Support for EarMaster Cloud Teachers

  • Connect to the Cloud
  • Teaching tools overview
  • Create assignments
  • Deploy assignments
  • Teaching Strategies
  • Review student results
  • MusicXML import
  • Included courses

Connect to the Cloud

How to proceed

Your EarMaster Cloud login credentials were sent to you by email when your user account was created by the admin of your school. You will need these credentials to connect EarMaster to the cloud on your PC, Mac or iPad. 

Your EarMaster Cloud credentials consist of:

  • The school ID of your school
  • Your user name
  • Your password

cloud login ipadiPad (students only)

  1. Download the free EarMaster App from the App Store
  2. Tap the cloud-shaped icon at the top left of the screen, type your EarMaster Cloud user credentials and tap "Log in". 

PC/Mac (students and teachers)

  1. Download EarMaster for PC or Mac using the download link located in the email you received from EarMaster Cloud. 
  2. Tap the cloud-shaped icon at the top left of the screen, type your EarMaster Cloud user credentials and tap "Log in". 

If you are a Teacher, you will have access to 2 tabs at the bottom of the screen:

  • A Teacher view that gives you access to EarMaster's 4 teaching tools: Student Results, Assignment Manager, Workbook Editor, and Music Library.
  • A Normal view which shows you the standard home screen of EarMaster, as seen by your students.

Lost your credentials?

Don't worry. Go to this page and type the email address that was used to create your EarMaster Cloud user account. You will then receive an email with new credentials.

Overview of the Teaching Tools

When you log into EarMaster on PC/Mac as a teacher, you are met by 4 teaching tools:

teachingtools

  • Students Results - the results of your students
  • Assignment Manager - the place where you can assign workbooks (formerly called "Courses" in EarMaster 6) to your classes and students
  • Workbook Editor - where you can create assignments and save them on your computer.
  • Music Library - where you can have a complete overview of all items available for your lessons, such as chords, scales, melodies, etc.

HOW TO PROCEED

  1. Create an assignment with the Workbook Editor and save it on your computer
  2. Open the Assignment Manager, select a class or a single user in the left column, and click on "Add Assignment" to send your assignment to that class or user.
  3. When students have completed your lessons, you can check their results in the Student Results area.

Check out the video tutorial below and the other tabs of this support sections to obtain more details on each of the steps described above. 

Video tutorial: Teacher workfow in EarMaster Cloud

How to create assignments

Open the Workbook Editor

You can create assignments for your students in the Workbook Editor, which is available from the home screen of EarMaster when you are logged in with a Teacher account.

work edit

 

Structure of a Workbook

An EarMaster workbook is structured around 2 levels: Modules and Lessons.

workbook struct

A module is simply a group of lessons, and the module title is the general heading for these lessons. When designing your workbook, you can use the modules to organize your lessons according to themes, difficulty levels, or curriculum steps.

Lessons are the actual training material of your course. A lesson can be either an exercise, explanations with audio and visual examples, or a mix of both.

A common way to structure a course is to include in each module a group of lessons that introduces variations on the same theme. It could be for instance the same intervals, melodies, or chords executed differently, played in a different key or at a different tempo, etc. The passing threshold would be set very low (even as low as 0%) so that the students may experience variation during the training session instead of getting stuck in a particular lesson. The last lesson of a module can be a test with a higher passing threshold. For that last 'test' lesson, you could set the setting If failed, go to so as to have the student retake the whole module if failed.

Name and describe the Workbook

You can name the workbook by clicking on "Unnamed Workbook" at the top of the screen.

wb title

Add modules

To add a module, click on the + icon in the module toolbar. 

Add lessons

To add a lesson, click on the + icon is the lesson toolbar. Then select an activity type in the Exercise Setup part of the screen, below the description of the lesson.

Depending on which activity you have selected, you will find different sets of options to configure your lesson. 

Import lessons from existing workbooks

Besides configuring your lessons from scratch, you can also import lessons from existing workbooks. To do that, open the Tools menu and click on Import lessons from workbook. If the workbook you are looking for isn't listed, you can click on browse to locate a workbook on your computer. 

importworkbook

Once you have selected the workbook you want to import from, you will see a list of all the modules and lessons it includes (and the workshops in the case of EarMaster's General and Jazz workshops). Select the content you need, and click OK to add the selected module/lessons/workshops to your custom workshop.

 importworkbook2

Save your Workbook

To save your Workbook, go to File-->Save Workbook or Save Workbook As…

Workbooks can only be saved locally on your computer. They will be uploaded to the Cloud when you assign them to students.

Notice that Workbooks located in the cloud can't be modified. You can only modify your local copy of the workbook and then upload it as a new separate assignment. If the assignment you have modified is already assigned to students. You must unassign it before uploading its modified version to avoid having students use different versions of your assignment. The modified assignment will be treated as a new assignment in the Student Results for the simple reason that it does not have the exact same content and structure as the old one.

Try your Workbook

To try your Workbook in EarMaster, go to the FILE menu at the top of the Window and choose "Open Workbook". Find your Workbook on your local computer and click Open to load your Workbook in the home screen of EarMaster, under the "Normal View" tab. The Workbook will be updated every time you modify it in the Workbook Editor and save your changes. 

Assign your Workbook to students

You can assign your Workbooks to whole classes as Class Assignments, or to individual students as Personal Assignments via the Assignment Manager. For more details on this, please check the Deploy Assignments tab.

How to Deploy Assignments

 In EarMaster Cloud, an assignment is a Workbook created with the Workbook Editor and sent to a class or individual students via the Assignment Manager.

assignment manager

The Assignment Manager

To deploy your assignments, open the Assignment Manager from the home screen of EarMaster on PC/Mac. The Assignment Manager is only available when you are using EarMaster with a Teacher account. 

Currently, EarMaster Cloud supports only one class assignment per class and one personal assignment per student at a time.

Assign a Workbook to a Class

Select a class in the left column, and click on Add assignment. The loaded workbook will become that class' current assignment.

add assignment

All the students enrolled in that class will now see a new entry titled [Class name] Assignments in the list of training modes when they open EarMaster. When clicking on that new entry, they will be able to see and use their current assignment.

Replace the current assignment by a new assignment

When you would like your students to use a new assignment, you can remove the current assignment for the selected class by clicking on the cross-shaped icon next to the assignment's title, and then replace it by a new one by clicking on Add assignment.

remove assignment

Your students will see the new assignment the next time they start EarMaster.

Remove an assignment

Removing an assignment for a student or a class via the Assignment Manager will make it disappear from the home screens of the students. To remove an assignment, click on the cross-shaped icon to the right of the assignment's title, as illustrated in the screenshot above.

Multiple assignments to a Class

Currently, EarMaster only supports one assignment at a time for a class, and it is not yet possible to queue multiple assignments. But there is a workaround that allows you to assign multiple workbooks to a group of students:

If you want to add 3 assignments simultaneously to your students, create 3 classes in EarMaster Cloud, and then add the same students to all 3 classes. Now you can make one assignment for each of your classes, and since each student is a member of all 3 classes, the assignments will show up as 3 different entries in the home screen of EarMaster.

Disadvantage: if you already have many classes in your school account, then multiplying them with many assignments will give you a large number of classes.

You can name those classes in several ways, depending on your teaching strategy:

- Week 1
- Week 2
- Week 3

or 

- Harmony
- Sight-Singing
- Rhythm

Teaching Strategies

There are several possible teaching strategies to incorporate EarMaster in your courses. We will list some of them below:

One workbook per week/month/trimester/semester

Assign one workbook to each class every week, month, trimester or semester. You can prepare the next assignment in advance by working on a new workbook saved locally, or by adding new lessons to a Master Workbook (see further down).

As soon as students are supposed to switch to the next workbook, change the current assignment in EarMaster's Assignment Manager, and the software will load the new assignment in the student versions automatically. 

One workbook per discipline

In the web Admin interface (https://cloud.earmaster.com), create one class per specialty (for example: ear training, harmony, sight-singing, etc.). Then add all your students to each of those classes and assign a specialized workbook per class. That way, your students can work with multiple workbooks at the same time.

Notice that this solution works only for smaller accounts. If you have multiple courses with many students, this solution might incur too much extra work. 

One 'master workbook' to rule them all

In order to compile a whole year's worth of exercises into a single workbook, what you can do is keep a 'master workbook' saved locally on your computer, and add lessons to it as the year passes. Every time you want to send an assignment to your students, you can create a smaller workbook and import lessons or modules from that 'master workbook' using the Tools-->Import lessons from workbook option in the Workbook Editor.

That way, when the year has passed, you will have a all the assignments from the passed year nicely gathered into a single workbook, ready to be reused next year.

Reviewing Student Results

In the Student Results section of EarMaster, you can easily review the results obtained by your students when using your assignments or the built-in courses of EarMaster. Each time a student completes a lesson, the results are stored online in your EarMaster Cloud account and you can view them immediately.

Simply choose

  1. The group of students to show (i.e. the class), on the left side of the toolbar.

  2. The date range to show
  3. The assignment to show (i.e. the Workbook), at the right side of the toolbar.

student results

When you have done that, all statistics available for the selected assignment, course or workbook are shown next to each student. To go into more detail, navigate to specific modules or even a specific lesson to compare the results of your students. You can also double-click on a student's name to see a detailed list of scores for each of his individual attempts.

Instead of choosing a specific assignment in the right part of the toolbar, you can also choose “All Results”. That option will show the total training time and statistics for everything the student has done in EarMaster (except for the Customized Exercise mode, which is the student's private space and isn't shared on the cloud).

For a description of each column and other screen elements, please click the circled ? button at the top right corner.

Notice: Results obtained by the students in the Customized Exercise training mode are not uploaded to the Cloud. They are a free space for students to practice on their own without being monitored. 

MusicXML Import

You can import scores into EarMaster's score library via the MusicXML file format. Imported scores can then be used to make custom EarMaster exercises in these activities:

  • Sight-Singing
  • Melodic Dictation
  • Melody Singback
  • Rhythmic Sight-Reading
  • Rhythmic Dictation
  • Rhythm Clapback
  • Rhythm Error Detection

What is MusicXML?

"MusicXML is a digital sheet music interchange and distribution format. [...] The musical information is designed to be usable by notation programs, sequencers and other performance programs, music education programs, and music databases. [...] With MusicXML you can create music in one program and share your results – back and forth – with people using other programs."

Source: https://www.musicxml.com

How to proceed

1. Prepare your scores

Create a score in your notation software (e.g. Finale, Sibelius or Musescore), and then go to the FILE menu (usually) to find the Export to MusicXML function.

You can also find a large number of ready-to-use MusicXML scores in online score libraries, such as: 

Musescore libraryhttps://musescore.com/sheetmusic
IMSLP Petrucci Music Libraryhttps://imslp.org/
ChoralWIKIhttps://www.cpdl.org/wiki/
Hymnaryhttps://hymnary.org
NEUMAhttp://neuma.huma-num.fr

File requirements:
- One time signature per score.
- One key signature per score with maximum 6 flats and 5 sharps.
- Monophonic voices only (no harmonies, one note at a time). To use harmonies, spread the notes across multiple voices/staves.
- Maximum 8 monophonic voices, one of which can be chord symbols.
- Supported clefs: Treble, Bass and Alto.
- Supported note values: whole note to 32nd

EarMaster can transpose your melodies automatically, so you can define them in a specific key and then select the keys in which you want EarMaster to transpose them when you set up your exercises.

Only features supported by EarMaster can be imported. Unsupported features will be either ignored by EarMaster or converted to similar values (e.g. the unsupported 6/4 time signature will be imported as 12/8).

2. Import your score into EarMaster

Find EarMaster's Music Library via the Teaching Tools menu. Then open the Scores tab and click on "Import MusicXML" to add your score to the list of scores.

3. Use your imported scores in custom exercises

When you make your custom exercise in the Workbook Editor, you can select "Score library" in the "Source of musical material" section, and then choose scores from the library as questions via the "List of questions" section.

In the "List of questions" section, click on + to see the list of available scores. Then trim the score by defining a bar interval, select which voices will be played back, which one will be evaluated, and which will act as accompaniment. Finally, click "OK" to add it as the first question in your exercise.

To add another question, you can either repeat the procedure described above, or you can click on the Duplicate icon to copy the previous question and change the bar interval or the voice options.

Repeat the operation until you have the expected number of questions/excerpts for your exercise.

FAQ

Q: Can I export the score library of EarMaster?
A: Yes, your score library can be exported as an EarMaster database file, and then imported into another EarMaster installation. To do that, use the import/export buttons at the top right corner of the list of scores in the score library of EarMaster.

