | |
| 3.3 2/4 - 2 bars: 8th notes - including rests | |
| 3.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
| 3.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 4 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 4 bars: Quarter notes - including rests | |
| 4.2 4/4 - 4 bars: 8th & Quarter notes | |
| 4.3 4/4 - 4 bars: 8th notes - including rests | |
| 4.4 4/4 - 4 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 4 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 4 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 4 bars: Quarter notes - including rests | |
| 5.2 3/4 - 4 bars: 8th & Quarter notes | |
| 5.3 3/4 - 4 bars: 8th notes - including rests | |
| 5.4 3/4 - 4 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 4 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 4 bars: Quarter notes - including rests | |
| 6.2 2/4 - 4 bars: 8th & Quarter notes | |
| 6.3 2/4 - 4 bars: 8th notes - including rests | |
| 6.4 2/4 - 4 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 4 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4 - 8 bars: Whole, Half, Quarter & Eighth Notes |
|
| 7.1 4/4 - 8 bars: Quarter notes - including rests | |
| 7.2 4/4 - 8 bars: 8th & Quarter notes | |
| 7.3 4/4 - 8 bars: 8th notes - including rests | |
| 7.4 4/4 - 8 bars: 8th & Quarter notes - including rests | |
| 7.5 4/4 - 8 bars: Quarter & Half notes - including rests | |
| 7.6 4/4 - 8 bars: Half & Whole notes - including rests | |
| 7.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests | |
| 7.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests | |
8: 4/4: Introducing Sixteenth Note Groupings |
|
| 8.1 4/4 - 2 bars: 16th & Quarter notes | |
| 8.2 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 8.3 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
9: 3/4: Sixteenth Note Groupings |
|
| 9.1 3/4 - 2 bars: 16th & Quarter notes | |
| 9.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 9.3 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
10: 2/4: Sixteenth Note Groupings |
|
| 10.1 2/4 - 2 bars: 16th & Quarter notes | |
| 10.2 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 10.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
11: Advanced Sixteenth Note Groupings |
|
| 11.1 4/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.2 3/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.3 2/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.5 4/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.6 3/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.7 2/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes | |
12: Advanced Sixteenth Note Groupings with Rests |
|
| 12.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 2 bars: 16th & Quarter notes - including rests | |
| 12.6 3/4 - 2 bars: 16th & Quarter notes - including rests | |
| 12.7 2/4 - 2 bars: 16th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 2 bars: 16th & Quarter notes - including rests | |
13: Advanced 16th and 8th Combinations with Rests |
|
| 13.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.5 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.6 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.7 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
14: All Note values from the Previous Lessons, Including Rests |
|
| 14.1 4/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 14.2 3/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 14.3 2/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 14.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
15: 4/4: Triplets |
|
| 15.1 4/4 - 2 bars: Quarter notes, 8th triplets | |
| 15.2 4/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 15.3 4/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 4/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 15.5 4/4 - 2 bars: 8th & Quarter triplets | |
| 15.6 4/4 - 2 bars: 8th & Quarter triplets - including rests | |
| 15.7 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets | |
| 15.8 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 4/4 - 2 bars: Half triplets | |
| 15.10 4/4 - 2 bars: Half triplets - including rests | |
| 15.11 4/4 - 2 bars: Quarter notes, 16th triplets | |
| 15.12 4/4 - 2 bars: Quarter notes, 16th triplets - including rests | |
| 15.13 4/4 - 2 bars: 16th triplets - including rests | |
| 15.14 4/4 - 2 bars: 16th & 8th triplets | |
| 15.15 4/4 - 2 bars: 16th & 8th triplets - including rests | |
| 15.16 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets | |
| 15.17 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets - including rests | |
16: Triplets, Now in 3/4 |
|
| 16.1 3/4 - 2 bars: Quarter notes, 8th triplets | |
| 16.2 3/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 16.3 3/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests | |
| 16.4 3/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 16.5 3/4 - 2 bars: 8th & Quarter triplets | |
| 16.6 3/4 - 2 bars: 8th & Quarter triplets - including rests | |
| 16.7 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets | |
| 16.8 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 16.9 3/4 - 2 bars: Quarter notes, 16th triplets | |
| 16.10 3/4 - 2 bars: Quarter notes, 16th triplets - including rests | |
| 16.11 3/4 - 2 bars: 16th triplets - including rests | |
| 16.12 3/4 - 2 bars: 16th & 8th triplets | |
| 16.13 3/4 - 2 bars: 16th & 8th triplets - including rests | |
| 16.14 3/4 - 2 bars: 16th, 8th & Quarter triplets | |
| 16.15 3/4 - 2 bars: 16th, 8th & Quarter triplets - including rests | |
17: Introducing a New Time Signature: 5/4 |
|
| 17.1 5/4 - 2 bars: 8th & Quarter notes - including rests | |
| 17.2 5/4 - 2 bars: 8th & Quarter notes - including rests | |
| 17.3 5/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
| 17.4 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 17.5 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 17.6 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 17.7 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 17.8 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
18: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 18.1 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes | |
| 18.2 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes - including rests | |
| 18.3 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes | |
| 18.4 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
19: 6/8 with Dotted Subdivision |
|
| 19.1 6/8 - 2 bars: 8th notes, Quarter dotted notes | |
| 19.2 6/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
| 19.3 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
| 19.4 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.5 6/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 9/8 Time Signature |
|
| 20.1 9/8 - 2 bars: 16th & 8th notes | |
| 20.2 9/8 - 2 bars: 16th & 8th notes - including rests | |
| 20.3 9/8 - 2 bars: 16th, 8th & Quarter notes | |
| 20.4 9/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 20.5 9/8 - 2 bars: 8th notes, Quarter dotted notes | |
| 20.6 9/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
| 20.7 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 9/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing the 12/8 Time Signature |
|
| 21.1 12/8 - 2 bars: 16th & 8th notes | |
| 21.2 12/8 - 2 bars: 16th & 8th notes - including rests | |
| 21.3 12/8 - 2 bars: 16th, 8th & Quarter notes | |
| 21.4 12/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 21.5 12/8 - 2 bars: 8th notes, Quarter dotted notes | |
| 21.6 12/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
| 21.7 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
| 21.8 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 21.9 12/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
22: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 22.1 5/8 & 7/8 - 2 bars: 16th & 8th notes | |
| 22.2 5/8 & 7/8 - 2 bars: 16th & 8th notes - including rests | |
| 22.3 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes | |
| 22.4 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
23: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 23.1 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes | |
| 23.2 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes - including rests | |
| 23.3 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes | |
| 23.4 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 23.5 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests | |
| 23.6 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests | |
24: 4/4: Mixed Note Groupings |
|
| 24.1 4/4 - 2 bars: 8th notes, 8th triplets | |
| 24.2 4/4 - 2 bars: 8th notes, 8th triplets - including rests | |
| 24.3 4/4 - 2 bars: Quarter notes, Quarter triplets | |
| 24.4 4/4 - 2 bars: Quarter notes, Quarter triplets - including rests | |
| 24.5 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 4/4 - 2 bars: 16th notes, 16th triplets | |
| 24.8 4/4 - 2 bars: 16th notes, 16th triplets - including rests | |
| 24.9 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 3/4: Mixed Note Groupings |
|
| 25.1 3/4 - 2 bars: 8th notes, 8th triplets | |
| 25.2 3/4 - 2 bars: 8th notes, 8th triplets - including rests | |
| 25.3 3/4 - 2 bars: Quarter notes, Quarter triplets | |
| 25.4 3/4 - 2 bars: Quarter notes, Quarter triplets - including rests | |
| 25.5 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 25.6 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 25.7 3/4 - 2 bars: 16th notes, 16th triplets | |
| 25.8 3/4 - 2 bars: 16th notes, 16th triplets - including rests | |
| 25.9 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets | |
| 25.10 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 25.11 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 25.12 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
26: 4/4: Introducing 32nd Notes |
|
| 26.1 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 26.2 4/4 - 2 bars: 16th & 8th notes - including rests | |
| 26.3 4/4 - 2 bars: 32nd & 16th notes | |
| 26.4 4/4 - 2 bars: 32nd & 16th notes - including rests | |
| 26.5 4/4 - 2 bars: 32nd & 16th notes - including rests | |
| 26.6 4/4 - 2 bars: 32nd notes - including rests | |
| 26.7 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes | |
| 26.8 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
27: 3/4: 32nd Notes |
|
| 27.1 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 27.2 3/4 - 2 bars: 16th & 8th notes - including rests | |
| 27.3 3/4 - 2 bars: 32nd & 16th notes | |
| 27.4 3/4 - 2 bars: 32nd & 16th notes - including rests | |
| 27.5 3/4 - 2 bars: 32nd & 16th notes - including rests | |
| 27.6 3/4 - 2 bars: 32nd notes - including rests | |
