Sous-catégories
Dans EarMaster Cloud, les listes d'utilisateurs peuvent comprendre soit des élève, soit des professeurs. Elles peuvent être chargées sous forme de fichiers .csv, ou bien directement dans votre navigateur. Les listes peuvent fonctionner comme des "listes maîtresses" réutilisables qui écraseront à chaque fois les effectifs actuels présents sur votre compte, ou bien comme des listes additives à usage unique, qui ne feront qu'ajouter de nouveaux utilisateurs sans toucher à votre effectif actuel.
Vous pouvez combiner les options disponibles en fonction de la liste que vous souhaitez charger.
Pour charger une liste d'utilisateurs, accédez à votre interface d'administrateur sur cloud.earmaster.com puis cliquez sur Ajout en masse
Utiliser une liste maîtresse
Vous pouvez ajouter, modifier et supprimer des utilisateurs EarMaster Cloud en masse à l'aide d'une liste maîtresse. Cela signifie que vous mettrez à jour et chargerez le même fichier chaque fois que vous devrez ajouter ou supprimer des utilisateurs vers ou depuis votre compte. Après chaque chargement de la liste, EarMaster Cloud comparera la nouvelle liste avec les utilisateurs déjà présents dans votre compte et effectuera les modifications détectées :
- les nouveaux utilisateurs seront ajoutés
- les utilisateurs qui sont actuellement dans votre compte mais qui ne figurent pas dans la nouvelle liste seront supprimés
- les utilisateurs déjà dans votre compte et figurant aussi dans votre nouvelle liste ne seront modifiés que si vous avez opéré des changements (nouveau mot de passe ou nom d'utilisateur par exemple)
Vous pouvez modifier votre liste maîtresse lorsque de nouveaux élèves y sont ajoutés ou lorsque d'anciens élèves sont supprimés. Le fichier mis à jour chargé doit inclure les utilisateurs actuels et les nouveaux utilisateurs. Les étudiants qui ne sont pas répertoriés dans le fichier seront supprimés de votre compte EarMaster Cloud.
Listes à usage unique
Au lieu de maintenir une liste maîtresse pour votre école, vous pouvez à la place choisir de charger des listes à usage unique qui ne feront qu'ajouter de nouveau utilisateurs. Vous pouvez choisir de télécharger une liste d'élèves ou une liste de professeurs. Ces utilisateurs peuvent être ajoutés au compte en vrac, ou bien à des classes spécifiques.
Comment créer, modifier et enregistrer une liste d'utilisateurs
1) Créez et modifiez vos listes avec le Bloc-notes de Windows ou bien TextEdit sur Mac, ou un autre éditeur de texte pouvant enregistrer des Fichiers CSV au format UTF-8 en texte brut.
Important : nous vous recommandons de ne pas utiliser de traitement de texte et d'éditeurs de tableurs tels que Word, Excel, OpenOffice, Apple Pages ou autres, sauf si vous avez la possibilité d'exporter le fichier au format UTF-8 avec la virgule comme séparateur de colonnes.
2) Ajoutez un élève par ligne en utilisant ce format:
Prénom Nom de famille, e-mail
Exemple:
Bruno Lopez, blopez@email.ear
Ella Martin, emartin@email.ear
Mélodie Fortin, mfortin@email.ear
Remarque :
* Vous pouvez optionnellement ajouter un nom d'utilisateur et un mot de passe à chaque ligne :Prénom Nom de famille, e-mail, nom d'utilisateur, mot de passe (e.g. Benoît Rodin, brodin@email.ear, benoit,expelliarmus123). S'ils ne sont pas spécifiés, ils seront créés automatiquement par EarMaster Cloud pour chaque utilisateur. Vous pouvez également spécifier uniquement le nom d'utilisateur et laisser EarMaster Cloud générer le mot de passe.
* Les utilisateurs sont identifiés par leur email. Il est donc nécessaire que chaque utilisateur dispose de sa propre adresse e-mail. Deux utilisateurs ayant le même e-mail seront traités comme des doublons par EarMaster Cloud. Il est toutefois poassible de "tromper" le système en ajoutant ?[texte] À l'alias de l'adresse: par exemple si une fratrie à l'email unique famille@email.ear et que les enfants s'appellent Régine, Camille et Arthur, vous pourrez créer ces adresses fictives qui arrivereont toutes dans la même boîte de réception : famille?regine@email.ear, famille?camille@email.ear et famille?arthur@email.ear.
* Vous pouvez optionnellement ajouter un nom d'utilisateur et un mot de passe à chaque ligne :Prénom Nom de famille, e-mail, nom d'utilisateur, mot de passe (e.g. Benoît Rodin, brodin@email.ear, benoit,expelliarmus123). S'ils ne sont pas spécifiés, ils seront créés automatiquement par EarMaster Cloud pour chaque utilisateur. Vous pouvez également spécifier uniquement le nom d'utilisateur et laisser EarMaster Cloud générer le mot de passe.
* Les utilisateurs sont identifiés par leur email. Il est donc nécessaire que chaque utilisateur dispose de sa propre adresse e-mail. Deux utilisateurs ayant le même e-mail seront traités comme des doublons par EarMaster Cloud. Il est toutefois poassible de "tromper" le système en ajoutant ?[texte] À l'alias de l'adresse: par exemple si une fratrie à l'email unique famille@email.ear et que les enfants s'appellent Régine, Camille et Arthur, vous pourrez créer ces adresses fictives qui arrivereont toutes dans la même boîte de réception : famille?regine@email.ear, famille?camille@email.ear et famille?arthur@email.ear.
3) Enregistrez le fichier au format .csv avec encodage UTF-8. Si vous utilisez le fichier ci-dessous comme modèle, assurez-vous de l'ouvrir avec le Bloc-notes (Windows) ou TextEdit (Mac) et utilisez simplement la fonction "Enregistrer" de votre éditeur de texte afin de conserver la mise en forme du fichier.
Téléchargement de la liste
Lorsque vous téléchargez une liste d'utilisateurs, EarMaster Cloud la pré-traite d'abord, puis vous montre un résumé détaillé des modifications qui sont sur le point de se produire dans votre compte. Regardez attentivement ce résumé et assurez-vous que votre fichier a été correctement interprété par EarMaster Cloud avant de confirmaer les changements qui seront, eux, irréversibles.
Si tout est comme il faut, cliquez sur VALIDER pour appliquer les modifications. Tous les nouveaux utilisateurs recevront instantanément leurs identifiants d'utilisateur par e-mail.
Si vous rencontrez des problèmes, cliquez sur RETOUR et corrigez votre fichier ou bien contactez notre équipe d'assistance.
EarMaster Cloud consiste en deux sections distinctes :
-
Le site administratif à l'adresse : cloud.earmaster.com : c'est là que l'administrateur du compte de l'école ajoute et supprime les comptes des élèves et des professeurs.
-
L'application EarMaster sur Windows, Mac, iOS, Android et Chromebook qui est l'endroit où les exercices de Formation Musicale à proprement parler se passeront. Les élèves et les professeurs doivent connecter le logiciel au compte EarMaster Cloud de l'école à l'aide d'identifiants reçus par email. Dès que les élèves et les profs sont connectés, EarMaster va chercher dans le Cloud leurs profils d'utilisateurs (préférences, progression, résultats, devoirs, etc.).
Regardez ce tutoriel vidéo pour comprendre en 4 minutes chrono comment configurer le compte de votre école :
Comment procéder - accès utilisateur payé par l'école
Si votre école a acheté des crédits pour permettre à vos élèves d'accéder à EarMaster, veuillez suivre les instructions ci-dessous. Si les élèves doivent payer leur propre accès au système, veuillez vous référer à la section intitulée"Comment procéder - abonnements payés par les élèves" plus bas.
1. Connectez-vous à votre tableau de bord d'administration
Allez sur cloud.earmaster.com et connectez-vous avec votre login d'administrateur, qui vous a été envoyé par e-mail et qui se compose de :
- ID du compte de l'école
- Mot de passe
La première chose que vous verrez une fois connecté est le tableau de bord. Il affiche des informations sur le nombre de crédits disponibles pour votre compte, le nombre d'utilisateurs et de classes actifs, etc.
2. [Facultatif] Créer des classes
Dans EarMaster, une classe est un groupe d'étudiants qui travaillent sur les mêmes devoirs. Si vous utilisez des classes, assurez-vous d'ajouter au moins un professeur à chaque classe. Les professeurs d'une classe sont les seuls à pouvoir donner des devoirs et voir les résultats de cette classe.
Pour ajouter une classe, cliquez sur Créer une nouvelle classe dans votre tableau de bord. Cette étape est facultative, mais même si vous n'avez que quelques élèves, elle facilitera grandement l'attribution des cahiers d'exercices par la suite.
3. Ajouter des utilisateurs
Vous pouvez ajouter des utilisateurs de deux façons :
a. En masse en téléchargeant une liste d'utilisateurs (voir l'onglet "Télécharger des listes d'utilisateurs" ci-dessus)
b. Manuellement, un par un (voir ci-dessous)
Pour ajouter des utilisateurs manuellement, cliquez sur Ajouter un élève ou Ajouter un enseignant à partir du tableau de bord ou de la page Gérer les utilisateurs.
Veuillez noter que :
- Vous disposez d'un login Admin pour gérer le compte de votre école, mais si vous souhaitez également utiliser le logiciel en tant qu'enseignant pour faire des devoirs et suivre les résultats des élèves, vous devez créer un utilisateur avec le niveau d'accès Enseignant pour vous-même.
- Tous les utilisateurs que vous ajoutez reçoivent un courriel contenant un lien de téléchargement et leurs identifiants. Assurez-vous donc que vos élèves sont conscients de l'arrivée d'un email de EarMaster Cloud avant de les ajouter à votre compte. Sinon, ils risquent de supprimer l'email par erreur ou de l'oublier.
- Si les utilisateurs ont oublié ou perdu leurs identifiants, vous pouvez les renvoyer en utilisant la fonction Renvoyer l'email dans Gérer les utilisateurs, ou ils peuvent en demander de nouveaux ici : www.earmaster.com/fr/support/earmaster-cloud-login-recovery.html
- Vous pouvez également supprimer les utilisateurs qui ne devraient plus être actifs en cochant les cases dans la colonne de gauche, puis en cliquant sur le bouton Supprimer.
Remarque: si vos étudiants n'ont pas d'adresse électronique ou si vous souhaitez gérer leur compte à leur place, vous pouvez ajouter ?[nom d'utilisateur] à la fin de votre alias d'adresse électronique pour chaque utilisateur que vous ajoutez. Vous recevrez alors tous les courriels du système envoyés à ces utilisateurs dans votre propre boîte de réception.
Par exemple :
4. [Facultatif] Inscrire des élèves et des enseignants dans des classes
Si vous avez créé des classes, vous pouvez maintenant y répartir vos élèves et vos enseignants en utilisant le bouton Inscrire les utilisateurs dans les classes du tableau de bord, ou via la page Gérer les utilisateurs en sélectionnant les utilisateurs et en cliquant sur le bouton Classes.
5. Les utilisateurs connectent EarMaster au Cloud
Les utilisateurs devraient maintenant avoir reçu leurs identifiants, afin qu'ils puissent connecter l'application EarMaster sur toutes les plateformes au Cloud. Vous pouvez suivre l'état de l'envoi de l'email et la dernière heure de connexion de chaque utilisateur dans la section "Gérer les utilisateurs" de votre tableau de bord d'administration. Pour plus d'informations sur cette étape, veuillez vous référer à l'onglet Connecter EarMaster au Cloud dans les sections Enseignant et Elève de ces pages d'assistance Cloud.
Si vous avez un compte Enseignant, vous aurez accès à une section spéciale dans la version PC/Mac de EarMaster 7 (non disponible sur iOS, Android et Chromebook). Lire les tutoriels ici
Comment procéder - abonnements payés par les élèves
Si vos élèves doivent payer leur propre accès en s'abonnant à EarMaster Cloud sur une base privée, voici comment procéder :
1) Allez sur votre tableau de bord Admin à cloud.earmaster.com, trouvez le menu UTILISATEURS et cliquez sur UTILISATEURS EXTERNES.
2. Cliquez sur le bouton intitulé INVITER ÉLÈVES et saisissez les adresses électroniques des élèves que vous souhaitez inviter à s'abonner. Saisissez une adresse électronique par ligne, puis cliquez sur SAUVEGARDER pour envoyer toutes les invitations. Vous devriez voir une liste des élèves invités en réglant le FILTRE UTILISATEUR sur INVITÉS et en cliquant sur RECHERCHER.
3. Vos élèves recevront maintenant un email avec un lien qui leur permettra de s'abonner à EarMaster Cloud sur une base privée tout en liant leur compte à celui de votre école. Dès qu'un élève s'est abonné, vous verrez son nom apparaître dans la section UTILISATEURS MANAGERS de votre tableau de bord.
Attention: Si votre école ne paie pas pour les licences des étudiants, vous ne devez pas utiliser la fonction "AJOUTER UN ÉTUDIANT" visible dans l'écran principal du tableau de bord et dans la section GESTION DES UTILISATEURS. La seule chose que vous devez faire est d'inviter des étudiants comme décrit ci-dessus. Le reste est géré automatiquement.
Découvrez comment utiliser les fonctions éducatives de EarMaster Cloud.
[module-302]
Cliquez sur un cours pour en voir le contenu (N.B. : tout le contenu de l'application EarMaster est traduit en français, mais la liste ci-dessous en anglais. Elle est actuellement en cours de traduction).
Beginner's Course |
|
1: Welcome to the Beginner's Course |
|
| 1.1 Introduction to the course | |
2: Pitch |
|
| 2.1 Musical Pitch | |
| 2.2 Pitch Matching: One Note (any note in range) | |
| 2.3 Introduction to Pitch Intervals | |
| 2.4 More Pitch Intervals | |
| 2.5 Pitch Interval Names | |
| 2.6 Pitch Matching: Two Notes (C, D) | |
| 2.7 Module Recap | |
3: Pulse |
|
| 3.1 Beat (Pulse) | |
| 3.2 Tapping with the Metronome | |
| 3.3 Skipping Beats | |
| 3.4 Introduction to Beat Notation | |
| 3.5 Beat Error Detections | |
| 3.6 Beat Dictation | |
| 3.7 Module Recap | |
4: Pitch Notation |
|
| 4.1 Pitch Sight-Singing | |
| 4.2 Pitch Dictation with 2 notes | |
| 4.3 Pitch Dictation with 3 notes | |
| 4.4 Pitch Dictation with 4 notes | |
| 4.5 Melodic Dictation | |
| 4.6 Module Recap | |
5: Duration |
|
| 5.1 Rhythmic Duration | |
| 5.2 Performing Note Onsets and Offsets | |
| 5.3 Rhythm Error Detection | |
| 5.4 Rhythm Sight-Reading | |
| 5.5 Rhythm Dictation | |
| 5.6 Clapping Back Rhythms with Half Rests | |
| 5.7 Half Rest Error Detection | |
| 5.8 Sight-Reading Rhythms with Half Rests | |
| 5.9 Rhythmic Dictation with Half Rests | |
| 5.10 Module Recap | |
6: Tonality |
|
| 6.1 Tonality | |
| 6.2 Pitch Matching | |
| 6.3 Three Melodic Intervals | |
| 6.4 Interval Identification | |
| 6.5 Interval Singing | |
| 6.6 Tonal Threads (3 notes) | |
| 6.7 Pitch Dictation | |
| 6.8 Singing Melodic Fragments by ear | |
| 6.9 Singing Melodic Fragments by sight | |
| 6.10 Melodic Dictation | |
| 6.11 Singing a Tune: Tchaikovsky's 1812 Overture | |
| 6.12 Module Recap | |
7: Measures |
|
| 7.1 Whole Notes & Rests | |
| 7.2 Whole notes & whole rests | |
| 7.3 Whole Note Error Detection | |
| 7.4 Whole Note Sight-Reading | |
| 7.5 Whole Note Rhythmic Dictation | |
| 7.6 Two Beat Measures: Clapback | |
| 7.7 Two Beat Measures: Error detection | |
| 7.8 Two Beat Measures: Sight-Reading | |
| 7.9 Two Beat Measures: Dictation | |
| 7.10 Singing a Tune | |
| 7.11 Module Recap | |
8: The Sub-dominant |
|
| 8.1 The Sub-dominant Scale Degree | |
| 8.2 Interval Learning (Perfect 4th) | |
| 8.3 Melodic Interval Identification | |
| 8.4 Singing within the Major Scale | |
| 8.5 Tonal Threads (3 notes) | |
| 8.6 Pitch Dictation (4 notes) | |
| 8.7 Singing Melodic Fragments (by ear) | |
| 8.8 Singing Melodic Fragments (by sight) | |
| 8.9 Dictating Melodies | |
| 8.10 Singing A Tune | |
| 8.11 Module Recap | |
9: Dotted Half Note Rhythms |
|
| 9.1 Dotted Rhythms | |
| 9.2 Dotted Half Notes & Dotted Half Rests | |
| 9.3 Dotted Half Note Error Detection | |
| 9.4 Dotted Half Note Sight-Reading | |
| 9.5 Dotted Half Note Rhythmic Dictation | |
| 9.6 Three Beat Measures: Clapback | |
| 9.7 Three Beat Measures: Error Detection | |
| 9.8 Three Beat Measures: Sight-Reading | |
| 9.9 Three Beat Measures: Dictation | |
| 9.10 Module Recap | |
10: The Dominant |
|
| 10.1 The Dominant | |
| 10.2 The Perfect 5th | |
| 10.3 Interval Identification | |
| 10.4 Interval Singing | |
| 10.5 Tonal Threads (3 notes) | |
| 10.6 Pitch Dictation (4 notes) | |
| 10.7 Pitch Dictation (5 notes) | |
| 10.8 Singing Melodic Fragments (by ear) | |
| 10.9 Singing Melodic Fragments (by sight) | |
| 10.10 Dictating Melodies | |
| 10.11 Singing A Tune: Frère Jacques | |
| 10.12 Module Recap | |
11: Consonance & Dissonance |
|
| 11.1 Hearing Harmonically | |
| 11.2 Dissonance & Consonance | |
| 11.3 Dissonance & Consonance | |
| 11.4 Consonant & Dissonant Chords | |
| 11.5 Chords in context | |
| 11.6 Chords in context (3 chord progressions) | |
| 11.7 Singing a Tune: Beethoven's Ode to Joy | |
| 11.8 Module Recap | |
12: Simple Subdivisions |
|
| 12.1 Subdivisions of the Beat | |
| 12.2 Constant Subdivisions | |
| 12.3 Eighth Note Clapback | |
| 12.4 Eighth Note Error Detection | |
| 12.5 Eighth Note Sight-Reading | |
| 12.6 Eighth Note Rhythmic Dictation | |
| 12.7 Rhythmic Dictation: Joy to the World | |
| 12.8 Singing a Tune: Simple Gifts | |
| 12.9 Module Recap | |
13: The Leading Tone |
|
| 13.1 The Leading Tone | |
| 13.2 Interval Comparison | |
| 13.3 Interval Identification | |
| 13.4 Interval Singing | |
| 13.5 Tonal Threads (3 notes) | |
| 13.6 Pitch Dictation (4 notes) | |
| 13.7 Pitch Dictation (5 notes) | |
| 13.8 Singing Melodic Fragments (by ear) | |
| 13.9 Singing Melodic Fragments (by sight) | |
| 13.10 Transcribing Melodies | |
| 13.11 Singing a Tune: Haydn's Surprise Symphony | |
| 13.12 Module Recap | |
14: Triads |
|
| 14.1 Triads | |
| 14.2 Ascending Melodic Thirds | |
| 14.3 Ascending Melodic Thirds: Identification | |
| 14.4 Ascending Melodic Triads | |
| 14.5 Descending Melodic Thirds: Learning | |
| 14.6 Descending Melodic Thirds: Identification | |
| 14.7 Descending Melodic Triads: Identification | |
| 14.8 Harmonic Thirds: Learning | |
| 14.9 Harmonic Thirds: Identification | |
| 14.10 Harmonic Triads: Identification | |
| 14.11 Singing A Tune: Rossini's William Tell Overture | |
| 14.12 Module Recap | |
15: Syncopation |
|
| 15.1 Syncopation | |
| 15.2 Basic Syncopated Rhythms | |
| 15.3 Syncopation Clapback | |
| 15.4 Syncopation Error Detection | |
| 15.5 Syncopation Error Detection (2) | |
| 15.6 Syncopated Sight-Reading | |
| 15.7 Syncopation Rhythmic Dictation | |
| 15.8 Tapping a Tune: Panama | |
| 15.9 Singing A Tune: Mozart's Eine Kleine Nachtmusik | |
| 15.10 Module Recap | |
16: The Submediant |
|
| 16.1 The Submediant | |
| 16.2 The Submediant Scale Degree | |
| 16.3 Interval Identification | |
| 16.4 Interval Singing | |
| 16.5 Tonal Threads (3 notes) | |
| 16.6 Pitch Dictation (4 notes) | |
| 16.7 Pitch Dictation (5 notes) | |
| 16.8 Singing Melodic Fragments (by ear) | |
| 16.9 Singing Melodic Fragments (by sight) | |
| 16.10 Transcribing Melodies | |
| 16.11 Singing a Tune: Twinkle, Twinkle Little Star | |
| 16.12 Module Recap | |
17: Other Triad Types |
|
| 17.1 Augmented and Diminished Triads | |
| 17.2 Review of Ascending Thirds | |
| 17.3 The Four Triads (ascending) | |
| 17.4 Review of Descending Thirds | |
| 17.5 The Four Triads (descending) | |
| 17.6 Review of Harmonic Thirds | |
| 17.7 The Four Triads (harmonic) | |
| 17.8 Review of thirds (mixed) | |
| 17.9 The Four Triad types (mixed) | |
| 17.10 Singing a Tune: Home on the Range | |
| 17.11 Module Recap | |
18: Ties |
|
| 18.1 Rhythmic Ties | |
| 18.2 Clapping Back Rhythms with Ties | |
| 18.3 Clapping Back Rhythms with Ties (2) | |
| 18.4 Detecting Errors in Rhythms with Ties | |
| 18.5 Detecting Errors in Rhythms with Ties (2) | |
| 18.6 Sight-Reading Rhythms with Ties | |
| 18.7 Transcribing Rhythms with Ties | |
| 18.8 Tapping a Tune: All the Girls Go Crazy | |
| 18.9 Singing a Tune: Rock-A My Soul | |
| 18.10 Module Recap | |
19: Harmonic Progressions |
|
| 19.1 Introduction to Harmonic Progressions | |
| 19.2 Singing Bass Patterns | |
| 19.3 Bass Pattern Dictation | |
| 19.4 Singing a Tune: Pachabel's Canon in D | |
| 19.5 Chord Quality Review (Major & Minor) | |
| 19.6 Chord Progressions (I, ii, V) | |
| 19.7 Chord Progressions (I, ii, V) | |
| 19.8 Subdominant Bass Patterns | |
| 19.9 Subdominant Bass Pattern Dictation | |
| 19.10 Two-Chord Progressions (I, ii, IV, V) | |
| 19.11 Chord Progressions (I, ii, IV, V) | |
| 19.12 Module Recap | |
20: Compound Subdivisions |
|
| 20.1 Compound Beat Subdivisions | |
| 20.2 Introduction to Compound Beat Subdivisions | |
| 20.3 Clapping Back Compound Beat Subdivisions | |
| 20.4 Detecting Errors in Compound Beat Subdivisions | |
| 20.5 Detecting Errors in Compound Beat Subdivisions (2) | |
| 20.6 Sight-Reading Rhythms with Compound Subdivisions | |
| 20.7 Transcribing Rhythms with Compound Subdivisions | |
| 20.8 Tapping a Tune: Courenta dei Butei | |
| 20.9 Singing a Tune: Bach's Jesu, Joy of Man's Desiring | |
| 20.10 Module Recap | |
21: The Complete Major Scale |
|
| 21.1 The Complete Major Scale | |
| 21.2 Interval Comparison | |
| 21.3 Interval Identification | |
| 21.4 Interval Singing | |
| 21.5 Tonal Threads (3 notes) | |
| 21.6 Pitch Dictation (4 notes) | |
| 21.7 Pitch Dictation (5 Notes) | |
| 21.8 Singing Melodic Fragments (by ear) | |
| 21.9 Singing Melodic Fragments (by sight) | |
| 21.10 Transcribing Melodies | |
| 21.11 Singing a Tune: Row, Row, Row Your Boat | |
| 21.12 Module Recap | |
22: Course Mastery Tests |
|
| 22.1 The Mastery Module | |
| 22.2 Interval Comparison Mastery | |
| 22.3 Interval Identification Mastery | |
| 22.4 Triad Identification Mastery | |
| 22.5 Chord Progression Mastery | |
| 22.6 Rhythmic Sight-reading Mastery | |
| 22.7 Rhythmic Dictation Mastery | |
| 22.8 Pitch Sight-Singing Mastery | |
| 22.9 Pitch Dictation Mastery | |
| 22.10 Melodic Sight-Reading Mastery | |
| 22.11 Melodic Dictation Mastery | |
| 22.12 Tapping a Tune: Mastery | |
| 22.13 Learning A Tune: Mastery | |
| 22.14 Course Completion | |
Vocal Trainer |
|
1: Foreword |
|
| 1.1 Welcome | |
2: Level 1: Technical Exercises |
|
| 2.1 Technical Exercise 1 (preparatory lesson) | |
| 2.2 Technical Exercise 1 | |
| 2.3 Technical Exercise 2 (preparatory lesson) | |
| 2.4 Technical Exercise 2 | |
| 2.5 Technical Exercise 3 (preparatory lesson) | |
| 2.6 Technical Exercise 3 | |
| 2.7 Technical Exercises 1–3 (preparatory lesson) | |
| 2.8 Technical exercises 1–3 | |
3: Level 1: Clapback |
|
| 3.1 2/4 Rhythms: one measure, no syncopation | |
| 3.2 2/4 Rhythms: one measure, with syncopation | |
| 3.3 2/4 Rhythms: three measures, no syncopation | |
| 3.4 2/4 Rhythms: three measures, with syncopation | |
| 3.5 2/4 Melodies: four measures | |
| 3.6 3/4 Rhythms: one measure | |
| 3.7 3/4 Melodies: two measures | |
| 3.8 3/4 Melodies: three measures | |
| 3.9 2/4 and 3/4 melodies | |
4: Level 1: Intervals |
|
| 4.1 Ascending Intervals: major 3rd, perfect 5th, perfect octave | |