Q: I imported a score but it looks and/or sounds nothing like the original file. How come?
A: The MusicXML standard is huge and covers tons of features and aspects that are not useful in EarMaster. Therefore, some imports might result in scores being altered beyond recognition. We are constantly improving the MusicXML import feature, so if you experience such a problem, please send us your MusicXML file and a description of the problem so that we may try to improve that feature of EarMaster.

Q: Can I import MusicXML scores on iPad?
A: Unfortunately no. That feature is only available on PC and Mac.

Q: Can I save a custom exercise based on EarMaster's Score library?
A: Yes, but only when using the Workbook Editor, which is available to EarMaster Cloud users with teacher access level.

Courses and workshops available in EarMaster

Click on a course or workshop title to view its full content.

Notice that the available of the courses and workshops listed below depends on the license that you purchased. For more information, please refer to this Version comparison.

📕 Beginner's Course


1: Welcome to the Beginner's Course

1.1 Introduction to the course

2: Pitch

2.1 Musical Pitch
2.2 Pitch Matching: One Note (any note in range)
2.3 Introduction to Pitch Intervals
2.4 More Pitch Intervals
2.5 Pitch Interval Names
2.6 Pitch Matching: Two Notes (C, D)
2.7 Module Recap

3: Pulse

3.1 Beat (Pulse)
3.2 Tapping with the Metronome
3.3 Skipping Beats
3.4 Introduction to Beat Notation
3.5 Beat Error Detections
3.6 Beat Dictation
3.7 Module Recap

4: Pitch Notation

4.1 Pitch Sight-Singing
4.2 Pitch Dictation with 2 notes
4.3 Pitch Dictation with 3 notes
4.4 Pitch Dictation with 4 notes
4.5 Melodic Dictation
4.6 Module Recap

5: Duration

5.1 Rhythmic Duration
5.2 Performing Note Onsets and Offsets
5.3 Rhythm Error Detection
5.4 Rhythm Sight-Reading
5.5 Rhythm Dictation
5.6 Clapping Back Rhythms with Half Rests
5.7 Half Rest Error Detection
5.8 Sight-Reading Rhythms with Half Rests
5.9 Rhythmic Dictation with Half Rests
5.10 Module Recap

6: Tonality

6.1 Tonality
6.2 Pitch Matching
6.3 Three Melodic Intervals
6.4 Interval Identification
6.5 Interval Singing
6.6 Tonal Threads (3 notes)
6.7 Pitch Dictation
6.8 Singing Melodic Fragments by ear
6.9 Singing Melodic Fragments by sight
6.10 Melodic Dictation
6.11 Singing a Tune: Tchaikovsky's 1812 Overture
6.12 Module Recap

7: Measures

7.1 Whole Notes & Rests
7.2 Whole notes & whole rests
7.3 Whole Note Error Detection
7.4 Whole Note Sight-Reading
7.5 Whole Note Rhythmic Dictation
7.6 Two Beat Measures: Clapback
7.7 Two Beat Measures: Error detection
7.8 Two Beat Measures: Sight-Reading
7.9 Two Beat Measures: Dictation
7.10 Singing a Tune
7.11 Module Recap

8: The Sub-dominant

8.1 The Sub-dominant Scale Degree
8.2 Interval Learning (Perfect 4th)
8.3 Melodic Interval Identification
8.4 Singing within the Major Scale
8.5 Tonal Threads (3 notes)
8.6 Pitch Dictation (4 notes)
8.7 Singing Melodic Fragments (by ear)
8.8 Singing Melodic Fragments (by sight)
8.9 Dictating Melodies
8.10 Singing A Tune
8.11 Module Recap

9: Dotted Half Note Rhythms

9.1 Dotted Rhythms
9.2 Dotted Half Notes & Dotted Half Rests
9.3 Dotted Half Note Error Detection
9.4 Dotted Half Note Sight-Reading
9.5 Dotted Half Note Rhythmic Dictation
9.6 Three Beat Measures: Clapback
9.7 Three Beat Measures: Error Detection
9.8 Three Beat Measures: Sight-Reading
9.9 Three Beat Measures: Dictation
9.10 Module Recap

10: The Dominant

10.1 The Dominant
10.2 The Perfect 5th
10.3 Interval Identification
10.4 Interval Singing
10.5 Tonal Threads (3 notes)
10.6 Pitch Dictation (4 notes)
10.7 Pitch Dictation (5 notes)
10.8 Singing Melodic Fragments (by ear)
10.9 Singing Melodic Fragments (by sight)
10.10 Dictating Melodies
10.11 Singing A Tune: Frère Jacques
10.12 Module Recap

11: Consonance & Dissonance

11.1 Hearing Harmonically
11.2 Dissonance & Consonance
11.3 Dissonance & Consonance
11.4 Consonant & Dissonant Chords
11.5 Chords in context
11.6 Chords in context (3 chord progressions)
11.7 Singing a Tune: Beethoven's Ode to Joy
11.8 Module Recap

12: Simple Subdivisions

12.1 Subdivisions of the Beat
12.2 Constant Subdivisions
12.3 Eighth Note Clapback
12.4 Eighth Note Error Detection
12.5 Eighth Note Sight-Reading
12.6 Eighth Note Rhythmic Dictation
12.7 Rhythmic Dictation: Joy to the World
12.8 Singing a Tune: Simple Gifts
12.9 Module Recap

13: The Leading Tone

13.1 The Leading Tone
13.2 Interval Comparison
13.3 Interval Identification
13.4 Interval Singing
13.5 Tonal Threads (3 notes)
13.6 Pitch Dictation (4 notes)
13.7 Pitch Dictation (5 notes)
13.8 Singing Melodic Fragments (by ear)
13.9 Singing Melodic Fragments (by sight)
13.10 Transcribing Melodies
13.11 Singing a Tune: Haydn's Surprise Symphony
13.12 Module Recap

14: Triads

14.1 Triads
14.2 Ascending Melodic Thirds
14.3 Ascending Melodic Thirds: Identification
14.4 Ascending Melodic Triads
14.5 Descending Melodic Thirds: Learning
14.6 Descending Melodic Thirds: Identification
14.7 Descending Melodic Triads: Identification
14.8 Harmonic Thirds: Learning
14.9 Harmonic Thirds: Identification
14.10 Harmonic Triads: Identification
14.11 Singing A Tune: Rossini's William Tell Overture
14.12 Module Recap

15: Syncopation

15.1 Syncopation
15.2 Basic Syncopated Rhythms
15.3 Syncopation Clapback
15.4 Syncopation Error Detection
15.5 Syncopation Error Detection (2)
15.6 Syncopated Sight-Reading
15.7 Syncopation Rhythmic Dictation
15.8 Tapping a Tune: Panama
15.9 Singing A Tune: Mozart's Eine Kleine Nachtmusik
15.10 Module Recap

16: The Submediant

16.1 The Submediant
16.2 The Submediant Scale Degree
16.3 Interval Identification
16.4 Interval Singing
16.5 Tonal Threads (3 notes)
16.6 Pitch Dictation (4 notes)
16.7 Pitch Dictation (5 notes)
16.8 Singing Melodic Fragments (by ear)
16.9 Singing Melodic Fragments (by sight)
16.10 Transcribing Melodies
16.11 Singing a Tune: Twinkle, Twinkle Little Star
16.12 Module Recap

17: Other Triad Types

17.1 Augmented and Diminished Triads
17.2 Review of Ascending Thirds
17.3 The Four Triads (ascending)
17.4 Review of Descending Thirds
17.5 The Four Triads (descending)
17.6 Review of Harmonic Thirds
17.7 The Four Triads (harmonic)
17.8 Review of thirds (mixed)
17.9 The Four Triad types (mixed)
17.10 Singing a Tune: Home on the Range
17.11 Module Recap

18: Ties

18.1 Rhythmic Ties
18.2 Clapping Back Rhythms with Ties
18.3 Clapping Back Rhythms with Ties (2)
18.4 Detecting Errors in Rhythms with Ties
18.5 Detecting Errors in Rhythms with Ties (2)
18.6 Sight-Reading Rhythms with Ties
18.7 Transcribing Rhythms with Ties
18.8 Tapping a Tune: All the Girls Go Crazy
18.9 Singing a Tune: Rock-A My Soul
18.10 Module Recap

19: Harmonic Progressions

19.1 Introduction to Harmonic Progressions
19.2 Singing Bass Patterns
19.3 Bass Pattern Dictation
19.4 Singing a Tune: Pachabel's Canon in D
19.5 Chord Quality Review (Major & Minor)
19.6 Chord Progressions (I, ii, V)
19.7 Chord Progressions (I, ii, V)
19.8 Subdominant Bass Patterns
19.9 Subdominant Bass Pattern Dictation
19.10 Two-Chord Progressions (I, ii, IV, V)
19.11 Chord Progressions (I, ii, IV, V)
19.12 Module Recap

20: Compound Subdivisions

20.1 Compound Beat Subdivisions
20.2 Introduction to Compound Beat Subdivisions
20.3 Clapping Back Compound Beat Subdivisions
20.4 Detecting Errors in Compound Beat Subdivisions
20.5 Detecting Errors in Compound Beat Subdivisions (2)
20.6 Sight-Reading Rhythms with Compound Subdivisions
20.7 Transcribing Rhythms with Compound Subdivisions
20.8 Tapping a Tune: Courenta dei Butei
20.9 Singing a Tune: Bach's Jesu, Joy of Man's Desiring
20.10 Module Recap

21: The Complete Major Scale

21.1 The Complete Major Scale
21.2 Interval Comparison
21.3 Interval Identification
21.4 Interval Singing
21.5 Tonal Threads (3 notes)
21.6 Pitch Dictation (4 notes)
21.7 Pitch Dictation (5 Notes)
21.8 Singing Melodic Fragments (by ear)
21.9 Singing Melodic Fragments (by sight)
21.10 Transcribing Melodies
21.11 Singing a Tune: Row, Row, Row Your Boat
21.12 Module Recap

22: Course Mastery Tests

22.1 The Mastery Module
22.2 Interval Comparison Mastery
22.3 Interval Identification Mastery
22.4 Triad Identification Mastery
22.5 Chord Progression Mastery
22.6 Rhythmic Sight-reading Mastery
22.7 Rhythmic Dictation Mastery
22.8 Pitch Sight-Singing Mastery
22.9 Pitch Dictation Mastery
22.10 Melodic Sight-Reading Mastery
22.11 Melodic Dictation Mastery
22.12 Tapping a Tune: Mastery
22.13 Learning A Tune: Mastery
22.14 Course Completion

📕 General Workshops - Chord Identification


1: Identify the Major & the Minor Chords

1.1 Major & Minor - Ascending
1.2 Major & Minor - Descending
1.3 Major & Minor - Harmonic
1.4 Major & Minor - Harmonic, Ascending & Descending

2: Identify the Major, Minor & Sus4 Chords

2.1 Major, Minor & Sus4 - Ascending
2.2 Major, Minor & Sus4 - Descending
2.3 Major, Minor & Sus4 - Harmonic
2.4 Major, Minor & Sus4 - Harmonic, Ascending & Descending

3: Major Chords with Alternating 5th

3.1 Major, Major(b5) & Aug - Ascending
3.2 Major, Major(b5) & Aug - Descending
3.3 Major, Major(b5) & Aug - Harmonic
3.4 Major, Major(b5) & Aug - Harmonic, Ascending & Descending

4: Identify the Minor & the Minor(b5) Chords

4.1 Minor & Dim - Ascending
4.2 Minor & Dim - Descending
4.3 Minor & Dim - Harmonic
4.4 Minor & Dim - Harmonic, Ascending & Descending

5: Identify the Sus Chords

5.1 Sus2 & Sus4 - Ascending
5.2 Sus2 & Sus4 - Descending
5.3 Sus2 & Sus4 - Harmonic
5.4 Sus2 & Sus4 - Harmonic, Ascending & Descending

6: Triads with an Altered 5th

6.1 Dim, Major(b5) & Aug - Ascending
6.2 Dim, Major(b5) & Aug - Descending
6.3 Dim, Major(b5) & Aug - Harmonic
6.4 Dim, Major(b5) & Aug - Harmonic, Ascending & Descending

7: Identify All Triads

7.1 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Ascending
7.2 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Descending
7.3 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic
7.4 Major, Minor, Dim, Major(b5), Aug, Sus2 & Sus4 - Harmonic, Ascending & Descending