| 27.7 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes | |
| 27.8 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
28: All the Time Signatures from the Previous Lessons |
|
| 28.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes | |
| 28.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests | |
📕 General Workshops - Rhythm Sight-Reading |
|
1: 4/4 - 4 bars: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 4 bars: Quarter notes - including rests | |
| 1.2 4/4 - 4 bars: 8th & Quarter notes | |
| 1.3 4/4 - 4 bars: 8th notes - including rests | |
| 1.4 4/4 - 4 bars: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 4 bars: Quarter & Half notes - including rests | |
| 1.6 4/4 - 4 bars: Half & Whole notes - including rests | |
| 1.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 4 bars: Quarter notes - including rests | |
| 2.2 3/4 - 4 bars: 8th & Quarter notes | |
| 2.3 3/4 - 4 bars: 8th notes - including rests | |
| 2.4 3/4 - 4 bars: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 4 bars: Quarter & Half notes - including rests | |
| 2.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 4 bars: Quarter notes - including rests | |
| 3.2 2/4 - 4 bars: 8th & Quarter notes | |
| 3.3 2/4 - 4 bars: 8th notes - including rests | |
| 3.4 2/4 - 4 bars: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 4 bars: Quarter & Half notes - including rests | |
| 3.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 8 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 8 bars: Quarter notes - including rests | |
| 4.2 4/4 - 8 bars: 8th & Quarter notes | |
| 4.3 4/4 - 8 bars: 8th notes - including rests | |
| 4.4 4/4 - 8 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 8 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 8 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 8 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 8 bars: Quarter notes - including rests | |
| 5.2 3/4 - 8 bars: 8th & Quarter notes | |
| 5.3 3/4 - 8 bars: 8th notes - including rests | |
| 5.4 3/4 - 8 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 8 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 8 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 8 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 8 bars: Quarter notes - including rests | |
| 6.2 2/4 - 8 bars: 8th & Quarter notes | |
| 6.3 2/4 - 8 bars: 8th notes - including rests | |
| 6.4 2/4 - 8 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 8 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 8 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
| 7.1 4/4 - 4 bars: 16th & Quarter notes | |
| 7.2 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 7.3 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
| 8.1 3/4 - 4 bars: 16th & Quarter notes | |
| 8.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 8.3 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
| 9.1 2/4 - 4 bars: 16th & Quarter notes | |
| 9.2 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 9.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
| 10.1 4/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.2 3/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.3 2/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.5 4/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.6 3/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.7 2/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
| 11.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.5 4/4 - 4 bars: 16th & Quarter notes - including rests | |
| 11.6 3/4 - 4 bars: 16th & Quarter notes - including rests | |
| 11.7 2/4 - 4 bars: 16th & Quarter notes - including rests | |
| 11.8 2/4, 3/4 & 4/4 - 4 bars: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
| 12.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.6 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.7 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
| 13.1 4/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 13.2 3/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 13.3 2/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
| 14.1 4/4 - 4 bars: Quarter notes, 8th triplets | |
| 14.2 4/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 14.3 4/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests | |
| 14.4 4/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 14.5 4/4 - 4 bars: 8th & Quarter triplets | |
| 14.6 4/4 - 4 bars: 8th & Quarter triplets - including rests | |
| 14.7 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets | |
| 14.8 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 14.9 4/4 - 4 bars: Half triplets | |
| 14.10 4/4 - 4 bars: Half triplets - including rests | |
| 14.11 4/4 - 4 bars: Quarter notes, 16th triplets | |
| 14.12 4/4 - 4 bars: Quarter notes, 16th triplets - including rests | |
| 14.13 4/4 - 4 bars: 16th triplets - including rests | |
| 14.14 4/4 - 4 bars: 16th & 8th triplets | |
| 14.15 4/4 - 4 bars: 16th & 8th triplets - including rests | |
| 14.16 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets | |
| 14.17 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
| 15.1 3/4 - 4 bars: Quarter notes, 8th triplets | |
| 15.2 3/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 15.3 3/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 3/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 15.5 3/4 - 4 bars: 8th & Quarter triplets | |
| 15.6 3/4 - 4 bars: 8th & Quarter triplets - including rests | |
| 15.7 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets | |
| 15.8 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 3/4 - 4 bars: Quarter notes, 16th triplets | |
| 15.10 3/4 - 4 bars: Quarter notes, 16th triplets - including rests | |
| 15.11 3/4 - 4 bars: 16th triplets - including rests | |
| 15.12 3/4 - 4 bars: 16th & 8th triplets | |
| 15.13 3/4 - 4 bars: 16th & 8th triplets - including rests | |
| 15.14 3/4 - 4 bars: 16th, 8th & Quarter triplets | |
| 15.15 3/4 - 4 bars: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
| 16.1 5/4 - 4 bars: 8th & Quarter notes - including rests | |
| 16.2 5/4 - 4 bars: 8th & Quarter notes - including rests | |
| 16.3 5/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
| 16.4 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 16.5 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 16.6 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 16.7 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 16.8 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 17.1 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes | |
| 17.2 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes - including rests | |
| 17.3 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes | |
| 17.4 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
| 18.1 6/8 - 4 bars: 8th notes, Quarter dotted notes | |
| 18.2 6/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
| 18.3 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
| 18.4 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 18.5 6/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
| 19.1 9/8 - 4 bars: 16th & 8th notes | |
| 19.2 9/8 - 4 bars: 16th & 8th notes - including rests | |
| 19.3 9/8 - 4 bars: 16th, 8th & Quarter notes | |
| 19.4 9/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 19.5 9/8 - 4 bars: 8th notes, Quarter dotted notes | |
| 19.6 9/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
| 19.7 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
| 19.8 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.9 9/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
| 20.1 12/8 - 4 bars: 16th & 8th notes | |
| 20.2 12/8 - 4 bars: 16th & 8th notes - including rests | |
| 20.3 12/8 - 4 bars: 16th, 8th & Quarter notes | |
| 20.4 12/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 20.5 12/8 - 4 bars: 8th notes, Quarter dotted notes | |
| 20.6 12/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
| 20.7 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 12/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 21.1 5/8 & 7/8 - 4 bars: 16th & 8th notes | |
| 21.2 5/8 & 7/8 - 4 bars: 16th & 8th notes - including rests | |
| 21.3 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes | |
| 21.4 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 22.1 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes | |
| 22.2 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes - including rests | |
| 22.3 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes | |
| 22.4 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes - including rests | |
| 22.5 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests | |
| 22.6 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
| 23.1 4/4 - 4 bars: 8th notes, 8th triplets | |
| 23.2 4/4 - 4 bars: 8th notes, 8th triplets - including rests | |
| 23.3 4/4 - 4 bars: Quarter notes, Quarter triplets | |
| 23.4 4/4 - 4 bars: Quarter notes, Quarter triplets - including rests | |
| 23.5 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 23.6 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 23.7 4/4 - 4 bars: 16th notes, 16th triplets | |
| 23.8 4/4 - 4 bars: 16th notes, 16th triplets - including rests | |
| 23.9 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets | |
| 23.10 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 23.11 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 23.12 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
| 24.1 3/4 - 4 bars: 8th notes, 8th triplets | |
| 24.2 3/4 - 4 bars: 8th notes, 8th triplets - including rests | |
| 24.3 3/4 - 4 bars: Quarter notes, Quarter triplets | |
| 24.4 3/4 - 4 bars: Quarter notes, Quarter triplets - including rests | |
| 24.5 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 3/4 - 4 bars: 16th notes, 16th triplets | |
| 24.8 3/4 - 4 bars: 16th notes, 16th triplets - including rests | |
| 24.9 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
| 25.1 4/4 - 4 bars: 8th & Quarter notes - including rests | |
| 25.2 4/4 - 4 bars: 16th & 8th notes - including rests | |
| 25.3 4/4 - 4 bars: 32nd & 16th notes | |
| 25.4 4/4 - 4 bars: 32nd & 16th notes - including rests | |
| 25.5 4/4 - 4 bars: 32nd & 16th notes - including rests | |
| 25.6 4/4 - 4 bars: 32nd notes - including rests | |
| 25.7 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes | |
| 25.8 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
| 26.1 3/4 - 4 bars: 8th & Quarter notes - including rests | |
| 26.2 3/4 - 4 bars: 16th & 8th notes - including rests | |
| 26.3 3/4 - 4 bars: 32nd & 16th notes | |
| 26.4 3/4 - 4 bars: 32nd & 16th notes - including rests | |
| 26.5 3/4 - 4 bars: 32nd & 16th notes - including rests | |
| 26.6 3/4 - 4 bars: 32nd notes - including rests | |