| 4.2 Ascending Interval: major 3rd | |
| 4.3 Ascending Interval: major 3rd | |
| 4.4 Ascending Interval: perfect 5th | |
| 4.5 Ascending Interval: perfect 5th | |
| 4.6 Ascending Interval: perfect octave | |
| 4.7 Ascending Interval: perfect octave | |
| 4.8 Ascending intervals: all intervals | |
| 4.9 Ascending Intervals: all intervals | |
| 4.10 Descending intervals: minor 3rd, perfect 4th, perfect octave | |
| 4.11 Descending Interval: minor 3rd | |
| 4.12 Descending Interval: minor 3rd | |
| 4.13 Descending Interval: perfect 4th | |
| 4.14 Descending Interval: perfect 4th | |
| 4.15 Descending Interval: perfect octave | |
| 4.16 Descending Interval: perfect octave | |
| 4.17 Descending Intervals: all intervals | |
| 4.18 Descending Intervals: all intervals | |
| 4.19 All intervals | |
| 4.20 All intervals | |
5: Level 1: Sight Singing |
|
| 5.1 2/4 Melodies: three measures | |
| 5.2 2/4 Melodies: four measures | |
| 5.3 3/4 Melodies: three measures | |
| 5.4 2/4 and 3/4 melodies | |
6: Level 1: Final Step |
|
| 6.1 Technical Exercises | |
| 6.2 Clapback | |
| 6.3 Intervals | |
| 6.4 Sight Singing | |
7: Level 2: Technical Exercises |
|
| 7.1 Technical Exercise 1 (preparatory lesson) | |
| 7.2 Technical Exercise 1 | |
| 7.3 Technical Exercise 2 (preparatory lesson) | |
| 7.4 Technical Exercise 2 | |
| 7.5 Technical Exercise 3 (preparatory lesson) | |
| 7.6 Technical Exercise 3 | |
| 7.7 Technical Exercise 4 (preparatory lesson) | |
| 7.8 Technical Exercise 4 | |
| 7.9 Technical Exercises 1–4 (preparatory lesson) | |
| 7.10 Technical exercises 1–4 | |
8: Level 2: Clapback |
|
| 8.1 2/4 Melodies (review) | |
| 8.2 2/4 Rhythms | |
| 8.3 2/4 Melodies | |
| 8.4 3/4 Melodies (review) | |
| 8.5 3/4 Rhythms | |
| 8.6 3/4 Melodies | |
| 8.7 2/4 and 3/4 melodies | |
9: Level 2: Intervals |
|
| 9.1 Ascending intervals: major 2nd, major 3rd | |
| 9.2 Ascending Interval: major 3rd (review) | |
| 9.3 Ascending Interval: major 2nd | |
| 9.4 Ascending Interval: major 2nd | |
| 9.5 Ascending intervals: perfect 4th, perfect 5th, perfect octave | |
| 9.6 Ascending Interval: perfect 5th (review) | |
| 9.7 Ascending Interval: perfect octave (review) | |
| 9.8 Ascending Interval: perfect 4th | |
| 9.9 Ascending Interval: perfect 4th | |
| 9.10 Ascending Intervals: all intervals | |
| 9.11 Ascending Intervals: all intervals | |
| 9.12 Descending intervals: minor 3rd, perfect 4th, perfect octave (review) | |
| 9.13 Descending Interval: minor 3rd (review) | |
| 9.14 Descending Interval: perfect 4th (review) | |
| 9.15 Descending Interval: perfect octave (review) | |
| 9.16 Descending Intervals: all intervals | |
| 9.17 Descending Intervals: all intervals | |
| 9.18 All intervals | |
| 9.19 All intervals | |
10: Level 2: Sight Singing |
|
| 10.1 2/4 Melodies (review) | |
| 10.2 2/4 Melodies | |
| 10.3 3/4 Melodies (review) | |
| 10.4 3/4 Melodies | |
| 10.5 2/4 and 3/4 melodies | |
11: Level 2: Final Step |
|
| 11.1 Technical Exercises | |
| 11.2 Clapback | |
| 11.3 Intervals | |
| 11.4 Sight Singing | |
12: Level 3: Technical Exercises |
|
| 12.1 Technical Exercise 1 (preparatory lesson) | |
| 12.2 Technical Exercise 1 | |
| 12.3 Technical Exercise 2 (preparatory lesson) | |
| 12.4 Technical Exercise 2 | |
| 12.5 Technical Exercise 3 (preparatory lesson) | |
| 12.6 Technical Exercise 3 | |
| 12.7 Technical Exercise 4 (preparatory lesson) | |
| 12.8 Technical Exercise 4 | |
| 12.9 Technical Exercise 5 (preparatory lesson) | |
| 12.10 Technical Exercise 5 | |
| 12.11 Technical Exercises 1–5 (preparatory lesson) | |
| 12.12 Technical exercises 1–5 | |
13: Level 3: Clapback |
|
| 13.1 2/4 Melodies (review) | |
| 13.2 2/4 Rhythms | |
| 13.3 2/4 Melodies | |
| 13.4 3/4 Melodies (review) | |
| 13.5 3/4 Rhythms | |
| 13.6 3/4 Melodies | |
| 13.7 2/4 and 3/4 melodies | |
14: Level 3: Intervals |
|
| 14.1 Ascending intervals: major 2nd, major 3rd, major 6th | |
| 14.2 Ascending Interval: major 2nd (review) | |
| 14.3 Ascending Interval: major 3rd (review) | |
| 14.4 Ascending Interval: major 6th | |
| 14.5 Ascending Interval: major 6th | |
| 14.6 Ascending intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 14.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 14.8 Ascending Intervals: all intervals | |
| 14.9 Ascending Intervals: all intervals | |
| 14.10 Descending intervals: perfect 4th, perfect 5th | |
| 14.11 Descending intervals: all intervals | |
| 14.12 Descending Interval: minor 3rd (review) | |
| 14.13 Descending Interval: perfect 4th (review) | |
| 14.14 Descending Interval: perfect 5th | |
| 14.15 Descending Interval: perfect 5th | |
| 14.16 Descending Interval: perfect octave (review) | |
| 14.17 Descending Intervals: all intervals | |
| 14.18 Descending Intervals: all intervals | |
| 14.19 All intervals | |
| 14.20 All intervals | |
15: Level 3: Sight Singing |
|
| 15.1 2/4 Melodies (review) | |
| 15.2 3/4 Melodies (review) | |
| 15.3 4/4 Melodies: two measures | |
| 15.4 Final Step: 4/4 Melodies: four measures | |
16: Level 3: Final Step |
|
| 16.1 Technical Exercises | |
| 16.2 Clapback | |
| 16.3 Intervals | |
| 16.4 Sight Singing | |
17: Level 4: Technical Exercises |
|
| 17.1 Technical Exercise 1 (preparatory lesson) | |
| 17.2 Technical Exercise 1 | |
| 17.3 Technical Exercise 2 (preparatory lesson) | |
| 17.4 Technical Exercise 2 | |
| 17.5 Technical Exercise 3 (preparatory lesson) | |
| 17.6 Technical Exercise 3 | |
| 17.7 Technical Exercise 4 (preparatory lesson) | |
| 17.8 Technical Exercise 4 | |
| 17.9 Technical Exercise 5 (preparatory lesson) | |
| 17.10 Technical Exercise 5 | |
| 17.11 Technical Exercises 1–5 (preparatory lesson) | |
| 17.12 Technical exercises 1–5 | |
18: Level 4: Clapback |
|
| 18.1 2/4 Melodies (review) | |
| 18.2 2/4 Rhythms | |
| 18.3 2/4 Melodies | |
| 18.4 6/8 Rhythms | |
| 18.5 6/8 Melodies | |
| 18.6 2/4 and 6/8 melodies | |
19: Level 4: Intervals |
|
| 19.1 Ascending Intervals: minor and major 3rds | |
| 19.2 Ascending Interval: major 2nd (review) | |
| 19.3 Ascending Interval: major 3rd (review) | |
| 19.4 Ascending Interval: minor 3rd | |
| 19.5 Ascending Interval: minor 3rd | |
| 19.6 Ascending Interval: major 6th (review) | |
| 19.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 19.8 Ascending Intervals: all intervals | |
| 19.9 Ascending Intervals: all intervals | |
| 19.10 Ascending Intervals: all intervals | |
| 19.11 Descending intervals: perfect 5th, minor 6th | |
| 19.12 Descending Interval: minor 3rd (review) | |
| 19.13 Descending Interval: minor 6th | |
| 19.14 Descending Interval: minor 6th | |
| 19.15 Descending Interval: perfect 4th, perfect 5th, perfect octave (review) | |
| 19.16 Descending intervals: all intervals | |
| 19.17 Descending Intervals: all intervals | |
| 19.18 Descending Intervals: all intervals | |
| 19.19 All intervals | |
| 19.20 All intervals | |
20: Level 4: Sight Singing |
|
| 20.1 6/8 Melodies: two measures | |
| 20.2 Final Step: 6/8 Melodies: four measures | |
21: Level 4: Final Step |
|
| 21.1 Technical Exercises | |
| 21.2 Clapback | |
| 21.3 Intervals | |
| 21.4 Sight Singing | |
22: Level 5: Technical Exercises |
|
| 22.1 Technical Exercise 1 (preparatory lesson) | |
| 22.2 Technical Exercise 1 | |
| 22.3 Technical Exercise 2 (preparatory lesson) | |
| 22.4 Technical Exercise 2 | |
| 22.5 Technical Exercise 3 (preparatory lesson) | |
| 22.6 Technical Exercise 3 | |
| 22.7 Technical Exercise 4 (preparatory lesson) | |
| 22.8 Technical Exercise 4 | |
| 22.9 Technical Exercise 5 (preparatory lesson) | |
| 22.10 Technical Exercise 5 | |
| 22.11 Technical Exercises 1–5 (preparatory lesson) | |
| 22.12 Technical exercises 1–5 | |
23: Level 5: Singback |
|
| 23.1 6/8 Melodies | |
| 23.2 3/4 Melodies | |
| 23.3 6/8 and 3/4 melodies | |
24: Level 5: Intervals |
|
| 24.1 Ascending Intervals: minor and major 6ths | |
| 24.2 Ascending Interval: major 2nd (review) | |
| 24.3 Ascending Interval: minor and major 3rds (review) | |
| 24.4 Ascending Interval: major 6th (review) | |
| 24.5 Ascending Interval: minor 6th | |
| 24.6 Ascending Interval: minor 6th | |
| 24.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 24.8 Ascending intervals: all intervals | |
| 24.9 Ascending Intervals: all intervals | |
| 24.10 Ascending Intervals: all intervals | |
| 24.11 Descending intervals: minor and major 3rds | |
| 24.12 Descending intervals: major 2nd, minor and major 3rds | |
| 24.13 Descending intervals: minor and major 6ths | |
| 24.14 Descending Interval: minor 3rd (review) | |
| 24.15 Descending Interval: minor 6th (review) | |
| 24.16 Descending Interval: perfect 4th, perfect 5th, perfect octave (review) | |
| 24.17 Descending Interval: major 2nd | |
| 24.18 Descending Interval: major 2nd | |
| 24.19 Descending Interval: major 3rd | |
| 24.20 Descending Interval: major 3rd | |
| 24.21 Descending Interval: major 6th | |
| 24.22 Descending Interval: major 6th | |
| 24.23 Descending intervals: all intervals | |
| 24.24 Descending Intervals: all intervals | |
| 24.25 Descending Intervals: all intervals | |
| 24.26 All intervals | |
| 24.27 All intervals | |
25: Level 5: Chord Identification |
|
| 25.1 Major and Minor Triads: ascending/harmonic | |
| 25.2 Major and Minor Triads: harmonic | |
26: Level 5: Sight Singing |
|
| 26.1 3/4 Melodies: two measures | |
| 26.2 3/4 Melodies: two measures | |
| 26.3 3/4 Melodies: four measures | |
| 26.4 3/4 Melodies: four measures | |
| 26.5 2/4 Melodies: three measures | |
| 26.6 2/4 Melodies: three measures | |
| 26.7 2/4 Melodies: six measures | |
| 26.8 2/4 Melodies: six measures | |
| 26.9 2/4 and 3/4 Melodies | |
| 26.10 2/4 and 3/4 Melodies | |
27: Level 5: Final Step |
|
| 27.1 Technical Exercises | |
| 27.2 Singback | |
| 27.3 Intervals | |
| 27.4 Chord Identification | |
| 27.5 Sight Singing Part 1: rhythm | |
| 27.6 Sight Singing Part 2: melody | |
28: Level 6: Technical Exercises |
|
| 28.1 Technical Exercise 1 (preparatory lesson) | |
| 28.2 Technical Exercise 1 | |
| 28.3 Technical Exercise 2 (preparatory lesson) | |
| 28.4 Technical Exercise 2 | |
| 28.5 Technical Exercise 3 (preparatory lesson) | |
| 28.6 Technical Exercise 3 | |
| 28.7 Technical Exercise 4 (preparatory lesson) | |
| 28.8 Technical Exercise 4 | |
| 28.9 Technical Exercise 5 (preparatory lesson) | |
| 28.10 Technical Exercise 5 | |
| 28.11 Technical Exercise 6 (preparatory lesson) | |
| 28.12 Technical Exercise 6 | |
| 28.13 Technical Exercises 1–6 (preparatory lesson) | |
| 28.14 Technical Exercises 1–6 | |
29: Level 6: Singback |
|
| 29.1 6/8 Melodies (review) | |
| 29.2 3/4 Melodies (review) | |
| 29.3 6/8 melodies (short) | |
| 29.4 6/8 melodies | |
| 29.5 3/4 melodies (short) | |
| 29.6 3/4 melodies | |
| 29.7 6/8 and 3/4 melodies | |
30: Level 6: Intervals |
|
| 30.1 Ascending Intervals: minor and major 2nds | |
| 30.2 Ascending Intervals: minor and major 6ths, major 7th | |
| 30.3 Ascending interval: major 2nd (review) | |
| 30.4 Ascending Intervals: minor and major 3rds (review) | |
| 30.5 Ascending Intervals: minor and major 6ths (review) | |
| 30.6 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 30.7 Ascending Interval: minor 2nd | |
| 30.8 Ascending Interval: minor 2nd | |
| 30.9 Ascending Interval: minor 7th | |
| 30.10 Ascending Interval: minor 7th | |
| 30.11 Ascending intervals: all intervals | |
| 30.12 Ascending Intervals: all intervals | |
| 30.13 Ascending Intervals: all intervals | |
| 30.14 Descending intervals: minor and major 2nds | |
| 30.15 Descending intervals: minor and major 6ths, minor 7th | |
| 30.16 Descending Interval: major 2nd (review) | |
| 30.17 Descending intervals: minor and major 3rds (review) | |
| 30.18 Descending Intervals: minor and major 6ths (review) | |
| 30.19 Descending Intervals: perfect 4th, perfect 5th, perfect octave (review) | |
| 30.20 Descending Interval: minor 2nd | |
| 30.21 Descending Interval: minor 2nd | |
| 30.22 Descending Interval: minor 7th | |
| 30.23 Descending Interval: minor 7th | |
| 30.24 Descending intervals: all intervals | |
| 30.25 Descending Intervals: all intervals | |
| 30.26 Descending Intervals: all intervals | |
| 30.27 All intervals | |
| 30.28 All intervals | |
31: Level 6: Chord Identification |
|
| 31.1 Major and Minor Triads: harmonic (review) | |
| 31.2 Major and Minor Triads, Dominant 7th: ascending/harmonic | |
| 31.3 Major and Minor Triads, Dominant 7th: harmonic | |
32: Level 6: Sight Singing |
|
| 32.1 4/4 Melodies: two measures | |
| 32.2 4/4 Melodies: two measures | |
| 32.3 4/4 Melodies: four measures | |
| 32.4 4/4 Melodies: four measures | |
| 32.5 3/4 Melodies: three measures | |
| 32.6 3/4 Melodies: three measures | |
| 32.7 3/4 Melodies: six measures | |
| 32.8 3/4 Melodies: six measures | |
| 32.9 3/4 and 4/4 Melodies | |
| 32.10 3/4 and 4/4 Melodies | |
33: Level 6: Final Step |
|
| 33.1 Technical Exercises | |
| 33.2 Singback | |
| 33.3 Intervals | |
| 33.4 Chord Identification | |
| 33.5 Sight Singing Part 1: rhythm | |
| 33.6 Sight Singing Part 2: melody | |
34: Course wrap-up |
|
| 34.1 Congratulations! | |
RCM Voice |
|
1: Foreword |
|
| 1.1 Welcome | |
2: Preparatory: Technical Tests |
|
| 2.1 Technical Test 1 (Preparatory Lesson) | |
| 2.2 Technical Test 1 | |
| 2.3 Technical Test 2 (Preparatory Lesson) | |
| 2.4 Technical Test 2 | |
| 2.5 Technical Test 1–2 (Preparatory Lesson) | |
| 2.6 Technical Test 1–2 | |
3: Preparatory: Clapback |
|
| 3.1 Clapback: 4/4, One Bar | |
| 3.2 Clapback: 4/4, Two Bars | |
| 3.3 Clapback: 3/4, One Bar | |
| 3.4 Clapback: 3/4, Two Bars | |
| 3.5 Clapback: 3/4 and 4/4 Melody, Two Bars | |
4: Preparatory: Chords |
|
| 4.1 Chords: Major Triad Singback | |
| 4.2 Chords: Minor Triad Singback | |
| 4.3 Chords: Major & Minor Triads | |
5: Preparatory: Singback |
|
| 5.1 Singback: Major Scale, First Three Notes | |
| 5.2 Singback: Minor Scale, First Three Notes | |
| 5.3 Singback: Major & Minor Scales, First Three Notes | |
6: Preparatory: Sight-Reading |
|
| 6.1 Rhythm: 4/4, One Bar | |
| 6.2 Rhythm: 4/4, Two Bars | |
| 6.3 Melody: 4/4, Two Bars | |
7: Preparatory: Final Step |
|
| 7.1 Technical Tests | |
| 7.2 Clapback | |
| 7.3 Chords | |
| 7.4 Singback | |
| 7.5 Sight-Reading (Rhythm) | |
| 7.6 Sight-Reading (Melody) | |
8: Level 1: Technical Tests |
|
| 8.1 Technical Test 1 (Preparatory Lesson) | |
| 8.2 Technical Test 1 | |
| 8.3 Technical Test 2 (Preparatory Lesson) | |
| 8.4 Technical Test 2 | |
| 8.5 Technical Test 3 (Preparatory Lesson) | |
| 8.6 Technical Test 3 | |
| 8.7 Technical Test 4 (Preparatory Lesson) | |
| 8.8 Technical Test 4 | |
| 8.9 Technical Test 1–4 (Preparatory Lesson) | |
| 8.10 Technical Test 1–4 | |
9: Level 1: Clapback |
|
| 9.1 Clapback: 4/4, One Bar | |
| 9.2 Clapback: 4/4, Two Bars | |
| 9.3 Clapback: 3/4, One Bar | |
| 9.4 Clapback: 3/4, Two Bars | |
| 9.5 Clapback: 3/4 or 4/4 Melody | |
10: Level 1: Intervals |
|
| 10.1 Interval Identification: Major and Minor 3rd | |
| 10.2 Interval Singback: Major 3rd | |
| 10.3 Interval Singing: Major 3rd | |
| 10.4 Interval Singback: Minor 3rd | |
| 10.5 Interval Singing: Minor 3rd | |
| 10.6 Interval Singback: Major and Minor 3rd | |
| 10.7 Interval Singing: Major and Minor 3rd | |
11: Level 1: Chords |
|
| 11.1 Chords: Major Triad Singback | |
| 11.2 Chords: Minor Triad Singback | |
| 11.3 Chords: Major & Minor Triads | |
12: Level 1: Singback |
|
| 12.1 Singback: Major Scale, First Five Notes | |
| 12.2 Singback: Minor Scale, First Five Notes | |
| 12.3 Singback: Major & Minor Scales, First Five Notes | |
13: Level 1: Sight-Reading |
|
| 13.1 Rhythm: 4/4, One Bar | |
| 13.2 Rhythm: 4/4, Two Bars | |
| 13.3 Melody: 4/4, Two Bars | |
14: Level 1: Final Step |
|
| 14.1 Technical Tests | |
| 14.2 Clapback | |
| 14.3 Intervals (Interval ID) | |
| 14.4 Intervals (Interval Singing) | |
| 14.5 Chords | |
| 14.6 Singback | |
| 14.7 Sight-Reading (Rhythm) | |
| 14.8 Sight-Reading (Melody) | |
15: Level 2: Technical Tests |
|
| 15.1 Technical Test 1 (Preparatory Lesson) | |
| 15.2 Technical Test 1 | |
| 15.3 Technical Test 2 (Preparatory Lesson) | |
| 15.4 Technical Test 2 | |
| 15.5 Technical Test 3 (Preparatory Lesson) | |
| 15.6 Technical Test 3 | |
| 15.7 Technical Test 4 (Preparatory Lesson) | |
| 15.8 Technical Test 4 | |
| 15.9 Technical Test 5 (Preparatory Lesson) | |
| 15.10 Technical Test 5 | |
| 15.11 Technical Test 1–5 (Preparatory Lesson) | |
| 15.12 Technical Test 1–5 | |
16: Level 2: Clapback |
|
| 16.1 Clapback: 4/4, One Bar | |
| 16.2 Clapback: 4/4, Two Bars | |
| 16.3 Clapback: 3/4, One Bar | |
| 16.4 Clapback: 3/4, Two Bars | |
| 16.5 Clapback: 3/4 or 4/4 Melody | |
17: Level 2: Intervals |
|
| 17.1 Interval Identification: Major and Minor 3rd, Perfect 5th | |
| 17.2 Interval Singback: Major and Minor 3rd | |
| 17.3 Interval Singing: Major and Minor 3rd | |
| 17.4 Interval Singback: Perfect 5th | |
| 17.5 Interval Singing: Perfect 5ths | |
| 17.6 Interval Singback: All Intervals | |
| 17.7 Interval Singing: All Intervals | |
18: Level 2: Chords |
|
| 18.1 Chords: Major Triad Singback | |
| 18.2 Chords: Minor Triad Singback | |
| 18.3 Chords: Major & Minor Triads | |
19: Level 2: Singback |
|
| 19.1 Singback: Major | |
| 19.2 Singback: Minor | |
| 19.3 Singback: Major, Minor | |
20: Level 2: Sight-Reading |
|
| 20.1 Rhythm: 4/4, Two Bars | |
| 20.2 Rhythm: 4/4, Three Bars | |
| 20.3 Rhythm: 3/4, Two Bars | |
| 20.4 Rhythm: 3/4, Four Bars | |
| 20.5 Melody: 3/4 | |
| 20.6 Melody: 4/4 | |
| 20.7 Melody: 3/4 and 4/4 | |
21: Level 2: Final Step |
|
| 21.1 Technical Tests | |
| 21.2 Clapback | |
| 21.3 Intervals (Interval ID) | |
| 21.4 Intervals (Interval Singing) | |
| 21.5 Chords | |
| 21.6 Singback | |
| 21.7 Sight-Reading (Rhythm: 4/4) | |
| 21.8 Sight-Reading (Rhythm: 3/4) | |
| 21.9 Sight-Reading (Melody) | |
22: Level 3: Technical Tests |
|
| 22.1 Technical Test 1 (Preparatory Lesson) | |
| 22.2 Technical Test 1 | |
| 22.3 Technical Test 2 (Preparatory Lesson) | |
| 22.4 Technical Test 2 | |
| 22.5 Technical Test 3 (Preparatory Lesson) | |
| 22.6 Technical Test 3 | |
| 22.7 Technical Test 4 (Preparatory Lesson) | |
| 22.8 Technical Test 4 | |
| 22.9 Technical Test 5 (Preparatory Lesson) | |
| 22.10 Technical Test 5 | |
| 22.11 Technical Test 1–5 (Preparatory Lesson) | |
| 22.12 Technical Test 1–5 | |
23: Level 3: Clapback |
|
| 23.1 Clapback: 4/4, One Bar | |
| 23.2 Clapback: 4/4, Two Bars | |
| 23.3 Clapback: 3/4, One Bar | |
| 23.4 Clapback: 3/4, Two Bars | |
| 23.5 Clapback: 3/4 or 4/4 Melody | |
24: Level 3: Intervals |
|
| 24.1 Interval Identification: Major and Minor 3rd | |
| 24.2 Interval Identification: Perfect 4th, Perfect 5th | |
| 24.3 Interval Identification: All Intervals | |
| 24.4 Interval Singback: Perfect 5th | |
| 24.5 Interval Singing: Perfect 5ths | |
| 24.6 Interval Singback: Perfect Fourth | |
| 24.7 Interval Singing: Perfect Fourth | |
| 24.8 Interval Singback: Perfect 4th, Perfect 5th | |
| 24.9 Interval Singing: Perfect 4th, Perfect 5th | |
| 24.10 Interval Singback: All Intervals | |
| 24.11 Interval Singing: All Intervals | |
25: Level 3: Chords |
|
| 25.1 Chords: Major Triad Singback | |
| 25.2 Chords: Minor Triad Singback | |
| 25.3 Chords: Major & Minor Triads | |
| 25.4 Chords: Chord Tone Identification | |
26: Level 3: Singback |
|
| 26.1 Singback: 3/4 - Major | |
| 26.2 Singback: 4/4 - Major | |
| 26.3 Singback: 3/4, 4/4 - Major | |
| 26.4 Singback: 3/4 - Minor | |
| 26.5 Singback: 4/4 - Minor | |
| 26.6 Singback: 3/4, 4/4 - Minor | |
| 26.7 Singback: 3/4, 4/4 - Major, Minor | |
27: Level 3: Sight-Reading |
|
| 27.1 Rhythm: 4/4, Two Bars | |
| 27.2 Rhythm: 4/4, Four Bars | |
| 27.3 Rhythm: 3/4, Two Bars | |
| 27.4 Rhythm: 3/4, Four Bars | |
| 27.5 Melody: 3/4 | |
| 27.6 Melody: 4/4 | |
| 27.7 Melody: 3/4 and 4/4 | |
28: Level 3: Final Step |
|
| 28.1 Technical Tests | |
| 28.2 Clapback | |
| 28.3 Intervals (Interval ID) | |
| 28.4 Intervals (Interval Singing) | |
| 28.5 Chords (Chord ID) | |
| 28.6 Chords (Chord Tone ID) | |
| 28.7 Singback | |
| 28.8 Sight-Reading (Rhythm: 4/4) | |
| 28.9 Sight-Reading (Rhythm: 3/4) | |
| 28.10 Sight-Reading (Melody) | |
29: Level 4: Technical Tests |
|
| 29.1 Technical Test 1 (Preparatory Lesson) | |
| 29.2 Technical Test 1 | |
| 29.3 Technical Test 2 (Preparatory Lesson) | |
| 29.4 Technical Test 2 | |
| 29.5 Technical Test 3 (Preparatory Lesson) | |
| 29.6 Technical Test 3 | |
| 29.7 Technical Test 4 (Preparatory Lesson) | |
| 29.8 Technical Test 4 | |
| 29.9 Technical Test 5 (Preparatory Lesson) | |
| 29.10 Technical Test 5 | |
| 29.11 Technical Test 1–5 (Preparatory Lesson) | |
| 29.12 Technical Test 1–5 | |
30: Level 4: Clapback |
|
| 30.1 Clapback: 4/4, One Bar | |
| 30.2 Clapback: 4/4, Two Bars | |
| 30.3 Clapback: 3/4, Two Bars | |
| 30.4 Clapback: 3/4, Four Bars | |
| 30.5 Clapback: 6/8, One Bar | |
| 30.6 Clapback: 6/8, Two Bars | |
| 30.7 Clapback: 3/4, 4/4, or 6/8 Melody | |
31: Level 4: Intervals |
|
| 31.1 Interval Identification: Major and Minor 3rd | |
| 31.2 Interval Identification: Perfect 4th, Perfect 5th, 8ve | |
| 31.3 Interval Identification: All Intervals | |
| 31.4 Interval Singback: 8ve | |
| 31.5 Interval Singing: 8ve | |
| 31.6 Interval Singback: Perfect 4th, Perfect 5th, 8ve | |
| 31.7 Interval Singing: Perfect 4th, Perfect 5th, 8ve | |
| 31.8 Interval Singback: All Intervals | |
| 31.9 Interval Singing: All Intervals | |
32: Level 4: Chords |
|
| 32.1 Chords: major triad singback | |
| 32.2 Chords: minor triad singback | |
| 32.3 Chords: major & minor triads | |
| 32.4 Chords: chord tone identification | |
33: Level 4: Singback |
|
| 33.1 Singback: 3/4 - Major | |
| 33.2 Singback: 4/4 - Major | |
| 33.3 Singback: 3/4, 4/4 - Major | |
| 33.4 Singback: 3/4 - Minor | |
| 33.5 Singback: 4/4 - Minor | |
| 33.6 Singback: 3/4, 4/4 - Minor | |
| 33.7 Singback: 3/4, 4/4 - Major, Minor | |
34: Level 4: Sight-Reading |
|
| 34.1 Rhythm: 4/4, Two Bars | |
| 34.2 Rhythm: 4/4, Four Bars | |
| 34.3 Rhythm: 3/4, Two Bars | |
| 34.4 Rhythm: 3/4, Four Bars | |
| 34.5 Melody: 3/4 | |
| 34.6 Melody: 4/4 | |
| 34.7 Melody: 3/4 and 4/4 | |
35: Level 4: Final Step |
|
| 35.1 Technical Tests | |
| 35.2 Clapback | |
| 35.3 Intervals (Interval ID) | |
| 35.4 Intervals (Interval singing) | |
| 35.5 Chords (Chord ID) | |
| 35.6 Chords (Chord tone ID) | |
| 35.7 Singback | |
| 35.8 Sight-Singing (Rhythm: 4/4) | |
| 35.9 Sight-Reading (Rhythm: 3/4) | |
| 35.10 Sight-Reading (Melody) | |
36: Level 5: Technical Tests |
|
| 36.1 Technical Test 1 (Preparatory Lesson) | |
| 36.2 Technical Test 1 | |
| 36.3 Technical Test 2 (Preparatory Lesson) | |
| 36.4 Technical Test 2 | |
| 36.5 Technical Test 3 (Preparatory Lesson) | |
| 36.6 Technical Test 3 | |
| 36.7 Technical Test 4 (Preparatory Lesson) | |
| 36.8 Technical Test 4 | |