8: Major Triad with an Added Chord Tone

8.1 7, Maj7 & Add6 - Ascending
8.2 7, Maj7 & Add6 - Descending
8.3 7, Maj7 & Add6 - Harmonic
8.4 7, Maj7 & Add6 - Harmonic, Ascending & Descending

9: Minor Triad with an Added Chord Tone

9.1 Mi7, Mi,maj7 & Mi,add6 - Ascending
9.2 Mi7, Mi,maj7 & Mi,add6 - Descending
9.3 Mi7, Mi,maj7 & Mi,add6 - Harmonic
9.4 Mi7, Mi,maj7 & Mi,add6 - Harmonic, Ascending & Descending

10: Minor(b5) with an Added Chord Tone

10.1 Dim7, Mi7(b5) & dim,maj7 - Ascending
10.2 Dim7, Mi7(b5) & dim,maj7 - Descending
10.3 Dim7, Mi7(b5) & dim,maj7 - Harmonic
10.4 Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending

11: Major(b5) with an Added Chord Tone

11.1 7(b5) & maj7(b5) - Ascending
11.2 7(b5) & maj7(b5) - Descending
11.3 7(b5) & maj7(b5) - Harmonic
11.4 7(b5) & maj7(b5) - Harmonic, Ascending & Descending

12: Major(#5) with an Added Chord Tone

12.1 7(#5) & maj7(#5) - Ascending
12.2 7(#5) & maj7(#5) - Descending
12.3 7(#5) & maj7(#5) - Harmonic
12.4 7(#5) & maj7(#5) - Harmonic, Ascending & Descending

13: Sus Triads with an Added Minor 7th

13.1 7(sus4) & 7(sus2) - Ascending
13.2 7(sus4) & 7(sus2) - Descending
13.3 7(sus4) & 7(sus2) - Harmonic
13.4 7(sus4) & 7(sus2) - Harmonic, Ascending & Descending

14: Sus Triads with an Added Major 7th

14.1 maj7(sus2) & maj7(sus4) - Ascending
14.2 maj7(sus2) & maj7(sus4) - Descending
14.3 maj7(sus2) & maj7(sus4) - Harmonic
14.4 maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending

15: Sus Seventh Chords

15.1 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Ascending
15.2 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Descending
15.3 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic
15.4 7(sus4), 7(sus2), maj7(sus2) & maj7(sus4) - Harmonic, Ascending & Descending

16: Maj7 Chords with a Perfect or Altered 5th

16.1 Maj7, maj7(b5) & maj7(#5) - Ascending
16.2 Maj7, maj7(b5) & maj7(#5) - Descending
16.3 Maj7, maj7(b5) & maj7(#5) - Harmonic
16.4 Maj7, maj7(b5) & maj7(#5) - Harmonic, Ascending & Descending

17: 7th Chords with a Perfect or Altered 5th

17.1 7, 7(b5) & 7(#5) - Ascending
17.2 7, 7(b5) & 7(#5) - Descending
17.3 7, 7(b5) & 7(#5) - Harmonic
17.4 7, 7(b5) & 7(#5) - Harmonic, Ascending & Descending

18: Minor7 and Maj7 Chords with a Perfect or Altered 5th

18.1 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Ascending
18.2 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Descending
18.3 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic
18.4 Mi7, Mi,maj7, Dim7, Mi7(b5) & dim,maj7 - Harmonic, Ascending & Descending

19: All the Maj7 Chords

19.1 All the Maj7 chords - Ascending
19.2 All the Maj7 chords - Descending
19.3 All the Maj7 chords - Harmonic
19.4 All the Maj7 chords - Harmonic, Ascending & Descending

20: All Chords with a Minor 7th

20.1 All chords with a minor 7th - Ascending
20.2 All chords with a minor 7th - Descending
20.3 All chords with a minor 7th - Harmonic
20.4 All chords with a minor 7th - Harmonic, Ascending & Descending

21: Chords with a Major 6th or Diminished 7

21.1 Dim7, Add6 & Mi,add6 - Ascending
21.2 Dim7, Add6 & Mi,add6 - Descending
21.3 Dim7, Add6 & Mi,add6 - Harmonic
21.4 Dim7, Add6 & Mi,add6 - Harmonic, Ascending & Descending

22: All 7th Chords

22.1 All 7th chords - Ascending
22.2 All 7th chords - Descending
22.3 All 7th chords - Harmonic
22.4 All 7th chords - Harmonic, Ascending & Descending

📕 General Workshops - Chord Inversions


1: Module 1

1.1 Inversions of the Major chord - Ascending
1.2 Inversions of the Major chord - Descending
1.3 Inversions of the Major chord - Harmonic
1.4 Inversions of the Major chord - Harmonic, Ascending & Descending

2: Module 2

2.1 Inversions of the Minor chord - Ascending
2.2 Inversions of the Minor chord - Descending
2.3 Inversions of the Minor chord - Harmonic
2.4 Inversions of the Minor chord - Harmonic, Ascending & Descending

3: Module 3

3.1 Inversions of the Sus4 chord - Ascending
3.2 Inversions of the Sus4 chord - Descending
3.3 Inversions of the Sus4 chord - Harmonic
3.4 Inversions of the Sus4 chord - Harmonic, Ascending & Descending

4: Module 4

4.1 Inversions of the Major(b5) chord - Ascending
4.2 Inversions of the Major(b5) chord - Descending
4.3 Inversions of the Major(b5) chord - Harmonic
4.4 Inversions of the Major(b5) chord - Harmonic, Ascending & Descending

5: Module 5

5.1 Inversions of the Dim chord - Ascending
5.2 Inversions of the Dim chord - Descending
5.3 Inversions of the Dim chord - Harmonic
5.4 Inversions of the Dim chord - Harmonic, Ascending & Descending

6: Major with Perfect or Altered 5th

6.1 Major, Aug & Major(b5) - Ascending
6.2 Major, Aug & Major(b5) - Descending
6.3 Major, Aug & Major(b5) - Harmonic
6.4 Major, Aug & Major(b5) - Harmonic, Ascending & Descending

7: Minor with Perfect or Altered 5th

7.1 Inversions of the Minor & Dim chords - Ascending
7.2 Inversions of the Minor & Dim chords - Descending
7.3 Inversions of the Minor & Dim chords - Harmonic
7.4 Inversions of the Minor & Dim chords - Harmonic, Ascending & Descending

8: Minor & Major with Altered 5th

8.1 Inversions of the Dim, Aug & Major(b5) chords - Ascending
8.2 Inversions of the Dim, Aug & Major(b5) chords - Descending
8.3 Inversions of the Dim, Aug & Major(b5) chords - Harmonic
8.4 Inversions of the Dim, Aug & Major(b5) chords - Harmonic, Ascending & Descending

9: All the Triads

9.1 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Ascending
9.2 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Descending
9.3 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic
9.4 Major, Minor, Dim, Aug, Sus4 & Major(b5) - Harmonic, Ascending & Descending

10: Module 10

10.1 Inversions of the Maj7 & 7 chords - Ascending
10.2 Inversions of the Maj7 & 7 chords - Descending
10.3 Inversions of the Maj7 & 7 chords - Harmonic
10.4 Inversions of the Maj7 & 7 chords - Harmonic, Ascending & Descending

11: Module 11

11.1 Inversions of the Mi7 & Mi,maj7 chords - Ascending
11.2 Inversions of the Mi7 & Mi,maj7 chords - Descending
11.3 Inversions of the Mi7 & Mi,maj7 chords - Harmonic
11.4 Inversions of the Mi7 & Mi,maj7 chords - Harmonic, Ascending & Descending

12: Module 12

12.1 Inversions of the Mi7(b5), Dim7 & chords - Ascending
12.2 Inversions of the Mi7(b5), Dim7 & chords - Descending
12.3 Inversions of the Mi7(b5), Dim7 & chords - Harmonic
12.4 Inversions of the Mi7(b5), Dim7 & chords - Harmonic, Ascending & Descending

13: Module 13

13.1 Inversions of the 7(b5) & chords - Ascending
13.2 Inversions of the 7(b5) & chords - Descending
13.3 Inversions of the 7(b5) & chords - Harmonic
13.4 Inversions of the 7(b5) & chords - Harmonic, Ascending & Descending

14: Module 14

14.1 Inversions of the 7(#5) & chords - Ascending
14.2 Inversions of the 7(#5) & chords - Descending
14.3 Inversions of the 7(#5) & chords - Harmonic
14.4 Inversions of the 7(#5) & chords - Harmonic, Ascending & Descending

15: Module 15

15.1 Inversions of the 7, 7(b5) & 7(#5) chords - Ascending
15.2 Inversions of the 7, 7(b5) & 7(#5) chords - Descending
15.3 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic
15.4 Inversions of the 7, 7(b5) & 7(#5) chords - Harmonic, Ascending & Descending

16: Module 16

16.1 Inversions of the Maj7, & chords - Ascending
16.2 Inversions of the Maj7, & chords - Descending
16.3 Inversions of the Maj7, & chords - Harmonic
16.4 Inversions of the Maj7, & chords - Harmonic, Ascending & Descending

17: Module 17

17.1 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Ascending
17.2 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Descending
17.3 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic
17.4 Mi7, Mi7(b5), Dim7, & Mi,maj7 - Harmonic, Ascending & Descending

18: All the 7 Chords

18.1 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Ascending
18.2 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Descending
18.3 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic
18.4 Maj7, 7, Mi7, Mi7(b5), Dim7, , 7(b5), , 7(#5), & Mi,maj7 - Harmonic, Ascending & Descending

📕 General Workshops - Chord Progressions


1: Module 1

1.1 Identify major and minor tonic in V-I
1.2 Dominants with and without 7
1.3 VIIdim7 - in Major and minor
1.4 Common dominant - tonic combinations
1.5 Major/minor subdominant (IV) and supertonic (II)
1.6 Various dominant-tonic combinations
1.7 II - V - I combinations
1.8 II - V - I and II - bII - I combinations
1.9 IV - I combinations (Plagal cadences)
1.10 Two mediant combinations
1.11 Four mediant combinations
1.12 Three part plagal cadences
1.13 Extended tonal cadences
1.14 Fifth sequences
1.15 Folk progressions
1.16 Progressions with bVII7(b5)
1.17 Interrupted cadences
1.18 Modulations #1
1.19 Modulations #2
1.20 Modulations to bIII and bVI
1.21 Last step!

📕 General Workshops - Interval Comparison


1: Compare the Perfect Intervals - Common 1st Tone

1.1 Introduction to perfect intervals
1.2 Perfect 4th & Octave - Ascending (common tone)
1.3 Perfect 4th & Octave - Descending (common tone)
1.4 Perfect 4th & Octave - Harmonic (common tone)
1.5 Perfect 5th & Octave - Ascending (common tone)
1.6 Perfect 5th & Octave - Descending (common tone)
1.7 Perfect 5th & Octave - Harmonic (common tone)
1.8 Perfect 4th & Perfect 5th - Ascending (common tone)
1.9 Perfect 4th & Perfect 5th - Descending (common tone)
1.10 Perfect 4th & Perfect 5th - Harmonic (common tone)
1.11 Test : Perfect intervals with a common 1st tone

2: Compare the Imperfect Consonant Intervals - Common 1st Tone

2.1 Introduction to imperfect consonant intervals
2.2 Major 3rd & Minor 6th - Ascending (common tone)
2.3 Major 3rd & Minor 6th - Descending (common tone)
2.4 Major 3rd & Minor 6th - Harmonic (common tone)
2.5 Minor 3rd & Major 6th - Ascending (common tone)
2.6 Minor 3rd & Major 6th - Descending (common tone)
2.7 Minor 3rd & Major 6th - Harmonic (common tone)
2.8 Minor 3rd & Major 3rd - Ascending (common tone)
2.9 Minor 3rd & Major 3rd - Descending (common tone)
2.10 Minor 3rd & Major 3rd - Harmonic (common tone)
2.11 Minor 6th & Major 6th - Ascending (common tone)
2.12 Minor 6th & Major 6th - Descending (common tone)
2.13 Minor 6th & Major 6th - Harmonic (common tone)
2.14 Test: Imperfect consonant intervals with a common 1st tone