| 26.7 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes | |
| 26.8 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
27: Final roundup |
|
| 27.1 Simple meters | |
| 27.2 Simple meters with rests | |
| 27.3 Compound meters | |
| 27.4 Compound meters with rests | |
| 27.5 Asymmetrical meters I | |
| 27.6 Asymmetrical meters II | |
📕 General Workshops - Rhythmic Dictation |
|
1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 1 bar: Quarter notes - including rests | |
| 1.2 4/4 - 1 bar: 8th & Quarter notes | |
| 1.3 4/4 - 1 bar: 8th notes - including rests | |
| 1.4 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 1 bar: Quarter & Half notes - including rests | |
| 1.6 4/4 - 1 bar: Half & Whole notes - including rests | |
| 1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 1 bar: Quarter notes - including rests | |
| 2.2 3/4 - 1 bar: 8th & Quarter notes | |
| 2.3 3/4 - 1 bar: 8th notes - including rests | |
| 2.4 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 1 bar: Quarter & Half notes - including rests | |
| 2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 1 bar: Quarter notes - including rests | |
| 3.2 2/4 - 1 bar: 8th & Quarter notes | |
| 3.3 2/4 - 1 bar: 8th notes - including rests | |
| 3.4 2/4 - 1 bar: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 1 bar: Quarter & Half notes - including rests | |
| 3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 2 bars: Quarter notes - including rests | |
| 4.2 4/4 - 2 bars: 8th & Quarter notes | |
| 4.3 4/4 - 2 bars: 8th notes - including rests | |
| 4.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 2 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 2 bars: Quarter notes - including rests | |
| 5.2 3/4 - 2 bars: 8th & Quarter notes | |
| 5.3 3/4 - 2 bars: 8th notes - including rests | |
| 5.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 2 bars: Quarter notes - including rests | |
| 6.2 2/4 - 2 bars: 8th & Quarter notes | |
| 6.3 2/4 - 2 bars: 8th notes - including rests | |
| 6.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
| 7.1 4/4 - 1 bar: 16th & Quarter notes | |
| 7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
| 8.1 3/4 - 1 bar: 16th & Quarter notes | |
| 8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
| 9.1 2/4 - 1 bar: 16th & Quarter notes | |
| 9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
| 10.1 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.2 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.3 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.5 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.6 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.7 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
| 11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.5 4/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.6 3/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.7 2/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
| 12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
| 13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
| 14.1 4/4 - 1 bar: Quarter notes, 8th triplets | |
| 14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.5 4/4 - 1 bar: 8th & Quarter triplets | |
| 14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 14.9 4/4 - 1 bar: Half triplets | |
| 14.10 4/4 - 1 bar: Half triplets - including rests | |
| 14.11 4/4 - 1 bar: Quarter notes, 16th triplets | |
| 14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 14.13 4/4 - 1 bar: 16th triplets - including rests | |
| 14.14 4/4 - 1 bar: 16th & 8th triplets | |
| 14.15 4/4 - 1 bar: 16th & 8th triplets - including rests | |
| 14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets | |
| 14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
| 15.1 3/4 - 1 bar: Quarter notes, 8th triplets | |
| 15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.5 3/4 - 1 bar: 8th & Quarter triplets | |
| 15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 3/4 - 1 bar: Quarter notes, 16th triplets | |
| 15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 15.11 3/4 - 1 bar: 16th triplets - including rests | |
| 15.12 3/4 - 1 bar: 16th & 8th triplets | |
| 15.13 3/4 - 1 bar: 16th & 8th triplets - including rests | |
| 15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets | |
| 15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
| 16.1 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.2 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes | |
| 17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests | |
| 17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes | |
| 17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
| 18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
| 19.1 9/8 - 1 bar: 16th & 8th notes | |
| 19.2 9/8 - 1 bar: 16th & 8th notes - including rests | |
| 19.3 9/8 - 1 bar: 16th, 8th & Quarter notes | |
| 19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
| 20.1 12/8 - 1 bar: 16th & 8th notes | |
| 20.2 12/8 - 1 bar: 16th & 8th notes - including rests | |
| 20.3 12/8 - 1 bar: 16th, 8th & Quarter notes | |
| 20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes | |
| 21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests | |
| 21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes | |
| 21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes | |
| 22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests | |
| 22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes | |
| 22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
| 23.1 4/4 - 1 bar: 8th notes, 8th triplets | |
| 23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 23.3 4/4 - 1 bar: Quarter notes, Quarter triplets | |
| 23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 23.7 4/4 - 1 bar: 16th notes, 16th triplets | |
| 23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
| 24.1 3/4 - 1 bar: 8th notes, 8th triplets | |
| 24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 24.3 3/4 - 1 bar: Quarter notes, Quarter triplets | |
| 24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 3/4 - 1 bar: 16th notes, 16th triplets | |
| 24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
| 25.1 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 25.2 4/4 - 1 bar: 16th & 8th notes - including rests | |
| 25.3 4/4 - 1 bar: 32nd & 16th notes | |
| 25.4 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.5 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.6 4/4 - 1 bar: 32nd notes - including rests | |
| 25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
| 26.1 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 26.2 3/4 - 1 bar: 16th & 8th notes - including rests | |
| 26.3 3/4 - 1 bar: 32nd & 16th notes | |
| 26.4 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.5 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.6 3/4 - 1 bar: 32nd notes - including rests | |
| 26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
27: All the Time Signatures from the Previous Lessons |
|
| 27.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes | |
| 27.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests | |
📕 General Workshops - Scale Identification |
|
1: Module 1 |
|
| 1.1 Major, Lydian and Mixolydian (begin with 1-1) | |
| 1.2 Scales with minor sound (begin with 1-½) | |
| 1.3 Phrygian and Locrian (begin with ½-1) | |
| 1.4 All modes and harmonic and melodic minor | |
| 1.5 Whole tone and variants of Lydian and Mixolydian | |
| 1.6 Melodic minor, Locrian (#2) and Dim (1-½) | |
| 1.7 Phrygian (#6), Altered and Dim (½-1) | |
| 1.8 Derivatives of melodic minor, Whole tone and Dim | |
| 1.9 All scales and modes from lessons 1-8 | |
| 1.10 Derivatives of harmonic minor | |
| 1.11 The two pentatonic scales | |
| 1.12 All modes - descending | |
| 1.13 Derivatives of harmonic minor - descending | |
📕 Jazz Workshops - Chord Identification |
|
1: Module 1 |
|
| 1.1 Four note chords #1: major | |
| 1.2 Four note chords #2: minor | |
| 1.3 Four note chords #3: dim7, mi7(b5) | |
| 1.4 Four note chords #4 | |
| 1.5 Four note chords #5: maj7 dissonant | |
| 1.6 Four note chords #6: major7 dissonant | |
| 1.7 Four note chords #7: minor dissonant | |
| 1.8 Four note chords #8: the six most dissonant | |
| 1.9 Four note chords #9: all | |
| 1.10 Tonic major: Five and six note chords | |
| 1.11 Tonic major: 4 to 7 note chords, Lydian scale | |
| 1.12 Tonic major, mixed | |
| 1.13 Tonic minor: 5 and 6 note chords | |
| 1.14 Tonic minor: Dorian and melodic scales | |
| 1.15 mi7(b5) chords | |
| 1.16 Minor chords, mixed | |
| 1.17 Dominants, Mixolydian scale | |
| 1.18 Dominants, Mixolydian #11 mode | |
| 1.19 Dominants, altered scale | |
| 1.20 Dominants, diminished scale | |
| 1.21 Dominants, mixed | |
| 1.22 All chords, mixed | |
📕 Jazz Workshops - Chord Identification |
|
1: Module 1 |
|
| 1.1 Four note chords #1: major | |
| 1.2 Four note chords #2: minor | |
| 1.3 Four note chords #3: dim7, mi7(b5) | |
| 1.4 Four note chords #4 | |
| 1.5 Four note chords #5: maj7 dissonant | |
| 1.6 Four note chords #6: major7 dissonant | |
| 1.7 Four note chords #7: minor dissonant | |
| 1.8 Four note chords #8: the six most dissonant | |
| 1.9 Four note chords #9: all | |
| 1.10 Tonic major: Five and six note chords | |
| 1.11 Tonic major: 4 to 7 note chords, Lydian scale | |
| 1.12 Tonic major, mixed | |
| 1.13 Tonic minor: 5 and 6 note chords | |
| 1.14 Tonic minor: Dorian and melodic scales | |
| 1.15 mi7(b5) chords | |
| 1.16 Minor chords, mixed | |
| 1.17 Dominants, Mixolydian scale | |
| 1.18 Dominants, Mixolydian #11 mode | |
| 1.19 Dominants, altered scale | |
| 1.20 Dominants, diminished scale | |
| 1.21 Dominants, mixed | |
| 1.22 All chords, mixed | |
📕 Jazz Workshops - Chord Progressions |
|
1: Module 1 |
|
| 1.1 Diatonic progressions, major | |
| 1.2 Diatonic progressions, major | |
| 1.3 Diatonic progressions, major | |
| 1.4 Diatonic progressions, minor | |
| 1.5 Diatonic progressions, minor, with Dominant 7 | |
| 1.6 Diatonic progressions, major, with Dominant V7/IV | |
| 1.7 Diatonic major, with Dominant V7/V | |
| 1.8 Diatonic major, with Dominant V7/II | |
| 1.9 Diatonic major, with Dominant V7/VI | |
| 1.10 Diatonic major, with Dominant V7/III | |
| 1.11 Major with all 5 secondary dominants | |
| 1.12 Major with tritone substituted dominants #1 | |
| 1.13 Major with tritone substituted dominants #2 | |
| 1.14 Major with tritone substituted dominants #3 | |
| 1.15 Major with a modal interchange chord | |
| 1.16 Major with at least 2 modal interchange chords | |
| 1.17 Major, various number of modal interchange chords | |
| 1.18 All themes mixed! | |
📕 Jazz Workshops - Melodic Dictation |