| 36.9 Technical Test 5 (Preparatory Lesson) | |
| 36.10 Technical Test 5 | |
| 36.11 Technical Test 6 (Preparatory Lesson) | |
| 36.12 Technical Test 6 | |
| 36.13 Technical Test 7 (Preparatory Lesson) | |
| 36.14 Technical Test 7 | |
| 36.15 Technical Test 1–7 (Preparatory Lesson) | |
| 36.16 Technical Test 1–7 | |
37: Level 5: Intervals |
|
| 37.1 Interval Identification: major and minor 3rd | |
| 37.2 Interval Identification: perfect 4th, perfect 5th, 8ve | |
| 37.3 Interval Identification: major and minor 6th | |
| 37.4 Interval Identification: All Intervals | |
| 37.5 Interval Singback: major 6th | |
| 37.6 Interval Singing: major 6th | |
| 37.7 Interval Singback: minor 6th | |
| 37.8 Interval Singing: minor 6th | |
| 37.9 Interval Singback: major and minor 6th | |
| 37.10 Interval Singing: major and minor 6th | |
| 37.11 Interval Singback: perfect 4th, perfect 5th, 8ve | |
| 37.12 Interval Singing: perfect 4th, perfect 5th, 8ve | |
| 37.13 Interval Singback: All Intervals | |
| 37.14 Interval Singing: All Intervals | |
38: Level 5: Chords |
|
| 38.1 Chords: major triad singback | |
| 38.2 Chords: minor triad singback | |
| 38.3 Chords: dominant 7th singback | |
| 38.4 Chords: major & minor triads, dominant 7th | |
39: Level 5: Chord Progressions |
|
| 39.1 I-IV-I and I-V-I, major key | |
40: Level 5: Singback |
|
| 40.1 Singback: 3/4 - Major | |
| 40.2 Singback: 4/4 - Major | |
| 40.3 Singback: 3/4, 4/4, Major | |
| 40.4 Singback: 3/4 - Minor | |
| 40.5 Singback: 4/4 - Minor | |
| 40.6 Singback: 3/4, 4/4 - Minor | |
| 40.7 Singback: 3/4, 4/4 - Major, Minor | |
41: Level 5: Sight-Reading |
|
| 41.1 Melody: 3/4 - Major | |
| 41.2 Melody: 4/4 - Major | |
| 41.3 Melody: 6/8 - Major | |
| 41.4 Melody: 3/4, 4/4, 6/8 - Major | |
| 41.5 Melody: 3/4 - Minor | |
| 41.6 Melody: 4/4 - Minor | |
| 41.7 Melody: 6/8 - Minor | |
| 41.8 Melody: 3/4, 4/4, 6/8 - Minor | |
| 41.9 Melody: 3/4, 4/4, 6/8 - Major , Minor | |
42: Level 5: Final Step |
|
| 42.1 Technical Tests | |
| 42.2 Intervals (Interval ID) | |
| 42.3 Intervals (Interval Singing) | |
| 42.4 Chords | |
| 42.5 Chord Progressions | |
| 42.6 Singback | |
| 42.7 Sight-Reading | |
43: Level 6: Technical Tests |
|
| 43.1 Technical Test 1 (Preparatory Lesson) | |
| 43.2 Technical Test 1 | |
| 43.3 Technical Test 2 (Preparatory Lesson) | |
| 43.4 Technical Test 2 | |
| 43.5 Technical Test 3 (Preparatory Lesson) | |
| 43.6 Technical Test 3 | |
| 43.7 Technical Test 4 (Preparatory Lesson) | |
| 43.8 Technical Test 4 | |
| 43.9 Technical Test 5 (Preparatory Lesson) | |
| 43.10 Technical Test 5 | |
| 43.11 Technical Test 6 (Preparatory Lesson) | |
| 43.12 Technical Test 6 | |
| 43.13 Technical Test 7 (Preparatory Lesson) | |
| 43.14 Technical Test 7 | |
| 43.15 Technical Test 8 (Preparatory Lesson) | |
| 43.16 Technical Test 8 | |
| 43.17 Technical Test 1–8 (Preparatory Lesson) | |
| 43.18 Technical Test 1–8 | |
44: Level 6: Intervals |
|
| 44.1 Interval Identification: major and minor 3rd | |
| 44.2 Interval Identification: perfect 4th, perfect 5th, 8ve | |
| 44.3 Interval Identification: major and minor 6th | |
| 44.4 Interval Identification: major and minor 2nd | |
| 44.5 Interval Identification: All Intervals | |
| 44.6 Interval Singback: major 2nd | |
| 44.7 Interval Singing: major 2nd | |
| 44.8 Interval Singback: minor 2nd | |
| 44.9 Interval Singing: minor 2nd | |
| 44.10 Interval Singback: major and minor 2nd | |
| 44.11 Interval Singing: major and minor 2nd | |
| 44.12 Interval Singback: major and minor 2nd, major and minor 3rd, perfect 4th | |
| 44.13 Interval Singing: major and minor 2nd, major and minor 3rd, perfect 4th | |
| 44.14 Interval Singback: perfect 5th, major and minor 6th, 8ve | |
| 44.15 Interval Singing: perfect 4th, perfect 5th, 8ve | |
| 44.16 Interval Singback: All Intervals | |
| 44.17 Interval Singing: All Intervals | |
45: Level 6: Chords |
|
| 45.1 Chords: major triad singback | |
| 45.2 Chords: minor triad singback | |
| 45.3 Chords: dominant 7th singback | |
| 45.4 Chords: diminished 7th singback | |
| 45.5 Chords: major & minor triads, dominant & diminished 7th | |
46: Level 6: Chord Progressions |
|
| 46.1 I-IV-I and I-V-I, major key | |
| 46.2 i-iv-i and i-V-i, minor key | |
| 46.3 All chord progressions | |
47: Level 6: Singback |
|
| 47.1 Singback: 3/4 - Major | |
| 47.2 Singback: 4/4 - Major | |
| 47.3 Singback: 3/4, 4/4 - Major | |
| 47.4 Singback: 3/4 - Minor | |
| 47.5 Singback: 4/4 - Minor | |
| 47.6 Singback: 3/4, 4/4 - Minor | |
| 47.7 Singback: 3/4, 4/4 - Major, Minor | |
48: Level 6: Sight-Reading |
|
| 48.1 Melody: 2/4 - Major | |
| 48.2 Melody: 3/4 - Major | |
| 48.3 Melody: 4/4 - Major | |
| 48.4 Melody: 6/8 - Major | |
| 48.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major | |
| 48.6 Melody: 2/4 - Minor | |
| 48.7 Melody: 3/4 - Minor | |
| 48.8 Melody: 4/4 - Minor | |
| 48.9 Melody: 6/8 - Minor | |
| 48.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor | |
| 48.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
49: Level 6: Final Step |
|
| 49.1 Technical Tests | |
| 49.2 Intervals (Interval ID) | |
| 49.3 Intervals (Interval Singing) | |
| 49.4 Chords | |
| 49.5 Chord Progressions | |
| 49.6 Singback | |
| 49.7 Sight-Reading | |
50: Level 7: Technical Tests |
|
| 50.1 Technical Test 1 (Preparatory Lesson) | |
| 50.2 Technical Test 1 | |
| 50.3 Technical Test 2 (Preparatory Lesson) | |
| 50.4 Technical Test 2 | |
| 50.5 Technical Test 3 (Preparatory Lesson) | |
| 50.6 Technical Test 3 | |
| 50.7 Technical Test 4 (Preparatory Lesson) | |
| 50.8 Technical Test 4 | |
| 50.9 Technical Test 5 (Preparatory Lesson) | |
| 50.10 Technical Test 5 | |
| 50.11 Technical Test 6 (Preparatory Lesson) | |
| 50.12 Technical Test 6 | |
| 50.13 Technical Test 7 (Preparatory Lesson) | |
| 50.14 Technical Test 7 | |
| 50.15 Technical Test 8 | |
| 50.16 Technical Test 1–7 (Preparatory Lesson) | |
| 50.17 Technical Test 1–7 | |
51: Level 7: Intervals |
|
| 51.1 Interval Identification: major and minor 2nd | |
| 51.2 Interval Identification: major and minor 3rd | |
| 51.3 Interval Identification: perfect 4th, perfect 5th, 8ve | |
| 51.4 Interval Identification: major and minor 6th | |
| 51.5 Interval Identification: major and minor 7th | |
| 51.6 Interval Identification: All Intervals | |
| 51.7 Interval Singback: major 7th | |
| 51.8 Interval Singing: major 7th | |
| 51.9 Interval Singback: minor 7th | |
| 51.10 Interval Singing: minor 7th | |
| 51.11 Interval Singback: major and minor 7th | |
| 51.12 Interval Singing: major and minor 7th | |
| 51.13 Interval Singback: major and minor 2nd, major and minor 3rd, perfect 4th, perfect 5th | |
| 51.14 Interval Singing: major and minor 2nd, major and minor 3rd, perfect 4th, perfect 5th | |
| 51.15 Interval Singback: major and minor 6th, major and minor 7th, 8ve | |
| 51.16 Interval Singing: major and minor 6th, major and minor 7th, 8ve | |
| 51.17 Interval Singback: All Intervals | |
| 51.18 Interval Singing: All Intervals | |
52: Level 7: Chords |
|
| 52.1 Chords: major triad singback | |
| 52.2 Chords: minor triad singback | |
| 52.3 Chords: augmented triad singback | |
| 52.4 Chords: dominant 7th singback | |
| 52.5 Chords: diminished 7th singback | |
| 52.6 Chords: Major, Minor & Augmented Triads - Dominant & Diminished 7th | |
53: Level 7: Chord Progressions |
|
| 53.1 I-IV-I, I-V-I, I-IV-V, major key | |
| 53.2 i-iv-i and i-V-i, i-iv-V, minor key | |
| 53.3 All chord progressions | |
54: Level 7: Singback |
|
| 54.1 Singback: 2/4 - Major | |
| 54.2 Singback: 3/4 - Major | |
| 54.3 Singback: 6/8 - Major | |
| 54.4 Singback: 2/4, 3/4, 6/8 - Major | |
| 54.5 Singback: 2/4 - Minor | |
| 54.6 Singback: 3/4 - Minor | |
| 54.7 Singback: 6/8 - Minor | |
| 54.8 Singback: 2/4, 3/4, 6/8 - Minor | |
| 54.9 Singback: 2/4, 3/4, 6/8 - Major, Minor | |
55: Level 7: Sight-Reading |
|
| 55.1 Melody: 2/4 - Major | |
| 55.2 Melody: 3/4 - Major | |
| 55.3 Melody: 4/4 - Major | |
| 55.4 Melody: 6/8 - Major | |
| 55.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major | |
| 55.6 Melody: 2/4 - Minor | |
| 55.7 Melody: 3/4 - Minor | |
| 55.8 Melody: 4/4 - Minor | |
| 55.9 Melody: 6/8 - Minor | |
| 55.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor | |
| 55.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
56: Level 7: Final Step |
|
| 56.1 Technical Tests | |
| 56.2 Intervals (Interval ID) | |
| 56.3 Intervals (Interval singing) | |
| 56.4 Chords | |
| 56.5 Chord Progressions | |
| 56.6 Singback | |
| 56.7 Sight-Singing | |
57: Level 8: Technical Tests |
|
| 57.1 Technical Test 1 (Preparatory Lesson) | |
| 57.2 Technical Test 1 | |
| 57.3 Technical Test 2 (Preparatory Lesson) | |
| 57.4 Technical Test 2 | |
| 57.5 Technical Test 3 (Preparatory Lesson) | |
| 57.6 Technical Test 3 | |
| 57.7 Technical Test 4 (Preparatory Lesson) | |
| 57.8 Technical Test 4 | |
| 57.9 Technical Test 5 (Preparatory Lesson) | |
| 57.10 Technical Test 5 | |
| 57.11 Technical Test 6 (Preparatory Lesson) | |
| 57.12 Technical Test 6 | |
| 57.13 Technical Test 7 (Preparatory Lesson) | |
| 57.14 Technical Test 7 | |
| 57.15 Technical Test 8 (Preparatory Lesson) | |
| 57.16 Technical Test 8 | |
| 57.17 Technical Test 1–8 (Preparatory Lesson) | |
| 57.18 Technical Test 1–8 | |
58: Level 8: Intervals |
|
| 58.1 Interval Identification: perfect 4th, augmented 4th/diminished 5th, perfect 5th | |
| 58.2 Interval Identification: Major and Minor 2nd, Major and Minor 3rd | |
| 58.3 Interval Identification: Major and Minor 6th, Major and Minor 7th | |
| 58.4 Interval Identification: All Intervals | |
| 58.5 Interval Singback: Augmented 4th/Diminished 5th | |
| 58.6 Interval Singing: Augmented 4th/Diminished 5th | |
| 58.7 Interval Singback: Perfect 4th, Augmented 4th/Diminished 5th, Perfect 5th | |
| 58.8 Interval Singing: Perfect 4th, Augmented 4th/Diminished 5th, Perfect 5th | |
| 58.9 Interval Singback: Major and Minor 2nd, Major and Minor 3rd | |
| 58.10 Interval Singing: Major and Minor 2nd, Major and Minor 3rd | |
| 58.11 Interval Singback: Major and Minor 6th, Major and Minor 7th, Octave | |
| 58.12 Interval Singing: Major And Minor 6th, Major and Minor 7th, 8ve | |
| 58.13 Interval Singback: All Intervals | |
| 58.14 Interval Singing: All Intervals | |
59: Level 8: Chords |
|
| 59.1 Chords: Major Triad Singback | |
| 59.2 Chords: Minor Triad Singback | |
| 59.3 Chords: Augmented Triad Singback | |
| 59.4 Chords: Dominant 7th Singback | |
| 59.5 Chords: Diminished 7th Singback | |
| 59.6 Chords: Major, Minor & Augmented Triads - Dominant & Diminished 7th | |
60: Level 8: Chord Progressions |
|
| 60.1 I-IV-V-I and I-IV-V-vi, Major Key | |
| 60.2 i-iv-V-i and i-iv-V-vi, Minor Key | |
| 60.3 I-vi-IV-V and I-vi-IV-I, Major Keyy | |
| 60.4 i-vi-iv-V and i-vi-iv-i, Minor Key | |
| 60.5 All Chord Progressions | |
61: Level 8: Singback |
|
| 61.1 Singback: 2/4 - Major | |
| 61.2 Singback: 3/4 - Major | |
| 61.3 Singback: 4/4 - Major | |
| 61.4 Singback: 6/8 - Major | |
| 61.5 Singback: 2/4, 3/4, 4/4, 6/8 - Major | |
| 61.6 Singback: 2/4 - Minor | |
| 61.7 Singback: 3/4 - Minor | |
| 61.8 Singback: 4/4 - Minor | |
| 61.9 Singback: 6/8 - Minor | |
| 61.10 Singback: 2/4, 3/4, 4/4, 6/8 - Minor | |
| 61.11 Singback: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
62: Level 8: Sight-Reading |
|
| 62.1 Melody: 2/4 - Major | |
| 62.2 Melody: 3/4 - Major | |
| 62.3 Melody: 4/4 - Major | |
| 62.4 Melody: 6/8 - Major | |
| 62.5 Melody: 2/4, 3/4, 4/4, 6/8 - Major | |
| 62.6 Melody: 2/4 - Minor | |
| 62.7 Melody: 3/4 - Minor | |
| 62.8 Melody: 4/4 - Minor | |
| 62.9 Melody: 6/8 - Minor | |
| 62.10 Melody: 2/4, 3/4, 4/4, 6/8 - Minor | |
| 62.11 Melody: 2/4, 3/4, 4/4, 6/8 - Major, Minor | |
63: Level 8: Final Step |
|
| 63.1 Technical Tests | |
| 63.2 Intervals (Interval ID) | |
| 63.3 Intervals (Interval singing) | |
| 63.4 Chord ID | |
| 63.5 Chord Progressions | |
| 63.6 Singback | |
| 63.7 Sight-Reading | |
| 63.8 Congratulations! | |
General Workshops - Chord Identification |
|
1: Identify the Major & the Minor Chords |
|
| 1.1 Major & Minor - Ascending | |
| 1.2 Major & Minor - Descending | |
| 1.3 Major & Minor - Harmonic | |
| 1.4 Major & Minor - Harmonic, Ascending & Descending | |
2: Identify the Major, Minor & Sus4 Chords |
|
| 2.1 Major, Minor & Sus4 - Ascending | |
| 2.2 Major, Minor & Sus4 - Descending | |
| 2.3 Major, Minor & Sus4 - Harmonic | |
| 2.4 Major, Minor & Sus4 - Harmonic, Ascending & Descending | |
3: Major Chords with Alternating 5th |
|
| 3.1 Major, Major(b5) & Aug - Ascending | |
| 3.2 Major, Major(b5) & Aug - Descending | |
| 3.3 Major, Major(b5) & Aug - Harmonic | |
| 3.4 Major, Major(b5) & Aug - Harmonic, Ascending & Descending | |
4: Identify the Minor & the Minor(b5) Chords |
|
| 4.1 Minor & Dim - Ascending | |
| 4.2 Minor & Dim - Descending | |
| 4.3 Minor & Dim - Harmonic | |
| 4.4 Minor & Dim - Harmonic, Ascending & Descending | |
5: Identify the Sus Chords |
|
| 5.1 Sus2 & Sus4 - Ascending | |
| 5.2 Sus2 & Sus4 - Descending | |
| 5.3 Sus2 & Sus4 - Harmonic | |
| 5.4 Sus2 & Sus4 - Harmonic, Ascending & Descending | |
6: Triads with an Altered 5th |
|
| 6.1 Dim, Major(b5) & Aug - Ascending | |
| 6.2 Dim, Major(b5) & Aug - Descending | |
| 6.3 Dim, Major(b5) & Aug - Harmonic | |
| 6.4 Dim, Major(b5) & Aug - Harmonic, Ascending & Descending | |
7: Identify All Triads |
|
| 7.1 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Ascending | |
| 7.2 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Descending | |
| 7.3 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic | |
| 7.4 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic, Ascending & Descending | |
8: Major Triad with an Added Chord Tone |
|
| 8.1 7, Maj7 & Add6 - Ascending | |
| 8.2 7, Maj7 & Add6 - Descending | |
| 8.3 7, Maj7 & Add6 - Harmonic | |
| 8.4 7, Maj7 & Add6 - Harmonic, Ascending & Descending | |
9: Minor Triad with an Added Chord Tone |
|
| 9.1 Mi7, Mi,maj7 & Mi,add6 - Ascending | |
| 9.2 Mi7, Mi,maj7 & Mi,add6 - Descending | |
| 9.3 Mi7, Mi,maj7 & Mi,add6 - Harmonic | |
| 9.4 Mi7, Mi,maj7 & Mi,add6 - Harmonic, Ascending & Descending | |
10: Minor(b5) with an Added Chord Tone |
|
| 10.1 Dim7, Mi7(b5) & dim,maj7 - Ascending | |
| 10.2 Dim7, Mi7(b5) & dim,maj7 - Descending | |
| 10.3 Dim7, Mi7(b5) & dim,maj7 - Harmonic | |
| 10.4 Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending | |
11: Major(b5) with an Added Chord Tone |
|
| 11.1 7(b5) & maj7(b5) - Ascending | |
| 11.2 7(b5) & maj7(b5) - Descending | |
| 11.3 7(b5) & maj7(b5) - Harmonic | |
| 11.4 7(b5) & maj7(b5) - Harmonic, Ascending & Descending | |
12: Major(#5) with an Added Chord Tone |
|
| 12.1 7(#5) & maj7(#5) - Ascending | |
| 12.2 7(#5) & maj7(#5) - Descending | |
| 12.3 7(#5) & maj7(#5) - Harmonic | |
| 12.4 7(#5) & maj7(#5) - Harmonic, Ascending & Descending | |
13: Sus Triads with an Added Minor 7th |
|
| 13.1 7(sus4) & 7(sus2) - Ascending | |
| 13.2 7(sus4) & 7(sus2) - Descending | |
| 13.3 7(sus4) & 7(sus2) - Harmonic | |
| 13.4 7(sus4) & 7(sus2) - Harmonic, Ascending & Descending | |
14: Sus Triads with an Added Major 7th |
|
| 14.1 maj7(sus2) & maj7(sus4) - Ascending | |
| 14.2 maj7(sus2) & maj7(sus4) - Descending | |
| 14.3 maj7(sus2) & maj7(sus4) - Harmonic | |
| 14.4 maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending | |
15: Sus Seventh Chords |
|
| 15.1 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Ascending | |
| 15.2 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Descending | |
| 15.3 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic | |
| 15.4 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending | |
16: Maj7 Chords with a Perfect or Altered 5th |
|
| 16.1 Maj7, maj7(b5) & maj7(#5) - Ascending | |
| 16.2 Maj7, maj7(b5) & maj7(#5) - Descending | |
| 16.3 Maj7, maj7(b5) & maj7(#5) - Harmonic | |
| 16.4 Maj7, maj7(b5) & maj7(#5) - Harmonic, Ascending & Descending | |
17: 7th Chords with a Perfect or Altered 5th |
|
| 17.1 7, 7(b5) & 7(#5) - Ascending | |
| 17.2 7, 7(b5) & 7(#5) - Descending | |
| 17.3 7, 7(b5) & 7(#5) - Harmonic | |
| 17.4 7, 7(b5) & 7(#5) - Harmonic, Ascending & Descending | |
18: Minor7 and Maj7 Chords with a Perfect or Altered 5th |
|
| 18.1 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Ascending | |
| 18.2 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Descending | |
| 18.3 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic | |
| 18.4 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending | |
19: All the Maj7 Chords |
|
| 19.1 All the Maj7 chords - Ascending | |
| 19.2 All the Maj7 chords - Descending | |
| 19.3 All the Maj7 chords - Harmonic | |
| 19.4 All the Maj7 chords - Harmonic, Ascending & Descending | |
20: All Chords with a Minor 7th |
|
| 20.1 All chords with a minor 7th - Ascending | |
| 20.2 All chords with a minor 7th - Descending | |
| 20.3 All chords with a minor 7th - Harmonic | |
| 20.4 All chords with a minor 7th - Harmonic, Ascending & Descending | |
21: Chords with a Major 6th or Diminished 7 |
|
| 21.1 Dim7, Add6 & Mi,add6 - Ascending | |
| 21.2 Dim7, Add6 & Mi,add6 - Descending | |
| 21.3 Dim7, Add6 & Mi,add6 - Harmonic | |
| 21.4 Dim7, Add6 & Mi,add6 - Harmonic, Ascending & Descending | |
22: All 7th Chords |
|
| 22.1 All 7th chords - Ascending | |
| 22.2 All 7th chords - Descending | |
| 22.3 All 7th chords - Harmonic | |
| 22.4 All 7th chords - Harmonic, Ascending & Descending | |
General Workshops - Chord Inversions |
|
1: Module 1 |
|
| 1.1 Inversions of the Major chord - Ascending | |
| 1.2 Inversions of the Major chord - Descending | |
| 1.3 Inversions of the Major chord - Harmonic | |
| 1.4 Inversions of the Major chord - Harmonic, Ascending & Descending | |
2: Module 2 |
|
| 2.1 Inversions of the Minor chord - Ascending | |
| 2.2 Inversions of the Minor chord - Descending | |
| 2.3 Inversions of the Minor chord - Harmonic | |
| 2.4 Inversions of the Minor chord - Harmonic, Ascending & Descending | |
3: Module 3 |
|
| 3.1 Inversions of the Sus4 chord - Ascending | |
| 3.2 Inversions of the Sus4 chord - Descending | |
| 3.3 Inversions of the Sus4 chord - Harmonic | |
| 3.4 Inversions of the Sus4 chord - Harmonic, Ascending & Descending | |
4: Module 4 |
|
| 4.1 Inversions of the Major(b5) chord - Ascending | |
| 4.2 Inversions of the Major(b5) chord - Descending | |
| 4.3 Inversions of the Major(b5) chord - Harmonic | |
| 4.4 Inversions of the Major(b5) chord - Harmonic, Ascending & Descending | |
5: Module 5 |
|
| 5.1 Inversions of the Dim chord - Ascending | |
| 5.2 Inversions of the Dim chord - Descending | |
| 5.3 Inversions of the Dim chord - Harmonic | |
| 5.4 Inversions of the Dim chord - Harmonic, Ascending & Descending | |
6: Major with Perfect or Altered 5th |
|
| 6.1 Major, Aug & Major(b5) - Ascending | |
| 6.2 Major, Aug & Major(b5) - Descending | |
| 6.3 Major, Aug & Major(b5) - Harmonic | |
| 6.4 Major, Aug & Major(b5) - Harmonic, Ascending & Descending | |
7: Minor with Perfect or Altered 5th |
|
| 7.1 Inversions of the Minor & Dim chords - Ascending | |
| 7.2 Inversions of the Minor & Dim chords - Descending | |
| 7.3 Inversions of the Minor & Dim chords - Harmonic | |
| 7.4 Inversions of the Minor & Dim chords - Harmonic, Ascending & Descending | |
8: Minor & Major with Altered 5th |
|
| 8.1 Inversions of the Dim, Aug & Major(b5) chords - Ascending | |
| 8.2 Inversions of the Dim, Aug & Major(b5) chords - Descending | |
| 8.3 Inversions of the Dim, Aug & Major(b5) chords - Harmonic | |
| 8.4 Inversions of the Dim, Aug & Major(b5) chords - Harmonic, Ascending & Descending | |
9: All the Triads |
|
| 9.1 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Ascending | |
| 9.2 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Descending | |
| 9.3 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic | |
| 9.4 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic, Ascending & Descending | |
10: Module 10 |
|
| 10.1 Inversions of the Maj7 & 7 chords - Ascending | |
| 10.2 Inversions of the Maj7 & 7 chords - Descending | |
| 10.3 Inversions of the Maj7 & 7 chords - Harmonic | |
| 10.4 Inversions of the Maj7 & 7 chords - Harmonic, Ascending & Descending | |
11: Module 11 |
|
| 11.1 Inversions of the Mi7 & Mi,maj7 chords - Ascending | |
| 11.2 Inversions of the Mi7 & Mi,maj7 chords - Descending | |
| 11.3 Inversions of the Mi7 & Mi,maj7 chords - Harmonic | |
| 11.4 Inversions of the Mi7 & Mi,maj7 chords - Harmonic, Ascending & Descending | |
12: Module 12 |
|
| 12.1 Inversions of the Mi7(b5), Dim7 & chords - Ascending | |
| 12.2 Inversions of the Mi7(b5), Dim7 & chords - Descending | |
| 12.3 Inversions of the Mi7(b5), Dim7 & chords - Harmonic | |
| 12.4 Inversions of the Mi7(b5), Dim7 & chords - Harmonic, Ascending & Descending | |
13: Module 13 |
|
| 13.1 Inversions of the 7(b5) & chords - Ascending | |
| 13.2 Inversions of the 7(b5) & chords - Descending | |
| 13.3 Inversions of the 7(b5) & chords - Harmonic | |
| 13.4 Inversions of the 7(b5) & chords - Harmonic, Ascending & Descending | |
14: Module 14 |
|
| 14.1 Inversions of the 7(#5) & chords - Ascending | |
| 14.2 Inversions of the 7(#5) & chords - Descending | |
| 14.3 Inversions of the 7(#5) & chords - Harmonic | |
| 14.4 Inversions of the 7(#5) & chords - Harmonic, Ascending & Descending | |
15: Module 15 |
|
| 15.1 Inversions of the 7, 7(b5) & 7(#5) chords - Ascending | |
| 15.2 Inversions of the 7, 7(b5) & 7(#5) chords - Descending | |
| 15.3 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic | |
| 15.4 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic, Ascending & Descending | |
16: Module 16 |
|
| 16.1 Inversions of the Maj7, & chords - Ascending | |
| 16.2 Inversions of the Maj7, & chords - Descending | |
| 16.3 Inversions of the Maj7, & chords - Harmonic | |
| 16.4 Inversions of the Maj7, & chords - Harmonic, Ascending & Descending | |
17: Module 17 |
|
| 17.1 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Ascending | |
| 17.2 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Descending | |
| 17.3 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic | |
| 17.4 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic, Ascending & Descending | |
18: All the 7 Chords |
|
| 18.1 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Ascending | |
| 18.2 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Descending | |
| 18.3 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic | |
| 18.4 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic, Ascending & Descending | |
General Workshops - Chord Progressions |
|
1: Module 1 |
|
| 1.1 Identify major and minor tonic in V-I | |
| 1.2 Dominants with and without 7 | |
| 1.3 VIIdim7 - in Major and minor | |
| 1.4 Common dominant - tonic combinations | |