3: Compare the Dissonant Intervals - Common 1st Tone

3.1 Introduction to dissonant intervals
3.2 Major 2nd & Minor 7th - Ascending (common tone)
3.3 Major 2nd & Minor 7th - Descending (common tone)
3.4 Major 2nd & Minor 7th - Harmonic (common tone)
3.5 Minor 2nd & Major 7th - Ascending (common tone)
3.6 Minor 2nd & Major 7th - Descending (common tone)
3.7 Minor 2nd & Major 7th - Harmonic (common tone)
3.8 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone)
3.9 Major 2nd, Dim 5th & Minor 7th - Descending (common tone)
3.10 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone)
3.11 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone)
3.12 Minor 2nd, Dim 5th & Major 7th - Descending (common tone)
3.13 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone)
3.14 Minor 2nd & Major 2nd - Ascending (common tone)
3.15 Minor 2nd & Major 2nd - Descending (common tone)
3.16 Minor 2nd & Major 2nd - Harmonic (common tone)
3.17 Minor 7th & Major 7th - Ascending (common tone)
3.18 Minor 7th & Major 7th - Descending (common tone)
3.19 Minor 7th & Major 7th - Harmonic (common tone)
3.20 Test: Dissonant intervals with a common 1st tone

4: Compare All Simple Intervals - Common Common 1st Tone

4.1 All intervals from Minor 6th to Major 7th - Ascending (common tone)
4.2 All intervals from Minor 6th to Major 7th - Descending (common tone)
4.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone)
4.4 All intervals from Perfect 5th to Octave - Ascending (common tone)
4.5 All intervals from Perfect 5th to Octave - Descending (common tone)
4.6 All intervals from Perfect 5th to Octave - Harmonic (common tone)
4.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone)
4.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone)
4.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone)
4.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone)
4.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone)
4.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone)
4.13 Test: Simple intervals with a common 1st tone

5: Compare Compound Intervals Up to 2 Octaves - Common 1st Tone

5.1 Introduction to Compound intervals
5.2 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone)
5.3 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone)
5.4 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone)
5.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone)
5.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone)
5.7 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone)
5.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone)
5.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone)
5.10 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone)
5.11 Test: Compound intervals with a common 1st tone

6: Compare the Perfect Intervals - Common 1st or 2nd tone

6.1 Perfect 4th & Octave - Ascending (common tone)
6.2 Perfect 4th & Octave - Descending (common tone)
6.3 Perfect 4th & Octave - Harmonic (common tone)
6.4 Perfect 5th & Octave - Ascending (common tone)
6.5 Perfect 5th & Octave - Descending (common tone)
6.6 Perfect 5th & Octave - Harmonic (common tone)
6.7 Perfect 4th & Perfect 5th - Ascending (common tone)
6.8 Perfect 4th & Perfect 5th - Descending (common tone)
6.9 Perfect 4th & Perfect 5th - Harmonic (common tone)
6.10 Test : Perfect intervals with a common 1st or 2nd tone

7: Compare the Imperfect Consonant Intervals - Common 1st or 2nd tone

7.1 Major 3rd & Minor 6th - Ascending (common tone)
7.2 Major 3rd & Minor 6th - Descending (common tone)
7.3 Major 3rd & Minor 6th - Harmonic (common tone)
7.4 Minor 3rd & Major 6th - Ascending (common tone)
7.5 Minor 3rd & Major 6th - Descending (common tone)
7.6 Minor 3rd & Major 6th - Harmonic (common tone)
7.7 Minor 3rd & Major 3rd - Ascending (common tone)
7.8 Minor 3rd & Major 3rd - Descending (common tone)
7.9 Minor 3rd & Major 3rd - Harmonic (common tone)
7.10 Minor 6th & Major 6th - Ascending (common tone)
7.11 Minor 6th & Major 6th - Descending (common tone)
7.12 Minor 6th & Major 6th - Harmonic (common tone)
7.13 Test: Imperfect consonant intervals with a common 1st or 2nd tone

8: Compare the Dissonant Intervals - Common 1st or 2nd tone

8.1 Major 2nd & Minor 7th - Ascending (common tone)
8.2 Major 2nd & Minor 7th - Descending (common tone)
8.3 Major 2nd & Minor 7th - Harmonic (common tone)
8.4 Minor 2nd & Major 7th - Ascending (common tone)
8.5 Minor 2nd & Major 7th - Descending (common tone)
8.6 Minor 2nd & Major 7th - Harmonic (common tone)
8.7 Major 2nd, Dim 5th & Minor 7th - Ascending (common tone)
8.8 Major 2nd, Dim 5th & Minor 7th - Descending (common tone)
8.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (common tone)
8.10 Minor 2nd, Dim 5th & Major 7th - Ascending (common tone)
8.11 Minor 2nd, Dim 5th & Major 7th - Descending (common tone)
8.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (common tone)
8.13 Minor 2nd & Major 2nd - Ascending (common tone)
8.14 Minor 2nd & Major 2nd - Descending (common tone)
8.15 Minor 2nd & Major 2nd - Harmonic (common tone)
8.16 Minor 7th & Major 7th - Ascending (common tone)
8.17 Minor 7th & Major 7th - Descending (common tone)
8.18 Minor 7th & Major 7th - Harmonic (common tone)
8.19 Test: Dissonant intervals with a common 1st or 2nd tone

9: Compare All Simple Intervals - Common 1st or 2nd tone

9.1 All intervals from Minor 6th to Major 7th - Ascending (common tone)
9.2 All intervals from Minor 6th to Major 7th - Descending (common tone)
9.3 All intervals from Minor 6th to Major 7th - Harmonic (common tone)
9.4 All intervals from Perfect 5th to Octave - Ascending (common tone)
9.5 All intervals from Perfect 5th to Octave - Descending (common tone)
9.6 All intervals from Perfect 5th to Octave - Harmonic (common tone)
9.7 All intervals from Minor 2nd to Major 3rd - Ascending (common tone)
9.8 All intervals from Minor 2nd to Major 3rd - Descending (common tone)
9.9 All intervals from Minor 2nd to Major 3rd - Harmonic (common tone)
9.10 All intervals from Minor 2nd to Dim 5th - Ascending (common tone)
9.11 All intervals from Minor 2nd to Dim 5th - Descending (common tone)
9.12 All intervals from Minor 2nd to Dim 5th - Harmonic (common tone)
9.13 Test: Simple intervals with a common 1st or 2nd tone

10: Compare Compound Intervals Up to 2 Octaves - Common 1st or 2nd tone

10.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (common tone)
10.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (common tone)
10.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (common tone)
10.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (common tone)
10.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (common tone)
10.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (common tone)
10.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (common tone)
10.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (common tone)
10.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (common tone)
10.10 Test: Compound intervals with a common 1st or 2nd tone

11: Compare the Perfect Intervals - Nearby 1st tones

11.1 Perfect 4th & Octave - Ascending (nearby common tone)
11.2 Perfect 4th & Octave - Descending (nearby common tone)
11.3 Perfect 4th & Octave - Harmonic (nearby common tone)
11.4 Perfect 5th & Octave - Ascending (nearby common tone)
11.5 Perfect 5th & Octave - Descending (nearby common tone)
11.6 Perfect 5th & Octave - Harmonic (nearby common tone)
11.7 Perfect 4th & Perfect 5th - Ascending (nearby common tone)
11.8 Perfect 4th & Perfect 5th - Descending (nearby common tone)
11.9 Perfect 4th & Perfect 5th - Harmonic (nearby common tone)
11.10 Test : Perfect intervals with nearby first tones

12: Compare the Imperfect Consonant Intervals - Nearby 1st tones

12.1 Major 3rd & Minor 6th - Ascending (nearby common tone)
12.2 Major 3rd & Minor 6th - Descending (nearby common tone)
12.3 Major 3rd & Minor 6th - Harmonic (nearby common tone)
12.4 Minor 3rd & Major 6th - Ascending (nearby common tone)
12.5 Minor 3rd & Major 6th - Descending (nearby common tone)
12.6 Minor 3rd & Major 6th - Harmonic (nearby common tone)
12.7 Minor 3rd & Major 3rd - Ascending (nearby common tone)
12.8 Minor 3rd & Major 3rd - Descending (nearby common tone)
12.9 Minor 3rd & Major 3rd - Harmonic (nearby common tone)
12.10 Minor 6th & Major 6th - Ascending (nearby common tone)
12.11 Minor 6th & Major 6th - Descending (nearby common tone)
12.12 Minor 6th & Major 6th - Harmonic (nearby common tone)
12.13 Test: Imperfect consonant intervals with nearby first tones

13: Compare the Dissonant Intervals - Nearby 1st tones

13.1 Major 2nd & Minor 7th - Ascending (nearby common tone)
13.2 Major 2nd & Minor 7th - Descending (nearby common tone)
13.3 Major 2nd & Minor 7th - Harmonic (nearby common tone)
13.4 Minor 2nd & Major 7th - Ascending (nearby common tone)
13.5 Minor 2nd & Major 7th - Descending (nearby common tone)
13.6 Minor 2nd & Major 7th - Harmonic (nearby common tone)
13.7 Major 2nd, Dim 5th & Minor 7th - Ascending (nearby common tone)
13.8 Major 2nd, Dim 5th & Minor 7th - Descending (nearby common tone)
13.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (nearby common tone)
13.10 Minor 2nd, Dim 5th & Major 7th - Ascending (nearby common tone)
13.11 Minor 2nd, Dim 5th & Major 7th - Descending (nearby common tone)
13.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (nearby common tone)
13.13 Minor 2nd & Major 2nd - Ascending (nearby common tone)
13.14 Minor 2nd & Major 2nd - Descending (nearby common tone)
13.15 Minor 2nd & Major 2nd - Harmonic (nearby common tone)
13.16 Minor 7th & Major 7th - Ascending (nearby common tone)
13.17 Minor 7th & Major 7th - Descending (nearby common tone)
13.18 Minor 7th & Major 7th - Harmonic (nearby common tone)
13.19 Test: Dissonant intervals with nearby first tones

14: Compare All Simple Intervals - Nearby 1st tones

14.1 All intervals from Minor 6th to Major 7th - Ascending (nearby common tone)
14.2 All intervals from Minor 6th to Major 7th - Descending (nearby common tone)
14.3 All intervals from Minor 6th to Major 7th - Harmonic (nearby common tone)
14.4 All intervals from Perfect 5th to Octave - Ascending (nearby common tone)
14.5 All intervals from Perfect 5th to Octave - Descending (nearby common tone)
14.6 All intervals from Perfect 5th to Octave - Harmonic (nearby common tone)
14.7 All intervals from Minor 2nd to Major 3rd - Ascending (nearby common tone)
14.8 All intervals from Minor 2nd to Major 3rd - Descending (nearby common tone)
14.9 All intervals from Minor 2nd to Major 3rd - Harmonic (nearby common tone)
14.10 All intervals from Minor 2nd to Dim 5th - Ascending (nearby common tone)
14.11 All intervals from Minor 2nd to Dim 5th - Descending (nearby common tone)
14.12 All intervals from Minor 2nd to Dim 5th - Harmonic (nearby common tone)
14.13 Test: Simple intervals with nearby first tones

15: Compare Compound Intervals up to 2 octaves - Nearby 1st tones

15.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (nearby common tone)
15.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (nearby common tone)
15.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (nearby common tone)
15.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (nearby common tone)
15.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (nearby common tone)
15.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (nearby common tone)
15.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (nearby common tone)
15.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (nearby common tone)
15.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (nearby common tone)
15.10 Test: Compound intervals with nearby first tones

16: Compare the Perfect Intervals - No common tones

16.1 Perfect 4th & Octave - Ascending (no common tone)
16.2 Perfect 4th & Octave - Descending (no common tone)
16.3 Perfect 4th & Octave - Harmonic (no common tone)
16.4 Perfect 5th & Octave - Ascending (no common tone)
16.5 Perfect 5th & Octave - Descending (no common tone)
16.6 Perfect 5th & Octave - Harmonic (no common tone)
16.7 Perfect 4th & Perfect 5th - Ascending (no common tone)
16.8 Perfect 4th & Perfect 5th - Descending (no common tone)
16.9 Perfect 4th & Perfect 5th - Harmonic (no common tone)
16.10 Test : Perfect intervals without common tone

17: Compare the Imperfect Consonant Intervals - No common tones

17.1 Major 3rd & Minor 6th - Ascending (no common tone)
17.2 Major 3rd & Minor 6th - Descending (no common tone)
17.3 Major 3rd & Minor 6th - Harmonic (no common tone)
17.4 Minor 3rd & Major 6th - Ascending (no common tone)
17.5 Minor 3rd & Major 6th - Descending (no common tone)
17.6 Minor 3rd & Major 6th - Harmonic (no common tone)
17.7 Minor 3rd & Major 3rd - Ascending (no common tone)
17.8 Minor 3rd & Major 3rd - Descending (no common tone)
17.9 Minor 3rd & Major 3rd - Harmonic (no common tone)
17.10 Minor 6th & Major 6th - Ascending (no common tone)
17.11 Minor 6th & Major 6th - Descending (no common tone)
17.12 Minor 6th & Major 6th - Harmonic (no common tone)
17.13 Test: Imperfect consonant intervals without common tone