|
1: Blues Scales and Songs |
|
| 1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
| 1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
| 1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
| 1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
| 1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
| 1.6 Melodic Dictation: "St. Louis Blues" | |
| 1.7 Melodic Dictation: "Beale Street Blues" | |
| 1.8 Exam: Blues "Licks" and "St. Louis Blues" | |
2: 1920's American Swing Hits |
|
| 2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
| 2.2 Melodic Dictation: "By the Light of the Silvery Moon" | |
| 2.3 Melodic Dictation: "Swanee" | |
| 2.4 Melodic Dictation: "Rock-a-bye Your Baby" | |
| 2.5 Melodic Dictation: "T'ain't Nobody's Business If I Do" | |
| 2.6 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
| 3.1 Natural Minor Patterns: 3 to 4 tones | |
| 3.2 Natural Minor Patterns: 5 to 6 tones | |
| 3.3 Melodic Dictation: "St. James Infirmary Blues" | |
| 3.4 Melodic Dictation: "Flee as a Bird" | |
| 3.5 Melodic Dictation: "King Chanticleer" | |
| 3.6 Melodic Dictation: "Some of these Days" | |
| 3.7 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
| 4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
| 4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
| 4.3 Melodic Dictation: "Missouri Waltz" | |
| 4.4 Melodic Dictation: "Sheik of Araby" | |
| 4.5 Melodic Dictation: "Ja Da" | |
| 4.6 Melodic Dictation: "Ain't We Got Fun" | |
| 4.7 Exam: Novelty Songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
| 5.1 Major Scales: Two-Measure Melodies with 7th leaps | |
| 5.2 Melodic Dictation: "Too Ra Loo Ra Loo Ral" | |
| 5.3 Melodic Dictation: "When Irish Eyes are Smiling" | |
| 5.4 Melodic Dictation: "Careless Love" | |
| 5.5 Melodic Dictation: "The Bells of St. Mary's" | |
| 5.6 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
| 6.1 Melodic Dictation: "Alexander's Ragtime Band" | |
| 6.2 Melodic Dictation: "When the Midnight Choo Choo Leaves for Alabam" | |
| 6.3 Melodic Dictation: "At the Devil's Ball" | |
| 6.4 Melodic Dictation: "Mandy" | |
| 6.5 Melodic Dictation: "I Never Knew" | |
| 6.6 Exam: Fun with Irving Berlin | |
7: Transcribe “After You've Gone” |
|
| 7.1 After You've Gone | |
📕 Jazz Workshops - Melodic Sight-Singing |
|
1: Blues Scales and Blues Songs |
|
| 1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
| 1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
| 1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
| 1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
| 1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
| 1.6 Listening Activity: "St. Louis Blues" by W.C. Handy | |
| 1.7 Sight-Singing: "St. Louis Blues" | |
| 1.8 Listening Activity: "Beale Street Blues" | |
| 1.9 Sight-Singing: "Beale Street Blues" | |
| 1.10 Exam: Blues "Licks" and "The Blues" | |
2: 1920's American Swing Hits |
|
| 2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
| 2.2 Listening Activity: "By the Light of the Silvery Moon" | |
| 2.3 Sight-Singing: "By the Light of the Silvery Moon" | |
| 2.4 Listening Activity: "Swanee" by George Gershwin | |
| 2.5 Sight-Singing: "Swanee" | |
| 2.6 Listening Activity: "Rock-a-bye Your Baby (With a Dixie Melody)" | |
| 2.7 Sight-Singing: "Rock-a-bye Your Baby" | |
| 2.8 Listening Activity: "T'ain't Nobody's Business If I Do" | |
| 2.9 Sight-Singing: "Taint Nobody's Business..." | |
| 2.10 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
| 3.1 Natural Minor Patterns: 3 to 4 tones | |
| 3.2 Natural Minor Patterns: 5 to 6 tones | |
| 3.3 Listening Activity: "St. James Infirmary Blues" | |
| 3.4 Sight-Singing: "St. James Infirmary Blues" | |
| 3.5 Listening Activity: "Flee as a Bird" | |
| 3.6 Sight-Singing: "Flee as a Bird" | |
| 3.7 Listening Activity: "King Chanticleer" | |
| 3.8 Sight-Singing: "King Chanticleer" | |
| 3.9 Listening Activity: "Some of These Days" | |
| 3.10 Sight-Singing: "Some of these Days" | |
| 3.11 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
| 4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
| 4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
| 4.3 Listening Activity: "Missouri Waltz" | |
| 4.4 Sight-Singing: "Missouri Waltz" | |
| 4.5 Listening Activity: "The Sheik of Araby" | |
| 4.6 Sight-Singing: "Sheik of Araby" | |
| 4.7 Listening Activity: "Ja Da" | |
| 4.8 Sight-Singing: "Ja Da" | |
| 4.9 Listening Activity: "Ain't We Got Fun | |
| 4.10 Sight-Singing: "Ain't We Got Fun" | |
| 4.11 Exam: Novelty songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
| 5.1 Major Scales: Two-measure melodies with 7th interval leaps | |
| 5.2 Listening Activity: "Too-ra-loo-ra-loo-ra" | |
| 5.3 Sight-Singing: "Too Ra Loo" | |
| 5.4 Listening Activity: "When Irish Eyes are Smiling" | |
| 5.5 Sight-Singing: "When Irish Eyes are Smiling" | |
| 5.6 Listening Activity: "Careless Love" | |
| 5.7 Sight-Singing: "Careless Love" | |
| 5.8 Listening Activity: "The Bells of St. Mary's" | |
| 5.9 Sight-Singing: "The Bells of St. Mary's" | |
| 5.10 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
| 6.1 Listening Activity: "Alexander's Ragtime Band" | |
| 6.2 Sight-Singing: "Alexander's Ragtime Band" | |
| 6.3 Listening Activity: "Midnight Choo Choo" | |
| 6.4 Sight-Singing: "When the Midnight Choo Choo" | |
| 6.5 Listening Activity: "At the Devil's Ball" | |
| 6.6 Sight-Singing: "At the Devil's Ball" | |
| 6.7 Listening Activity: "Mandy" | |
| 6.8 Sight-Singing: "Mandy" | |
| 6.9 Listening Activity: "I Never Knew" | |
| 6.10 Sight-Singing: "I Never Knew" | |
| 6.11 Exam: Fun with Irving Berlin | |
7: Sight-Sing “After You've Gone” |
|
| 7.1 After You've Gone | |
📕 Jazz Workshops - Melody Singback |
|
1: Blues Scales and Blues Songs |
|
| 1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
| 1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
| 1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
| 1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
| 1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
| 1.6 Sing or play back: "St. Louis Blues" | |
| 1.7 Sing or play back: "Beale Street Blues" | |
| 1.8 Exam: Blues "Licks" and "The Blues" | |
2: 1920's American Swing Hits |
|
| 2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
| 2.2 Sing or play back: "By the Light of the Silvery Moon" | |
| 2.3 Sing or play back: "Swanee" | |
| 2.4 Sing or play back: "Rock-a-bye Your Baby" | |
| 2.5 Sing or play back: "Taint Nobody's Business..." | |
| 2.6 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
| 3.1 Natural Minor Patterns: 3 to 4 tones | |
| 3.2 Natural Minor Patterns: 5 to 6 tones | |
| 3.3 Sing or play back: "St. James Infirmary Blues" | |
| 3.4 Sing or play back: "Flee as a Bird" | |
| 3.5 Sing or play back: "King Chanticleer" | |
| 3.6 Sing or play back: "Some of these Days" | |
| 3.7 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
| 4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
| 4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
| 4.3 Sing or play back: "Missouri Waltz" | |
| 4.4 Sing or play back: "Sheik of Araby" | |
| 4.5 Sing or play back: "Ja Da" | |
| 4.6 Sing or play back: "Ain't We Got Fun" | |
| 4.7 Exam: Novelty Songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
| 5.1 Major Scales: Two-measure melodies with 7th interval leaps | |
| 5.2 Sing or play back: "Too Ra Loo" | |
| 5.3 Sing or play back: "When Irish Eyes are Smiling" | |
| 5.4 Sing or play back: "Careless Love" | |
| 5.5 Sing or play back: "The Bells of St. Mary's" | |
| 5.6 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
| 6.1 Sing or play back: "Alexander's Ragtime Band" | |
| 6.2 Sing or play back: "When the Midnight Choo Choo" | |
| 6.3 Sing or play back: "At the Devil's Ball" | |
| 6.4 Sing or play back: "Mandy" | |
| 6.5 Sing or play back: "I Never Knew" | |
| 6.6 Exam: Fun with Irving Berlin | |
7: Play “After You've Gone” by ear |
|
| 7.1 After You've Gone | |
📕 Jazz Workshops - Rhythm Clapback |
|
1: Module 1 |
|
| 1.1 4/4 swing, half-, quarter- and eighth notes | |
| 1.2 4/4 swing with rests | |
| 1.3 4/4 swing, quarter notes and eighths, faster tempo | |
| 1.4 3/4 swing, quarter notes, eighths and rests | |
| 1.5 3/4 and 4/4 swing - two bars! | |
| 1.6 4/4 swing with eighth note triplets | |
| 1.7 4/4 swing with triplets | |
| 1.8 4/4 swing with triplets and rests | |
| 1.9 3/4 swing with triplets | |
| 1.10 3/4 and 4/4 swing, triplets and rest | |
| 1.11 6/8 | |
| 1.12 6/8 with rests | |
| 1.13 6/8, with rests and ties | |
| 1.14 4/4 straight with eighths and sixteenths. | |
| 1.15 3/4 and 4/4 straight with rests | |
| 1.16 6/8 with sixteenths | |
| 1.17 6/8 with sixteenths and ties | |
| 1.18 6/8 with sixteenths, rests and ties | |
| 1.19 6/8 with sixteenths. 2 bars. | |
| 1.20 6/8 with sixteenths and ties. 2 bars. | |
| 1.21 6/8 with sixteenths, rests and ties | |
| 1.22 Medium upswing, quarter notes, eighths and rests | |
| 1.23 Up-tempo swing, quarter notes, eighths and rests | |
| 1.24 Medium upswing, with rests and ties | |
| 1.25 Up-tempo swing, with rests and ties | |
| 1.26 Medium upswing, quarter notes, eighths and rests. | |
| 1.27 Up-tempo swing, tempo 200. Two bars | |
| 1.28 Medium upswing, with rests and ties. Two bars | |
| 1.29 Medium upswing, 2 bars, with quarter note triplets | |
| 1.30 Up-tempo swing, rests and ties. | |
| 1.31 Up-tempo swing, with quarter note triplets | |
| 1.32 Sixteenths swing. One bar | |
| 1.33 Sixteenths swing with sixteenth note triplets | |
| 1.34 Sixteenths swing with triplets and ties | |
| 1.35 Sixteenths swing with sixteenth note triplets | |
| 1.36 Straight rhythms with 16th and 32nd notes | |
| 1.37 Rhythms with 16th and 32nd notes and ties | |
| 1.38 Up-tempo swing with quarter note triplets. Two bars | |
| 1.39 Up-tempo swing with rests. Two bars | |
| 1.40 Up-tempo swing with more eighths. Two bars. | |
| 1.41 Up-tempo swing with quarter note triplets. 3 bars! | |
| 1.42 Up-tempo swing with rests. 3 bars. | |
| 1.43 Swing eighths with straight sixteenths. | |
| 1.44 Swing eighths with straight sixteenths and rests. | |
| 1.45 Sixteenths swing. 2 bars. | |
| 1.46 Sixteenths swing with triplets and ties. 2 bars. | |
| 1.47 Up-tempo swing with more eighths. | |
| 1.48 Swinging eighths and straight sixteenths. | |
| 1.49 Swinging eighths, straight sixteenths and rests. | |
📕 Jazz Workshops - Rhythm Error Detection |
|
1: Module 1 |
|
| 1.1 4/4 swing, one bar, one error | |
| 1.2 4/4 swing, 2 bars, 2 errors | |
| 1.3 4/4 swing with rests | |
| 1.4 4/4 swing with rests, 2 bars, 2 errors | |
| 1.5 4/4 swing, faster tempo | |
| 1.6 4/4 swing, 2 bars, 2 errors | |
| 1.7 3/4 swing, 2 bars, 2 errors | |