| 1.5 Major/minor subdominant (IV) and supertonic (II) | |
| 1.6 Various dominant-tonic combinations | |
| 1.7 II - V - I combinations | |
| 1.8 II - V - I and II - bII - I combinations | |
| 1.9 IV - I combinations (Plagal cadences) | |
| 1.10 Two mediant combinations | |
| 1.11 Four mediant combinations | |
| 1.12 Three part plagal cadences | |
| 1.13 Extended tonal cadences | |
| 1.14 Fifth sequences | |
| 1.15 Folk progressions | |
| 1.16 Progressions with bVII7(b5) | |
| 1.17 Interrupted cadences | |
| 1.18 Modulations #1 | |
| 1.19 Modulations #2 | |
| 1.20 Modulations to bIII and bVI | |
| 1.21 Last step! | |
General Workshops - Interval Comparison |
|
1: Compare the Perfect Intervals - Common 1st Tone |
|
| 1.1 Introduction to perfect intervals | |
| 1.2 Perfect 4th & Octave - Ascending (common tone) | |
| 1.3 Perfect 4th & Octave - Descending (common tone) | |
| 1.4 Perfect 4th & Octave - Harmonic (common tone) | |
| 1.5 Perfect 5th & Octave - Ascending (common tone) | |
| 1.6 Perfect 5th & Octave - Descending (common tone) | |
| 1.7 Perfect 5th & Octave - Harmonic (common tone) | |
| 1.8 Perfect 4th & Perfect 5th - Ascending (common tone) | |
| 1.9 Perfect 4th & Perfect 5th - Descending (common tone) | |
| 1.10 Perfect 4th & Perfect 5th - Harmonic (common tone) | |
| 1.11 Test : Perfect intervals with a common 1st tone | |
2: Compare the Imperfect Consonant Intervals - Common 1st Tone |
|
| 2.1 Introduction to imperfect consonant intervals | |
| 2.2 Major 3rd & Minor 6th - Ascending (common tone) | |
| 2.3 Major 3rd & Minor 6th - Descending (common tone) | |
| 2.4 Major 3rd & Minor 6th - Harmonic (common tone) | |
| 2.5 Minor 3rd & Major 6th - Ascending (common tone) | |
| 2.6 Minor 3rd & Major 6th - Descending (common tone) | |
| 2.7 Minor 3rd & Major 6th - Harmonic (common tone) | |
| 2.8 Minor 3rd & Major 3rd - Ascending (common tone) | |
| 2.9 Minor 3rd & Major 3rd - Descending (common tone) | |
| 2.10 Minor 3rd & Major 3rd - Harmonic (common tone) | |
| 2.11 Minor 6th & Major 6th - Ascending (common tone) | |
| 2.12 Minor 6th & Major 6th - Descending (common tone) | |
| 2.13 Minor 6th & Major 6th - Harmonic (common tone) | |
| 2.14 Test: Imperfect consonant intervals with a common 1st tone | |
3: Compare the Dissonant Intervals - Common 1st Tone |
|
| 3.1 Introduction to dissonant intervals | |
| 3.2 Major 2nd & Minor 7th - Ascending (common tone) | |
| 3.3 Major 2nd & Minor 7th - Descending (common tone) | |
| 3.4 Major 2nd & Minor 7th - Harmonic (common tone) | |
| 3.5 Minor 2nd & Major 7th - Ascending (common tone) | |
| 3.6 Minor 2nd & Major 7th - Descending (common tone) | |
| 3.7 Minor 2nd & Major 7th - Harmonic (common tone) | |
| 3.8 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone) | |
| 3.9 Major 2nd, Dim 5th & Minor 7th - Descending (common tone) | |
| 3.10 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone) | |
| 3.11 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone) | |
| 3.12 Minor 2nd, Dim 5th & Major 7th - Descending (common tone) | |
| 3.13 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone) | |
| 3.14 Minor 2nd & Major 2nd - Ascending (common tone) | |
| 3.15 Minor 2nd & Major 2nd - Descending (common tone) | |
| 3.16 Minor 2nd & Major 2nd - Harmonic (common tone) | |
| 3.17 Minor 7th & Major 7th - Ascending (common tone) | |
| 3.18 Minor 7th & Major 7th - Descending (common tone) | |
| 3.19 Minor 7th & Major 7th - Harmonic (common tone) | |
| 3.20 Test: Dissonant intervals with a common 1st tone | |
4: Compare All Simple Intervals - Common Common 1st Tone |
|
| 4.1 All intervals from Minor 6th to Major 7th - Ascending (common tone) | |
| 4.2 All intervals from Minor 6th to Major 7th - Descending (common tone) | |
| 4.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone) | |
| 4.4 All intervals from Perfect 5th to Octave - Ascending (common tone) | |
| 4.5 All intervals from Perfect 5th to Octave - Descending (common tone) | |
| 4.6 All intervals from Perfect 5th to Octave - Harmonic (common tone) | |
| 4.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone) | |
| 4.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone) | |
| 4.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone) | |
| 4.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone) | |
| 4.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone) | |
| 4.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone) | |
| 4.13 Test: Simple intervals with a common 1st tone | |
5: Compare Compound Intervals Up to 2 Octaves - Common 1st Tone |
|
| 5.1 Introduction to Compound intervals | |
| 5.2 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone) | |
| 5.3 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone) | |
| 5.4 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone) | |
| 5.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone) | |
| 5.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone) | |
| 5.7 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone) | |
| 5.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone) | |
| 5.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone) | |
| 5.10 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone) | |
| 5.11 Test: Compound intervals with a common 1st tone | |
6: Compare the Perfect Intervals - Common 1st or 2nd tone |
|
| 6.1 Perfect 4th & Octave - Ascending (common tone) | |
| 6.2 Perfect 4th & Octave - Descending (common tone) | |
| 6.3 Perfect 4th & Octave - Harmonic (common tone) | |
| 6.4 Perfect 5th & Octave - Ascending (common tone) | |
| 6.5 Perfect 5th & Octave - Descending (common tone) | |
| 6.6 Perfect 5th & Octave - Harmonic (common tone) | |
| 6.7 Perfect 4th & Perfect 5th - Ascending (common tone) | |
| 6.8 Perfect 4th & Perfect 5th - Descending (common tone) | |
| 6.9 Perfect 4th & Perfect 5th - Harmonic (common tone) | |
| 6.10 Test : Perfect intervals with a common 1st or 2nd tone | |
7: Compare the Imperfect Consonant Intervals - Common 1st or 2nd tone |
|
| 7.1 Major 3rd & Minor 6th - Ascending (common tone) | |
| 7.2 Major 3rd & Minor 6th - Descending (common tone) | |
| 7.3 Major 3rd & Minor 6th - Harmonic (common tone) | |
| 7.4 Minor 3rd & Major 6th - Ascending (common tone) | |
| 7.5 Minor 3rd & Major 6th - Descending (common tone) | |
| 7.6 Minor 3rd & Major 6th - Harmonic (common tone) | |
| 7.7 Minor 3rd & Major 3rd - Ascending (common tone) | |
| 7.8 Minor 3rd & Major 3rd - Descending (common tone) | |
| 7.9 Minor 3rd & Major 3rd - Harmonic (common tone) | |
| 7.10 Minor 6th & Major 6th - Ascending (common tone) | |
| 7.11 Minor 6th & Major 6th - Descending (common tone) | |
| 7.12 Minor 6th & Major 6th - Harmonic (common tone) | |
| 7.13 Test: Imperfect consonant intervals with a common 1st or 2nd tone | |
8: Compare the Dissonant Intervals - Common 1st or 2nd tone |
|
| 8.1 Major 2nd & Minor 7th - Ascending (common tone) | |
| 8.2 Major 2nd & Minor 7th - Descending (common tone) | |
| 8.3 Major 2nd & Minor 7th - Harmonic (common tone) | |
| 8.4 Minor 2nd & Major 7th - Ascending (common tone) | |
| 8.5 Minor 2nd & Major 7th - Descending (common tone) | |
| 8.6 Minor 2nd & Major 7th - Harmonic (common tone) | |
| 8.7 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone) | |
| 8.8 Major 2nd, Dim 5th & Minor 7th - Descending (common tone) | |
| 8.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone) | |
| 8.10 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone) | |
| 8.11 Minor 2nd, Dim 5th & Major 7th - Descending (common tone) | |
| 8.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone) | |
| 8.13 Minor 2nd & Major 2nd - Ascending (common tone) | |
| 8.14 Minor 2nd & Major 2nd - Descending (common tone) | |
| 8.15 Minor 2nd & Major 2nd - Harmonic (common tone) | |
| 8.16 Minor 7th & Major 7th - Ascending (common tone) | |
| 8.17 Minor 7th & Major 7th - Descending (common tone) | |
| 8.18 Minor 7th & Major 7th - Harmonic (common tone) | |
| 8.19 Test: Dissonant intervals with a common 1st or 2nd tone | |
9: Compare All Simple Intervals - Common 1st or 2nd tone |
|
| 9.1 All intervals from Minor 6th to Major 7th - Ascending (common tone) | |
| 9.2 All intervals from Minor 6th to Major 7th - Descending (common tone) | |
| 9.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone) | |
| 9.4 All intervals from Perfect 5th to Octave - Ascending (common tone) | |
| 9.5 All intervals from Perfect 5th to Octave - Descending (common tone) | |
| 9.6 All intervals from Perfect 5th to Octave - Harmonic (common tone) | |
| 9.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone) | |
| 9.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone) | |
| 9.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone) | |
| 9.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone) | |
| 9.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone) | |
| 9.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone) | |
| 9.13 Test: Simple intervals with a common 1st or 2nd tone | |
10: Compare Compound Intervals Up to 2 Octaves - Common 1st or 2nd tone |
|
| 10.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone) | |
| 10.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone) | |
| 10.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone) | |
| 10.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone) | |
| 10.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone) | |
| 10.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone) | |
| 10.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone) | |
| 10.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone) | |
| 10.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone) | |
| 10.10 Test: Compound intervals with a common 1st or 2nd tone | |
11: Compare the Perfect Intervals - Nearby 1st tones |
|
| 11.1 Perfect 4th & Octave - Ascending (nearby common tone) | |
| 11.2 Perfect 4th & Octave - Descending (nearby common tone) | |
| 11.3 Perfect 4th & Octave - Harmonic (nearby common tone) | |
| 11.4 Perfect 5th & Octave - Ascending (nearby common tone) | |
| 11.5 Perfect 5th & Octave - Descending (nearby common tone) | |
| 11.6 Perfect 5th & Octave - Harmonic (nearby common tone) | |
| 11.7 Perfect 4th & Perfect 5th - Ascending (nearby common tone) | |
| 11.8 Perfect 4th & Perfect 5th - Descending (nearby common tone) | |
| 11.9 Perfect 4th & Perfect 5th - Harmonic (nearby common tone) | |
| 11.10 Test : Perfect intervals with nearby first tones | |
12: Compare the Imperfect Consonant Intervals - Nearby 1st tones |
|
| 12.1 Major 3rd & Minor 6th - Ascending (nearby common tone) | |
| 12.2 Major 3rd & Minor 6th - Descending (nearby common tone) | |
| 12.3 Major 3rd & Minor 6th - Harmonic (nearby common tone) | |
| 12.4 Minor 3rd & Major 6th - Ascending (nearby common tone) | |
| 12.5 Minor 3rd & Major 6th - Descending (nearby common tone) | |
| 12.6 Minor 3rd & Major 6th - Harmonic (nearby common tone) | |
| 12.7 Minor 3rd & Major 3rd - Ascending (nearby common tone) | |
| 12.8 Minor 3rd & Major 3rd - Descending (nearby common tone) | |
| 12.9 Minor 3rd & Major 3rd - Harmonic (nearby common tone) | |
| 12.10 Minor 6th & Major 6th - Ascending (nearby common tone) | |
| 12.11 Minor 6th & Major 6th - Descending (nearby common tone) | |
| 12.12 Minor 6th & Major 6th - Harmonic (nearby common tone) | |
| 12.13 Test: Imperfect consonant intervals with nearby first tones | |
13: Compare the Dissonant Intervals - Nearby 1st tones |
|
| 13.1 Major 2nd & Minor 7th - Ascending (nearby common tone) | |
| 13.2 Major 2nd & Minor 7th - Descending (nearby common tone) | |
| 13.3 Major 2nd & Minor 7th - Harmonic (nearby common tone) | |
| 13.4 Minor 2nd & Major 7th - Ascending (nearby common tone) | |
| 13.5 Minor 2nd & Major 7th - Descending (nearby common tone) | |
| 13.6 Minor 2nd & Major 7th - Harmonic (nearby common tone) | |
| 13.7 Major 2nd, Dim 5th & Minor 7th - Ascending (nearby common tone) | |
| 13.8 Major 2nd, Dim 5th & Minor 7th - Descending (nearby common tone) | |
| 13.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (nearby common tone) | |
| 13.10 Minor 2nd, Dim 5th & Major 7th - Ascending (nearby common tone) | |
| 13.11 Minor 2nd, Dim 5th & Major 7th - Descending (nearby common tone) | |
| 13.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (nearby common tone) | |
| 13.13 Minor 2nd & Major 2nd - Ascending (nearby common tone) | |
| 13.14 Minor 2nd & Major 2nd - Descending (nearby common tone) | |
| 13.15 Minor 2nd & Major 2nd - Harmonic (nearby common tone) | |
| 13.16 Minor 7th & Major 7th - Ascending (nearby common tone) | |
| 13.17 Minor 7th & Major 7th - Descending (nearby common tone) | |
| 13.18 Minor 7th & Major 7th - Harmonic (nearby common tone) | |
| 13.19 Test: Dissonant intervals with nearby first tones | |
14: Compare All Simple Intervals - Nearby 1st tones |
|
| 14.1 All intervals from Minor 6th to Major 7th - Ascending (nearby common tone) | |
| 14.2 All intervals from Minor 6th to Major 7th - Descending (nearby common tone) | |
| 14.3 All intervals from Minor 6th to Major 7th - Harmonic (nearby common tone) | |
| 14.4 All intervals from Perfect 5th to Octave - Ascending (nearby common tone) | |
| 14.5 All intervals from Perfect 5th to Octave - Descending (nearby common tone) | |
| 14.6 All intervals from Perfect 5th to Octave - Harmonic (nearby common tone) | |
| 14.7 All intervals from Minor 2nd to Major 3rd - Ascending (nearby common tone) | |
| 14.8 All intervals from Minor 2nd to Major 3rd - Descending (nearby common tone) | |
| 14.9 All intervals from Minor 2nd to Major 3rd - Harmonic (nearby common tone) | |
| 14.10 All intervals from Minor 2nd to Dim 5th - Ascending (nearby common tone) | |
| 14.11 All intervals from Minor 2nd to Dim 5th - Descending (nearby common tone) | |
| 14.12 All intervals from Minor 2nd to Dim 5th - Harmonic (nearby common tone) | |
| 14.13 Test: Simple intervals with nearby first tones | |
15: Compare Compound Intervals up to 2 octaves - Nearby 1st tones |
|
| 15.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (nearby common tone) | |
| 15.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (nearby common tone) | |
| 15.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (nearby common tone) | |
| 15.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (nearby common tone) | |
| 15.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (nearby common tone) | |
| 15.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (nearby common tone) | |
| 15.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (nearby common tone) | |
| 15.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (nearby common tone) | |
| 15.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (nearby common tone) | |
| 15.10 Test: Compound intervals with nearby first tones | |
16: Compare the Perfect Intervals - No common tones |
|
| 16.1 Perfect 4th & Octave - Ascending (no common tone) | |
| 16.2 Perfect 4th & Octave - Descending (no common tone) | |
| 16.3 Perfect 4th & Octave - Harmonic (no common tone) | |
| 16.4 Perfect 5th & Octave - Ascending (no common tone) | |
| 16.5 Perfect 5th & Octave - Descending (no common tone) | |
| 16.6 Perfect 5th & Octave - Harmonic (no common tone) | |
| 16.7 Perfect 4th & Perfect 5th - Ascending (no common tone) | |
| 16.8 Perfect 4th & Perfect 5th - Descending (no common tone) | |
| 16.9 Perfect 4th & Perfect 5th - Harmonic (no common tone) | |
| 16.10 Test : Perfect intervals without common tone | |
17: Compare the Imperfect Consonant Intervals - No common tones |
|
| 17.1 Major 3rd & Minor 6th - Ascending (no common tone) | |
| 17.2 Major 3rd & Minor 6th - Descending (no common tone) | |
| 17.3 Major 3rd & Minor 6th - Harmonic (no common tone) | |
| 17.4 Minor 3rd & Major 6th - Ascending (no common tone) | |
| 17.5 Minor 3rd & Major 6th - Descending (no common tone) | |
| 17.6 Minor 3rd & Major 6th - Harmonic (no common tone) | |
| 17.7 Minor 3rd & Major 3rd - Ascending (no common tone) | |
| 17.8 Minor 3rd & Major 3rd - Descending (no common tone) | |
| 17.9 Minor 3rd & Major 3rd - Harmonic (no common tone) | |
| 17.10 Minor 6th & Major 6th - Ascending (no common tone) | |
| 17.11 Minor 6th & Major 6th - Descending (no common tone) | |
| 17.12 Minor 6th & Major 6th - Harmonic (no common tone) | |
| 17.13 Test: Imperfect consonant intervals without common tone | |
18: Compare the Dissonant Intervals - No common tones |
|
| 18.1 Major 2nd & Minor 7th - Ascending (no common tone) | |
| 18.2 Major 2nd & Minor 7th - Descending (no common tone) | |
| 18.3 Major 2nd & Minor 7th - Harmonic (no common tone) | |
| 18.4 Minor 2nd & Major 7th - Ascending (no common tone) | |
| 18.5 Minor 2nd & Major 7th - Descending (no common tone) | |
| 18.6 Minor 2nd & Major 7th - Harmonic (no common tone) | |
| 18.7 Major 2nd, Dim 5th & Minor 7th - Ascending (no common tone) | |
| 18.8 Major 2nd, Dim 5th & Minor 7th - Descending (no common tone) | |
| 18.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (no common tone) | |
| 18.10 Minor 2nd, Dim 5th & Major 7th - Ascending (no common tone) | |
| 18.11 Minor 2nd, Dim 5th & Major 7th - Descending (no common tone) | |
| 18.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (no common tone) | |
| 18.13 Minor 2nd & Major 2nd - Ascending (no common tone) | |
| 18.14 Minor 2nd & Major 2nd - Descending (no common tone) | |
| 18.15 Minor 2nd & Major 2nd - Harmonic (no common tone) | |
| 18.16 Minor 7th & Major 7th - Ascending (no common tone) | |
| 18.17 Minor 7th & Major 7th - Descending (no common tone) | |
| 18.18 Minor 7th & Major 7th - Harmonic (no common tone) | |
| 18.19 Test: Dissonant intervals without common tone | |
19: Compare All Simple Intervals - No common tones |
|
| 19.1 All intervals from Minor 6th to Major 7th - Ascending (no common tone) | |
| 19.2 All intervals from Minor 6th to Major 7th - Descending (no common tone) | |
| 19.3 All intervals from Minor 6th to Major 7th - Harmonic (no common tone) | |
| 19.4 All intervals from Perfect 5th to Octave - Ascending (no common tone) | |
| 19.5 All intervals from Perfect 5th to Octave - Descending (no common tone) | |
| 19.6 All intervals from Perfect 5th to Octave - Harmonic (no common tone) | |
| 19.7 All intervals from Minor 2nd to Major 3rd - Ascending (no common tone) | |
| 19.8 All intervals from Minor 2nd to Major 3rd - Descending (no common tone) | |
| 19.9 All intervals from Minor 2nd to Major 3rd - Harmonic (no common tone) | |
| 19.10 All intervals from Minor 2nd to Dim 5th - Ascending (no common tone) | |
| 19.11 All intervals from Minor 2nd to Dim 5th - Descending (no common tone) | |
| 19.12 All intervals from Minor 2nd to Dim 5th - Harmonic (no common tone) | |
| 19.13 Test: Simple intervals without common tone | |
20: Compare Compound Intervals up to 2 octaves - No common tones |
|
| 20.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (no common tone) | |
| 20.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (no common tone) | |
| 20.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (no common tone) | |
| 20.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (no common tone) | |
| 20.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (no common tone) | |
| 20.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (no common tone) | |
| 20.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (no common tone) | |
| 20.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (no common tone) | |
| 20.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (no common tone) | |
| 20.10 Test: Compound intervals without common tone | |
General Workshops - Interval Identification |
|
1: Identify the Minor & Major 2nd Intervals |
|
| 1.1 Minor 2nd & Major 2nd - Ascending | |
| 1.2 Minor 2nd & Major 2nd - Descending | |
| 1.3 Minor 2nd & Major 2nd - Harmonic | |
| 1.4 Minor 2nd & Major 2nd - Harmonic, Ascending & Descending | |
2: Identify the Minor & Major 3rd Intervals |
|
| 2.1 Minor 3rd & Major 3rd - Ascending | |
| 2.2 Minor 3rd & Major 3rd - Descending | |
| 2.3 Minor 3rd & Major 3rd - Harmonic | |
| 2.4 Minor 3rd & Major 3rd - Harmonic, Ascending & Descending | |
3: Identify the Minor & Major 2nds and 3rds |
|
| 3.1 All intervals from Minor 2nd to Major 3rd - Ascending | |
| 3.2 All intervals from Minor 2nd to Major 3rd - Descending | |
| 3.3 All intervals from Minor 2nd to Major 3rd - Harmonic | |
| 3.4 All intervals from Minor 2nd to Major 3rd - Harmonic, Ascending & Descending | |
4: Identify the Perfect 4th & the Tritone |
|
| 4.1 Perfect 4th & Dim 5th - Ascending | |
| 4.2 Perfect 4th & Dim 5th - Descending | |
| 4.3 Perfect 4th & Dim 5th - Harmonic | |
| 4.4 Perfect 4th & Dim 5th - Harmonic, Ascending & Descending | |
5: Identify the Tritone & Perfect 5th |
|
| 5.1 Dim 5th & Perfect 5th - Ascending | |
| 5.2 Dim 5th & Perfect 5th - Descending | |
| 5.3 Dim 5th & Perfect 5th - Harmonic | |
| 5.4 Dim 5th & Perfect 5th - Harmonic, Ascending & Descending | |
6: Identify the Perfect 4th, Tritone and Perfect 5th |
|
| 6.1 Perfect 4th, Dim 5th & Perfect 5th - Ascending | |
| 6.2 Perfect 4th, Dim 5th & Perfect 5th - Descending | |
| 6.3 Perfect 4th, Dim 5th & Perfect 5th - Harmonic | |
| 6.4 Perfect 4th, Dim 5th & Perfect 5th - Harmonic, Ascending & Descending | |
7: Identify All the Intervals from Minor 2nd to Perfect 5th |
|
| 7.1 All intervals from Minor 2nd to Perfect 5th - Ascending | |
| 7.2 All intervals from Minor 2nd to Perfect 5th - Descending | |
| 7.3 All intervals from Minor 2nd to Perfect 5th - Harmonic | |
| 7.4 All intervals from Minor 2nd to Perfect 5th - Harmonic, Ascending & Descending | |
8: Identify the Minor & Major 6th |
|
| 8.1 Minor 6th & Major 6th - Ascending | |
| 8.2 Minor 6th & Major 6th - Descending | |
| 8.3 Minor 6th & Major 6th - Harmonic | |
| 8.4 Minor 6th & Major 6th - Harmonic, Ascending & Descending | |
9: Identify the Minor & Major 7th |
|
| 9.1 Minor 7th & Major 7th - Ascending | |
| 9.2 Minor 7th & Major 7th - Descending | |
| 9.3 Minor 7th & Major 7th - Harmonic | |
| 9.4 Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
10: Identify the Minor & Major 6ths and 7ths |
|
| 10.1 All intervals from Minor 6th to Major 7th - Ascending | |
| 10.2 All intervals from Minor 6th to Major 7th - Descending | |
| 10.3 All intervals from Minor 6th to Major 7th - Harmonic | |
| 10.4 All intervals from Minor 6th to Major 7th - Harmonic, Ascending & Descending | |
11: Identify All Intervals from Perfect 4th to Major 7th |
|
| 11.1 All intervals from Perfect 4th to Major 7th - Ascending | |
| 11.2 All intervals from Perfect 4th to Major 7th - Descending | |
| 11.3 All intervals from Perfect 4th to Major 7th - Harmonic | |
| 11.4 All intervals from Perfect 4th to Major 7th - Harmonic, Ascending & Descending | |