18: Compare the Dissonant Intervals - No common tones

18.1 Major 2nd & Minor 7th - Ascending (no common tone)
18.2 Major 2nd & Minor 7th - Descending (no common tone)
18.3 Major 2nd & Minor 7th - Harmonic (no common tone)
18.4 Minor 2nd & Major 7th - Ascending (no common tone)
18.5 Minor 2nd & Major 7th - Descending (no common tone)
18.6 Minor 2nd & Major 7th - Harmonic (no common tone)
18.7 Major 2nd, Dim 5th & Minor 7th - Ascending (no common tone)
18.8 Major 2nd, Dim 5th & Minor 7th - Descending (no common tone)
18.9 Major 2nd, Dim 5th & Minor 7th - Harmonic (no common tone)
18.10 Minor 2nd, Dim 5th & Major 7th - Ascending (no common tone)
18.11 Minor 2nd, Dim 5th & Major 7th - Descending (no common tone)
18.12 Minor 2nd, Dim 5th & Major 7th - Harmonic (no common tone)
18.13 Minor 2nd & Major 2nd - Ascending (no common tone)
18.14 Minor 2nd & Major 2nd - Descending (no common tone)
18.15 Minor 2nd & Major 2nd - Harmonic (no common tone)
18.16 Minor 7th & Major 7th - Ascending (no common tone)
18.17 Minor 7th & Major 7th - Descending (no common tone)
18.18 Minor 7th & Major 7th - Harmonic (no common tone)
18.19 Test: Dissonant intervals without common tone

19: Compare All Simple Intervals - No common tones

19.1 All intervals from Minor 6th to Major 7th - Ascending (no common tone)
19.2 All intervals from Minor 6th to Major 7th - Descending (no common tone)
19.3 All intervals from Minor 6th to Major 7th - Harmonic (no common tone)
19.4 All intervals from Perfect 5th to Octave - Ascending (no common tone)
19.5 All intervals from Perfect 5th to Octave - Descending (no common tone)
19.6 All intervals from Perfect 5th to Octave - Harmonic (no common tone)
19.7 All intervals from Minor 2nd to Major 3rd - Ascending (no common tone)
19.8 All intervals from Minor 2nd to Major 3rd - Descending (no common tone)
19.9 All intervals from Minor 2nd to Major 3rd - Harmonic (no common tone)
19.10 All intervals from Minor 2nd to Dim 5th - Ascending (no common tone)
19.11 All intervals from Minor 2nd to Dim 5th - Descending (no common tone)
19.12 All intervals from Minor 2nd to Dim 5th - Harmonic (no common tone)
19.13 Test: Simple intervals without common tone

20: Compare Compound Intervals up to 2 octaves - No common tones

20.1 Perfect 11th, Perfect 12th & Two Octaves - Ascending (no common tone)
20.2 Perfect 11th, Perfect 12th & Two Octaves - Descending (no common tone)
20.3 Perfect 11th, Perfect 12th & Two Octaves - Harmonic (no common tone)
20.4 Minor 10th, Major 10th, Minor 13th & Major 13th - Ascending (no common tone)
20.5 Minor 10th, Major 10th, Minor 13th & Major 13th - Descending (no common tone)
20.6 Minor 10th, Major 10th, Minor 13th & Major 13th - Harmonic (no common tone)
20.7 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Ascending (no common tone)
20.8 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Descending (no common tone)
20.9 Minor 9th, Major 9th, Perfect 12th, Minor 14th & Major 14th - Harmonic (no common tone)
20.10 Test: Compound intervals without common tone

📕 General Workshops - Interval Identification


1: Identify the Minor & Major 2nd Intervals

1.1 Minor 2nd & Major 2nd - Ascending
1.2 Minor 2nd & Major 2nd - Descending
1.3 Minor 2nd & Major 2nd - Harmonic
1.4 Minor 2nd & Major 2nd - Harmonic, Ascending & Descending

2: Identify the Minor & Major 3rd Intervals

2.1 Minor 3rd & Major 3rd - Ascending
2.2 Minor 3rd & Major 3rd - Descending
2.3 Minor 3rd & Major 3rd - Harmonic
2.4 Minor 3rd & Major 3rd - Harmonic, Ascending & Descending

3: Identify the Minor & Major 2nds and 3rds

3.1 All intervals from Minor 2nd to Major 3rd - Ascending
3.2 All intervals from Minor 2nd to Major 3rd - Descending
3.3 All intervals from Minor 2nd to Major 3rd - Harmonic
3.4 All intervals from Minor 2nd to Major 3rd - Harmonic, Ascending & Descending

4: Identify the Perfect 4th & the Tritone

4.1 Perfect 4th & Dim 5th - Ascending
4.2 Perfect 4th & Dim 5th - Descending
4.3 Perfect 4th & Dim 5th - Harmonic
4.4 Perfect 4th & Dim 5th - Harmonic, Ascending & Descending

5: Identify the Tritone & Perfect 5th

5.1 Dim 5th & Perfect 5th - Ascending
5.2 Dim 5th & Perfect 5th - Descending
5.3 Dim 5th & Perfect 5th - Harmonic
5.4 Dim 5th & Perfect 5th - Harmonic, Ascending & Descending

6: Identify the Perfect 4th, Tritone and Perfect 5th

6.1 Perfect 4th, Dim 5th & Perfect 5th - Ascending
6.2 Perfect 4th, Dim 5th & Perfect 5th - Descending
6.3 Perfect 4th, Dim 5th & Perfect 5th - Harmonic
6.4 Perfect 4th, Dim 5th & Perfect 5th - Harmonic, Ascending & Descending

7: Identify All the Intervals from Minor 2nd to Perfect 5th

7.1 All intervals from Minor 2nd to Perfect 5th - Ascending
7.2 All intervals from Minor 2nd to Perfect 5th - Descending
7.3 All intervals from Minor 2nd to Perfect 5th - Harmonic
7.4 All intervals from Minor 2nd to Perfect 5th - Harmonic, Ascending & Descending

8: Identify the Minor & Major 6th

8.1 Minor 6th & Major 6th - Ascending
8.2 Minor 6th & Major 6th - Descending
8.3 Minor 6th & Major 6th - Harmonic
8.4 Minor 6th & Major 6th - Harmonic, Ascending & Descending

9: Identify the Minor & Major 7th

9.1 Minor 7th & Major 7th - Ascending
9.2 Minor 7th & Major 7th - Descending
9.3 Minor 7th & Major 7th - Harmonic
9.4 Minor 7th & Major 7th - Harmonic, Ascending & Descending

10: Identify the Minor & Major 6ths and 7ths

10.1 All intervals from Minor 6th to Major 7th - Ascending
10.2 All intervals from Minor 6th to Major 7th - Descending
10.3 All intervals from Minor 6th to Major 7th - Harmonic
10.4 All intervals from Minor 6th to Major 7th - Harmonic, Ascending & Descending

11: Identify All Intervals from Perfect 4th to Major 7th

11.1 All intervals from Perfect 4th to Major 7th - Ascending
11.2 All intervals from Perfect 4th to Major 7th - Descending
11.3 All intervals from Perfect 4th to Major 7th - Harmonic
11.4 All intervals from Perfect 4th to Major 7th - Harmonic, Ascending & Descending

12: Identify All the Intervals from Minor 2nd to Major 7th

12.1 All intervals from Minor 2nd to Major 7th - Ascending
12.2 All intervals from Minor 2nd to Major 7th - Descending
12.3 All intervals from Minor 2nd to Major 7th - Harmonic
12.4 All intervals from Minor 2nd to Major 7th - Harmonic, Ascending & Descending

13: Practice with the Perfect Intervals within an Octave

13.1 Unison & Octave - Harmonic
13.2 Unison & Octave - Harmonic, Ascending & Descending
13.3 Perfect 4th & Perfect 5th - Harmonic
13.4 Perfect 4th & Perfect 5th - Harmonic, Ascending & Descending
13.5 Unison, Perfect 4th, Perfect 5th & Octave - Ascending
13.6 Unison, Perfect 4th, Perfect 5th & Octave - Descending
13.7 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic
13.8 Unison, Perfect 4th, Perfect 5th & Octave - Harmonic, Ascending & Descending

14: Practice with the Consonant Intervals within an Octave

14.1 Minor 3rd & Major 6th - Harmonic
14.2 Minor 3rd & Major 6th - Harmonic, Ascending & Descending
14.3 Major 3rd & Minor 6th - Harmonic
14.4 Major 3rd & Minor 6th - Harmonic, Ascending & Descending
14.5 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Ascending
14.6 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Descending
14.7 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic
14.8 Minor 3rd, Major 3rd, Minor 6th & Major 6th - Harmonic, Ascending & Descending

15: Practice with the Dissonant Intervals within an Octave

15.1 Minor 2nd & Major 7th - Harmonic
15.2 Minor 2nd & Major 7th - Harmonic, Ascending & Descending
15.3 Major 2nd & Minor 7th - Harmonic
15.4 Major 2nd & Minor 7th - Harmonic, Ascending & Descending
15.5 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Ascending
15.6 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Descending
15.7 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic
15.8 Minor 2nd, Major 2nd, Minor 7th & Major 7th - Harmonic, Ascending & Descending
15.9 Minor 2nd, Dim 5th & Major 7th - Ascending
15.10 Minor 2nd, Dim 5th & Major 7th - Descending
15.11 Minor 2nd, Dim 5th & Major 7th - Harmonic
15.12 Major 2nd, Dim 5th & Minor 7th - Ascending
15.13 Major 2nd, Dim 5th & Minor 7th - Descending
15.14 Major 2nd, Dim 5th & Minor 7th - Harmonic
15.15 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Ascending
15.16 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Descending
15.17 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic
15.18 Minor 2nd, Major 2nd, Dim 5th, Minor 7th & Major 7th - Harmonic, Ascending & Descending

16: Practice with All Intervals within an Octave

16.1 All intervals from Unison to Octave - Ascending
16.2 All intervals from Unison to Octave - Descending
16.3 All intervals from Unison to Octave - Harmonic
16.4 All intervals from Unison to Octave - Harmonic, Ascending & Descending

📕 General Workshops - Interval Singing


1: Ascending Intervals from Do

1.1 Do - Re (Major 2nd)
1.2 Do - Mi (Major 3rd)
1.3 Do - Re and Do - Mi
1.4 Do - Fa (Perfect 4th)
1.5 Do - So (Perfect 5th)
1.6 Do - Fa and Do - So
1.7 Do to Re, Mi, Fa and So
1.8 Do - La (Major 6th)
1.9 Do - Ti (Major 7th)
1.10 Do - Do (Octave)
1.11 Do to La, Ti and Do
1.12 All Ascending Intervals from Do

2: Descending Intervals from Do

2.1 Do - Ti (Minor 2nd)
2.2 Do - La (Minor 3rd)
2.3 Do - Ti and Do - La
2.4 Do - So (Perfect 4th)
2.5 Do - Fa (Perfect 5th)
2.6 Do - So and Do - Fa
2.7 Do to Ti, La, So and Fa
2.8 Do - Mi (Minor 6th)
2.9 Do - Re (Minor 7th)
2.10 Do - Do (Octave)
2.11 Do to Mi, Re and Do
2.12 All Descending Intervals from Do

3: Complementary intervals from Do - Ascending and Descending

3.1 Do - Re (Major 2nd up or Minor 7th down)
3.2 Do - Mi (Major 3rd up or Minor 6th down)
3.3 Do - Re and Do - Mi
3.4 Do - Fa (Perfect 4th up or Perfect 5th down)
3.5 Do - So (Perfect 5th up or Perfect 4th down)
3.6 Do - Fa and Do - So
3.7 Do to Re, Mi, Fa and So
3.8 Do - La (Major 6th up or Minor 3rd down)
3.9 Do - Ti (Major 7th up or Minor 2nd down)
3.10 Do - Do (Octave up or octave down)
3.11 Do to La, Ti and Do
3.12 All intervals from Do