| 1.8 3/4 and 4/4 swing, 2 errors | |
| 1.9 4/4 swing with eighth note triplets, 2 errors | |
| 1.10 4/4 swing with triplets, 2 errors | |
| 1.11 4/4 swing with triplets, 3 errors | |
| 1.12 4/4 swing with triplets and rests, 2 errors | |
| 1.13 4/4 swing with triplets and rests, 3 errors | |
| 1.14 3/4 swing with triplets, 2 bars, 2 errors | |
| 1.15 3/4 and 4/4 swing, triplets and rests, 4 errors | |
| 1.16 6/8, 2 errors | |
| 1.17 6/8, 2 errors | |
| 1.18 6/8 with rests, 2 errors | |
| 1.19 6/8 with rests, 3 errors | |
| 1.20 6/8 with rests and more eighths, 2 errors | |
| 1.21 6/8 with rests, 4 errors | |
| 1.22 4/4 with straight eighths and sixteenths, 2 errors | |
| 1.23 4/4 with straight eighths and sixteenths, 4 errors | |
| 1.24 3/4 and 4/4 straight, with rests, 2 errors | |
| 1.25 3/4 and 4/4 straight, with rests, 4 errors | |
| 1.26 6/8 with sixteenths, 2 errors | |
| 1.27 6/8 with sixteenths, 3 errors | |
| 1.28 6/8 with sixteenths, 2 errors | |
| 1.29 6/8 with triplets, 3 errors | |
| 1.30 Medium upswing | |
| 1.31 Medium upswing | |
| 1.32 Sixteenths swing | |
| 1.33 Sixteenths swing | |
| 1.34 Sixteenths swing with sixteenth note triplets | |
| 1.35 Sixteenths swing with sixteenth note triplets | |
| 1.36 Straight rhythms with 16th and 32nd notes #1 | |
| 1.37 Straight rhythms with 16th and 32nd notes #2 | |
| 1.38 Straight rhythms with 16th and 32nd notes #3 | |
| 1.39 Up-tempo swing #1 | |
| 1.40 Up-tempo swing #2 | |
| 1.41 Up-tempo swing #3 | |
| 1.42 Swing eighths with straight sixteenths | |
| 1.43 Swing eighths with straight sixteenths | |
📕 Jazz Workshops - Rhythmic Dictation |
|
1: Module 1 |
|
| 1.1 4/4 swing, half-, quarter- and eighth notes | |
| 1.2 4/4 swing with rests | |
| 1.3 4/4 swing, quarter notes and eighths, faster tempo | |
| 1.4 3/4 swing, quarter notes, eighths and rests | |
| 1.5 3/4 and 4/4 swing - two bars! | |
| 1.6 4/4 swing with eighth note triplets | |
| 1.7 4/4 swing with triplets | |
| 1.8 4/4 swing with triplets and rests | |
| 1.9 3/4 swing with triplets | |
| 1.10 3/4 and 4/4 swing, triplets and rest | |
| 1.11 6/8 | |
| 1.12 6/8 with rests | |
| 1.13 6/8, with rests and ties | |
| 1.14 4/4 straight with eighths and sixteenths. | |
| 1.15 3/4 and 4/4 straight with rests | |
| 1.16 6/8 with sixteenths | |
| 1.17 6/8 with sixteenths and ties | |
| 1.18 6/8 with sixteenths, rests and ties | |
| 1.19 6/8 with sixteenths. 2 bars. | |
| 1.20 6/8 with sixteenths and ties. 2 bars. | |
| 1.21 6/8 with sixteenths, rests and ties | |
| 1.22 Medium upswing, quarter notes, eighths and rests | |
| 1.23 Up-tempo swing, quarter notes, eighths and rests | |
| 1.24 Medium upswing, with rests and ties | |
| 1.25 Up-tempo swing, with rests and ties | |
| 1.26 Medium upswing, quarter notes, eighths and rests. | |
| 1.27 Up-tempo swing, tempo 200. Two bars | |
| 1.28 Medium upswing, with rests and ties. Two bars | |
| 1.29 Medium upswing, 2 bars, with quarter note triplets | |
| 1.30 Up-tempo swing, rests and ties. | |
| 1.31 Up-tempo swing, with quarter note triplets | |
| 1.32 Sixteenths swing. One bar | |
| 1.33 Sixteenths swing with sixteenth note triplets | |
| 1.34 Sixteenths swing with triplets and ties | |
| 1.35 Sixteenths swing with sixteenth note triplets. | |
| 1.36 Straight rhythms with 16th and 32nd notes | |
| 1.37 Rhythms with 16th and 32nd notes and ties | |
| 1.38 Up-tempo swing with quarter note triplets. Two bars | |
| 1.39 Up-tempo swing with rests. Two bars | |
| 1.40 Up-tempo swing with more eighths. Two bars. | |
| 1.41 Up-tempo swing with quarter note triplets. 3 bars! | |
| 1.42 Up-tempo swing with rests. 3 bars. | |
| 1.43 Swing eighths with straight sixteenths. | |
| 1.44 Swing eighths with straight sixteenths and rests. | |
| 1.45 Sixteenths swing. 2 bars. | |
| 1.46 Sixteenths swing with triplets and ties. 2 bars. | |
| 1.47 Up-tempo swing with more eighths. | |
| 1.48 Swinging eighths and straight sixteenths. | |
| 1.49 Swinging eighths, straight sixteenths and rests. | |
📕 Jazz Workshops - Rhythmic Sight-Reading |
|
1: Module 1 |
|
| 1.1 4/4 swing, half-, quarter- and eighth notes | |
| 1.2 4/4 swing with rests | |
| 1.3 4/4 swing, quarter notes and eighths, faster tempo | |
| 1.4 3/4 swing, quarter notes, eighths and rests | |
| 1.5 3/4 and 4/4 swing - two bars! | |
| 1.6 4/4 swing with eighth note triplets | |
| 1.7 4/4 swing with triplets | |
| 1.8 4/4 swing with triplets and rests | |
| 1.9 3/4 swing with triplets | |
| 1.10 3/4 and 4/4 swing, triplets and rest | |
| 1.11 6/8 | |
| 1.12 6/8 with rests | |
| 1.13 6/8, with rests and ties | |
| 1.14 4/4 straight with eighths and sixteenths. | |
| 1.15 3/4 and 4/4 straight with rests | |
| 1.16 6/8 with sixteenths | |
| 1.17 6/8 with sixteenths and ties | |
| 1.18 6/8 with sixteenths, rests and ties | |
| 1.19 Medium upswing, quarter notes, eighths and rests | |
| 1.20 Medium upswing with rests and ties | |
| 1.21 Sixteenths swing | |
| 1.22 Sixteenths swing with sixteenth note triplets | |
| 1.23 Sixteenths swing with triplets and ties | |
| 1.24 Straight rhythms with 16th and 32nd notes | |
| 1.25 Rhythms with 16th and 32nd notes and ties | |
| 1.26 Up-tempo swing | |
| 1.27 Up-tempo swing with rests | |
| 1.28 Up-tempo swing with more eighths | |
| 1.29 Swing eighths with straight sixteenths. | |
| 1.30 Swing eighths with straight sixteenths and rests. | |
📕 RCM Voice - Level 1 to 6 |
|
1: Foreword |
|
| 1.1 Welcome | |
2: Level 1: Technical Exercises |
|
| 2.1 Technical Exercise 1 (preparatory lesson) | |
| 2.2 Technical Exercise 1 | |
| 2.3 Technical Exercise 2 (preparatory lesson) | |
| 2.4 Technical Exercise 2 | |
| 2.5 Technical Exercise 3 (preparatory lesson) | |
| 2.6 Technical Exercise 3 | |
| 2.7 Technical Exercises 1–3 (preparatory lesson) | |
| 2.8 Technical exercises 1–3 | |
3: Level 1: Clapback |
|
| 3.1 2/4 Rhythms: one measure, no syncopation | |
| 3.2 2/4 Rhythms: one measure, with syncopation | |
| 3.3 2/4 Rhythms: three measures, no syncopation | |
| 3.4 2/4 Rhythms: three measures, with syncopation | |
| 3.5 2/4 Melodies: four measures | |
| 3.6 3/4 Rhythms: one measure | |
| 3.7 3/4 Melodies: two measures | |
| 3.8 3/4 Melodies: three measures | |
| 3.9 2/4 and 3/4 melodies | |
4: Level 1: Intervals |
|
| 4.1 Ascending Intervals: major 3rd, perfect 5th, perfect octave | |
| 4.2 Ascending Interval: major 3rd | |
| 4.3 Ascending Interval: major 3rd | |
| 4.4 Ascending Interval: perfect 5th | |
| 4.5 Ascending Interval: perfect 5th | |
| 4.6 Ascending Interval: perfect octave | |
| 4.7 Ascending Interval: perfect octave | |
| 4.8 Ascending intervals: all intervals | |
| 4.9 Ascending Intervals: all intervals | |
| 4.10 Descending intervals: minor 3rd, perfect 4th, perfect octave | |
| 4.11 Descending Interval: minor 3rd | |
| 4.12 Descending Interval: minor 3rd | |
| 4.13 Descending Interval: perfect 4th | |
| 4.14 Descending Interval: perfect 4th | |
| 4.15 Descending Interval: perfect octave | |
| 4.16 Descending Interval: perfect octave | |
| 4.17 Descending Intervals: all intervals | |
| 4.18 Descending Intervals: all intervals | |
| 4.19 All intervals | |
| 4.20 All intervals | |
5: Level 1: Sight Singing |
|
| 5.1 2/4 Melodies: three measures | |
| 5.2 2/4 Melodies: four measures | |
| 5.3 3/4 Melodies: three measures | |
| 5.4 2/4 and 3/4 melodies | |
6: Level 1: Final Step |
|
| 6.1 Technical Exercises | |
| 6.2 Clapback | |
| 6.3 Intervals | |
| 6.4 Sight Singing | |
7: Level 2: Technical Exercises |
|
| 7.1 Technical Exercise 1 (preparatory lesson) | |
| 7.2 Technical Exercise 1 | |
| 7.3 Technical Exercise 2 (preparatory lesson) | |
| 7.4 Technical Exercise 2 | |
| 7.5 Technical Exercise 3 (preparatory lesson) | |
| 7.6 Technical Exercise 3 | |
| 7.7 Technical Exercise 4 (preparatory lesson) | |
| 7.8 Technical Exercise 4 | |
| 7.9 Technical Exercises 1–4 (preparatory lesson) | |
| 7.10 Technical exercises 1–4 | |
8: Level 2: Clapback |
|
| 8.1 2/4 Melodies (review) | |
| 8.2 2/4 Rhythms | |
| 8.3 2/4 Melodies | |
| 8.4 3/4 Melodies (review) | |
| 8.5 3/4 Rhythms | |
| 8.6 3/4 Melodies | |
| 8.7 2/4 and 3/4 melodies | |
9: Level 2: Intervals |
|
| 9.1 Ascending intervals: major 2nd, major 3rd | |
| 9.2 Ascending Interval: major 3rd (review) | |
| 9.3 Ascending Interval: major 2nd | |
| 9.4 Ascending Interval: major 2nd | |
| 9.5 Ascending intervals: perfect 4th, perfect 5th, perfect octave | |
| 9.6 Ascending Interval: perfect 5th (review) | |
| 9.7 Ascending Interval: perfect octave (review) | |
| 9.8 Ascending Interval: perfect 4th | |
| 9.9 Ascending Interval: perfect 4th | |
| 9.10 Ascending Intervals: all intervals | |
| 9.11 Ascending Intervals: all intervals | |
| 9.12 Descending intervals: minor 3rd, perfect 4th, perfect octave (review) | |
| 9.13 Descending Interval: minor 3rd (review) | |
| 9.14 Descending Interval: perfect 4th (review) | |
| 9.15 Descending Interval: perfect octave (review) | |
| 9.16 Descending Intervals: all intervals | |
| 9.17 Descending Intervals: all intervals | |
| 9.18 All intervals | |
| 9.19 All intervals | |
10: Level 2: Sight Singing |
|
| 10.1 2/4 Melodies (review) | |
| 10.2 2/4 Melodies | |
| 10.3 3/4 Melodies (review) | |
| 10.4 3/4 Melodies | |
| 10.5 2/4 and 3/4 melodies | |
11: Level 2: Final Step |
|
| 11.1 Technical Exercises | |
| 11.2 Clapback | |
| 11.3 Intervals | |
| 11.4 Sight Singing | |
12: Level 3: Technical Exercises |
|
| 12.1 Technical Exercise 1 (preparatory lesson) | |
| 12.2 Technical Exercise 1 | |
| 12.3 Technical Exercise 2 (preparatory lesson) | |
| 12.4 Technical Exercise 2 | |
| 12.5 Technical Exercise 3 (preparatory lesson) | |
| 12.6 Technical Exercise 3 | |
| 12.7 Technical Exercise 4 (preparatory lesson) | |
| 12.8 Technical Exercise 4 | |
| 12.9 Technical Exercise 5 (preparatory lesson) | |
| 12.10 Technical Exercise 5 | |
| 12.11 Technical Exercises 1–5 (preparatory lesson) | |
| 12.12 Technical exercises 1–5 | |
13: Level 3: Clapback |
|
| 13.1 2/4 Melodies (review) | |
| 13.2 2/4 Rhythms | |
| 13.3 2/4 Melodies | |
| 13.4 3/4 Melodies (review) | |
| 13.5 3/4 Rhythms | |
| 13.6 3/4 Melodies | |
| 13.7 2/4 and 3/4 melodies | |
14: Level 3: Intervals |
|
| 14.1 Ascending intervals: major 2nd, major 3rd, major 6th | |
| 14.2 Ascending Interval: major 2nd (review) | |
| 14.3 Ascending Interval: major 3rd (review) | |
| 14.4 Ascending Interval: major 6th | |
| 14.5 Ascending Interval: major 6th | |
| 14.6 Ascending intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 14.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 14.8 Ascending Intervals: all intervals | |
| 14.9 Ascending Intervals: all intervals | |
| 14.10 Descending intervals: perfect 4th, perfect 5th | |
| 14.11 Descending intervals: all intervals | |