12: Identify All the Intervals from Minor 2nd to Major 7th |
|
| 12.1 All intervals from Minor 2nd to Major 7th - Ascending | |
| 12.2 All intervals from Minor 2nd to Major 7th - Descending | |
| 12.3 All intervals from Minor 2nd to Major 7th - Harmonic | |
| 12.4 All intervals from Minor 2nd to Major 7th - Harmonic, Ascending & Descending | |
13: Practice with the Perfect Intervals within an Octave |
|
| 13.1 Unison & Octave - Harmonic | |
| 13.2 Unison & Octave - Harmonic, Ascending & Descending | |
| 13.3 Perfect 4th & Perfect 5th - Harmonic | |
| 13.4 Perfect 4th & Perfect 5th - Harmonic, Ascending & Descending | |
| 13.5 Unison, Perfect 4th, Perfect 5th & Octave - Ascending | |
| 13.6 Unison, Perfect 4th, Perfect 5th & Octave - Descending | |
| 13.7 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic | |
| 13.8 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic, Ascending & Descending | |
14: Practice with the Consonant Intervals within an Octave |
|
| 14.1 Minor 3rd & Major 6th - Harmonic | |
| 14.2 Minor 3rd & Major 6th - Harmonic, Ascending & Descending | |
| 14.3 Major 3rd & Minor 6th - Harmonic | |
| 14.4 Major 3rd & Minor 6th - Harmonic, Ascending & Descending | |
| 14.5 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Ascending | |
| 14.6 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Descending | |
| 14.7 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic | |
| 14.8 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic, Ascending & Descending | |
15: Practice with the Dissonant Intervals within an Octave |
|
| 15.1 Minor 2nd & Major 7th - Harmonic | |
| 15.2 Minor 2nd & Major 7th - Harmonic, Ascending & Descending | |
| 15.3 Major 2nd & Minor 7th - Harmonic | |
| 15.4 Major 2nd & Minor 7th - Harmonic, Ascending & Descending | |
| 15.5 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Ascending | |
| 15.6 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Descending | |
| 15.7 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic | |
| 15.8 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
| 15.9 Minor 2nd, Dim 5th & Major 7th - Ascending | |
| 15.10 Minor 2nd, Dim 5th & Major 7th - Descending | |
| 15.11 Minor 2nd, Dim 5th & Major 7th - Harmonic | |
| 15.12 Major 2nd, Dim 5th & Minor 7th - Ascending | |
| 15.13 Major 2nd, Dim 5th & Minor 7th - Descending | |
| 15.14 Major 2nd, Dim 5th & Minor 7th - Harmonic | |
| 15.15 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Ascending | |
| 15.16 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Descending | |
| 15.17 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic | |
| 15.18 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic, Ascending & Descending | |
16: Practice with All Intervals within an Octave |
|
| 16.1 All intervals from Unison to Octave - Ascending | |
| 16.2 All intervals from Unison to Octave - Descending | |
| 16.3 All intervals from Unison to Octave - Harmonic | |
| 16.4 All intervals from Unison to Octave - Harmonic, Ascending & Descending | |
General Workshops - Interval Singing |
|
1: Ascending Intervals from Do |
|
| 1.1 Do - Re (Major 2nd) | |
| 1.2 Do - Mi (Major 3rd) | |
| 1.3 Do - Re and Do - Mi | |
| 1.4 Do - Fa (Perfect 4th) | |
| 1.5 Do - So (Perfect 5th) | |
| 1.6 Do - Fa and Do - So | |
| 1.7 Do to Re, Mi, Fa and So | |
| 1.8 Do - La (Major 6th) | |
| 1.9 Do - Ti (Major 7th) | |
| 1.10 Do - Do (Octave) | |
| 1.11 Do to La, Ti and Do | |
| 1.12 All Ascending Intervals from Do | |
2: Descending Intervals from Do |
|
| 2.1 Do - Ti (Minor 2nd) | |
| 2.2 Do - La (Minor 3rd) | |
| 2.3 Do - Ti and Do - La | |
| 2.4 Do - So (Perfect 4th) | |
| 2.5 Do - Fa (Perfect 5th) | |
| 2.6 Do - So and Do - Fa | |
| 2.7 Do to Ti, La, So and Fa | |
| 2.8 Do - Mi (Minor 6th) | |
| 2.9 Do - Re (Minor 7th) | |
| 2.10 Do - Do (Octave) | |
| 2.11 Do to Mi, Re and Do | |
| 2.12 All Descending Intervals from Do | |
3: Complementary intervals from Do - Ascending and Descending |
|
| 3.1 Do - Re (Major 2nd up or Minor 7th down) | |
| 3.2 Do - Mi (Major 3rd up or Minor 6th down) | |
| 3.3 Do - Re and Do - Mi | |
| 3.4 Do - Fa (Perfect 4th up or Perfect 5th down) | |
| 3.5 Do - So (Perfect 5th up or Perfect 4th down) | |
| 3.6 Do - Fa and Do - So | |
| 3.7 Do to Re, Mi, Fa and So | |
| 3.8 Do - La (Major 6th up or Minor 3rd down) | |
| 3.9 Do - Ti (Major 7th up or Minor 2nd down) | |
| 3.10 Do - Do (Octave up or octave down) | |
| 3.11 Do to La, Ti and Do | |
| 3.12 All intervals from Do | |
General Workshops - Melodic Dictation |
|
1: 3 to 4 Tones from the C Major Scale |
|
| 1.1 Do, Re - 3 tones | |
| 1.2 Do, Re, Mi | |
| 1.3 Do, Re, Mi, Fa | |
| 1.4 Do, Re, Mi, Fa, So | |
| 1.5 Do, Re, Mi, Fa, So, La | |
| 1.6 Do, Re, Mi, Fa, So, La, Ti | |
| 1.7 Do, Re - 4 tones | |
| 1.8 Do, Re, Mi | |
| 1.9 Do, Re, Mi, Fa | |
| 1.10 Do, Re, Mi, Fa, So | |
| 1.11 Do, Re, Mi, Fa, So, La | |
| 1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
| 2.1 Do, Re - 5 tones | |
| 2.2 Do, Re, Mi | |
| 2.3 Do, Re, Mi, Fa | |
| 2.4 Do, Re, Mi, Fa, So | |
| 2.5 Do, Re, Mi, Fa, So, La | |
| 2.6 Do, Re, Mi, Fa, So, La, Ti | |
| 2.7 Do, Re - 6 tones | |
| 2.8 Do, Re, Mi | |
| 2.9 Do, Re, Mi, Fa | |
| 2.10 Do, Re, Mi, Fa, So | |
| 2.11 Do, Re, Mi, Fa, So, La | |
| 2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
| 3.1 Do, Re, Mi - 7 tones | |
| 3.2 Do, Re, Mi, Fa | |
| 3.3 Do, Re, Mi, Fa, So | |
| 3.4 Do, Re, Mi, Fa, So, La | |
| 3.5 Do, Re, Mi, Fa, So, La, Ti | |
| 3.6 Do, Re, Mi - 8 tones | |
| 3.7 Do, Re, Mi, Fa | |
| 3.8 Do, Re, Mi, Fa, So | |
| 3.9 Do, Re, Mi, Fa, So, La | |
| 3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: 5 Tones with Only Do Given |
|
| 4.1 Do, Re | |
| 4.2 Do, Re, Mi | |
| 4.3 Do, Re, Mi, Fa | |
| 4.4 Do, Re, Mi, Fa, So | |
| 4.5 Do, Re, Mi, Fa, So, La | |
| 4.6 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies with Rhythm. 4/4 |
|
| 5.1 Do, Re - 1 bar | |
| 5.2 Do, Re, Mi | |
| 5.3 Do, Re, Mi, Fa | |
| 5.4 Do, Re, Mi, Fa, So | |
| 5.5 Do, Re, Mi, Fa, So, La | |
| 5.6 Do, Re, Mi, Fa, So, La, Ti | |
| 5.7 Do, Re, Mi - 2 bars | |
| 5.8 Do, Re, Mi, Fa | |
| 5.9 Do, Re, Mi, Fa, So | |
| 5.10 Do, Re, Mi, Fa, So, La | |
| 5.11 Do, Re, Mi, Fa, So, La, Ti | |
6: Melodies with Rhythm. 3/4 |
|
| 6.1 Do, Re - 1 bar | |
| 6.2 Do, Re, Mi | |
| 6.3 Do, Re, Mi, Fa | |
| 6.4 Do, Re, Mi, Fa, So | |
| 6.5 Do, Re, Mi, Fa, So, La | |
| 6.6 Do, Re, Mi, Fa, So, La, Ti | |
| 6.7 Do, Re, Mi - 2 bars | |
| 6.8 Do, Re, Mi, Fa | |
| 6.9 Do, Re, Mi, Fa, So | |
| 6.10 Do, Re, Mi, Fa, So, La | |
| 6.11 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 4/4 |
|
| 7.1 Do, Re - 1 bar | |
| 7.2 Do, Re, Mi | |
| 7.3 Do, Re, Mi, Fa | |
| 7.4 Do, Re, Mi, Fa, So | |
| 7.5 Do, Re, Mi, Fa, So, La | |
| 7.6 Do, Re, Mi, Fa, So, La, Ti | |
| 7.7 Do, Re, Mi - 2 bars | |
| 7.8 Do, Re, Mi, Fa | |
| 7.9 Do, Re, Mi, Fa, So | |
| 7.10 Do, Re, Mi, Fa, So, La | |
| 7.11 Do, Re, Mi, Fa, So, La, Ti | |
8: Adding 8th Notes. 3/4 |
|
| 8.1 Do, Re - 1 bar | |
| 8.2 Do, Re, Mi | |
| 8.3 Do, Re, Mi, Fa | |
| 8.4 Do, Re, Mi, Fa, So | |
| 8.5 Do, Re, Mi, Fa, So, La | |
| 8.6 Do, Re, Mi, Fa, So, La, Ti | |
| 8.7 Do, Re, Mi - 2 bars | |
| 8.8 Do, Re, Mi, Fa | |
| 8.9 Do, Re, Mi, Fa, So | |
| 8.10 Do, Re, Mi, Fa, So, La | |
| 8.11 Do, Re, Mi, Fa, So, La, Ti | |
9: Different Keys. 4/4 |
|
| 9.1 Do, Re - 1 bar | |
| 9.2 Do, Re, Mi | |
| 9.3 Do, Re, Mi, Fa | |
| 9.4 Do, Re, Mi, Fa, So | |
| 9.5 Do, Re, Mi, Fa, So, La | |
| 9.6 Do, Re, Mi, Fa, So, La, Ti | |
| 9.7 Do, Re, Mi - 2 bars | |
| 9.8 Do, Re, Mi, Fa | |
| 9.9 Do, Re, Mi, Fa, So | |
| 9.10 Do, Re, Mi, Fa, So, La | |
| 9.11 Do, Re, Mi, Fa, So, La, Ti | |
10: Different Keys. 3/4 |
|
| 10.1 Do, Re - 1 bar | |
| 10.2 Do, Re, Mi | |
| 10.3 Do, Re, Mi, Fa | |
| 10.4 Do, Re, Mi, Fa, So | |
| 10.5 Do, Re, Mi, Fa, So, La | |
| 10.6 Do, Re, Mi, Fa, So, La, Ti | |
| 10.7 Do, Re, Mi - 2 bars | |
| 10.8 Do, Re, Mi, Fa | |
| 10.9 Do, Re, Mi, Fa, So | |
| 10.10 Do, Re, Mi, Fa, So, La | |
| 10.11 Do, Re, Mi, Fa, So, La, Ti | |
11: Different Keys. Adding 8th Notes. 4/4 |
|
| 11.1 Do, Re - 1 bar | |
| 11.2 Do, Re, Mi | |
| 11.3 Do, Re, Mi, Fa | |
| 11.4 Do, Re, Mi, Fa, So | |
| 11.5 Do, Re, Mi, Fa, So, La | |
| 11.6 Do, Re, Mi, Fa, So, La, Ti | |
| 11.7 Do, Re, Mi - 2 bars | |
| 11.8 Do, Re, Mi, Fa | |
| 11.9 Do, Re, Mi, Fa, So | |
| 11.10 Do, Re, Mi, Fa, So, La | |
| 11.11 Do, Re, Mi, Fa, So, La, Ti | |
12: Different Keys. Adding 8th Notes. 3/4 |
|
| 12.1 Do, Re - 1 bar | |
| 12.2 Do, Re, Mi | |
| 12.3 Do, Re, Mi, Fa | |
| 12.4 Do, Re, Mi, Fa, So | |
| 12.5 Do, Re, Mi, Fa, So, La | |
| 12.6 Do, Re, Mi, Fa, So, La, Ti | |
| 12.7 Do, Re, Mi - 2 bars | |
| 12.8 Do, Re, Mi, Fa | |
| 12.9 Do, Re, Mi, Fa, So | |
| 12.10 Do, Re, Mi, Fa, So, La | |
| 12.11 Do, Re, Mi, Fa, So, La, Ti | |
13: Melodies in A minor. 4/4 |
|
| 13.1 Do, Re - 1 bar | |
| 13.2 Do, Re, Me | |
| 13.3 Do, Re, Me, Fa | |
| 13.4 Do, Re, Me, Fa, So | |
| 13.5 Do, Re, Me, Fa, So, Le | |
| 13.6 Do, Re, Me, Fa, So, Le, Te | |
| 13.7 Do, Re, Me - 2 bars | |
| 13.8 Do, Re, Me, Fa | |
| 13.9 Do, Re, Me, Fa, So | |
| 13.10 Do, Re, Me, Fa, So, Le | |
| 13.11 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A Minor. 3/4 |
|
| 14.1 Do, Re - 1 bar | |
| 14.2 Do, Re, Me | |
| 14.3 Do, Re, Me, Fa | |
| 14.4 Do, Re, Me, Fa, So | |
| 14.5 Do, Re, Me, Fa, So, Le | |
| 14.6 Do, Re, Me, Fa, So, Le, Te | |
| 14.7 Do, Re, Me - 2 bars | |
| 14.8 Do, Re, Me, Fa | |
| 14.9 Do, Re, Me, Fa, So | |
| 14.10 Do, Re, Me, Fa, So, Le | |
| 14.11 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A Minor. 4/4 Adding 8th Notes |
|
| 15.1 Do, Re - 1 bar | |
| 15.2 Do, Re, Me | |
| 15.3 Do, Re, Me, Fa | |
| 15.4 Do, Re, Me, Fa, So | |
| 15.5 Do, Re, Me, Fa, So, Le | |
| 15.6 Do, Re, Me, Fa, So, Le, Te | |
| 15.7 Do, Re - 2 bars | |
| 15.8 Do, Re, Me - 2 bars | |
| 15.9 Do, Re, Me, Fa | |
| 15.10 Do, Re, Me, Fa, So | |
| 15.11 Do, Re, Me, Fa, So, Le | |
| 15.12 Do, Re, Me, Fa, So, Le, Te | |
16: Melodies in A Minor. 3/4 Adding 8th Notes |
|
| 16.1 Do, Re, Me - 1 bar | |
| 16.2 Do, Re, Me, Fa | |
| 16.3 Do, Re, Me, Fa, So | |
| 16.4 Do, Re, Me, Fa, So, Le | |
| 16.5 Do, Re, Me, Fa, So, Le, Te | |
| 16.6 Do, Re, Me - 2 bars | |
| 16.7 Do, Re, Me, Fa | |
| 16.8 Do, Re, Me, Fa, So | |
| 16.9 Do, Re, Me, Fa, So, Le | |
| 16.10 Do, Re, Me, Fa, So, Le, Te | |
17: All Minor Keys. 4/4 with 8th Notes. |
|
| 17.1 Do, Re, Me - 1 bar | |
| 17.2 Do, Re, Me, Fa | |
| 17.3 Do, Re, Me, Fa, So | |
| 17.4 Do, Re, Me, Fa, So, Le | |
| 17.5 Do, Re, Me, Fa, So, Le, Te | |
| 17.6 Do, Re, Me - 2 bars | |
| 17.7 Do, Re, Me, Fa | |
| 17.8 Do, Re, Me, Fa, So | |
| 17.9 Do, Re, Me, Fa, So, Le | |
| 17.10 Do, Re, Me, Fa, So, Le, Te | |
18: Harmonic Minor. 4/4 with 8th Notes. |
|
| 18.1 A minor harmonic. 1 bar | |
| 18.2 A minor harmonic. 2 bars | |
| 18.3 A minor harmonic. 4 bars | |
| 18.4 Harmonic minor (all keys). 1 bar | |
| 18.5 Harmonic minor (all keys). 2 bars | |
| 18.6 Harmonic minor (all keys). 4 bars | |
General Workshops - Melodic Sight-Singing |
|
1: 3 to 4 Tones from the C Major Scale |
|
| 1.1 Do, Re - 3 tones | |
| 1.2 Do, Re, Mi | |
| 1.3 Do, Re, Mi, Fa | |
| 1.4 Do, Re, Mi, Fa, So | |
| 1.5 Do, Re, Mi, Fa, So, La | |
| 1.6 Do, Re, Mi, Fa, So, La, Ti | |
| 1.7 Do, Re - 4 tones | |
| 1.8 Do, Re, Mi | |
| 1.9 Do, Re, Mi, Fa | |
| 1.10 Do, Re, Mi, Fa, So | |
| 1.11 Do, Re, Mi, Fa, So, La | |
| 1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
| 2.1 Do, Re - 5 tones | |
| 2.2 Do, Re, Mi | |
| 2.3 Do, Re, Mi, Fa | |
| 2.4 Do, Re, Mi, Fa, So | |
| 2.5 Do, Re, Mi, Fa, So, La | |
| 2.6 Do, Re, Mi, Fa, So, La, Ti | |
| 2.7 Do, Re - 6 tones | |
| 2.8 Do, Re, Mi | |
| 2.9 Do, Re, Mi, Fa | |
| 2.10 Do, Re, Mi, Fa, So | |
| 2.11 Do, Re, Mi, Fa, So, La | |
| 2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
| 3.1 Do, Re, Mi - 7 tones | |
| 3.2 Do, Re, Mi, Fa | |
| 3.3 Do, Re, Mi, Fa, So | |
| 3.4 Do, Re, Mi, Fa, So, La | |
| 3.5 Do, Re, Mi, Fa, So, La, Ti | |
| 3.6 Do, Re, Mi - 8 tones | |
| 3.7 Do, Re, Mi, Fa | |
| 3.8 Do, Re, Mi, Fa, So | |
| 3.9 Do, Re, Mi, Fa, So, La | |
| 3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: 5 Tones with Only Do Given |
|
| 4.1 Do, Re | |
| 4.2 Do, Re, Mi | |
| 4.3 Do, Re, Mi, Fa | |
| 4.4 Do, Re, Mi, Fa, So | |
| 4.5 Do, Re, Mi, Fa, So, La | |
| 4.6 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies with Rhythm. 4/4 - 1, 2 and 4 Bars. |
|
| 5.1 Do, Re - 1 bar | |
| 5.2 Do, Re, Mi | |
| 5.3 Do, Re, Mi, Fa | |
| 5.4 Do, Re, Mi, Fa, So | |
| 5.5 Do, Re, Mi, Fa, So, La | |
| 5.6 Do, Re, Mi, Fa, So, La, Ti | |
| 5.7 Do, Re, Mi - 2 bars | |
| 5.8 Do, Re, Mi, Fa | |
| 5.9 Do, Re, Mi, Fa, So | |
| 5.10 Do, Re, Mi, Fa, So, La | |
| 5.11 Do, Re, Mi, Fa, So, La, Ti | |
| 5.12 Do, Re, Mi - 4 bars | |
| 5.13 Do, Re, Mi, Fa | |
| 5.14 Do, Re, Mi, Fa, So | |
| 5.15 Do, Re, Mi, Fa, So, La | |
| 5.16 Do, Re, Mi, Fa, So, La, Ti | |
6: Melodies with Rhythm. 3/4 - 1, 2 and 4 Bars. |
|
| 6.1 Do, Re - 1 bar | |
| 6.2 Do, Re, Mi | |
| 6.3 Do, Re, Mi, Fa | |
| 6.4 Do, Re, Mi, Fa, So | |
| 6.5 Do, Re, Mi, Fa, So, La | |
| 6.6 Do, Re, Mi, Fa, So, La, Ti | |
| 6.7 Do, Re, Mi - 2 bars | |
| 6.8 Do, Re, Mi, Fa | |
| 6.9 Do, Re, Mi, Fa, So | |
| 6.10 Do, Re, Mi, Fa, So, La | |
| 6.11 Do, Re, Mi, Fa, So, La, Ti | |
| 6.12 Do, Re, Mi - 4 bars | |
| 6.13 Do, Re, Mi, Fa | |
| 6.14 Do, Re, Mi, Fa, So | |
| 6.15 Do, Re, Mi, Fa, So, La | |
| 6.16 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 4/4 - 1, 2 and 4 Bars. |
|
| 7.1 Do, Re - 1 bar | |
| 7.2 Do, Re, Mi | |
| 7.3 Do, Re, Mi, Fa | |
| 7.4 Do, Re, Mi, Fa, So | |
| 7.5 Do, Re, Mi, Fa, So, La | |
| 7.6 Do, Re, Mi, Fa, So, La, Ti | |
| 7.7 Do, Re, Mi - 2 bars | |
| 7.8 Do, Re, Mi, Fa | |
| 7.9 Do, Re, Mi, Fa, So | |
| 7.10 Do, Re, Mi, Fa, So, La | |
| 7.11 Do, Re, Mi, Fa, So, La, Ti | |
| 7.12 Do, Re, Mi - 4 bars | |
| 7.13 Do, Re, Mi, Fa | |
| 7.14 Do, Re, Mi, Fa, So | |
| 7.15 Do, Re, Mi, Fa, So, La | |
| 7.16 Do, Re, Mi, Fa, So, La, Ti | |
8: Adding 8th Notes. 3/4 - 1, 2 and 4 Bars. |
|
| 8.1 Do, Re - 1 bar | |
| 8.2 Do, Re, Mi | |
| 8.3 Do, Re, Mi, Fa | |
| 8.4 Do, Re, Mi, Fa, So | |
| 8.5 Do, Re, Mi, Fa, So, La | |
| 8.6 Do, Re, Mi, Fa, So, La, Ti | |
| 8.7 Do, Re, Mi - 2 bars | |
| 8.8 Do, Re, Mi, Fa | |
| 8.9 Do, Re, Mi, Fa, So | |
| 8.10 Do, Re, Mi, Fa, So, La | |
| 8.11 Do, Re, Mi, Fa, So, La, Ti | |
| 8.12 Do, Re, Mi - 4 bars | |
| 8.13 Do, Re, Mi, Fa | |
| 8.14 Do, Re, Mi, Fa, So | |
| 8.15 Do, Re, Mi, Fa, So, La | |
| 8.16 Do, Re, Mi, Fa, So, La, Ti | |
9: Different Keys. 4/4 - 1, 2 and 4 Bars. |
|
| 9.1 Do, Re - 1 bar | |
| 9.2 Do, Re, Mi | |
| 9.3 Do, Re, Mi, Fa | |
| 9.4 Do, Re, Mi, Fa, So | |
| 9.5 Do, Re, Mi, Fa, So, La | |
| 9.6 Do, Re, Mi, Fa, So, La, Ti | |
| 9.7 Do, Re, Mi - 2 bars | |
| 9.8 Do, Re, Mi, Fa | |
| 9.9 Do, Re, Mi, Fa, So | |
| 9.10 Do, Re, Mi, Fa, So, La | |
| 9.11 Do, Re, Mi, Fa, So, La, Ti | |
| 9.12 Do, Re, Mi - 4 bars | |
| 9.13 Do, Re, Mi, Fa | |
| 9.14 Do, Re, Mi, Fa, So | |
| 9.15 Do, Re, Mi, Fa, So, La | |
| 9.16 Do, Re, Mi, Fa, So, La, Ti | |
10: Different Keys. 3/4 - 1, 2 and 4 Bars. |
|
| 10.1 Do, Re - 1 bar | |
| 10.2 Do, Re, Mi | |
| 10.3 Do, Re, Mi, Fa | |
| 10.4 Do, Re, Mi, Fa, So | |
| 10.5 Do, Re, Mi, Fa, So, La | |
| 10.6 Do, Re, Mi, Fa, So, La, Ti | |
| 10.7 Do, Re, Mi - 2 bars | |
| 10.8 Do, Re, Mi, Fa | |
| 10.9 Do, Re, Mi, Fa, So | |
| 10.10 Do, Re, Mi, Fa, So, La | |
| 10.11 Do, Re, Mi, Fa, So, La, Ti | |
| 10.12 Do, Re, Mi - 4 bars | |
| 10.13 Do, Re, Mi, Fa | |
| 10.14 Do, Re, Mi, Fa, So | |
| 10.15 Do, Re, Mi, Fa, So, La | |
| 10.16 Do, Re, Mi, Fa, So, La, Ti | |
11: Different Keys. Adding 8th Notes. 4/4 - 1, 2 and 4 Bars. |
|
| 11.1 Do, Re - 1 bar | |
| 11.2 Do, Re, Mi | |
| 11.3 Do, Re, Mi, Fa | |
| 11.4 Do, Re, Mi, Fa, So | |
| 11.5 Do, Re, Mi, Fa, So, La | |
| 11.6 Do, Re, Mi, Fa, So, La, Ti | |
| 11.7 Do, Re, Mi - 2 bars | |
| 11.8 Do, Re, Mi, Fa | |
| 11.9 Do, Re, Mi, Fa, So | |
| 11.10 Do, Re, Mi, Fa, So, La | |
| 11.11 Do, Re, Mi, Fa, So, La, Ti | |
| 11.12 Do, Re, Mi - 4 bars | |
| 11.13 Do, Re, Mi, Fa | |
| 11.14 Do, Re, Mi, Fa, So | |
| 11.15 Do, Re, Mi, Fa, So, La | |
| 11.16 Do, Re, Mi, Fa, So, La, Ti | |
12: Different Keys. Adding 8th Notes. 3/4 - 1, 2 and 4 Bars. |
|
| 12.1 Do, Re - 1 bar | |
| 12.2 Do, Re, Mi | |
| 12.3 Do, Re, Mi, Fa | |
| 12.4 Do, Re, Mi, Fa, So | |
| 12.5 Do, Re, Mi, Fa, So, La | |
| 12.6 Do, Re, Mi, Fa, So, La, Ti | |
| 12.7 Do, Re, Mi - 2 bars | |
| 12.8 Do, Re, Mi, Fa | |
| 12.9 Do, Re, Mi, Fa, So | |
| 12.10 Do, Re, Mi, Fa, So, La | |
| 12.11 Do, Re, Mi, Fa, So, La, Ti | |
| 12.12 Do, Re, Mi - 4 bars | |
| 12.13 Do, Re, Mi, Fa | |
| 12.14 Do, Re, Mi, Fa, So | |
| 12.15 Do, Re, Mi, Fa, So, La | |
| 12.16 Do, Re, Mi, Fa, So, La, Ti | |
13: Melodies in A minor. 4/4 - 1, 2 and 4 Bars. |
|
| 13.1 Do, Re - 1 bar | |
| 13.2 Do, Re, Me | |
| 13.3 Do, Re, Me, Fa | |
| 13.4 Do, Re, Me, Fa, So | |
| 13.5 Do, Re, Me, Fa, So, Le | |
| 13.6 Do, Re, Me, Fa, So, Le, Te | |
| 13.7 Do, Re, Me - 2 bars | |
| 13.8 Do, Re, Me, Fa | |
| 13.9 Do, Re, Me, Fa, So | |
| 13.10 Do, Re, Me, Fa, So, Le | |
| 13.11 Do, Re, Me, Fa, So, Le, Te | |
| 13.12 Do, Re, Me - 4 bars | |
| 13.13 Do, Re, Me, Fa | |
| 13.14 Do, Re, Me, Fa, So | |
| 13.15 Do, Re, Me, Fa, So, Le | |
| 13.16 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A Minor. 3/4 - 1, 2 and 4 Bars. |
|
| 14.1 Do, Re - 1 bar | |
| 14.2 Do, Re, Me | |
| 14.3 Do, Re, Me, Fa | |
| 14.4 Do, Re, Me, Fa, So | |
| 14.5 Do, Re, Me, Fa, So, Le | |
| 14.6 Do, Re, Me, Fa, So, Le, Te | |
| 14.7 Do, Re, Me - 2 bars | |
| 14.8 Do, Re, Me, Fa | |
| 14.9 Do, Re, Me, Fa, So | |
| 14.10 Do, Re, Me, Fa, So, Le | |
| 14.11 Do, Re, Me, Fa, So, Le, Te | |
| 14.12 Do, Re, Me - 4 bars | |
| 14.13 Do, Re, Me, Fa | |
| 14.14 Do, Re, Me, Fa, So | |
| 14.15 Do, Re, Me, Fa, So, Le | |
| 14.16 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A Minor. 4/4 Adding 8th Notes |
|
| 15.1 Do, Re - 1 bar | |
| 15.2 Do, Re, Me | |
| 15.3 Do, Re, Me, Fa | |
| 15.4 Do, Re, Me, Fa, So | |
| 15.5 Do, Re, Me, Fa, So, Le | |
| 15.6 Do, Re, Me, Fa, So, Le, Te | |
| 15.7 Do, Re - 2 bars | |
| 15.8 Do, Re, Me - 2 bars | |
| 15.9 Do, Re, Me, Fa | |
| 15.10 Do, Re, Me, Fa, So | |
| 15.11 Do, Re, Me, Fa, So, Le | |
| 15.12 Do, Re, Me, Fa, So, Le, Te | |
| 15.13 Do, Re, Me - 4 bars | |
| 15.14 Do, Re, Me, Fa | |
| 15.15 Do, Re, Me, Fa, So | |
| 15.16 Do, Re, Me, Fa, So, Le | |
| 15.17 Do, Re, Me, Fa, So, Le, Te | |
16: Melodies in A Minor. 3/4 Adding 8th Notes |
|
| 16.1 Do, Re, Me - 1 bar | |
| 16.2 Do, Re, Me, Fa | |
| 16.3 Do, Re, Me, Fa, So | |
| 16.4 Do, Re, Me, Fa, So, Le | |
| 16.5 Do, Re, Me, Fa, So, Le, Te | |
| 16.6 Do, Re, Me - 2 bars | |
| 16.7 Do, Re, Me, Fa | |
| 16.8 Do, Re, Me, Fa, So | |
| 16.9 Do, Re, Me, Fa, So, Le | |
| 16.10 Do, Re, Me, Fa, So, Le, Te | |
| 16.11 Do, Re, Me - 4 bars | |
| 16.12 Do, Re, Me, Fa | |
| 16.13 Do, Re, Me, Fa, So | |
| 16.14 Do, Re, Me, Fa, So, Le | |
| 16.15 Do, Re, Me, Fa, So, Le, Te | |
17: All Minor Keys. 4/4 with 8th Notes. |
|
| 17.1 Do, Re, Me - 1 bar | |
| 17.2 Do, Re, Me, Fa | |
| 17.3 Do, Re, Me, Fa, So | |
| 17.4 Do, Re, Me, Fa, So, Le | |
| 17.5 Do, Re, Me, Fa, So, Le, Te | |
| 17.6 Do, Re, Me - 2 bars | |
| 17.7 Do, Re, Me, Fa | |
| 17.8 Do, Re, Me, Fa, So | |
| 17.9 Do, Re, Me, Fa, So, Le | |
| 17.10 Do, Re, Me, Fa, So, Le, Te | |
| 17.11 Do, Re, Me - 4 bars | |
| 17.12 Do, Re, Me, Fa | |
| 17.13 Do, Re, Me, Fa, So | |
| 17.14 Do, Re, Me, Fa, So, Le | |
| 17.15 Do, Re, Me, Fa, So, Le, Te | |
18: Harmonic Minor. 4/4 with 8th Notes. |
|
| 18.1 A minor harmonic. 1 bar | |
| 18.2 A minor harmonic. 2 bars | |
| 18.3 A minor harmonic. 4 bars | |
| 18.4 Harmonic minor (all keys). 1 bar | |
| 18.5 Harmonic minor (all keys). 2 bars | |
| 18.6 Harmonic minor (all keys). 4 bars | |
General Workshops - Melody Singback |
|
1: 3 to 4 Tones from the C Major Scale |
|
| 1.1 Do, Re - 3 tones | |
| 1.2 Do, Re, Mi | |
| 1.3 Do, Re, Mi, Fa | |
| 1.4 Do, Re, Mi, Fa, So | |
| 1.5 Do, Re, Mi, Fa, So, La | |
| 1.6 Do, Re, Mi, Fa, So, La, Ti | |
| 1.7 Do, Re - 4 tones | |
| 1.8 Do, Re, Mi | |
| 1.9 Do, Re, Mi, Fa | |
| 1.10 Do, Re, Mi, Fa, So | |
| 1.11 Do, Re, Mi, Fa, So, La | |
| 1.12 Do, Re, Mi, Fa, So, La, Ti | |
2: 5 to 6 Tones from the C Major Scale |
|
| 2.1 Do, Re - 5 tones | |
| 2.2 Do, Re, Mi | |
| 2.3 Do, Re, Mi, Fa | |
| 2.4 Do, Re, Mi, Fa, So | |
| 2.5 Do, Re, Mi, Fa, So, La | |
| 2.6 Do, Re, Mi, Fa, So, La, Ti | |
| 2.7 Do, Re - 6 tones | |
| 2.8 Do, Re, Mi | |
| 2.9 Do, Re, Mi, Fa | |
| 2.10 Do, Re, Mi, Fa, So | |
| 2.11 Do, Re, Mi, Fa, So, La | |
| 2.12 Do, Re, Mi, Fa, So, La, Ti | |
3: 7 to 8 Tones from the C Major Scale |
|
| 3.1 Do, Re, Mi - 7 tones | |
| 3.2 Do, Re, Mi, Fa | |
| 3.3 Do, Re, Mi, Fa, So | |
| 3.4 Do, Re, Mi, Fa, So, La | |
| 3.5 Do, Re, Mi, Fa, So, La, Ti | |
| 3.6 Do, Re, Mi - 8 tones | |
| 3.7 Do, Re, Mi, Fa | |
| 3.8 Do, Re, Mi, Fa, So | |
| 3.9 Do, Re, Mi, Fa, So, La | |
| 3.10 Do, Re, Mi, Fa, So, La, Ti | |
4: Melodies in C Major with Rhythm. 4/4 |
|
| 4.1 Do, Re - 1 bar | |
| 4.2 Do, Re, Mi | |
| 4.3 Do, Re, Mi, Fa | |
| 4.4 Do, Re, Mi, Fa, So | |
| 4.5 Do, Re, Mi, Fa, So, La | |
| 4.6 Do, Re, Mi, Fa, So, La, Ti | |
| 4.7 Do, Re, Mi - 2 bars | |
| 4.8 Do, Re, Mi, Fa | |
| 4.9 Do, Re, Mi, Fa, So | |
| 4.10 Do, Re, Mi, Fa, So, La | |
| 4.11 Do, Re, Mi, Fa, So, La, Ti | |
5: Melodies in C Major with Rhythm. 3/4 |
|
| 5.1 Do, Re - 1 bar | |
| 5.2 Do, Re, Mi | |
| 5.3 Do, Re, Mi, Fa | |
| 5.4 Do, Re, Mi, Fa, So | |
| 5.5 Do, Re, Mi, Fa, So, La | |
| 5.6 Do, Re, Mi, Fa, So, La, Ti | |
| 5.7 Do, Re, Mi - 2 bars | |
| 5.8 Do, Re, Mi, Fa | |
| 5.9 Do, Re, Mi, Fa, So | |
| 5.10 Do, Re, Mi, Fa, So, La | |
| 5.11 Do, Re, Mi, Fa, So, La, Ti | |
6: Adding 8th Notes. 4/4 |
|
| 6.1 Do, Re - 1 bar | |
| 6.2 Do, Re, Mi | |
| 6.3 Do, Re, Mi, Fa | |
| 6.4 Do, Re, Mi, Fa, So | |
| 6.5 Do, Re, Mi, Fa, So, La | |
| 6.6 Do, Re, Mi, Fa, So, La, Ti | |
| 6.7 Do, Re, Mi - 2 bars | |
| 6.8 Do, Re, Mi, Fa | |
| 6.9 Do, Re, Mi, Fa, So | |
| 6.10 Do, Re, Mi, Fa, So, La | |
| 6.11 Do, Re, Mi, Fa, So, La, Ti | |
7: Adding 8th Notes. 3/4 |
|
| 7.1 Do, Re - 1 bar | |
| 7.2 Do, Re, Mi | |
| 7.3 Do, Re, Mi, Fa | |
| 7.4 Do, Re, Mi, Fa, So | |
| 7.5 Do, Re, Mi, Fa, So, La | |
| 7.6 Do, Re, Mi, Fa, So, La, Ti | |
| 7.7 Do, Re, Mi - 2 bars | |
| 7.8 Do, Re, Mi, Fa | |
| 7.9 Do, Re, Mi, Fa, So | |
| 7.10 Do, Re, Mi, Fa, So, La | |
| 7.11 Do, Re, Mi, Fa, So, La, Ti | |
8: Around the Circle of Fifths. 4/4 |
|
| 8.1 Do, Re - 1 bar | |
| 8.2 Do, Re, Mi | |
| 8.3 Do, Re, Mi, Fa | |
| 8.4 Do, Re, Mi, Fa, So | |
| 8.5 Do, Re, Mi, Fa, So, La | |
| 8.6 Do, Re, Mi, Fa, So, La, Ti | |
| 8.7 Do, Re, Mi - 2 bars | |
| 8.8 Do, Re, Mi, Fa | |
| 8.9 Do, Re, Mi, Fa, So | |
| 8.10 Do, Re, Mi, Fa, So, La | |
| 8.11 Do, Re, Mi, Fa, So, La, Ti | |
9: Around the Circle of Fifths. 3/4 |
|