📕 General Workshops - Melodic Dictation


1: 3 to 4 Tones from the C Major Scale

1.1 Do, Re - 3 tones
1.2 Do, Re, Mi
1.3 Do, Re, Mi, Fa
1.4 Do, Re, Mi, Fa, So
1.5 Do, Re, Mi, Fa, So, La
1.6 Do, Re, Mi, Fa, So, La, Ti
1.7 Do, Re - 4 tones
1.8 Do, Re, Mi
1.9 Do, Re, Mi, Fa
1.10 Do, Re, Mi, Fa, So
1.11 Do, Re, Mi, Fa, So, La
1.12 Do, Re, Mi, Fa, So, La, Ti

2: 5 to 6 Tones from the C Major Scale

2.1 Do, Re - 5 tones
2.2 Do, Re, Mi
2.3 Do, Re, Mi, Fa
2.4 Do, Re, Mi, Fa, So
2.5 Do, Re, Mi, Fa, So, La
2.6 Do, Re, Mi, Fa, So, La, Ti
2.7 Do, Re - 6 tones
2.8 Do, Re, Mi
2.9 Do, Re, Mi, Fa
2.10 Do, Re, Mi, Fa, So
2.11 Do, Re, Mi, Fa, So, La
2.12 Do, Re, Mi, Fa, So, La, Ti

3: 7 to 8 Tones from the C Major Scale

3.1 Do, Re, Mi - 7 tones
3.2 Do, Re, Mi, Fa
3.3 Do, Re, Mi, Fa, So
3.4 Do, Re, Mi, Fa, So, La
3.5 Do, Re, Mi, Fa, So, La, Ti
3.6 Do, Re, Mi - 8 tones
3.7 Do, Re, Mi, Fa
3.8 Do, Re, Mi, Fa, So
3.9 Do, Re, Mi, Fa, So, La
3.10 Do, Re, Mi, Fa, So, La, Ti

4: 5 Tones with Only Do Given

4.1 Do, Re
4.2 Do, Re, Mi
4.3 Do, Re, Mi, Fa
4.4 Do, Re, Mi, Fa, So
4.5 Do, Re, Mi, Fa, So, La
4.6 Do, Re, Mi, Fa, So, La, Ti

5: Melodies with Rhythm. 4/4

5.1 Do, Re - 1 bar
5.2 Do, Re, Mi
5.3 Do, Re, Mi, Fa
5.4 Do, Re, Mi, Fa, So
5.5 Do, Re, Mi, Fa, So, La
5.6 Do, Re, Mi, Fa, So, La, Ti
5.7 Do, Re, Mi - 2 bars
5.8 Do, Re, Mi, Fa
5.9 Do, Re, Mi, Fa, So
5.10 Do, Re, Mi, Fa, So, La
5.11 Do, Re, Mi, Fa, So, La, Ti

6: Melodies with Rhythm. 3/4

6.1 Do, Re - 1 bar
6.2 Do, Re, Mi
6.3 Do, Re, Mi, Fa
6.4 Do, Re, Mi, Fa, So
6.5 Do, Re, Mi, Fa, So, La
6.6 Do, Re, Mi, Fa, So, La, Ti
6.7 Do, Re, Mi - 2 bars
6.8 Do, Re, Mi, Fa
6.9 Do, Re, Mi, Fa, So
6.10 Do, Re, Mi, Fa, So, La
6.11 Do, Re, Mi, Fa, So, La, Ti

7: Adding 8th Notes. 4/4

7.1 Do, Re - 1 bar
7.2 Do, Re, Mi
7.3 Do, Re, Mi, Fa
7.4 Do, Re, Mi, Fa, So
7.5 Do, Re, Mi, Fa, So, La
7.6 Do, Re, Mi, Fa, So, La, Ti
7.7 Do, Re, Mi - 2 bars
7.8 Do, Re, Mi, Fa
7.9 Do, Re, Mi, Fa, So
7.10 Do, Re, Mi, Fa, So, La
7.11 Do, Re, Mi, Fa, So, La, Ti

8: Adding 8th Notes. 3/4

8.1 Do, Re - 1 bar
8.2 Do, Re, Mi
8.3 Do, Re, Mi, Fa
8.4 Do, Re, Mi, Fa, So
8.5 Do, Re, Mi, Fa, So, La
8.6 Do, Re, Mi, Fa, So, La, Ti
8.7 Do, Re, Mi - 2 bars
8.8 Do, Re, Mi, Fa
8.9 Do, Re, Mi, Fa, So
8.10 Do, Re, Mi, Fa, So, La
8.11 Do, Re, Mi, Fa, So, La, Ti

9: Different Keys. 4/4

9.1 Do, Re - 1 bar
9.2 Do, Re, Mi
9.3 Do, Re, Mi, Fa
9.4 Do, Re, Mi, Fa, So
9.5 Do, Re, Mi, Fa, So, La
9.6 Do, Re, Mi, Fa, So, La, Ti
9.7 Do, Re, Mi - 2 bars
9.8 Do, Re, Mi, Fa
9.9 Do, Re, Mi, Fa, So
9.10 Do, Re, Mi, Fa, So, La
9.11 Do, Re, Mi, Fa, So, La, Ti

10: Different Keys. 3/4

10.1 Do, Re - 1 bar
10.2 Do, Re, Mi
10.3 Do, Re, Mi, Fa
10.4 Do, Re, Mi, Fa, So
10.5 Do, Re, Mi, Fa, So, La
10.6 Do, Re, Mi, Fa, So, La, Ti
10.7 Do, Re, Mi - 2 bars
10.8 Do, Re, Mi, Fa
10.9 Do, Re, Mi, Fa, So
10.10 Do, Re, Mi, Fa, So, La
10.11 Do, Re, Mi, Fa, So, La, Ti

11: Different Keys. Adding 8th Notes. 4/4

11.1 Do, Re - 1 bar
11.2 Do, Re, Mi
11.3 Do, Re, Mi, Fa
11.4 Do, Re, Mi, Fa, So
11.5 Do, Re, Mi, Fa, So, La
11.6 Do, Re, Mi, Fa, So, La, Ti
11.7 Do, Re, Mi - 2 bars
11.8 Do, Re, Mi, Fa
11.9 Do, Re, Mi, Fa, So
11.10 Do, Re, Mi, Fa, So, La
11.11 Do, Re, Mi, Fa, So, La, Ti

12: Different Keys. Adding 8th Notes. 3/4

12.1 Do, Re - 1 bar
12.2 Do, Re, Mi
12.3 Do, Re, Mi, Fa
12.4 Do, Re, Mi, Fa, So
12.5 Do, Re, Mi, Fa, So, La
12.6 Do, Re, Mi, Fa, So, La, Ti
12.7 Do, Re, Mi - 2 bars
12.8 Do, Re, Mi, Fa
12.9 Do, Re, Mi, Fa, So
12.10 Do, Re, Mi, Fa, So, La
12.11 Do, Re, Mi, Fa, So, La, Ti

13: Melodies in A minor. 4/4

13.1 Do, Re - 1 bar
13.2 Do, Re, Me
13.3 Do, Re, Me, Fa
13.4 Do, Re, Me, Fa, So
13.5 Do, Re, Me, Fa, So, Le
13.6 Do, Re, Me, Fa, So, Le, Te
13.7 Do, Re, Me - 2 bars
13.8 Do, Re, Me, Fa
13.9 Do, Re, Me, Fa, So
13.10 Do, Re, Me, Fa, So, Le
13.11 Do, Re, Me, Fa, So, Le, Te

14: Melodies in A Minor. 3/4

14.1 Do, Re - 1 bar
14.2 Do, Re, Me
14.3 Do, Re, Me, Fa
14.4 Do, Re, Me, Fa, So
14.5 Do, Re, Me, Fa, So, Le
14.6 Do, Re, Me, Fa, So, Le, Te
14.7 Do, Re, Me - 2 bars
14.8 Do, Re, Me, Fa
14.9 Do, Re, Me, Fa, So
14.10 Do, Re, Me, Fa, So, Le
14.11 Do, Re, Me, Fa, So, Le, Te

15: Melodies in A Minor. 4/4 Adding 8th Notes

15.1 Do, Re - 1 bar
15.2 Do, Re, Me
15.3 Do, Re, Me, Fa
15.4 Do, Re, Me, Fa, So
15.5 Do, Re, Me, Fa, So, Le
15.6 Do, Re, Me, Fa, So, Le, Te
15.7 Do, Re - 2 bars
15.8 Do, Re, Me - 2 bars
15.9 Do, Re, Me, Fa
15.10 Do, Re, Me, Fa, So
15.11 Do, Re, Me, Fa, So, Le
15.12 Do, Re, Me, Fa, So, Le, Te

16: Melodies in A Minor. 3/4 Adding 8th Notes

16.1 Do, Re, Me - 1 bar
16.2 Do, Re, Me, Fa
16.3 Do, Re, Me, Fa, So
16.4 Do, Re, Me, Fa, So, Le
16.5 Do, Re, Me, Fa, So, Le, Te
16.6 Do, Re, Me - 2 bars
16.7 Do, Re, Me, Fa
16.8 Do, Re, Me, Fa, So
16.9 Do, Re, Me, Fa, So, Le
16.10 Do, Re, Me, Fa, So, Le, Te

17: All Minor Keys. 4/4 with 8th Notes.

17.1 Do, Re, Me - 1 bar
17.2 Do, Re, Me, Fa
17.3 Do, Re, Me, Fa, So
17.4 Do, Re, Me, Fa, So, Le
17.5 Do, Re, Me, Fa, So, Le, Te
17.6 Do, Re, Me - 2 bars
17.7 Do, Re, Me, Fa
17.8 Do, Re, Me, Fa, So
17.9 Do, Re, Me, Fa, So, Le
17.10 Do, Re, Me, Fa, So, Le, Te

18: Harmonic Minor. 4/4 with 8th Notes.

18.1 A minor harmonic. 1 bar
18.2 A minor harmonic. 2 bars
18.3 A minor harmonic. 4 bars
18.4 Harmonic minor (all keys). 1 bar
18.5 Harmonic minor (all keys). 2 bars
18.6 Harmonic minor (all keys). 4 bars

📕 General Workshops - Melodic Sight-Singing


1: 3 to 4 Tones from the C Major Scale

1.1 Do, Re - 3 tones
1.2 Do, Re, Mi
1.3 Do, Re, Mi, Fa
1.4 Do, Re, Mi, Fa, So
1.5 Do, Re, Mi, Fa, So, La
1.6 Do, Re, Mi, Fa, So, La, Ti
1.7 Do, Re - 4 tones
1.8 Do, Re, Mi
1.9 Do, Re, Mi, Fa
1.10 Do, Re, Mi, Fa, So
1.11 Do, Re, Mi, Fa, So, La
1.12 Do, Re, Mi, Fa, So, La, Ti

2: 5 to 6 Tones from the C Major Scale

2.1 Do, Re - 5 tones
2.2 Do, Re, Mi
2.3 Do, Re, Mi, Fa
2.4 Do, Re, Mi, Fa, So
2.5 Do, Re, Mi, Fa, So, La
2.6 Do, Re, Mi, Fa, So, La, Ti
2.7 Do, Re - 6 tones
2.8 Do, Re, Mi
2.9 Do, Re, Mi, Fa
2.10 Do, Re, Mi, Fa, So
2.11 Do, Re, Mi, Fa, So, La
2.12 Do, Re, Mi, Fa, So, La, Ti

3: 7 to 8 Tones from the C Major Scale

3.1 Do, Re, Mi - 7 tones
3.2 Do, Re, Mi, Fa
3.3 Do, Re, Mi, Fa, So
3.4 Do, Re, Mi, Fa, So, La
3.5 Do, Re, Mi, Fa, So, La, Ti
3.6 Do, Re, Mi - 8 tones
3.7 Do, Re, Mi, Fa
3.8 Do, Re, Mi, Fa, So
3.9 Do, Re, Mi, Fa, So, La
3.10 Do, Re, Mi, Fa, So, La, Ti

4: 5 Tones with Only Do Given

4.1 Do, Re
4.2 Do, Re, Mi
4.3 Do, Re, Mi, Fa
4.4 Do, Re, Mi, Fa, So
4.5 Do, Re, Mi, Fa, So, La
4.6 Do, Re, Mi, Fa, So, La, Ti

5: Melodies with Rhythm. 4/4 - 1, 2 and 4 Bars.