| 14.12 Descending Interval: minor 3rd (review) | |
| 14.13 Descending Interval: perfect 4th (review) | |
| 14.14 Descending Interval: perfect 5th | |
| 14.15 Descending Interval: perfect 5th | |
| 14.16 Descending Interval: perfect octave (review) | |
| 14.17 Descending Intervals: all intervals | |
| 14.18 Descending Intervals: all intervals | |
| 14.19 All intervals | |
| 14.20 All intervals | |
15: Level 3: Sight Singing |
|
| 15.1 2/4 Melodies (review) | |
| 15.2 3/4 Melodies (review) | |
| 15.3 4/4 Melodies: two measures | |
| 15.4 Final Step: 4/4 Melodies: four measures | |
16: Level 3: Final Step |
|
| 16.1 Technical Exercises | |
| 16.2 Clapback | |
| 16.3 Intervals | |
| 16.4 Sight Singing | |
17: Level 4: Technical Exercises |
|
| 17.1 Technical Exercise 1 (preparatory lesson) | |
| 17.2 Technical Exercise 1 | |
| 17.3 Technical Exercise 2 (preparatory lesson) | |
| 17.4 Technical Exercise 2 | |
| 17.5 Technical Exercise 3 (preparatory lesson) | |
| 17.6 Technical Exercise 3 | |
| 17.7 Technical Exercise 4 (preparatory lesson) | |
| 17.8 Technical Exercise 4 | |
| 17.9 Technical Exercise 5 (preparatory lesson) | |
| 17.10 Technical Exercise 5 | |
| 17.11 Technical Exercises 1–5 (preparatory lesson) | |
| 17.12 Technical exercises 1–5 | |
18: Level 4: Clapback |
|
| 18.1 2/4 Melodies (review) | |
| 18.2 2/4 Rhythms | |
| 18.3 2/4 Melodies | |
| 18.4 6/8 Rhythms | |
| 18.5 6/8 Melodies | |
| 18.6 2/4 and 6/8 melodies | |
19: Level 4: Intervals |
|
| 19.1 Ascending Intervals: minor and major 3rds | |
| 19.2 Ascending Interval: major 2nd (review) | |
| 19.3 Ascending Interval: major 3rd (review) | |
| 19.4 Ascending Interval: minor 3rd | |
| 19.5 Ascending Interval: minor 3rd | |
| 19.6 Ascending Interval: major 6th (review) | |
| 19.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 19.8 Ascending Intervals: all intervals | |
| 19.9 Ascending Intervals: all intervals | |
| 19.10 Ascending Intervals: all intervals | |
| 19.11 Descending intervals: perfect 5th, minor 6th | |
| 19.12 Descending Interval: minor 3rd (review) | |
| 19.13 Descending Interval: minor 6th | |
| 19.14 Descending Interval: minor 6th | |
| 19.15 Descending Interval: perfect 4th, perfect 5th, perfect octave (review) | |
| 19.16 Descending intervals: all intervals | |
| 19.17 Descending Intervals: all intervals | |
| 19.18 Descending Intervals: all intervals | |
| 19.19 All intervals | |
| 19.20 All intervals | |
20: Level 4: Sight Singing |
|
| 20.1 6/8 Melodies: two measures | |
| 20.2 Final Step: 6/8 Melodies: four measures | |
21: Level 4: Final Step |
|
| 21.1 Technical Exercises | |
| 21.2 Clapback | |
| 21.3 Intervals | |
| 21.4 Sight Singing | |
22: Level 5: Technical Exercises |
|
| 22.1 Technical Exercise 1 (preparatory lesson) | |
| 22.2 Technical Exercise 1 | |
| 22.3 Technical Exercise 2 (preparatory lesson) | |
| 22.4 Technical Exercise 2 | |
| 22.5 Technical Exercise 3 (preparatory lesson) | |
| 22.6 Technical Exercise 3 | |
| 22.7 Technical Exercise 4 (preparatory lesson) | |
| 22.8 Technical Exercise 4 | |
| 22.9 Technical Exercise 5 (preparatory lesson) | |
| 22.10 Technical Exercise 5 | |
| 22.11 Technical Exercises 1–5 (preparatory lesson) | |
| 22.12 Technical exercises 1–5 | |
23: Level 5: Singback |
|
| 23.1 6/8 Melodies | |
| 23.2 3/4 Melodies | |
| 23.3 6/8 and 3/4 melodies | |
24: Level 5: Intervals |
|
| 24.1 Ascending Intervals: minor and major 6ths | |
| 24.2 Ascending Interval: major 2nd (review) | |
| 24.3 Ascending Interval: minor and major 3rds (review) | |
| 24.4 Ascending Interval: major 6th (review) | |
| 24.5 Ascending Interval: minor 6th | |
| 24.6 Ascending Interval: minor 6th | |
| 24.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 24.8 Ascending intervals: all intervals | |
| 24.9 Ascending Intervals: all intervals | |
| 24.10 Ascending Intervals: all intervals | |
| 24.11 Descending intervals: minor and major 3rds | |
| 24.12 Descending intervals: major 2nd, minor and major 3rds | |
| 24.13 Descending intervals: minor and major 6ths | |
| 24.14 Descending Interval: minor 3rd (review) | |
| 24.15 Descending Interval: minor 6th (review) | |
| 24.16 Descending Interval: perfect 4th, perfect 5th, perfect octave (review) | |
| 24.17 Descending Interval: major 2nd | |
| 24.18 Descending Interval: major 2nd | |
| 24.19 Descending Interval: major 3rd | |
| 24.20 Descending Interval: major 3rd | |
| 24.21 Descending Interval: major 6th | |
| 24.22 Descending Interval: major 6th | |
| 24.23 Descending intervals: all intervals | |
| 24.24 Descending Intervals: all intervals | |
| 24.25 Descending Intervals: all intervals | |
| 24.26 All intervals | |
| 24.27 All intervals | |
25: Level 5: Chord Identification |
|
| 25.1 Major and Minor Triads: ascending/harmonic | |
| 25.2 Major and Minor Triads: harmonic | |
26: Level 5: Sight Singing |
|
| 26.1 3/4 Melodies: two measures | |
| 26.2 3/4 Melodies: two measures | |
| 26.3 3/4 Melodies: four measures | |
| 26.4 3/4 Melodies: four measures | |
| 26.5 2/4 Melodies: three measures | |
| 26.6 2/4 Melodies: three measures | |
| 26.7 2/4 Melodies: six measures | |
| 26.8 2/4 Melodies: six measures | |
| 26.9 2/4 and 3/4 Melodies | |
| 26.10 2/4 and 3/4 Melodies | |
27: Level 5: Final Step |
|
| 27.1 Technical Exercises | |
| 27.2 Singback | |
| 27.3 Intervals | |
| 27.4 Chord Identification | |
| 27.5 Sight Singing Part 1: rhythm | |
| 27.6 Sight Singing Part 2: melody | |
28: Level 6: Technical Exercises |
|
| 28.1 Technical Exercise 1 (preparatory lesson) | |
| 28.2 Technical Exercise 1 | |
| 28.3 Technical Exercise 2 (preparatory lesson) | |
| 28.4 Technical Exercise 2 | |
| 28.5 Technical Exercise 3 (preparatory lesson) | |
| 28.6 Technical Exercise 3 | |
| 28.7 Technical Exercise 4 (preparatory lesson) | |
| 28.8 Technical Exercise 4 | |
| 28.9 Technical Exercise 5 (preparatory lesson) | |
| 28.10 Technical Exercise 5 | |
| 28.11 Technical Exercise 6 (preparatory lesson) | |
| 28.12 Technical Exercise 6 | |
| 28.13 Technical Exercises 1–6 (preparatory lesson) | |
| 28.14 Technical Exercises 1–6 | |
29: Level 6: Singback |
|
| 29.1 6/8 Melodies (review) | |
| 29.2 3/4 Melodies (review) | |
| 29.3 6/8 melodies (short) | |
| 29.4 6/8 melodies | |
| 29.5 3/4 melodies (short) | |
| 29.6 3/4 melodies | |
| 29.7 6/8 and 3/4 melodies | |
30: Level 6: Intervals |
|
| 30.1 Ascending Intervals: minor and major 2nds | |
| 30.2 Ascending Intervals: minor and major 6ths, major 7th | |
| 30.3 Ascending interval: major 2nd (review) | |
| 30.4 Ascending Intervals: minor and major 3rds (review) | |
| 30.5 Ascending Intervals: minor and major 6ths (review) | |
| 30.6 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 30.7 Ascending Interval: minor 2nd | |
| 30.8 Ascending Interval: minor 2nd | |
| 30.9 Ascending Interval: minor 7th | |
| 30.10 Ascending Interval: minor 7th | |
| 30.11 Ascending intervals: all intervals | |
| 30.12 Ascending Intervals: all intervals | |
| 30.13 Ascending Intervals: all intervals | |
| 30.14 Descending intervals: minor and major 2nds | |
| 30.15 Descending intervals: minor and major 6ths, minor 7th | |
| 30.16 Descending Interval: major 2nd (review) | |
| 30.17 Descending intervals: minor and major 3rds (review) | |
| 30.18 Descending Intervals: minor and major 6ths (review) | |
| 30.19 Descending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 30.20 Descending Interval: minor 2nd | |
| 30.21 Descending Interval: minor 2nd | |
| 30.22 Descending Interval: minor 7th | |
| 30.23 Descending Interval: minor 7th | |
| 30.24 Descending intervals: all intervals | |
| 30.25 Descending Intervals: all intervals | |
| 30.26 Descending Intervals: all intervals | |
| 30.27 All intervals | |
| 30.28 All intervals | |
31: Level 6: Chord Identification |
|
| 31.1 Major and Minor Triads: harmonic (review) | |
| 31.2 Major and Minor Triads, Dominant 7th: ascending/harmonic | |
| 31.3 Major and Minor Triads, Dominant 7th: harmonic | |
32: Level 6: Sight Singing |
|
| 32.1 4/4 Melodies: two measures | |
| 32.2 4/4 Melodies: two measures | |
| 32.3 4/4 Melodies: four measures | |
| 32.4 4/4 Melodies: four measures | |
| 32.5 3/4 Melodies: three measures | |
| 32.6 3/4 Melodies: three measures | |
| 32.7 3/4 Melodies: six measures | |
| 32.8 3/4 Melodies: six measures | |
| 32.9 3/4 and 4/4 Melodies | |
| 32.10 3/4 and 4/4 Melodies | |
33: Level 6: Final Step |
|
| 33.1 Technical Exercises | |
| 33.2 Singback | |
| 33.3 Intervals | |
| 33.4 Chord Identification | |
| 33.5 Sight Singing Part 1: rhythm | |
| 33.6 Sight Singing Part 2: melody | |
34: Course wrap-up |
|
| 34.1 Congratulations! | |
Nuevo en la versión 7
EarMaster 7.1 es la última mejor actualización de EarMaster para Pc y Mac. Incluye muchas mejoras e increíbles características. Aquí encontrará algunas de las nuevas herramientas de EarMaster 7.1:
Tocar ritmos al micrófono
¡Le hemos escuchado claro y tendido: el input de micrófono para tocar el ritmo con las manos ha sido añadido en EarMaster 7!
¡Disponible ahora en los ejercicios de entrenamiento y de lectura rítmica!
445 nuevas partituras de música clásica
La biblioteca de música de EarMaster incluye ahora más de 445 partituras de música clásica, incluyendo obras de Bach, Mozart, Haydn, Monteverdi y muchos más. Estas partituras han sido añadidas en colaboración con el Conservatoire National des Arts et Métiers (CNAM) francés y su excelente proyecto de biblioteca de música NEUMA.
Puede usar estas partituras configurando un ejercicio melódico o rítmico personalizado basado en la biblioteca de música.
Traducción en Checo disponible 
¡Ahora puede usar también EarMaster 7 en checo!
Los archivos MusicXML importados ahora re
producen dinámicas
EarMaster ahora importa e interpreta las dinámicas generales y los valores particulares de cada nota. Esto permitirá la reproducción de partituras más suave, más musical y matizada.
Cómo obtener EarMaster 7.1
EarMaster 7.1 es una actualización gratuita para todos los usuarios de EarMaster 7 en PC y Mac.
Nótese que algunas versiones anteriores (desde 7.0.15) necestian que desinstales EarMaster préviamente para instalar la nueva actualización.
Puede ver que versión de EarMaster tiene en la parte superior de la ventana del software.
Si no ha actualizado aún su EarMaster 5 o 6, ahora es el momento perfecto - ¡La actualización cuesta solo la mitad de precio que una licencia regular! Comprar ahora >>
Nuevo en la versión 7.0 comparado con EarMaster 6
- Interfaz de usuario completamente rediseñada
- Nuevo curso interactivo para principiantes que cubre todos los fundamentos de la teoría musical
- Instrumentos rediseñados en pantalla (piano, guitarra, bajo, violín, cello, banjo, etc.)