| 9.1 Do, Re - 1 bar | |
| 9.2 Do, Re, Mi | |
| 9.3 Do, Re, Mi, Fa | |
| 9.4 Do, Re, Mi, Fa, So | |
| 9.5 Do, Re, Mi, Fa, So, La | |
| 9.6 Do, Re, Mi, Fa, So, La, Ti | |
| 9.7 Do, Re, Mi - 2 bars | |
| 9.8 Do, Re, Mi, Fa | |
| 9.9 Do, Re, Mi, Fa, So | |
| 9.10 Do, Re, Mi, Fa, So, La | |
| 9.11 Do, Re, Mi, Fa, So, La, Ti | |
10: Around the Circle of Fifths. 4/4 with 8th Notes. |
|
| 10.1 Do, Re - 1 bar | |
| 10.2 Do, Re, Mi | |
| 10.3 Do, Re, Mi, Fa | |
| 10.4 Do, Re, Mi, Fa, So | |
| 10.5 Do, Re, Mi, Fa, So, La | |
| 10.6 Do, Re, Mi, Fa, So, La, Ti | |
| 10.7 Do, Re, Mi - 2 bars | |
| 10.8 Do, Re, Mi, Fa | |
| 10.9 Do, Re, Mi, Fa, So | |
| 10.10 Do, Re, Mi, Fa, So, La | |
| 10.11 Do, Re, Mi, Fa, So, La, Ti | |
11: Around the Circle of Fifths. 3/4 with 8th Notes. |
|
| 11.1 Do, Re - 1 bar | |
| 11.2 Do, Re, Mi | |
| 11.3 Do, Re, Mi, Fa | |
| 11.4 Do, Re, Mi, Fa, So | |
| 11.5 Do, Re, Mi, Fa, So, La | |
| 11.6 Do, Re, Mi, Fa, So, La, Ti | |
| 11.7 Do, Re, Mi - 2 bars | |
| 11.8 Do, Re, Mi, Fa | |
| 11.9 Do, Re, Mi, Fa, So | |
| 11.10 Do, Re, Mi, Fa, So, La | |
| 11.11 Do, Re, Mi, Fa, So, La, Ti | |
12: Melodies in A minor. 4/4 |
|
| 12.1 Do, Re - 1 bar | |
| 12.2 Do, Re, Me | |
| 12.3 Do, Re, Me, Fa | |
| 12.4 Do, Re, Me, Fa, So | |
| 12.5 Do, Re, Me, Fa, So, Le | |
| 12.6 Do, Re, Me, Fa, So, Le, Te | |
| 12.7 Do, Re, Me - 2 bars | |
| 12.8 Do, Re, Me, Fa | |
| 12.9 Do, Re, Me, Fa, So | |
| 12.10 Do, Re, Me, Fa, So, Le | |
| 12.11 Do, Re, Me, Fa, So, Le, Te | |
13: Melodies in A minor. 3/4 |
|
| 13.1 Do, Re - 1 bar | |
| 13.2 Do, Re, Me | |
| 13.3 Do, Re, Me, Fa | |
| 13.4 Do, Re, Me, Fa, So | |
| 13.5 Do, Re, Me, Fa, So, Le | |
| 13.6 Do, Re, Me, Fa, So, Le, Te | |
| 13.7 Do, Re, Me - 2 bars | |
| 13.8 Do, Re, Me, Fa | |
| 13.9 Do, Re, Me, Fa, So | |
| 13.10 Do, Re, Me, Fa, So, Le | |
| 13.11 Do, Re, Me, Fa, So, Le, Te | |
14: Melodies in A minor. 4/4 with 8th Notes |
|
| 14.1 Do, Re - 1 bar | |
| 14.2 Do, Re, Me | |
| 14.3 Do, Re, Me, Fa | |
| 14.4 Do, Re, Me, Fa, So | |
| 14.5 Do, Re, Me, Fa, So, Le | |
| 14.6 Do, Re, Me, Fa, So, Le, Te | |
| 14.7 Do, Re - 2 bars | |
| 14.8 Do, Re, Me - 2 bars | |
| 14.9 Do, Re, Me, Fa | |
| 14.10 Do, Re, Me, Fa, So | |
| 14.11 Do, Re, Me, Fa, So, Le | |
| 14.12 Do, Re, Me, Fa, So, Le, Te | |
15: Melodies in A minor. 3/4 with 8th Notes |
|
| 15.1 Do, Re, Me - 1 bar | |
| 15.2 Do, Re, Me, Fa | |
| 15.3 Do, Re, Me, Fa, So | |
| 15.4 Do, Re, Me, Fa, So, Le | |
| 15.5 Do, Re, Me, Fa, So, Le, Te | |
| 15.6 Do, Re, Me - 2 bars | |
| 15.7 Do, Re, Me, Fa | |
| 15.8 Do, Re, Me, Fa, So | |
| 15.9 Do, Re, Me, Fa, So, Le | |
| 15.10 Do, Re, Me, Fa, So, Le, Te | |
16: All Minor Keys. 4/4 with 8th Notes. |
|
| 16.1 Do, Re, Me - 1 bar | |
| 16.2 Do, Re, Me, Fa | |
| 16.3 Do, Re, Me, Fa, So | |
| 16.4 Do, Re, Me, Fa, So, Le | |
| 16.5 Do, Re, Me, Fa, So, Le, Te | |
| 16.6 Do, Re, Me - 2 bars | |
| 16.7 Do, Re, Me, Fa | |
| 16.8 Do, Re, Me, Fa, So | |
| 16.9 Do, Re, Me, Fa, So, Le | |
| 16.10 Do, Re, Me, Fa, So, Le, Te | |
17: Harmonic Minor. 4/4 with 8th Notes. |
|
| 17.1 A minor harmonic. 1 bar | |
| 17.2 A minor harmonic. 2 bars | |
| 17.3 A minor harmonic. 4 bars | |
| 17.4 Harmonic minor (all keys). 1 bar | |
| 17.5 Harmonic minor (all keys). 2 bars | |
| 17.6 Harmonic minor (all keys). 4 bars | |
General Workshops - Rhythm Clapback |
|
1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 1 bar: Quarter notes - including rests | |
| 1.2 4/4 - 1 bar: 8th & Quarter notes | |
| 1.3 4/4 - 1 bar: 8th notes - including rests | |
| 1.4 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 1 bar: Quarter & Half notes - including rests | |
| 1.6 4/4 - 1 bar: Half & Whole notes - including rests | |
| 1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 1 bar: Quarter notes - including rests | |
| 2.2 3/4 - 1 bar: 8th & Quarter notes | |
| 2.3 3/4 - 1 bar: 8th notes - including rests | |
| 2.4 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 1 bar: Quarter & Half notes - including rests | |
| 2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 1 bar: Quarter notes - including rests | |
| 3.2 2/4 - 1 bar: 8th & Quarter notes | |
| 3.3 2/4 - 1 bar: 8th notes - including rests | |
| 3.4 2/4 - 1 bar: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 1 bar: Quarter & Half notes - including rests | |
| 3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 2 bars: Quarter notes - including rests | |
| 4.2 4/4 - 2 bars: 8th & Quarter notes | |
| 4.3 4/4 - 2 bars: 8th notes - including rests | |
| 4.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 2 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 2 bars: Quarter notes - including rests | |
| 5.2 3/4 - 2 bars: 8th & Quarter notes | |
| 5.3 3/4 - 2 bars: 8th notes - including rests | |
| 5.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 2 bars: Quarter notes - including rests | |
| 6.2 2/4 - 2 bars: 8th & Quarter notes | |
| 6.3 2/4 - 2 bars: 8th notes - including rests | |
| 6.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
| 7.1 4/4 - 1 bar: 16th & Quarter notes | |
| 7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
| 8.1 3/4 - 1 bar: 16th & Quarter notes | |
| 8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
| 9.1 2/4 - 1 bar: 16th & Quarter notes | |
| 9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
| 10.1 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.2 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.3 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.5 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.6 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.7 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
| 11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.5 4/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.6 3/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.7 2/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
| 12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
| 13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
| 14.1 4/4 - 1 bar: Quarter notes, 8th triplets | |
| 14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.5 4/4 - 1 bar: 8th & Quarter triplets | |
| 14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 14.9 4/4 - 1 bar: Half triplets | |
| 14.10 4/4 - 1 bar: Half triplets - including rests | |
| 14.11 4/4 - 1 bar: Quarter notes, 16th triplets | |
| 14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 14.13 4/4 - 1 bar: 16th triplets - including rests | |
| 14.14 4/4 - 1 bar: 16th & 8th triplets | |
| 14.15 4/4 - 1 bar: 16th & 8th triplets - including rests | |
| 14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets | |
| 14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
| 15.1 3/4 - 1 bar: Quarter notes, 8th triplets | |
| 15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.5 3/4 - 1 bar: 8th & Quarter triplets | |
| 15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 3/4 - 1 bar: Quarter notes, 16th triplets | |
| 15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 15.11 3/4 - 1 bar: 16th triplets - including rests | |
| 15.12 3/4 - 1 bar: 16th & 8th triplets | |
| 15.13 3/4 - 1 bar: 16th & 8th triplets - including rests | |
| 15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets | |
| 15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
| 16.1 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.2 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes | |
| 17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests | |
| 17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes | |
| 17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
| 18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
| 19.1 9/8 - 1 bar: 16th & 8th notes | |
| 19.2 9/8 - 1 bar: 16th & 8th notes - including rests | |
| 19.3 9/8 - 1 bar: 16th, 8th & Quarter notes | |
| 19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
| 20.1 12/8 - 1 bar: 16th & 8th notes | |
| 20.2 12/8 - 1 bar: 16th & 8th notes - including rests | |
| 20.3 12/8 - 1 bar: 16th, 8th & Quarter notes | |
| 20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes | |
| 21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests | |
| 21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes | |
| 21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes | |
| 22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests | |
| 22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes | |
| 22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
| 23.1 4/4 - 1 bar: 8th notes, 8th triplets | |
| 23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 23.3 4/4 - 1 bar: Quarter notes, Quarter triplets | |
| 23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 23.7 4/4 - 1 bar: 16th notes, 16th triplets | |
| 23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
| 24.1 3/4 - 1 bar: 8th notes, 8th triplets | |
| 24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 24.3 3/4 - 1 bar: Quarter notes, Quarter triplets | |
| 24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 3/4 - 1 bar: 16th notes, 16th triplets | |
| 24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
| 25.1 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 25.2 4/4 - 1 bar: 16th & 8th notes - including rests | |
| 25.3 4/4 - 1 bar: 32nd & 16th notes | |
| 25.4 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.5 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.6 4/4 - 1 bar: 32nd notes - including rests | |
| 25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
| 26.1 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 26.2 3/4 - 1 bar: 16th & 8th notes - including rests | |
| 26.3 3/4 - 1 bar: 32nd & 16th notes | |
| 26.4 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.5 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.6 3/4 - 1 bar: 32nd notes - including rests | |
| 26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
27: Final roundup |
|
| 27.1 Simple meters | |
| 27.2 Simple meters with rests | |
| 27.3 Compound meters | |
| 27.4 Compound meters with rests | |
| 27.5 Asymmetrical meters I | |
| 27.6 Asymmetrical meters II | |
General Workshops - Rhythm Error Detection |
|
1: 4/4 - 2 bars: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 2 bars: Quarter notes - including rests | |
| 1.2 4/4 - 2 bars: 8th & Quarter notes | |
| 1.3 4/4 - 2 bars: 8th notes - including rests | |
| 1.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
| 1.6 4/4 - 2 bars: Half & Whole notes - including rests | |
| 1.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 2 bars: Quarter notes - including rests | |
| 2.2 3/4 - 2 bars: 8th & Quarter notes | |
| 2.3 3/4 - 2 bars: 8th notes - including rests | |
| 2.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
| 2.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 2 bars: Quarter notes - including rests | |
| 3.2 2/4 - 2 bars: 8th & Quarter notes | |
| 3.3 2/4 - 2 bars: 8th notes - including rests | |
| 3.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
| 3.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 4 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 4 bars: Quarter notes - including rests | |
| 4.2 4/4 - 4 bars: 8th & Quarter notes | |
| 4.3 4/4 - 4 bars: 8th notes - including rests | |
| 4.4 4/4 - 4 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 4 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 4 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 4 bars: Quarter notes - including rests | |
| 5.2 3/4 - 4 bars: 8th & Quarter notes | |
| 5.3 3/4 - 4 bars: 8th notes - including rests | |
| 5.4 3/4 - 4 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 4 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 4 bars: Quarter notes - including rests | |
| 6.2 2/4 - 4 bars: 8th & Quarter notes | |
| 6.3 2/4 - 4 bars: 8th notes - including rests | |
| 6.4 2/4 - 4 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 4 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4 - 8 bars: Whole, Half, Quarter & Eighth Notes |
|
| 7.1 4/4 - 8 bars: Quarter notes - including rests | |
| 7.2 4/4 - 8 bars: 8th & Quarter notes | |
| 7.3 4/4 - 8 bars: 8th notes - including rests | |
| 7.4 4/4 - 8 bars: 8th & Quarter notes - including rests | |
| 7.5 4/4 - 8 bars: Quarter & Half notes - including rests | |
| 7.6 4/4 - 8 bars: Half & Whole notes - including rests | |
| 7.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests | |
| 7.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests | |
8: 4/4: Introducing Sixteenth Note Groupings |
|
| 8.1 4/4 - 2 bars: 16th & Quarter notes | |
| 8.2 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 8.3 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
9: 3/4: Sixteenth Note Groupings |
|
| 9.1 3/4 - 2 bars: 16th & Quarter notes | |
| 9.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 9.3 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
10: 2/4: Sixteenth Note Groupings |
|
| 10.1 2/4 - 2 bars: 16th & Quarter notes | |
| 10.2 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 10.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
11: Advanced Sixteenth Note Groupings |
|
| 11.1 4/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.2 3/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.3 2/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.5 4/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.6 3/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.7 2/4 - 2 bars: 16th, 8th & Quarter notes | |
| 11.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes | |
12: Advanced Sixteenth Note Groupings with Rests |
|
| 12.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 2 bars: 16th & Quarter notes - including rests | |
| 12.6 3/4 - 2 bars: 16th & Quarter notes - including rests | |
| 12.7 2/4 - 2 bars: 16th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 2 bars: 16th & Quarter notes - including rests | |
13: Advanced 16th and 8th Combinations with Rests |
|
| 13.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.5 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.6 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.7 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 13.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
14: All Note values from the Previous Lessons, Including Rests |
|
| 14.1 4/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 14.2 3/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 14.3 2/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 14.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests | |
15: 4/4: Triplets |
|
| 15.1 4/4 - 2 bars: Quarter notes, 8th triplets | |
| 15.2 4/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 15.3 4/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 4/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 15.5 4/4 - 2 bars: 8th & Quarter triplets | |
| 15.6 4/4 - 2 bars: 8th & Quarter triplets - including rests | |
| 15.7 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets | |
| 15.8 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 4/4 - 2 bars: Half triplets | |
| 15.10 4/4 - 2 bars: Half triplets - including rests | |
| 15.11 4/4 - 2 bars: Quarter notes, 16th triplets | |
| 15.12 4/4 - 2 bars: Quarter notes, 16th triplets - including rests | |
| 15.13 4/4 - 2 bars: 16th triplets - including rests | |
| 15.14 4/4 - 2 bars: 16th & 8th triplets | |
| 15.15 4/4 - 2 bars: 16th & 8th triplets - including rests | |
| 15.16 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets | |
| 15.17 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets - including rests | |
16: Triplets, Now in 3/4 |
|
| 16.1 3/4 - 2 bars: Quarter notes, 8th triplets | |
| 16.2 3/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 16.3 3/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests | |
| 16.4 3/4 - 2 bars: Quarter notes, 8th triplets - including rests | |
| 16.5 3/4 - 2 bars: 8th & Quarter triplets | |
| 16.6 3/4 - 2 bars: 8th & Quarter triplets - including rests | |
| 16.7 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets | |
| 16.8 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 16.9 3/4 - 2 bars: Quarter notes, 16th triplets | |
| 16.10 3/4 - 2 bars: Quarter notes, 16th triplets - including rests | |
| 16.11 3/4 - 2 bars: 16th triplets - including rests | |
| 16.12 3/4 - 2 bars: 16th & 8th triplets | |
| 16.13 3/4 - 2 bars: 16th & 8th triplets - including rests | |
| 16.14 3/4 - 2 bars: 16th, 8th & Quarter triplets | |
| 16.15 3/4 - 2 bars: 16th, 8th & Quarter triplets - including rests | |
17: Introducing a New Time Signature: 5/4 |
|
| 17.1 5/4 - 2 bars: 8th & Quarter notes - including rests | |
| 17.2 5/4 - 2 bars: 8th & Quarter notes - including rests | |
| 17.3 5/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
| 17.4 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 17.5 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 17.6 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 17.7 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 17.8 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
18: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 18.1 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes | |
| 18.2 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes - including rests | |
| 18.3 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes | |
| 18.4 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
19: 6/8 with Dotted Subdivision |
|
| 19.1 6/8 - 2 bars: 8th notes, Quarter dotted notes | |
| 19.2 6/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
| 19.3 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
| 19.4 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.5 6/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 9/8 Time Signature |
|
| 20.1 9/8 - 2 bars: 16th & 8th notes | |
| 20.2 9/8 - 2 bars: 16th & 8th notes - including rests | |
| 20.3 9/8 - 2 bars: 16th, 8th & Quarter notes | |
| 20.4 9/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 20.5 9/8 - 2 bars: 8th notes, Quarter dotted notes | |
| 20.6 9/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
| 20.7 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 9/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing the 12/8 Time Signature |
|
| 21.1 12/8 - 2 bars: 16th & 8th notes | |
| 21.2 12/8 - 2 bars: 16th & 8th notes - including rests | |
| 21.3 12/8 - 2 bars: 16th, 8th & Quarter notes | |
| 21.4 12/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
| 21.5 12/8 - 2 bars: 8th notes, Quarter dotted notes | |
| 21.6 12/8 - 2 bars: 8th notes, Quarter dotted notes - including rests | |
| 21.7 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes | |
| 21.8 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 21.9 12/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
22: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 22.1 5/8 & 7/8 - 2 bars: 16th & 8th notes | |
| 22.2 5/8 & 7/8 - 2 bars: 16th & 8th notes - including rests | |
| 22.3 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes | |
| 22.4 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes - including rests | |
23: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 23.1 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes | |
| 23.2 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes - including rests | |
| 23.3 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes | |
| 23.4 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 23.5 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests | |
| 23.6 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests | |
24: 4/4: Mixed Note Groupings |
|
| 24.1 4/4 - 2 bars: 8th notes, 8th triplets | |
| 24.2 4/4 - 2 bars: 8th notes, 8th triplets - including rests | |
| 24.3 4/4 - 2 bars: Quarter notes, Quarter triplets | |
| 24.4 4/4 - 2 bars: Quarter notes, Quarter triplets - including rests | |
| 24.5 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 4/4 - 2 bars: 16th notes, 16th triplets | |
| 24.8 4/4 - 2 bars: 16th notes, 16th triplets - including rests | |
| 24.9 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 3/4: Mixed Note Groupings |
|
| 25.1 3/4 - 2 bars: 8th notes, 8th triplets | |
| 25.2 3/4 - 2 bars: 8th notes, 8th triplets - including rests | |
| 25.3 3/4 - 2 bars: Quarter notes, Quarter triplets | |
| 25.4 3/4 - 2 bars: Quarter notes, Quarter triplets - including rests | |
| 25.5 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 25.6 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 25.7 3/4 - 2 bars: 16th notes, 16th triplets | |
| 25.8 3/4 - 2 bars: 16th notes, 16th triplets - including rests | |
| 25.9 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets | |
| 25.10 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 25.11 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 25.12 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
26: 4/4: Introducing 32nd Notes |
|
| 26.1 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 26.2 4/4 - 2 bars: 16th & 8th notes - including rests | |
| 26.3 4/4 - 2 bars: 32nd & 16th notes | |
| 26.4 4/4 - 2 bars: 32nd & 16th notes - including rests | |
| 26.5 4/4 - 2 bars: 32nd & 16th notes - including rests | |
| 26.6 4/4 - 2 bars: 32nd notes - including rests | |
| 26.7 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes | |
| 26.8 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
27: 3/4: 32nd Notes |
|
| 27.1 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 27.2 3/4 - 2 bars: 16th & 8th notes - including rests | |
| 27.3 3/4 - 2 bars: 32nd & 16th notes | |
| 27.4 3/4 - 2 bars: 32nd & 16th notes - including rests | |
| 27.5 3/4 - 2 bars: 32nd & 16th notes - including rests | |
| 27.6 3/4 - 2 bars: 32nd notes - including rests | |
| 27.7 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes | |
| 27.8 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
28: All the Time Signatures from the Previous Lessons |
|
| 28.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes | |
| 28.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests | |
General Workshops - Rhythm Sight-Reading |
|
1: 4/4 - 4 bars: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 4 bars: Quarter notes - including rests | |
| 1.2 4/4 - 4 bars: 8th & Quarter notes | |
| 1.3 4/4 - 4 bars: 8th notes - including rests | |
| 1.4 4/4 - 4 bars: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 4 bars: Quarter & Half notes - including rests | |
| 1.6 4/4 - 4 bars: Half & Whole notes - including rests | |
| 1.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 4 bars: Quarter notes - including rests | |
| 2.2 3/4 - 4 bars: 8th & Quarter notes | |
| 2.3 3/4 - 4 bars: 8th notes - including rests | |
| 2.4 3/4 - 4 bars: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 4 bars: Quarter & Half notes - including rests | |