5.1 Do, Re - 1 bar
5.2 Do, Re, Mi
5.3 Do, Re, Mi, Fa
5.4 Do, Re, Mi, Fa, So
5.5 Do, Re, Mi, Fa, So, La
5.6 Do, Re, Mi, Fa, So, La, Ti
5.7 Do, Re, Mi - 2 bars
5.8 Do, Re, Mi, Fa
5.9 Do, Re, Mi, Fa, So
5.10 Do, Re, Mi, Fa, So, La
5.11 Do, Re, Mi, Fa, So, La, Ti
5.12 Do, Re, Mi - 4 bars
5.13 Do, Re, Mi, Fa
5.14 Do, Re, Mi, Fa, So
5.15 Do, Re, Mi, Fa, So, La
5.16 Do, Re, Mi, Fa, So, La, Ti

6: Melodies with Rhythm. 3/4 - 1, 2 and 4 Bars.

6.1 Do, Re - 1 bar
6.2 Do, Re, Mi
6.3 Do, Re, Mi, Fa
6.4 Do, Re, Mi, Fa, So
6.5 Do, Re, Mi, Fa, So, La
6.6 Do, Re, Mi, Fa, So, La, Ti
6.7 Do, Re, Mi - 2 bars
6.8 Do, Re, Mi, Fa
6.9 Do, Re, Mi, Fa, So
6.10 Do, Re, Mi, Fa, So, La
6.11 Do, Re, Mi, Fa, So, La, Ti
6.12 Do, Re, Mi - 4 bars
6.13 Do, Re, Mi, Fa
6.14 Do, Re, Mi, Fa, So
6.15 Do, Re, Mi, Fa, So, La
6.16 Do, Re, Mi, Fa, So, La, Ti

7: Adding 8th Notes. 4/4 - 1, 2 and 4 Bars.

7.1 Do, Re - 1 bar
7.2 Do, Re, Mi
7.3 Do, Re, Mi, Fa
7.4 Do, Re, Mi, Fa, So
7.5 Do, Re, Mi, Fa, So, La
7.6 Do, Re, Mi, Fa, So, La, Ti
7.7 Do, Re, Mi - 2 bars
7.8 Do, Re, Mi, Fa
7.9 Do, Re, Mi, Fa, So
7.10 Do, Re, Mi, Fa, So, La
7.11 Do, Re, Mi, Fa, So, La, Ti
7.12 Do, Re, Mi - 4 bars
7.13 Do, Re, Mi, Fa
7.14 Do, Re, Mi, Fa, So
7.15 Do, Re, Mi, Fa, So, La
7.16 Do, Re, Mi, Fa, So, La, Ti

8: Adding 8th Notes. 3/4 - 1, 2 and 4 Bars.

8.1 Do, Re - 1 bar
8.2 Do, Re, Mi
8.3 Do, Re, Mi, Fa
8.4 Do, Re, Mi, Fa, So
8.5 Do, Re, Mi, Fa, So, La
8.6 Do, Re, Mi, Fa, So, La, Ti
8.7 Do, Re, Mi - 2 bars
8.8 Do, Re, Mi, Fa
8.9 Do, Re, Mi, Fa, So
8.10 Do, Re, Mi, Fa, So, La
8.11 Do, Re, Mi, Fa, So, La, Ti
8.12 Do, Re, Mi - 4 bars
8.13 Do, Re, Mi, Fa
8.14 Do, Re, Mi, Fa, So
8.15 Do, Re, Mi, Fa, So, La
8.16 Do, Re, Mi, Fa, So, La, Ti

9: Different Keys. 4/4 - 1, 2 and 4 Bars.

9.1 Do, Re - 1 bar
9.2 Do, Re, Mi
9.3 Do, Re, Mi, Fa
9.4 Do, Re, Mi, Fa, So
9.5 Do, Re, Mi, Fa, So, La
9.6 Do, Re, Mi, Fa, So, La, Ti
9.7 Do, Re, Mi - 2 bars
9.8 Do, Re, Mi, Fa
9.9 Do, Re, Mi, Fa, So
9.10 Do, Re, Mi, Fa, So, La
9.11 Do, Re, Mi, Fa, So, La, Ti
9.12 Do, Re, Mi - 4 bars
9.13 Do, Re, Mi, Fa
9.14 Do, Re, Mi, Fa, So
9.15 Do, Re, Mi, Fa, So, La
9.16 Do, Re, Mi, Fa, So, La, Ti

10: Different Keys. 3/4 - 1, 2 and 4 Bars.

10.1 Do, Re - 1 bar
10.2 Do, Re, Mi
10.3 Do, Re, Mi, Fa
10.4 Do, Re, Mi, Fa, So
10.5 Do, Re, Mi, Fa, So, La
10.6 Do, Re, Mi, Fa, So, La, Ti
10.7 Do, Re, Mi - 2 bars
10.8 Do, Re, Mi, Fa
10.9 Do, Re, Mi, Fa, So
10.10 Do, Re, Mi, Fa, So, La
10.11 Do, Re, Mi, Fa, So, La, Ti
10.12 Do, Re, Mi - 4 bars
10.13 Do, Re, Mi, Fa
10.14 Do, Re, Mi, Fa, So
10.15 Do, Re, Mi, Fa, So, La
10.16 Do, Re, Mi, Fa, So, La, Ti

11: Different Keys. Adding 8th Notes. 4/4 - 1, 2 and 4 Bars.

11.1 Do, Re - 1 bar
11.2 Do, Re, Mi
11.3 Do, Re, Mi, Fa
11.4 Do, Re, Mi, Fa, So
11.5 Do, Re, Mi, Fa, So, La
11.6 Do, Re, Mi, Fa, So, La, Ti
11.7 Do, Re, Mi - 2 bars
11.8 Do, Re, Mi, Fa
11.9 Do, Re, Mi, Fa, So
11.10 Do, Re, Mi, Fa, So, La
11.11 Do, Re, Mi, Fa, So, La, Ti
11.12 Do, Re, Mi - 4 bars
11.13 Do, Re, Mi, Fa
11.14 Do, Re, Mi, Fa, So
11.15 Do, Re, Mi, Fa, So, La
11.16 Do, Re, Mi, Fa, So, La, Ti

12: Different Keys. Adding 8th Notes. 3/4 - 1, 2 and 4 Bars.

12.1 Do, Re - 1 bar
12.2 Do, Re, Mi
12.3 Do, Re, Mi, Fa
12.4 Do, Re, Mi, Fa, So
12.5 Do, Re, Mi, Fa, So, La
12.6 Do, Re, Mi, Fa, So, La, Ti
12.7 Do, Re, Mi - 2 bars
12.8 Do, Re, Mi, Fa
12.9 Do, Re, Mi, Fa, So
12.10 Do, Re, Mi, Fa, So, La
12.11 Do, Re, Mi, Fa, So, La, Ti
12.12 Do, Re, Mi - 4 bars
12.13 Do, Re, Mi, Fa
12.14 Do, Re, Mi, Fa, So
12.15 Do, Re, Mi, Fa, So, La
12.16 Do, Re, Mi, Fa, So, La, Ti

13: Melodies in A minor. 4/4 - 1, 2 and 4 Bars.

13.1 Do, Re - 1 bar
13.2 Do, Re, Me
13.3 Do, Re, Me, Fa
13.4 Do, Re, Me, Fa, So
13.5 Do, Re, Me, Fa, So, Le
13.6 Do, Re, Me, Fa, So, Le, Te
13.7 Do, Re, Me - 2 bars
13.8 Do, Re, Me, Fa
13.9 Do, Re, Me, Fa, So
13.10 Do, Re, Me, Fa, So, Le
13.11 Do, Re, Me, Fa, So, Le, Te
13.12 Do, Re, Me - 4 bars
13.13 Do, Re, Me, Fa
13.14 Do, Re, Me, Fa, So
13.15 Do, Re, Me, Fa, So, Le
13.16 Do, Re, Me, Fa, So, Le, Te

14: Melodies in A Minor. 3/4 - 1, 2 and 4 Bars.

14.1 Do, Re - 1 bar
14.2 Do, Re, Me
14.3 Do, Re, Me, Fa
14.4 Do, Re, Me, Fa, So
14.5 Do, Re, Me, Fa, So, Le
14.6 Do, Re, Me, Fa, So, Le, Te
14.7 Do, Re, Me - 2 bars
14.8 Do, Re, Me, Fa
14.9 Do, Re, Me, Fa, So
14.10 Do, Re, Me, Fa, So, Le
14.11 Do, Re, Me, Fa, So, Le, Te
14.12 Do, Re, Me - 4 bars
14.13 Do, Re, Me, Fa
14.14 Do, Re, Me, Fa, So
14.15 Do, Re, Me, Fa, So, Le
14.16 Do, Re, Me, Fa, So, Le, Te

15: Melodies in A Minor. 4/4 Adding 8th Notes

15.1 Do, Re - 1 bar
15.2 Do, Re, Me
15.3 Do, Re, Me, Fa
15.4 Do, Re, Me, Fa, So
15.5 Do, Re, Me, Fa, So, Le
15.6 Do, Re, Me, Fa, So, Le, Te
15.7 Do, Re - 2 bars
15.8 Do, Re, Me - 2 bars
15.9 Do, Re, Me, Fa
15.10 Do, Re, Me, Fa, So
15.11 Do, Re, Me, Fa, So, Le
15.12 Do, Re, Me, Fa, So, Le, Te
15.13 Do, Re, Me - 4 bars
15.14 Do, Re, Me, Fa
15.15 Do, Re, Me, Fa, So
15.16 Do, Re, Me, Fa, So, Le
15.17 Do, Re, Me, Fa, So, Le, Te

16: Melodies in A Minor. 3/4 Adding 8th Notes

16.1 Do, Re, Me - 1 bar
16.2 Do, Re, Me, Fa
16.3 Do, Re, Me, Fa, So
16.4 Do, Re, Me, Fa, So, Le
16.5 Do, Re, Me, Fa, So, Le, Te
16.6 Do, Re, Me - 2 bars
16.7 Do, Re, Me, Fa
16.8 Do, Re, Me, Fa, So
16.9 Do, Re, Me, Fa, So, Le
16.10 Do, Re, Me, Fa, So, Le, Te
16.11 Do, Re, Me - 4 bars
16.12 Do, Re, Me, Fa
16.13 Do, Re, Me, Fa, So
16.14 Do, Re, Me, Fa, So, Le
16.15 Do, Re, Me, Fa, So, Le, Te

17: All Minor Keys. 4/4 with 8th Notes.

17.1 Do, Re, Me - 1 bar
17.2 Do, Re, Me, Fa
17.3 Do, Re, Me, Fa, So
17.4 Do, Re, Me, Fa, So, Le
17.5 Do, Re, Me, Fa, So, Le, Te
17.6 Do, Re, Me - 2 bars
17.7 Do, Re, Me, Fa
17.8 Do, Re, Me, Fa, So
17.9 Do, Re, Me, Fa, So, Le
17.10 Do, Re, Me, Fa, So, Le, Te
17.11 Do, Re, Me - 4 bars
17.12 Do, Re, Me, Fa
17.13 Do, Re, Me, Fa, So
17.14 Do, Re, Me, Fa, So, Le
17.15 Do, Re, Me, Fa, So, Le, Te

18: Harmonic Minor. 4/4 with 8th Notes.