- Nuevo algoritmo mejorado de detección de voz
- Nuevo sistema de ayuda dependiente del contexto
- Nueva herramienta de estadísticas avanzadas
- Talleres Generales revisados
- Talleres de Jazz revisados
- Nuevo test de micrófono intuitivo
- Pantalla de introducción de la lección revisada
- Nuevo modo pregunta-respuesta para ejercicios de imitación melódica y rítmica
- Nuevos presets de tempo
- Retina y soporte de pantalla completa (Mac)
- Nuevos perfiles de instrumentos
- Cientos de mejoras revisadas bajo lupa
Soy cantante y estudiante de música y piano. Tengo muchos problemas de oído, pero usando EarMaster he mejorado increíblemente en sólo dos semanas de uso. Pruébenlo! 
Laura, Cantante y estudiante de piano, España
Es la herramienta definitiva para aprender música y estoy muy contento de haberlo adquirido hace unos minutos. Este programa enseña música de la mejor manera y entreno a diario con ejercicios divertidos y en mi idioma!
Marcelo Grevisse, Cantautor, Argentina
I teach guitar for a living and I have to say that your program really hits the nail on the head and allows the user to concentrate on what he wants to personally develop. I've tried a few ear training programs in the past and really been disappointed. Your stuff really lets me work on what I want to work on and the whole interface is very well put together.I really salute you guys for creating something that truly benefits musicians and I am sure that it is worth every penny. I have already started to recommend your software to all of my students.
Justin Proudman, Guitar teacher, UK
Your program is awesome and I am making great progress. I have been playing classical guitar for almost 20 years now and I have tried other perfect pitch programs and failed at them. Their concept was always from the playing a cd and listening to it. Your program is like having a teacher in front of me. When I make a mistake, it fires it back at me and pushes me to learn. Thanks again for your wonderful program, I have been looking for something like this for years. I will recommend this to all of my students and fellow musicians.
Mark Millage, Classical guitar, Music teacher, Florida, USA
Your software has helped my hearing progress astronomically faster than the traditional 'find your partner' approach. I am very hard on myself I push myself as an athlete in training might, and your software keeps up with my pace quite well. I have grown in leaps and bounds thanks to the tool you have graciously provided. I say graciously, because the fee is nominal in comparison to the returns.
Shahzad Ismaily, Professional musician, Bass and electronics, Brooklyn, New York
I have been blown away by your EarMaster. I am at the University of Newcastle Conservatorium of Music, Australia and have found that using this software has improved my Aural capabilities enormously. Each point covered by EarMaster is exactly the areas in which we are working. I find EarMaster really easy to use. Thank you for turning what can be a very tedious subject into one that is extremely enjoyable.
Jan Boyle, University of Newcastle Conservatorium of Music, Australia
My students thoroughly enjoy your program. In fact, I am going to get rid of my ....... and other ear training programs because my students would rather use your software.
Genny Rafferty, Piano teacher, Phoenix, Arizona
I recommend EarMaster without hesitation to any student or professional who wants to shift their aural skills into overdrive. (...) Even students with perfect pitch will be very hard pressed to max out the unlimited potential with your wonderful program, and I know few people who could master the melodic dictation up to 9 random chromatic notes. Thank you for writing such a great program.
Douglas Martin, Music student, University of Michigan, USA
I'm am currently in my third year at Queensland Conservatorium in Jazz Studies and just before aural/listening exams my computer and your fantastic program certainly takes a pounding. It has been an essential tool in the development of my musical ear. Thanks again.
Ross Williams, Music student, Queensland Conservatorium, Australia
This is so good I cannot stop recommending it! All those boring music lessons now become fun, and you can see and hear yourself getting better! If school was like this we would all be Einsteins.
Mark Kober-Smith, Notary Public, and amateur musician, London
I am a jazz saxophonist, and I have now been using the program for several months. Over time I have come to regard it as my second instrument. Working at it every day I am becoming able to recognise any interval in an instant, hear chord changes in and sight read tricky syncopated jazz rhythms. What more could a Jazzer want?!!!
Steve Deckett, Jazz saxophonist, UK
I'm talking about this program to all the musicians in this city. Everybody says, this is a wonderful program easy to use, easy to understand. I think that this program is the teacher that every musician must have at home.
Juan Daniel Muñoz, Drummer and band leader, Mexico
Hans, your program is one of the best I've ever used. Not only is it logical, intuitive, deeply interactive, (...). It is smart - very, very smart, and very easy to use. What I love most is what I can do on the Scale Identification page. Whether I click a piano key, a guitar string, or ledger line or space, the note and tone always play perfectly and simultaneously display everywhere. Talk about great reinforcement!! And then when I discovered that I could hold in my mouse button and drag the cursor across multiple notes only to have them all play/display, well, that sold me right there - at that point I knew I just had to buy this software. What a smart, smart program.
Raymond Smith, Keyboards & Electric Bass Guitar, Irving, Texas, USA
I have tried about a dozen ear training software packages, but EarMaster seems to be the best, and by a wide margin. In fact, of all the applications I have tried, it's the only one I can really recommend to my fellow musicians.
Joseph Dabkoski, California, USA
Dear Hans: I think EarMaster is terrific. I have ordered it and just received the software and am anxious to install it. I have also referred the program to several of my friends, as well as my teacher. I am an adult piano student, having taken lessons for 6 years, starting at 44 years of age. I have found that I am a visual learner and that it is difficult for me to learn piano the traditional way because I have a difficult time not being able to see my hands as I read the music. I am not making the visual connection between my hands and the music, easily. But, that was before EarMaster.Beyond learning how to learn by ear, EarMaster has helped me to visually associate the sound of a key to the piano key itself because both are right before me on the computer screen. Now, when I play the piano acoustically, I am finding it to be much easier because I can now 'see' where my hands are while still reading the music.
Linda Carey Kunnath, Piano player, USA
I am impressed with this product. In the process of searching for this type of software I had occasion to try several other programs. None of them came close to providing the depth of exercises and the ease of use that EarMaster does.
Mike Nekechuk, Amateur musician, Ottawa, Canada
EarMaster has been the best ear training software that I have tried. It looks very nice and it has everything I need to practice! It is GREAT!
Miguel-Gerardo Brito, Music student, Puebla, Mexico
One of the best programs of its kind. For the price you ask, unbeatable...
Axel Gallrein, Hobby musician, Berlin, Germany
This is far and away the best ear training program I've come across, and it's much less expensive than many others.
Michael Rosenberg, Professional musician, California
I really enjoyed using the EarMaster evaluation copy. As a software developer I can appreciate that you've done a great job both in design and implementation.
Alan Macy, Responsive Software, Trinidad, California
What a great tool!
Doug Mitchell, Music student, Seattle, USA
Many people might say that a computer cannot replace human beings, but EarMaster certainly comes close in many ways. Given the nature of our discipline and the large amount of practice required, EarMaster is a patient and non-judgmental teacher.
Dr. David Ehrke, Professor of Music, University of Nevada, Reno
Yes, we wrote the quotes ourselves! (just kidding) - How did we get them? They are just a few of the comments we have received by email. All authors are quoted with permission.
Webmaster, EarMaster.com
Un viaje alrededor del mundo - Escuelas usando EarMaster
Siempre hemos trabajado intensamente para hacer que nuestro software esté disponible en el mayor número de países y lenguajes posibles. No es una tarea fácil, pero pensamos que merece mucho la pena, ya que esto significa que estudiantes y profesores pueden tener acceso fácilmente a las herramientas para la formación musical más modernas del momento.
Aquí tiene una corta lista de las escuelas que usan o han usado recientemente EarMaster para sus clases de entrenamiento auditivo y teoría musical.
¡Buen viaje!
ANDORRA
Comú De Sant Julià De Lòria
AUSTRALIA
Australian Guild of Music Education
Central Coast Grammar School
FCJ College Benalla
Flinders Christian Community College
G4 Guitar
Hale School
Perform Australia
SAE Australia
Shellharbour Anglican College
Sutherland Shire Christian School
University of Western Sydney
AUSTRIA
Landesmusikschule Enns
Mozarteum, Salzburg
Musischer Schulförderverein
BAHAMAS
The College of Bahamas
BELGIUM
Academie Haspengouw
Academie Lede
Académie Woluwé saint lambert
Gemeente Schoten Academie voor muziek en woor
Gemeentelijke Academie MWD Grimbergen
Genkse Academie voor Kunst
Koninklijk Conservatorium Antwerpen
Koninklijk Conservatorium Brussel
Kunsthumaniora Brussel
LUCA School of Arts
Muzeikacademie Ekeren
Stedelijk Conservatorium Brugge
UC Leuven Limburg
BOLIVIA
Universidad Evangélica Boliviana
BOSNIA-HERZEGOVINA
Srednja muzicka skola Sarajevo
BRAZIL
Gobal Arts Brasil
Associacao Torre de vigia
Instituto Adventista de Ensino
CANADA
Bathurst Music Academy
Bearspaw School
Bethany Bible College
CEGEP de Drummondville
CEGEP de Saint-Laurent
CEGEP de Sherbrooke
College Sainte-Anne
Conservatoire de musique de Montreal
Brandon University
Cours en ligne MÉDPE du Nouveau-Brunswick
École de musique du Bas-Saint-Laurent
École de musique Jacques-Hétu
École secondaire publique De La Salle
Ecole St-François d'Assise
ESMC
Grovenor Music Studio
Harmonie Inspiration
Patriotes-de-Beauharnois
Pixel Blue College
Providence University College
RB Russell Vocational School
Richmond Christian School
Université de Moncton
Universite de Sherbrooke
University of Guelph
University of Lethbridge
University of Toronto Scarborough
CAYMAN ISLANDS
St. Ignatius Catholic School
CHINA
Shanghai Normal University
Shanghai Qibao Dwight High School
COLOMBIA
Aula moderna de musica y sonido
Conservatorio del Tolima
Fundacion Universitaria Juan N. Corpas
Fundación Triquiñuela
Staff Music Academy
Universidad de Antioquia
Universidad de San Buenaventura
CZECH REPUBLIC
Domov sociální pece Skalice
DENMARK
Aabenraa Musikskole
Aarhus Klaverakademi
Albertslund Gymnasium
Allerød Musikskole
Blåkilde Efterskole
Djursland Efterskole
Espergærde Gymnasium og HF
Falkonergården Gymnasium og HF–Kursus
Fjerritslev Gymnasium
Flemming Efterskole
Fredericia Amtsgymnasium og HF-kursus
Gentofte Music School
GUX Nuuk
Gladsaxe Musik- og Billedskole
Haderslev Musikskole
Herning Musikskole
Herning gymnasium
Hillerød Musikskole
Horsens Statsskole
Kalundborg Gymnasium og HF
Kerteminde Musikskole
Kolding Musikskole
Køge Musikskole
Midtsjællands Gymnasium
Munkensdam Gymnasium
Musik og Billedskolen Varde
Musikskolen Holbæk
Næstved Gymnasium & Hf
Næstved Musik- og Kulturskole
Oure Kostgymnasium
Pinsevækkelsens Højskole
Rosborg Gymnasium og HF
Roskilde Katedralskole
Rudehøj Efterskole
Rudersdal Musikskole
Rybners Gymnasium
Sct. Knuds Gymnasium
Sdr.Nærå Friskole
Sejergaardsskolen
Skive Musikskole MGK
Slagelse Musikskole
Sonic College (Haderslev)
Sønderborg Musikskole
Tornbjerg Gymnasium
Unge Hjems Efterskole
Valdemarskolen
Vesterdal Efterskole
Vesthimmerlands kulturskole
Viby Efterskole
Virum Gymnasium
Vordingborg Gymnasium & HF
ESTONIA
Fie kaido järvsoo
Faroe Islands
Glasir
FINLAND
Guitar Trainer - Joni Kosonen
Kaustisen musiikkilukio
FRANCE
Ateliers Municipaux de pratique musicale de Saint-PaulAcadémie de Musique et d'Arts de Belleville
Apprendre à jouer du piano
Association Musicale de Val d’Isère
CA Argenteuil Bezons
Cité de la Musique de Paris
CMA Valenciennes
Cours Florent
CRD Les Caves de Dole
CRD de Bourg-la-Reine/sceaux
Centre Musical du Val de Noye
Conservatoire de Belley
Conservatoire de Cournon-Auvergne
Conservatoire Darius Milhaud, Paris XIV
Conservatoire Marin MARAIS
Conservatoire Municipal de Salon de Provence
Conservatoire Musique et Danse de la Côte d'Albâtre
Conservatoire de Brive
Conservatoire de Musique Marin MARAIS, Les Sables-d'Olonne
Conservatoire de Samer
CRR Perpignan-Méditerranée
Ecole ATLA, Paris
Ecole De Musique de Petit-Quevilly
Ecole de Musique et de Danse de Boulogne-Billancourt
Ecole Moderne de Musique
EMA Réunion
Espace musical Georges Fontaine
Institut technologique européen des métiers de la musique
Jazz Action Valence
L'école de musique connectée
Music'Art
Music'Halle
Musikaa
Tous en Scène
Université de Paris IV Sorbonne
Université Paris-Est Marne-la-Vallée
GERMANY
BDB-Musikakademie Staufen
FTM e.V. Onlinemusikschule
Freier Musikverein Paukenschlag e.V.