| 2.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 4 bars: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 4 bars: Quarter notes - including rests | |
| 3.2 2/4 - 4 bars: 8th & Quarter notes | |
| 3.3 2/4 - 4 bars: 8th notes - including rests | |
| 3.4 2/4 - 4 bars: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 4 bars: Quarter & Half notes - including rests | |
| 3.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 8 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 8 bars: Quarter notes - including rests | |
| 4.2 4/4 - 8 bars: 8th & Quarter notes | |
| 4.3 4/4 - 8 bars: 8th notes - including rests | |
| 4.4 4/4 - 8 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 8 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 8 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 8 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 8 bars: Quarter notes - including rests | |
| 5.2 3/4 - 8 bars: 8th & Quarter notes | |
| 5.3 3/4 - 8 bars: 8th notes - including rests | |
| 5.4 3/4 - 8 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 8 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 8 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 8 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 8 bars: Quarter notes - including rests | |
| 6.2 2/4 - 8 bars: 8th & Quarter notes | |
| 6.3 2/4 - 8 bars: 8th notes - including rests | |
| 6.4 2/4 - 8 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 8 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 8 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
| 7.1 4/4 - 4 bars: 16th & Quarter notes | |
| 7.2 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 7.3 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
| 8.1 3/4 - 4 bars: 16th & Quarter notes | |
| 8.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 8.3 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
| 9.1 2/4 - 4 bars: 16th & Quarter notes | |
| 9.2 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 9.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
| 10.1 4/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.2 3/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.3 2/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.5 4/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.6 3/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.7 2/4 - 4 bars: 16th, 8th & Quarter notes | |
| 10.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
| 11.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 11.5 4/4 - 4 bars: 16th & Quarter notes - including rests | |
| 11.6 3/4 - 4 bars: 16th & Quarter notes - including rests | |
| 11.7 2/4 - 4 bars: 16th & Quarter notes - including rests | |
| 11.8 2/4, 3/4 & 4/4 - 4 bars: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
| 12.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.6 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.7 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
| 13.1 4/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 13.2 3/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 13.3 2/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
| 14.1 4/4 - 4 bars: Quarter notes, 8th triplets | |
| 14.2 4/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 14.3 4/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests | |
| 14.4 4/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 14.5 4/4 - 4 bars: 8th & Quarter triplets | |
| 14.6 4/4 - 4 bars: 8th & Quarter triplets - including rests | |
| 14.7 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets | |
| 14.8 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 14.9 4/4 - 4 bars: Half triplets | |
| 14.10 4/4 - 4 bars: Half triplets - including rests | |
| 14.11 4/4 - 4 bars: Quarter notes, 16th triplets | |
| 14.12 4/4 - 4 bars: Quarter notes, 16th triplets - including rests | |
| 14.13 4/4 - 4 bars: 16th triplets - including rests | |
| 14.14 4/4 - 4 bars: 16th & 8th triplets | |
| 14.15 4/4 - 4 bars: 16th & 8th triplets - including rests | |
| 14.16 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets | |
| 14.17 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
| 15.1 3/4 - 4 bars: Quarter notes, 8th triplets | |
| 15.2 3/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 15.3 3/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 3/4 - 4 bars: Quarter notes, 8th triplets - including rests | |
| 15.5 3/4 - 4 bars: 8th & Quarter triplets | |
| 15.6 3/4 - 4 bars: 8th & Quarter triplets - including rests | |
| 15.7 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets | |
| 15.8 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 3/4 - 4 bars: Quarter notes, 16th triplets | |
| 15.10 3/4 - 4 bars: Quarter notes, 16th triplets - including rests | |
| 15.11 3/4 - 4 bars: 16th triplets - including rests | |
| 15.12 3/4 - 4 bars: 16th & 8th triplets | |
| 15.13 3/4 - 4 bars: 16th & 8th triplets - including rests | |
| 15.14 3/4 - 4 bars: 16th, 8th & Quarter triplets | |
| 15.15 3/4 - 4 bars: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
| 16.1 5/4 - 4 bars: 8th & Quarter notes - including rests | |
| 16.2 5/4 - 4 bars: 8th & Quarter notes - including rests | |
| 16.3 5/4 - 4 bars: 8th, Quarter & Half notes - including rests | |
| 16.4 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 16.5 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 16.6 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 16.7 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 16.8 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 17.1 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes | |
| 17.2 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes - including rests | |
| 17.3 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes | |
| 17.4 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
| 18.1 6/8 - 4 bars: 8th notes, Quarter dotted notes | |
| 18.2 6/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
| 18.3 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
| 18.4 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 18.5 6/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
| 19.1 9/8 - 4 bars: 16th & 8th notes | |
| 19.2 9/8 - 4 bars: 16th & 8th notes - including rests | |
| 19.3 9/8 - 4 bars: 16th, 8th & Quarter notes | |
| 19.4 9/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 19.5 9/8 - 4 bars: 8th notes, Quarter dotted notes | |
| 19.6 9/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
| 19.7 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
| 19.8 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.9 9/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
| 20.1 12/8 - 4 bars: 16th & 8th notes | |
| 20.2 12/8 - 4 bars: 16th & 8th notes - including rests | |
| 20.3 12/8 - 4 bars: 16th, 8th & Quarter notes | |
| 20.4 12/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
| 20.5 12/8 - 4 bars: 8th notes, Quarter dotted notes | |
| 20.6 12/8 - 4 bars: 8th notes, Quarter dotted notes - including rests | |
| 20.7 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 12/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 21.1 5/8 & 7/8 - 4 bars: 16th & 8th notes | |
| 21.2 5/8 & 7/8 - 4 bars: 16th & 8th notes - including rests | |
| 21.3 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes | |
| 21.4 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 22.1 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes | |
| 22.2 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes - including rests | |
| 22.3 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes | |
| 22.4 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes - including rests | |
| 22.5 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests | |
| 22.6 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
| 23.1 4/4 - 4 bars: 8th notes, 8th triplets | |
| 23.2 4/4 - 4 bars: 8th notes, 8th triplets - including rests | |
| 23.3 4/4 - 4 bars: Quarter notes, Quarter triplets | |
| 23.4 4/4 - 4 bars: Quarter notes, Quarter triplets - including rests | |
| 23.5 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 23.6 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 23.7 4/4 - 4 bars: 16th notes, 16th triplets | |
| 23.8 4/4 - 4 bars: 16th notes, 16th triplets - including rests | |
| 23.9 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets | |
| 23.10 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 23.11 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 23.12 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
| 24.1 3/4 - 4 bars: 8th notes, 8th triplets | |
| 24.2 3/4 - 4 bars: 8th notes, 8th triplets - including rests | |
| 24.3 3/4 - 4 bars: Quarter notes, Quarter triplets | |
| 24.4 3/4 - 4 bars: Quarter notes, Quarter triplets - including rests | |
| 24.5 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 3/4 - 4 bars: 16th notes, 16th triplets | |
| 24.8 3/4 - 4 bars: 16th notes, 16th triplets - including rests | |
| 24.9 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
| 25.1 4/4 - 4 bars: 8th & Quarter notes - including rests | |
| 25.2 4/4 - 4 bars: 16th & 8th notes - including rests | |
| 25.3 4/4 - 4 bars: 32nd & 16th notes | |
| 25.4 4/4 - 4 bars: 32nd & 16th notes - including rests | |
| 25.5 4/4 - 4 bars: 32nd & 16th notes - including rests | |
| 25.6 4/4 - 4 bars: 32nd notes - including rests | |
| 25.7 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes | |
| 25.8 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
| 26.1 3/4 - 4 bars: 8th & Quarter notes - including rests | |
| 26.2 3/4 - 4 bars: 16th & 8th notes - including rests | |
| 26.3 3/4 - 4 bars: 32nd & 16th notes | |
| 26.4 3/4 - 4 bars: 32nd & 16th notes - including rests | |
| 26.5 3/4 - 4 bars: 32nd & 16th notes - including rests | |
| 26.6 3/4 - 4 bars: 32nd notes - including rests | |
| 26.7 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes | |
| 26.8 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests | |
27: Final roundup |
|
| 27.1 Simple meters | |
| 27.2 Simple meters with rests | |
| 27.3 Compound meters | |
| 27.4 Compound meters with rests | |
| 27.5 Asymmetrical meters I | |
| 27.6 Asymmetrical meters II | |
General Workshops - Rhythmic Dictation |
|
1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes |
|
| 1.1 4/4 - 1 bar: Quarter notes - including rests | |
| 1.2 4/4 - 1 bar: 8th & Quarter notes | |
| 1.3 4/4 - 1 bar: 8th notes - including rests | |
| 1.4 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 1.5 4/4 - 1 bar: Quarter & Half notes - including rests | |
| 1.6 4/4 - 1 bar: Half & Whole notes - including rests | |
| 1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests | |
2: 3/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 2.1 3/4 - 1 bar: Quarter notes - including rests | |
| 2.2 3/4 - 1 bar: 8th & Quarter notes | |
| 2.3 3/4 - 1 bar: 8th notes - including rests | |
| 2.4 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 2.5 3/4 - 1 bar: Quarter & Half notes - including rests | |
| 2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
3: 2/4 - 1 bar: Half, Quarter & Eighth Notes |
|
| 3.1 2/4 - 1 bar: Quarter notes - including rests | |
| 3.2 2/4 - 1 bar: 8th & Quarter notes | |
| 3.3 2/4 - 1 bar: 8th notes - including rests | |
| 3.4 2/4 - 1 bar: 8th & Quarter notes - including rests | |
| 3.5 2/4 - 1 bar: Quarter & Half notes - including rests | |
| 3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes |
|
| 4.1 4/4 - 2 bars: Quarter notes - including rests | |
| 4.2 4/4 - 2 bars: 8th & Quarter notes | |
| 4.3 4/4 - 2 bars: 8th notes - including rests | |
| 4.4 4/4 - 2 bars: 8th & Quarter notes - including rests | |
| 4.5 4/4 - 2 bars: Quarter & Half notes - including rests | |
| 4.6 4/4 - 2 bars: Half & Whole notes - including rests | |
| 4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests | |
| 4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests | |
5: 3/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 5.1 3/4 - 2 bars: Quarter notes - including rests | |
| 5.2 3/4 - 2 bars: 8th & Quarter notes | |
| 5.3 3/4 - 2 bars: 8th notes - including rests | |
| 5.4 3/4 - 2 bars: 8th & Quarter notes - including rests | |
| 5.5 3/4 - 2 bars: Quarter & Half notes - including rests | |
| 5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
6: 2/4 - 2 bars: Half, Quarter & Eighth Notes |
|
| 6.1 2/4 - 2 bars: Quarter notes - including rests | |
| 6.2 2/4 - 2 bars: 8th & Quarter notes | |
| 6.3 2/4 - 2 bars: 8th notes - including rests | |
| 6.4 2/4 - 2 bars: 8th & Quarter notes - including rests | |
| 6.5 2/4 - 2 bars: Quarter & Half notes - including rests | |
| 6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests | |
7: 4/4: Introducing Sixteenth Note Groupings |
|
| 7.1 4/4 - 1 bar: 16th & Quarter notes | |
| 7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
8: 3/4: Sixteenth Note Groupings |
|
| 8.1 3/4 - 1 bar: 16th & Quarter notes | |
| 8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
9: 2/4: Sixteenth Note Groupings |
|
| 9.1 2/4 - 1 bar: 16th & Quarter notes | |
| 9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
10: Advanced Sixteenth Note Groupings |
|
| 10.1 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.2 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.3 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.5 4/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.6 3/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.7 2/4 - 1 bar: 16th, 8th & Quarter notes | |
| 10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes | |
11: Advanced Sixteenth Note Groupings with Rests |
|
| 11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 11.5 4/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.6 3/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.7 2/4 - 1 bar: 16th & Quarter notes - including rests | |
| 11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests | |
12: Advanced 16th and 8th Combinations with Rests |
|
| 12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
13: All Note values from the Previous Lessons, Including Rests |
|
| 13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
| 13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests | |
14: 4/4: Triplets |
|
| 14.1 4/4 - 1 bar: Quarter notes, 8th triplets | |
| 14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 14.5 4/4 - 1 bar: 8th & Quarter triplets | |
| 14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 14.9 4/4 - 1 bar: Half triplets | |
| 14.10 4/4 - 1 bar: Half triplets - including rests | |
| 14.11 4/4 - 1 bar: Quarter notes, 16th triplets | |
| 14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 14.13 4/4 - 1 bar: 16th triplets - including rests | |
| 14.14 4/4 - 1 bar: 16th & 8th triplets | |
| 14.15 4/4 - 1 bar: 16th & 8th triplets - including rests | |
| 14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets | |
| 14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests | |
15: Triplets, Now in 3/4 |
|
| 15.1 3/4 - 1 bar: Quarter notes, 8th triplets | |
| 15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests | |
| 15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests | |
| 15.5 3/4 - 1 bar: 8th & Quarter triplets | |
| 15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests | |
| 15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets | |
| 15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests | |
| 15.9 3/4 - 1 bar: Quarter notes, 16th triplets | |
| 15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests | |
| 15.11 3/4 - 1 bar: 16th triplets - including rests | |
| 15.12 3/4 - 1 bar: 16th & 8th triplets | |
| 15.13 3/4 - 1 bar: 16th & 8th triplets - including rests | |
| 15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets | |
| 15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests | |
16: Introducing a New Time Signature: 5/4 |
|
| 16.1 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.2 5/4 - 1 bar: 8th & Quarter notes - including rests | |
| 16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests | |
| 16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets | |
| 16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests | |
17: Introducing New Time Signatures: 3/8, 4/8 & 6/8 |
|
| 17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes | |
| 17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests | |
| 17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes | |
| 17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
18: 6/8 with Dotted Subdivision |
|
| 18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
19: Introducing the 9/8 Time Signature |
|
| 19.1 9/8 - 1 bar: 16th & 8th notes | |
| 19.2 9/8 - 1 bar: 16th & 8th notes - including rests | |
| 19.3 9/8 - 1 bar: 16th, 8th & Quarter notes | |
| 19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
20: Introducing the 12/8 Time Signature |
|
| 20.1 12/8 - 1 bar: 16th & 8th notes | |
| 20.2 12/8 - 1 bar: 16th & 8th notes - including rests | |
| 20.3 12/8 - 1 bar: 16th, 8th & Quarter notes | |
| 20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
| 20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes | |
| 20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests | |
| 20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes | |
| 20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests | |
| 20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests | |
21: Introducing New Time Signatures: 5/8 & 7/8 |
|
| 21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes | |
| 21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests | |
| 21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes | |
| 21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests | |
22: Introducing New Time Signatures: 2/2, 3/2 & 4/2 |
|
| 22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes | |
| 22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests | |
| 22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes | |
| 22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests | |
| 22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
| 22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests | |
23: 4/4: Mixed Note Groupings |
|
| 23.1 4/4 - 1 bar: 8th notes, 8th triplets | |
| 23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 23.3 4/4 - 1 bar: Quarter notes, Quarter triplets | |
| 23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 23.7 4/4 - 1 bar: 16th notes, 16th triplets | |
| 23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
24: 3/4: Mixed Note Groupings |
|
| 24.1 3/4 - 1 bar: 8th notes, 8th triplets | |
| 24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests | |
| 24.3 3/4 - 1 bar: Quarter notes, Quarter triplets | |
| 24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests | |
| 24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets | |
| 24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests | |
| 24.7 3/4 - 1 bar: 16th notes, 16th triplets | |
| 24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests | |
| 24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets | |
| 24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests | |
| 24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets | |
| 24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests | |
25: 4/4: Introducing 32nd Notes |
|
| 25.1 4/4 - 1 bar: 8th & Quarter notes - including rests | |
| 25.2 4/4 - 1 bar: 16th & 8th notes - including rests | |
| 25.3 4/4 - 1 bar: 32nd & 16th notes | |
| 25.4 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.5 4/4 - 1 bar: 32nd & 16th notes - including rests | |
| 25.6 4/4 - 1 bar: 32nd notes - including rests | |
| 25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
26: 3/4: 32nd Notes |
|
| 26.1 3/4 - 1 bar: 8th & Quarter notes - including rests | |
| 26.2 3/4 - 1 bar: 16th & 8th notes - including rests | |
| 26.3 3/4 - 1 bar: 32nd & 16th notes | |
| 26.4 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.5 3/4 - 1 bar: 32nd & 16th notes - including rests | |
| 26.6 3/4 - 1 bar: 32nd notes - including rests | |
| 26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes | |
| 26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests | |
27: All the Time Signatures from the Previous Lessons |
|
| 27.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes | |
| 27.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests | |
General Workshops - Scale Identification |
|
1: Module 1 |
|
| 1.1 Major, Lydian and Mixolydian (begin with 1-1) | |
| 1.2 Scales with minor sound (begin with 1-½) | |
| 1.3 Phrygian and Locrian (begin with ½-1) | |
| 1.4 All modes and harmonic and melodic minor | |
| 1.5 Whole tone and variants of Lydian and Mixolydian | |
| 1.6 Melodic minor, Locrian (#2) and Dim (1-½) | |
| 1.7 Phrygian (#6), Altered and Dim (½-1) | |
| 1.8 Derivatives of melodic minor, Whole tone and Dim | |
| 1.9 All scales and modes from lessons 1-8 | |
| 1.10 Derivatives of harmonic minor | |
| 1.11 The two pentatonic scales | |
| 1.12 All modes - descending | |
| 1.13 Derivatives of harmonic minor - descending | |
Jazz Workshops - Chord Identification |
|
1: Module 1 |
|
| 1.1 Four note chords #1: major | |
| 1.2 Four note chords #2: minor | |
| 1.3 Four note chords #3: dim7, mi7(b5) | |
| 1.4 Four note chords #4 | |
| 1.5 Four note chords #5: maj7 dissonant | |
| 1.6 Four note chords #6: major7 dissonant | |
| 1.7 Four note chords #7: minor dissonant | |
| 1.8 Four note chords #8: the six most dissonant | |
| 1.9 Four note chords #9: all | |
| 1.10 Tonic major: Five and six note chords | |
| 1.11 Tonic major: 4 to 7 note chords, Lydian scale | |
| 1.12 Tonic major, mixed | |
| 1.13 Tonic minor: 5 and 6 note chords | |
| 1.14 Tonic minor: Dorian and melodic scales | |
| 1.15 mi7(b5) chords | |
| 1.16 Minor chords, mixed | |
| 1.17 Dominants, Mixolydian scale | |
| 1.18 Dominants, Mixolydian #11 mode | |
| 1.19 Dominants, altered scale | |
| 1.20 Dominants, diminished scale | |
| 1.21 Dominants, mixed | |
| 1.22 All chords, mixed | |
Jazz Workshops - Chord Identification |
|
1: Module 1 |
|
| 1.1 Four note chords #1: major | |
| 1.2 Four note chords #2: minor | |
| 1.3 Four note chords #3: dim7, mi7(b5) | |
| 1.4 Four note chords #4 | |
| 1.5 Four note chords #5: maj7 dissonant | |
| 1.6 Four note chords #6: major7 dissonant | |
| 1.7 Four note chords #7: minor dissonant | |
| 1.8 Four note chords #8: the six most dissonant | |
| 1.9 Four note chords #9: all | |
| 1.10 Tonic major: Five and six note chords | |
| 1.11 Tonic major: 4 to 7 note chords, Lydian scale | |
| 1.12 Tonic major, mixed | |
| 1.13 Tonic minor: 5 and 6 note chords | |