Gymnasium Bäumlihof
Institut für Musikpädagogik, WWU Münster
Institut für Waldorfpädagogik
Johann-Pachelbel-Realschule
Landesmusikgymnasium Montabaur
LMS Hochburg-Ach
Musikschule Grassau
Musikschule Region Thun
Musikwerkstatt Abensberg Rohr
Universität Heidelberg
Zentralmusikschule Oberwart
GUATEMALA
Universidad Del Valle de Guatemala
HONG KONG
Carmel Divinve Grace Foundation Secondary School
CCC Kei Wan Primary School
Hong Kong Recorder & Music Education Centre
Shanghai Alumni Primary School
ICELAND
Tonkjallarinn ehf
IRELAND
CIT Cork School of Music
ISRAEL
Ben gurion high school Ness Ziona Istael
Leobaeck Education Center
School of New Music and Animation, Tel Aviv
ITALY
AccademiaParma
Fondazione Siena Jazz
Retroscena Srl
Scuola di Musica MC
JAPAN
Choshi Highschool
Bunkyo University
Higashimaizuru Senior High School
Jin-ai Women's College
KAZAKHSTAN
Kazakh Kurmangazy national conservatoire
MALTA
St Paul Choral Society
MEXICO
Academia de Música Halbstark
El Colegio de Oaxaca
UNAM Escuela Nacional de Musica
Universidad Veracruzana
NETHERLANDS
Academie Woord Muziek Antwerpen Berchem
Artez University of The Arts
Codarts Rotterdam
De Nieuwe Veste
Grotius College
Haarlem Music Academy
Haarlemse Gitaarschool
Johannes Fontanus College
Media College Amsterdam
Muziekschool DEPIANO
Nederlandse Pop Academie
Stedelijk Dalton Lyceum
NEW ZEALAND
Ara Institute of Canterbury
Eastern Institute of Technology
NC Guitar School
NORWAY
Ansgar Teologiske Høgskole
Bergen Private Gymnas AS
Bårdar Akademiet
Foss Videregående Skole
Heimdal videregående skole
Høgskolen i Østfold
Inderøy Videregående Skole
Lillestrøm videregående skole
Meløy Kulturskole
Mosjøen videregående skole
Norges musikkhøgskole
Norges Musikkorps Forbund
Orkdal vidaregåande skole
Rødøy Kommunale Musikkskole
Skien videregående skole
St. Hallvard vgs skole
Stavanger Katedralskole Bjergsted
Stavanger Kulturskole
Stiftelsen Viken Folkehøgskole
Toneheim folkehøgskole
Trondheim Katedralskole
PERU
Instituto Orson Welles
Pontificia Universidad catolica del Peru
POLAND
Laboratorium - Szkola Muzyki
Misja Chrześcijańska Służba Muzyczna
Panstwowa Szkola Muzyczna I Stopnia Im.K.
Uniwersytet im. A. Mickiewicza w Poznaniu
PORTUGAL
Academia de Música de Costa Cabral
Academia De Música De Obidos
Ediçoes Convite à Música
Escola de Música do Conservatório Nacional
Intermusica, Lda
Universidade de Évora
RUSSIA
MEO "Kuzmolovskaya school"
SINGAPORE
Republic Polytechnic
UWC South East Asia-Dover Campus
Yong Siew Toh Conservatory of Music
SLOVAKIA
ANV
Základná umelecká škola Ladislava Stančeka Prievidza
SOUTH AFRICA
Grey High School
University of KwaZulu-Natal
SPAIN
APA Escola Municipal de Música de Berga
CEM Enrique Granados
CEPSA Oriol Martorell
Conservatorio Profesional de Música de Alcala
Conservatorio Profesional de Música Joaquín
Conservatorio Profesional de Música y Danza
Conservatorio Profesional Narciso Yepes
Escola de Musica, Terrassa
ESMUC
Juventudes Musicales De Alcalá
Método All Mozart
MrJam Centro Moderno de Música
Musica Accion
Odissea Musical SL
Unión Musical de Mislata
SWEDEN
Academy of Music and Business
Bäckängsgymnasiet
Billströmska Folkhögskolan
Härnösands folkhögskola
Högalids folkhögskola
IT-Gymnasiet Uppsala
Jenny Nyströmsskolan
Kalmar Kulturskola
Kulturskolan Södertälje
Landstinget i Kalmar län
LBS Jonkoping
LBS Kungsbacka
Luleå University of Technology
Midgårdsskolan
Municipality of Stockholm
Musikgymnasiet i Skövde
Musikhögskolan Ingesund
Musikskolan Eskilstuna
Per Brahegymnasiet Jönköping
Samspelsskolan Svängrummet
S:t Mikaelsskolan
Tannbersskolan
Törnströmska
Uppsala universitet
Växjö Katedralskola
Örebro kulturskola
SWITZERLAND
Conservatoire de Fribourg
EJMO
Gymnasium Bäumlihof
Gymnasium Hofwil
Gymnasium Hofwil Münchenbuchsee
Gymnasium Interlaken
Gymnasium Kirchenfeld
Gymnasium Liestal
Gymnasium Muenchenstein
Gymnasium Muttenz
Gymnasium Oberwil
Hochschule Luzern Musik
Kantonsschule Büelrain
Musikschule Rheinfelden
OSZ Näfels
Pädagogische Hochschule der FHNW
Pädagogische Maturitätsschule Kreuzlingen
United Kingdom
Albyn School Ltd
City Literary Institute
East London Arts and Music Academy
G4 Guitar Surbiton
Leeds University
Queen's University Belfast
School of Creative Arts
Sir John Leman High School
Sonic Arts Research Centre
The Liverpool Institute for Performing Arts
University of London
University of Surrey
University of Westminster
Upper Bann Institute
USA
Adirondack Community College
All Saints Academy
Andrews University
Arcadia University
Ave Maria University
Beacon Cove Intermediate School
Belhaven University
Belmont Academy¨
Berklee College of Music
Bethel College
Blair Academy
Brookwood School
Bryan Independant School District
Cardigan Mountain School
Carmel Divinve Grace Foundation Secondary School
Cary High School PABC
Central York High School
Chadron State College
Charlotte Academy of Music
Chipola College
Clayton State University
Clemson University
College of Southern Nevada
Columbia College
Concord Conservatory of Music
Concordia University, St. Paul
Dominican Univesity of California
East Tennessee State University
Fay School
Fei Tian College
Forte Academy of Music
Fruit Cove Middle School
Fulton County Schools
George Whittell High School
Georgia Regional Girls Choir
Gettysburg College
Grace University
Graceland University
Great Lakes Christian College
Hedman Music Studio
Houston Community College-Central
Howard Payne University
Illinois Wesleyan University
Interlochen Center For The Arts
IPC - FINE ARTS, Sioux Falls
Janae Nilsson Piano Studio
Kilgore College
Lewis and Clark Community College
Lynn University
Marymount California University
Mercury Bay Area School
Milken Community High School
Milligan College
Minneapolis Community and Technical College
Mision Victoria Roca Blanca
Mississippi Gulf Coast Community College
Mississippi Valley State University
Missouri Valley College
Naperville School
New Hope Christian College
North Jersey Homeschool Association
North Vermilion High School
Northwestern Oklahoma State University
Orem High School
Pacifica High School
Penn State University
Phoenix House
Poquoson High School
Presbyterian College
Reagan College Prep High School
Reed College
Rensselaer Polytechnic Institute
Roger Williams University
Roxbury Latin
Servite High School
Seton Hall University
Simpson University
Southern Arkansas University
Southwest Mississippi Community College
St. Augustine School
St. Norbert College
Tennessee State University
Texas A&M University Corpus Christi
The Altamont School
The Liberty Common School
The Westminster Schools
The Woodlands Christian academy
University of Connecticut
University of Delaware
University of Idaho
University of Nevada, Reno
University of Redlands
University of Richmond
University of Toledo
USC Thornton School of Music
Virginia Beach School of the Arts
Weatherford College
Wellesley College
Wenatchee Valley College
Western Kentucky University
Wilkinson Music Studio
Xavier University
YES Prep Public Schools
Requisitos del sistema
Windows
Windows 7, Windows 8 y Windows 10
Resolución de pantalla mínima 1024x768
Tarjeta de sonido con altavoces
Conexión a Internet solo para la activación
Mac
Mac OS X 10.12+
Resolución de pantalla mínima 1024x768
Tarjeta de sonido con altavoces
Conexión a Internet solo para la activación
Setup recomendado
Tarjeta de sonido con input de audio (para micrófono/instrumento con input)
Procesador de 2 Ghz
2 GB Ram
Micrófono
Control MIDI (teclado, pad de percusión, etc.)
Auriculares (necesarios cuando se use micrófono)
Nota para los usuarios de Linux: Varios usuarios obtuvieron EarMaster para trabajar con W.I.N.E y no se nos ha hecho constancia de problemas importantes. Como EarMaster está utilizando SoundFont para la reproducción de los sonidos, no debería requerir demasiada configuración o muchas soluciones alternativas para ponerlo en funcionamiento. Sin embargo, EarMaster no es oficialmente compatible con Linux, por lo que no podemos garantizar que funcione en su confiugración de Linux, y solo podremos ofrecerle soporte y asistencia en cuanto a las funciones universales del software.