| 1.14 Tonic minor: Dorian and melodic scales | |
| 1.15 mi7(b5) chords | |
| 1.16 Minor chords, mixed | |
| 1.17 Dominants, Mixolydian scale | |
| 1.18 Dominants, Mixolydian #11 mode | |
| 1.19 Dominants, altered scale | |
| 1.20 Dominants, diminished scale | |
| 1.21 Dominants, mixed | |
| 1.22 All chords, mixed | |
Jazz Workshops - Chord Progressions |
|
1: Module 1 |
|
| 1.1 Diatonic progressions, major | |
| 1.2 Diatonic progressions, major | |
| 1.3 Diatonic progressions, major | |
| 1.4 Diatonic progressions, minor | |
| 1.5 Diatonic progressions, minor, with Dominant 7 | |
| 1.6 Diatonic progressions, major, with Dominant V7/IV | |
| 1.7 Diatonic major, with Dominant V7/V | |
| 1.8 Diatonic major, with Dominant V7/II | |
| 1.9 Diatonic major, with Dominant V7/VI | |
| 1.10 Diatonic major, with Dominant V7/III | |
| 1.11 Major with all 5 secondary dominants | |
| 1.12 Major with tritone substituted dominants #1 | |
| 1.13 Major with tritone substituted dominants #2 | |
| 1.14 Major with tritone substituted dominants #3 | |
| 1.15 Major with a modal interchange chord | |
| 1.16 Major with at least 2 modal interchange chords | |
| 1.17 Major, various number of modal interchange chords | |
| 1.18 All themes mixed! | |
Jazz Workshops - Melodic Dictation |
|
1: Blues Scales and Songs |
|
| 1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
| 1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
| 1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
| 1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
| 1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
| 1.6 Melodic Dictation: "St. Louis Blues" | |
| 1.7 Melodic Dictation: "Beale Street Blues" | |
| 1.8 Exam: Blues "Licks" and "St. Louis Blues" | |
2: 1920's American Swing Hits |
|
| 2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
| 2.2 Melodic Dictation: "By the Light of the Silvery Moon" | |
| 2.3 Melodic Dictation: "Swanee" | |
| 2.4 Melodic Dictation: "Rock-a-bye Your Baby" | |
| 2.5 Melodic Dictation: "T'ain't Nobody's Business If I Do" | |
| 2.6 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
| 3.1 Natural Minor Patterns: 3 to 4 tones | |
| 3.2 Natural Minor Patterns: 5 to 6 tones | |
| 3.3 Melodic Dictation: "St. James Infirmary Blues" | |
| 3.4 Melodic Dictation: "Flee as a Bird" | |
| 3.5 Melodic Dictation: "King Chanticleer" | |
| 3.6 Melodic Dictation: "Some of these Days" | |
| 3.7 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
| 4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
| 4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
| 4.3 Melodic Dictation: "Missouri Waltz" | |
| 4.4 Melodic Dictation: "Sheik of Araby" | |
| 4.5 Melodic Dictation: "Ja Da" | |
| 4.6 Melodic Dictation: "Ain't We Got Fun" | |
| 4.7 Exam: Novelty Songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
| 5.1 Major Scales: Two-Measure Melodies with 7th leaps | |
| 5.2 Melodic Dictation: "Too Ra Loo Ra Loo Ral" | |
| 5.3 Melodic Dictation: "When Irish Eyes are Smiling" | |
| 5.4 Melodic Dictation: "Careless Love" | |
| 5.5 Melodic Dictation: "The Bells of St. Mary's" | |
| 5.6 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
| 6.1 Melodic Dictation: "Alexander's Ragtime Band" | |
| 6.2 Melodic Dictation: "When the Midnight Choo Choo Leaves for Alabam" | |
| 6.3 Melodic Dictation: "At the Devil's Ball" | |
| 6.4 Melodic Dictation: "Mandy" | |
| 6.5 Melodic Dictation: "I Never Knew" | |
| 6.6 Exam: Fun with Irving Berlin | |
7: Transcribe “After You've Gone” |
|
| 7.1 After You've Gone | |
Jazz Workshops - Melodic Sight-Singing |
|
1: Blues Scales and Blues Songs |
|
| 1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
| 1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
| 1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
| 1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
| 1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
| 1.6 Listening Activity: "St. Louis Blues" by W.C. Handy | |
| 1.7 Sight-Singing: "St. Louis Blues" | |
| 1.8 Listening Activity: "Beale Street Blues" | |
| 1.9 Sight-Singing: "Beale Street Blues" | |
| 1.10 Exam: Blues "Licks" and "The Blues" | |
2: 1920's American Swing Hits |
|
| 2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
| 2.2 Listening Activity: "By the Light of the Silvery Moon" | |
| 2.3 Sight-Singing: "By the Light of the Silvery Moon" | |
| 2.4 Listening Activity: "Swanee" by George Gershwin | |
| 2.5 Sight-Singing: "Swanee" | |
| 2.6 Listening Activity: "Rock-a-bye Your Baby (With a Dixie Melody)" | |
| 2.7 Sight-Singing: "Rock-a-bye Your Baby" | |
| 2.8 Listening Activity: "T'ain't Nobody's Business If I Do" | |
| 2.9 Sight-Singing: "Taint Nobody's Business..." | |
| 2.10 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
| 3.1 Natural Minor Patterns: 3 to 4 tones | |
| 3.2 Natural Minor Patterns: 5 to 6 tones | |
| 3.3 Listening Activity: "St. James Infirmary Blues" | |
| 3.4 Sight-Singing: "St. James Infirmary Blues" | |
| 3.5 Listening Activity: "Flee as a Bird" | |
| 3.6 Sight-Singing: "Flee as a Bird" | |
| 3.7 Listening Activity: "King Chanticleer" | |
| 3.8 Sight-Singing: "King Chanticleer" | |
| 3.9 Listening Activity: "Some of These Days" | |
| 3.10 Sight-Singing: "Some of these Days" | |
| 3.11 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
| 4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
| 4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
| 4.3 Listening Activity: "Missouri Waltz" | |
| 4.4 Sight-Singing: "Missouri Waltz" | |
| 4.5 Listening Activity: "The Sheik of Araby" | |
| 4.6 Sight-Singing: "Sheik of Araby" | |
| 4.7 Listening Activity: "Ja Da" | |
| 4.8 Sight-Singing: "Ja Da" | |
| 4.9 Listening Activity: "Ain't We Got Fun | |
| 4.10 Sight-Singing: "Ain't We Got Fun" | |
| 4.11 Exam: Novelty songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
| 5.1 Major Scales: Two-measure melodies with 7th interval leaps | |
| 5.2 Listening Activity: "Too-ra-loo-ra-loo-ra" | |
| 5.3 Sight-Singing: "Too Ra Loo" | |
| 5.4 Listening Activity: "When Irish Eyes are Smiling" | |
| 5.5 Sight-Singing: "When Irish Eyes are Smiling" | |
| 5.6 Listening Activity: "Careless Love" | |
| 5.7 Sight-Singing: "Careless Love" | |
| 5.8 Listening Activity: "The Bells of St. Mary's" | |
| 5.9 Sight-Singing: "The Bells of St. Mary's" | |
| 5.10 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
| 6.1 Listening Activity: "Alexander's Ragtime Band" | |
| 6.2 Sight-Singing: "Alexander's Ragtime Band" | |
| 6.3 Listening Activity: "Midnight Choo Choo" | |
| 6.4 Sight-Singing: "When the Midnight Choo Choo" | |
| 6.5 Listening Activity: "At the Devil's Ball" | |
| 6.6 Sight-Singing: "At the Devil's Ball" | |
| 6.7 Listening Activity: "Mandy" | |
| 6.8 Sight-Singing: "Mandy" | |
| 6.9 Listening Activity: "I Never Knew" | |
| 6.10 Sight-Singing: "I Never Knew" | |
| 6.11 Exam: Fun with Irving Berlin | |
7: Sight-Sing “After You've Gone” |
|
| 7.1 After You've Gone | |
Jazz Workshops - Melody Singback |
|
1: Blues Scales and Blues Songs |
|
| 1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar) | |
| 1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar) | |
| 1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar) | |
| 1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars) | |
| 1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars) | |
| 1.6 Sing or play back: "St. Louis Blues" | |
| 1.7 Sing or play back: "Beale Street Blues" | |
| 1.8 Exam: Blues "Licks" and "The Blues" | |
2: 1920's American Swing Hits |
|
| 2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones) | |
| 2.2 Sing or play back: "By the Light of the Silvery Moon" | |
| 2.3 Sing or play back: "Swanee" | |
| 2.4 Sing or play back: "Rock-a-bye Your Baby" | |
| 2.5 Sing or play back: "Taint Nobody's Business..." | |
| 2.6 Exam: American Swing Hits of the 1920's | |
3: Ballads and Blues in Minor |
|
| 3.1 Natural Minor Patterns: 3 to 4 tones | |
| 3.2 Natural Minor Patterns: 5 to 6 tones | |
| 3.3 Sing or play back: "St. James Infirmary Blues" | |
| 3.4 Sing or play back: "Flee as a Bird" | |
| 3.5 Sing or play back: "King Chanticleer" | |
| 3.6 Sing or play back: "Some of these Days" | |
| 3.7 Exam: Ballads and Blues in Minor Keys | |
4: Novelty Songs & Rhythms |
|
| 4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths | |
| 4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps | |
| 4.3 Sing or play back: "Missouri Waltz" | |
| 4.4 Sing or play back: "Sheik of Araby" | |
| 4.5 Sing or play back: "Ja Da" | |
| 4.6 Sing or play back: "Ain't We Got Fun" | |
| 4.7 Exam: Novelty Songs and Rhythms | |
5: Irish Ballads & Folk Music |
|
| 5.1 Major Scales: Two-measure melodies with 7th interval leaps | |
| 5.2 Sing or play back: "Too Ra Loo" | |
| 5.3 Sing or play back: "When Irish Eyes are Smiling" | |
| 5.4 Sing or play back: "Careless Love" | |
| 5.5 Sing or play back: "The Bells of St. Mary's" | |
| 5.6 Exam: Irish Ballads and Folk Music | |
6: Fun with Irving Berlin |
|
| 6.1 Sing or play back: "Alexander's Ragtime Band" | |
| 6.2 Sing or play back: "When the Midnight Choo Choo" | |
| 6.3 Sing or play back: "At the Devil's Ball" | |
| 6.4 Sing or play back: "Mandy" | |
| 6.5 Sing or play back: "I Never Knew" | |
| 6.6 Exam: Fun with Irving Berlin | |
7: Play “After You've Gone” by ear |
|
| 7.1 After You've Gone | |
Jazz Workshops - Rhythm Clapback |
|
1: Module 1 |
|
| 1.1 4/4 swing, half-, quarter- and eighth notes | |
| 1.2 4/4 swing with rests | |
| 1.3 4/4 swing, quarter notes and eighths, faster tempo | |
| 1.4 3/4 swing, quarter notes, eighths and rests | |
| 1.5 3/4 and 4/4 swing - two bars! | |
| 1.6 4/4 swing with eighth note triplets | |
| 1.7 4/4 swing with triplets | |
| 1.8 4/4 swing with triplets and rests | |
| 1.9 3/4 swing with triplets | |
| 1.10 3/4 and 4/4 swing, triplets and rest | |
| 1.11 6/8 | |
| 1.12 6/8 with rests | |
| 1.13 6/8, with rests and ties | |
| 1.14 4/4 straight with eighths and sixteenths. | |
| 1.15 3/4 and 4/4 straight with rests | |
| 1.16 6/8 with sixteenths | |
| 1.17 6/8 with sixteenths and ties | |
| 1.18 6/8 with sixteenths, rests and ties | |
| 1.19 6/8 with sixteenths. 2 bars. | |
| 1.20 6/8 with sixteenths and ties. 2 bars. | |
| 1.21 6/8 with sixteenths, rests and ties | |
| 1.22 Medium upswing, quarter notes, eighths and rests | |
| 1.23 Up-tempo swing, quarter notes, eighths and rests | |
| 1.24 Medium upswing, with rests and ties | |
| 1.25 Up-tempo swing, with rests and ties | |
| 1.26 Medium upswing, quarter notes, eighths and rests. | |
| 1.27 Up-tempo swing, tempo 200. Two bars | |
| 1.28 Medium upswing, with rests and ties. Two bars | |
| 1.29 Medium upswing, 2 bars, with quarter note triplets | |
| 1.30 Up-tempo swing, rests and ties. | |
| 1.31 Up-tempo swing, with quarter note triplets | |
| 1.32 Sixteenths swing. One bar | |
| 1.33 Sixteenths swing with sixteenth note triplets | |
| 1.34 Sixteenths swing with triplets and ties | |
| 1.35 Sixteenths swing with sixteenth note triplets | |
| 1.36 Straight rhythms with 16th and 32nd notes | |
| 1.37 Rhythms with 16th and 32nd notes and ties | |
| 1.38 Up-tempo swing with quarter note triplets. Two bars | |
| 1.39 Up-tempo swing with rests. Two bars | |
| 1.40 Up-tempo swing with more eighths. Two bars. | |
| 1.41 Up-tempo swing with quarter note triplets. 3 bars! | |
| 1.42 Up-tempo swing with rests. 3 bars. | |
| 1.43 Swing eighths with straight sixteenths. | |
| 1.44 Swing eighths with straight sixteenths and rests. | |
| 1.45 Sixteenths swing. 2 bars. | |
| 1.46 Sixteenths swing with triplets and ties. 2 bars. | |
| 1.47 Up-tempo swing with more eighths. | |
| 1.48 Swinging eighths and straight sixteenths. | |
| 1.49 Swinging eighths, straight sixteenths and rests. | |
Jazz Workshops - Rhythm Error Detection |
|
1: Module 1 |
|
| 1.1 4/4 swing, one bar, one error | |
| 1.2 4/4 swing, 2 bars, 2 errors | |
| 1.3 4/4 swing with rests | |
| 1.4 4/4 swing with rests, 2 bars, 2 errors | |
| 1.5 4/4 swing, faster tempo | |
| 1.6 4/4 swing, 2 bars, 2 errors | |
| 1.7 3/4 swing, 2 bars, 2 errors | |
| 1.8 3/4 and 4/4 swing, 2 errors | |
| 1.9 4/4 swing with eighth note triplets, 2 errors | |
| 1.10 4/4 swing with triplets, 2 errors | |
| 1.11 4/4 swing with triplets, 3 errors | |
| 1.12 4/4 swing with triplets and rests, 2 errors | |
| 1.13 4/4 swing with triplets and rests, 3 errors | |
| 1.14 3/4 swing with triplets, 2 bars, 2 errors | |
| 1.15 3/4 and 4/4 swing, triplets and rests, 4 errors | |
| 1.16 6/8, 2 errors | |
| 1.17 6/8, 2 errors | |
| 1.18 6/8 with rests, 2 errors | |
| 1.19 6/8 with rests, 3 errors | |
| 1.20 6/8 with rests and more eighths, 2 errors | |
| 1.21 6/8 with rests, 4 errors | |
| 1.22 4/4 with straight eighths and sixteenths, 2 errors | |
| 1.23 4/4 with straight eighths and sixteenths, 4 errors | |
| 1.24 3/4 and 4/4 straight, with rests, 2 errors | |
| 1.25 3/4 and 4/4 straight, with rests, 4 errors | |
| 1.26 6/8 with sixteenths, 2 errors | |
| 1.27 6/8 with sixteenths, 3 errors | |
| 1.28 6/8 with sixteenths, 2 errors | |
| 1.29 6/8 with triplets, 3 errors | |
| 1.30 Medium upswing | |
| 1.31 Medium upswing | |
| 1.32 Sixteenths swing | |
| 1.33 Sixteenths swing | |
| 1.34 Sixteenths swing with sixteenth note triplets | |
| 1.35 Sixteenths swing with sixteenth note triplets | |
| 1.36 Straight rhythms with 16th and 32nd notes #1 | |
| 1.37 Straight rhythms with 16th and 32nd notes #2 | |
| 1.38 Straight rhythms with 16th and 32nd notes #3 | |
| 1.39 Up-tempo swing #1 | |
| 1.40 Up-tempo swing #2 | |
| 1.41 Up-tempo swing #3 | |
| 1.42 Swing eighths with straight sixteenths | |
| 1.43 Swing eighths with straight sixteenths | |
Jazz Workshops - Rhythmic Dictation |
|
1: Module 1 |
|
| 1.1 4/4 swing, half-, quarter- and eighth notes | |
| 1.2 4/4 swing with rests | |
| 1.3 4/4 swing, quarter notes and eighths, faster tempo | |
| 1.4 3/4 swing, quarter notes, eighths and rests | |
| 1.5 3/4 and 4/4 swing - two bars! | |
| 1.6 4/4 swing with eighth note triplets | |
| 1.7 4/4 swing with triplets | |
| 1.8 4/4 swing with triplets and rests | |
| 1.9 3/4 swing with triplets | |
| 1.10 3/4 and 4/4 swing, triplets and rest | |
| 1.11 6/8 | |
| 1.12 6/8 with rests | |
| 1.13 6/8, with rests and ties | |
| 1.14 4/4 straight with eighths and sixteenths. | |
| 1.15 3/4 and 4/4 straight with rests | |
| 1.16 6/8 with sixteenths | |
| 1.17 6/8 with sixteenths and ties | |
| 1.18 6/8 with sixteenths, rests and ties | |
| 1.19 6/8 with sixteenths. 2 bars. | |
| 1.20 6/8 with sixteenths and ties. 2 bars. | |
| 1.21 6/8 with sixteenths, rests and ties | |
| 1.22 Medium upswing, quarter notes, eighths and rests | |
| 1.23 Up-tempo swing, quarter notes, eighths and rests | |
| 1.24 Medium upswing, with rests and ties | |
| 1.25 Up-tempo swing, with rests and ties | |
| 1.26 Medium upswing, quarter notes, eighths and rests. | |
| 1.27 Up-tempo swing, tempo 200. Two bars | |
| 1.28 Medium upswing, with rests and ties. Two bars | |
| 1.29 Medium upswing, 2 bars, with quarter note triplets | |
| 1.30 Up-tempo swing, rests and ties. | |
| 1.31 Up-tempo swing, with quarter note triplets | |
| 1.32 Sixteenths swing. One bar | |
| 1.33 Sixteenths swing with sixteenth note triplets | |
| 1.34 Sixteenths swing with triplets and ties | |
| 1.35 Sixteenths swing with sixteenth note triplets. | |
| 1.36 Straight rhythms with 16th and 32nd notes | |
| 1.37 Rhythms with 16th and 32nd notes and ties | |
| 1.38 Up-tempo swing with quarter note triplets. Two bars | |
| 1.39 Up-tempo swing with rests. Two bars | |
| 1.40 Up-tempo swing with more eighths. Two bars. | |
| 1.41 Up-tempo swing with quarter note triplets. 3 bars! | |
| 1.42 Up-tempo swing with rests. 3 bars. | |
| 1.43 Swing eighths with straight sixteenths. | |
| 1.44 Swing eighths with straight sixteenths and rests. | |
| 1.45 Sixteenths swing. 2 bars. | |
| 1.46 Sixteenths swing with triplets and ties. 2 bars. | |
| 1.47 Up-tempo swing with more eighths. | |
| 1.48 Swinging eighths and straight sixteenths. | |
| 1.49 Swinging eighths, straight sixteenths and rests. | |
Jazz Workshops - Rhythmic Sight-Reading |
|
1: Module 1 |
|
| 1.1 4/4 swing, half-, quarter- and eighth notes | |
| 1.2 4/4 swing with rests | |
| 1.3 4/4 swing, quarter notes and eighths, faster tempo | |
| 1.4 3/4 swing, quarter notes, eighths and rests | |
| 1.5 3/4 and 4/4 swing - two bars! | |
| 1.6 4/4 swing with eighth note triplets | |
| 1.7 4/4 swing with triplets | |
| 1.8 4/4 swing with triplets and rests | |
| 1.9 3/4 swing with triplets | |
| 1.10 3/4 and 4/4 swing, triplets and rest | |
| 1.11 6/8 | |
| 1.12 6/8 with rests | |
| 1.13 6/8, with rests and ties | |
| 1.14 4/4 straight with eighths and sixteenths. | |
| 1.15 3/4 and 4/4 straight with rests | |
| 1.16 6/8 with sixteenths | |
| 1.17 6/8 with sixteenths and ties | |
| 1.18 6/8 with sixteenths, rests and ties | |
| 1.19 Medium upswing, quarter notes, eighths and rests | |
| 1.20 Medium upswing with rests and ties | |
| 1.21 Sixteenths swing | |
| 1.22 Sixteenths swing with sixteenth note triplets | |
| 1.23 Sixteenths swing with triplets and ties | |
| 1.24 Straight rhythms with 16th and 32nd notes | |
| 1.25 Rhythms with 16th and 32nd notes and ties | |
| 1.26 Up-tempo swing | |
| 1.27 Up-tempo swing with rests | |
| 1.28 Up-tempo swing with more eighths | |
| 1.29 Swing eighths with straight sixteenths. | |
| 1.30 Swing eighths with straight sixteenths and rests. | |
Vous pouvez importer des partitions dans la bibliothèque de partitions d'EarMaster via le format de fichier MusicXML. Les partitions importées peuvent ensuite être utilisées pour créer des exercices EarMaster personnalisés dans ces activités :
- Chant à vue
- Dictée mélodique
- Reproduction de mélodies
- Lecture à vue rythmique
- Dictée rythmique
- Reproduction de rythmes
- Dépistage d'erreurs rythmiques
Qu'est-ce que le format MusicXML?
"MusicXML est un format d'échange et de distribution de partitions numériques. [...] Les informations musicales sont conçues pour être utilisables par des programmes de notation, des séquenceurs, des programmes d'éducation musicale et des bases de données musicales. Avec le format MusicXML, vous pouvez créer de la musique dans un programme et partager vos résultats - dans les deux sens - avec des personnes utilisant d'autres programmes."
Source: https://www.musicxml.com
Comment procéder
1. Préparez vos partitions
Créez une partition dans votre logiciel de notation (par exemple, Finale, Sibelius ou Musescore), puis allez dans le menu FICHIER (généralement) pour trouver la fonction "Exporter vers MusicXML".
Vous pouvez également trouver un grand nombre de partitions MusicXML prêtes à l'emploi dans les bibliothèques de partitions en ligne, telles que :
Bibliothèque Musescore - https://musescore.com/partition
Bibliothèque musicale IMSLP Petrucci - https://imslp.org/
ChoralWIKI - https://www.cpdl.org/wiki/
Hymnary - https://hymnary.org
NEUMA - http://neuma.huma-num.fr
Exigences relatives aux fichiers:
- Une signature rythmique par partition.
- Une signature clé par partition avec un maximum de 6 bémols et 5 dièses.
- Voix monophoniques uniquement (pas d'harmonies, une hauteur par valeur de note). Pour utiliser des harmonies, répartissez les notes sur plusieurs voix / portées.
- Maximum 8 voix monophoniques, dont l'une peut consister en des symboles d'accord (e.g. Lead sheet).
- Clés prises en charge: Sol, Fa et Ut Alto.
- Valeurs de note prises en charge: de la ronde à la triple-croche
EarMaster peut transposer automatiquement vos mélodies, vous pouvez donc les définir dans une clé spécifique, puis sélectionner les tonalités dans lesquelles vous souhaitez qu'EarMaster les transpose lorsque vous configurez vos exercices.
Seules les fonctionnalités prises en charge par EarMaster peuvent être importées. Les fonctionnalités non prises en charge seront soit ignorées par EarMaster, soit converties en valeurs similaires (par exemple, la signature rythmique 6/4 non prise en charge sera importée en tant que 12/8).
2. Importez votre partition dans EarMaster
Recherchez la bibliothèque musicale d'EarMaster via le menu Outils éducatifs. Ouvrez ensuite l'onglet Partitions et cliquez sur "Importer MusicXML" pour ajouter votre partition à la liste des partitions du logiciel.
3. Utilisez vos partitions dans des exercices personnalisés
Lorsque vous créez votre exercice personnalisé dans l'Éditeur de cours, vous pouvez sélectionner "Bibliothèque de partitions" dans "Source du matériel musical", puis ajouter des extraits de vos partitions à l'exercice via la section "Liste de questions".
Dans la section "Liste des questions", cliquez sur +pour voir la liste des partitions disponibles. Sélectionnez une partition puis définnez un intervalle de mesure à inclure, sélectionnez les voix qui seront jouées, celle qui sera évaluée, et celle qui servira d'accompagnement. Enfin, cliquez sur "OK" pour l'ajouter comme première question de votre exercice.
Pour ajouter une autre question, vous pouvez soit répéter la procédure décrite ci-dessus, soit cliquer sur l'icône Dupliquer pour copier la question précédente et modifier l'intervalle de mesure ou les options de voix.
Répétez l'opération jusqu'à ce que vous ayez obtenu le nombre de questions désiré pour votre exercice.
FAQ
Q: Puis-je exporter la bibliothèque de partitions d'EarMaster?
R: Oui, votre bibliothèque de partitions peut être exportée en tant que fichier de base de données EarMaster, puis importée dans une autre installation d'EarMaster. Pour ce faire, utilisez les boutons d'importation / exportation dans le coin supérieur droit de la liste des partitions dans la bibliothèque de partitions d'EarMaster.
Q: J'ai importé une partition mais elle ne ressemble et / ou ne sonne pas comme le fichier d'origine. Pourquoi?
R: Le standard MusicXML est énorme et couvre des tonnes de fonctionnalités et d'aspects qui ne sont pas utiles dans EarMaster. Par conséquent, certaines importations peuvent entraîner une modification des partitions au-delà de la reconnaissance. Nous améliorons constamment la fonctionnalité d'importation MusicXML, donc si vous rencontrez un tel problème, veuillez nous envoyer votre fichier MusicXML et une description du problème afin que nous puissions essayer d'améliorer cette fonctionnalité d'EarMaster.
Q: Puis-je importer des partitions MusicXML sur iPad?
R: Malheureusement non. Cette fonctionnalité n'est disponible que sur PC et Mac.
Q: Puis-je enregistrer un exercice personnalisé basé sur la bibliothèque de partitions d'EarMaster?
R: Oui, mais uniquement lors de l'utilisation de l'éditeur de cours, qui est disponible pour les utilisateurs d'EarMaster Cloud avec un compte Professeur.
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