18.1 A minor harmonic. 1 bar
18.2 A minor harmonic. 2 bars
18.3 A minor harmonic. 4 bars
18.4 Harmonic minor (all keys). 1 bar
18.5 Harmonic minor (all keys). 2 bars
18.6 Harmonic minor (all keys). 4 bars

📕 General Workshops - Melody Singback


1: 3 to 4 Tones from the C Major Scale

1.1 Do, Re - 3 tones
1.2 Do, Re, Mi
1.3 Do, Re, Mi, Fa
1.4 Do, Re, Mi, Fa, So
1.5 Do, Re, Mi, Fa, So, La
1.6 Do, Re, Mi, Fa, So, La, Ti
1.7 Do, Re - 4 tones
1.8 Do, Re, Mi
1.9 Do, Re, Mi, Fa
1.10 Do, Re, Mi, Fa, So
1.11 Do, Re, Mi, Fa, So, La
1.12 Do, Re, Mi, Fa, So, La, Ti

2: 5 to 6 Tones from the C Major Scale

2.1 Do, Re - 5 tones
2.2 Do, Re, Mi
2.3 Do, Re, Mi, Fa
2.4 Do, Re, Mi, Fa, So
2.5 Do, Re, Mi, Fa, So, La
2.6 Do, Re, Mi, Fa, So, La, Ti
2.7 Do, Re - 6 tones
2.8 Do, Re, Mi
2.9 Do, Re, Mi, Fa
2.10 Do, Re, Mi, Fa, So
2.11 Do, Re, Mi, Fa, So, La
2.12 Do, Re, Mi, Fa, So, La, Ti

3: 7 to 8 Tones from the C Major Scale

3.1 Do, Re, Mi - 7 tones
3.2 Do, Re, Mi, Fa
3.3 Do, Re, Mi, Fa, So
3.4 Do, Re, Mi, Fa, So, La
3.5 Do, Re, Mi, Fa, So, La, Ti
3.6 Do, Re, Mi - 8 tones
3.7 Do, Re, Mi, Fa
3.8 Do, Re, Mi, Fa, So
3.9 Do, Re, Mi, Fa, So, La
3.10 Do, Re, Mi, Fa, So, La, Ti

4: Melodies in C Major with Rhythm. 4/4

4.1 Do, Re - 1 bar
4.2 Do, Re, Mi
4.3 Do, Re, Mi, Fa
4.4 Do, Re, Mi, Fa, So
4.5 Do, Re, Mi, Fa, So, La
4.6 Do, Re, Mi, Fa, So, La, Ti
4.7 Do, Re, Mi - 2 bars
4.8 Do, Re, Mi, Fa
4.9 Do, Re, Mi, Fa, So
4.10 Do, Re, Mi, Fa, So, La
4.11 Do, Re, Mi, Fa, So, La, Ti

5: Melodies in C Major with Rhythm. 3/4

5.1 Do, Re - 1 bar
5.2 Do, Re, Mi
5.3 Do, Re, Mi, Fa
5.4 Do, Re, Mi, Fa, So
5.5 Do, Re, Mi, Fa, So, La
5.6 Do, Re, Mi, Fa, So, La, Ti
5.7 Do, Re, Mi - 2 bars
5.8 Do, Re, Mi, Fa
5.9 Do, Re, Mi, Fa, So
5.10 Do, Re, Mi, Fa, So, La
5.11 Do, Re, Mi, Fa, So, La, Ti

6: Adding 8th Notes. 4/4

6.1 Do, Re - 1 bar
6.2 Do, Re, Mi
6.3 Do, Re, Mi, Fa
6.4 Do, Re, Mi, Fa, So
6.5 Do, Re, Mi, Fa, So, La
6.6 Do, Re, Mi, Fa, So, La, Ti
6.7 Do, Re, Mi - 2 bars
6.8 Do, Re, Mi, Fa
6.9 Do, Re, Mi, Fa, So
6.10 Do, Re, Mi, Fa, So, La
6.11 Do, Re, Mi, Fa, So, La, Ti

7: Adding 8th Notes. 3/4

7.1 Do, Re - 1 bar
7.2 Do, Re, Mi
7.3 Do, Re, Mi, Fa
7.4 Do, Re, Mi, Fa, So
7.5 Do, Re, Mi, Fa, So, La
7.6 Do, Re, Mi, Fa, So, La, Ti
7.7 Do, Re, Mi - 2 bars
7.8 Do, Re, Mi, Fa
7.9 Do, Re, Mi, Fa, So
7.10 Do, Re, Mi, Fa, So, La
7.11 Do, Re, Mi, Fa, So, La, Ti

8: Around the Circle of Fifths. 4/4

8.1 Do, Re - 1 bar
8.2 Do, Re, Mi
8.3 Do, Re, Mi, Fa
8.4 Do, Re, Mi, Fa, So
8.5 Do, Re, Mi, Fa, So, La
8.6 Do, Re, Mi, Fa, So, La, Ti
8.7 Do, Re, Mi - 2 bars
8.8 Do, Re, Mi, Fa
8.9 Do, Re, Mi, Fa, So
8.10 Do, Re, Mi, Fa, So, La
8.11 Do, Re, Mi, Fa, So, La, Ti

9: Around the Circle of Fifths. 3/4

9.1 Do, Re - 1 bar
9.2 Do, Re, Mi
9.3 Do, Re, Mi, Fa
9.4 Do, Re, Mi, Fa, So
9.5 Do, Re, Mi, Fa, So, La
9.6 Do, Re, Mi, Fa, So, La, Ti
9.7 Do, Re, Mi - 2 bars
9.8 Do, Re, Mi, Fa
9.9 Do, Re, Mi, Fa, So
9.10 Do, Re, Mi, Fa, So, La
9.11 Do, Re, Mi, Fa, So, La, Ti

10: Around the Circle of Fifths. 4/4 with 8th Notes.

10.1 Do, Re - 1 bar
10.2 Do, Re, Mi
10.3 Do, Re, Mi, Fa
10.4 Do, Re, Mi, Fa, So
10.5 Do, Re, Mi, Fa, So, La
10.6 Do, Re, Mi, Fa, So, La, Ti
10.7 Do, Re, Mi - 2 bars
10.8 Do, Re, Mi, Fa
10.9 Do, Re, Mi, Fa, So
10.10 Do, Re, Mi, Fa, So, La
10.11 Do, Re, Mi, Fa, So, La, Ti

11: Around the Circle of Fifths. 3/4 with 8th Notes.

11.1 Do, Re - 1 bar
11.2 Do, Re, Mi
11.3 Do, Re, Mi, Fa
11.4 Do, Re, Mi, Fa, So
11.5 Do, Re, Mi, Fa, So, La
11.6 Do, Re, Mi, Fa, So, La, Ti
11.7 Do, Re, Mi - 2 bars
11.8 Do, Re, Mi, Fa
11.9 Do, Re, Mi, Fa, So
11.10 Do, Re, Mi, Fa, So, La
11.11 Do, Re, Mi, Fa, So, La, Ti

12: Melodies in A minor. 4/4

12.1 Do, Re - 1 bar
12.2 Do, Re, Me
12.3 Do, Re, Me, Fa
12.4 Do, Re, Me, Fa, So
12.5 Do, Re, Me, Fa, So, Le
12.6 Do, Re, Me, Fa, So, Le, Te
12.7 Do, Re, Me - 2 bars
12.8 Do, Re, Me, Fa
12.9 Do, Re, Me, Fa, So
12.10 Do, Re, Me, Fa, So, Le
12.11 Do, Re, Me, Fa, So, Le, Te

13: Melodies in A minor. 3/4

13.1 Do, Re - 1 bar
13.2 Do, Re, Me
13.3 Do, Re, Me, Fa
13.4 Do, Re, Me, Fa, So
13.5 Do, Re, Me, Fa, So, Le
13.6 Do, Re, Me, Fa, So, Le, Te
13.7 Do, Re, Me - 2 bars
13.8 Do, Re, Me, Fa
13.9 Do, Re, Me, Fa, So
13.10 Do, Re, Me, Fa, So, Le
13.11 Do, Re, Me, Fa, So, Le, Te

14: Melodies in A minor. 4/4 with 8th Notes

14.1 Do, Re - 1 bar
14.2 Do, Re, Me
14.3 Do, Re, Me, Fa
14.4 Do, Re, Me, Fa, So
14.5 Do, Re, Me, Fa, So, Le
14.6 Do, Re, Me, Fa, So, Le, Te
14.7 Do, Re - 2 bars
14.8 Do, Re, Me - 2 bars
14.9 Do, Re, Me, Fa
14.10 Do, Re, Me, Fa, So
14.11 Do, Re, Me, Fa, So, Le
14.12 Do, Re, Me, Fa, So, Le, Te

15: Melodies in A minor. 3/4 with 8th Notes

15.1 Do, Re, Me - 1 bar
15.2 Do, Re, Me, Fa
15.3 Do, Re, Me, Fa, So
15.4 Do, Re, Me, Fa, So, Le
15.5 Do, Re, Me, Fa, So, Le, Te
15.6 Do, Re, Me - 2 bars
15.7 Do, Re, Me, Fa
15.8 Do, Re, Me, Fa, So
15.9 Do, Re, Me, Fa, So, Le
15.10 Do, Re, Me, Fa, So, Le, Te

16: All Minor Keys. 4/4 with 8th Notes.

16.1 Do, Re, Me - 1 bar
16.2 Do, Re, Me, Fa
16.3 Do, Re, Me, Fa, So
16.4 Do, Re, Me, Fa, So, Le
16.5 Do, Re, Me, Fa, So, Le, Te
16.6 Do, Re, Me - 2 bars
16.7 Do, Re, Me, Fa
16.8 Do, Re, Me, Fa, So
16.9 Do, Re, Me, Fa, So, Le
16.10 Do, Re, Me, Fa, So, Le, Te

17: Harmonic Minor. 4/4 with 8th Notes.

17.1 A minor harmonic. 1 bar
17.2 A minor harmonic. 2 bars
17.3 A minor harmonic. 4 bars
17.4 Harmonic minor (all keys). 1 bar
17.5 Harmonic minor (all keys). 2 bars
17.6 Harmonic minor (all keys). 4 bars

📕 General Workshops - Rhythm Clapback


1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 1 bar: Quarter notes - including rests
1.2 4/4 - 1 bar: 8th & Quarter notes
1.3 4/4 - 1 bar: 8th notes - including rests
1.4 4/4 - 1 bar: 8th & Quarter notes - including rests
1.5 4/4 - 1 bar: Quarter & Half notes - including rests
1.6 4/4 - 1 bar: Half & Whole notes - including rests
1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests
1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 1 bar: Half, Quarter & Eighth Notes

2.1 3/4 - 1 bar: Quarter notes - including rests
2.2 3/4 - 1 bar: 8th & Quarter notes
2.3 3/4 - 1 bar: 8th notes - including rests
2.4 3/4 - 1 bar: 8th & Quarter notes - including rests
2.5 3/4 - 1 bar: Quarter & Half notes - including rests
2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests

3: 2/4 - 1 bar: Half, Quarter & Eighth Notes

3.1 2/4 - 1 bar: Quarter notes - including rests
3.2 2/4 - 1 bar: 8th & Quarter notes
3.3 2/4 - 1 bar: 8th notes - including rests
3.4 2/4 - 1 bar: 8th & Quarter notes - including rests
3.5 2/4 - 1 bar: Quarter & Half notes - including rests
3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests

4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 2 bars: Quarter notes - including rests
4.2 4/4 - 2 bars: 8th & Quarter notes
4.3 4/4 - 2 bars: 8th notes - including rests
4.4 4/4 - 2 bars: 8th & Quarter notes - including rests
4.5 4/4 - 2 bars: Quarter & Half notes - including rests
4.6 4/4 - 2 bars: Half & Whole notes - including rests
4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 2 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 2 bars: Quarter notes - including rests
5.2 3/4 - 2 bars: 8th & Quarter notes
5.3 3/4 - 2 bars: 8th notes - including rests
5.4 3/4 - 2 bars: 8th & Quarter notes - including rests
5.5 3/4 - 2 bars: Quarter & Half notes - including rests
5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 2 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 2 bars: Quarter notes - including rests
6.2 2/4 - 2 bars: 8th & Quarter notes
6.3 2/4 - 2 bars: 8th notes - including rests
6.4 2/4 - 2 bars: 8th & Quarter notes - including rests
6.5 2/4 - 2 bars: Quarter & Half notes - including rests
6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests

7: 4/4: Introducing Sixteenth Note Groupings

7.1 4/4 - 1 bar: 16th & Quarter notes
7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

8: 3/4: Sixteenth Note Groupings

8.1 3/4 - 1 bar: 16th & Quarter notes
8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests

9: 2/4: Sixteenth Note Groupings

9.1 2/4 - 1 bar: 16th & Quarter notes
9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests

10: Advanced Sixteenth Note Groupings

10.1 4/4 - 1 bar: 16th, 8th & Quarter notes
10.2 3/4 - 1 bar: 16th, 8th & Quarter notes
10.3 2/4 - 1 bar: 16th, 8th & Quarter notes
10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes
10.5 4/4 - 1 bar: 16th, 8th & Quarter notes
10.6 3/4 - 1 bar: 16th, 8th & Quarter notes
10.7 2/4 - 1 bar: 16th, 8th & Quarter notes
10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes

11: Advanced Sixteenth Note Groupings with Rests

11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.5 4/4 - 1 bar: 16th & Quarter notes - including rests
11.6 3/4 - 1 bar: 16th & Quarter notes - including rests
11.7 2/4 - 1 bar: 16th & Quarter notes - including rests
11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests

12: Advanced 16th and 8th Combinations with Rests

12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

13: All Note values from the Previous Lessons, Including Rests

13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests

14: 4/4: Triplets

14.1 4/4 - 1 bar: Quarter notes, 8th triplets
14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.5 4/4 - 1 bar: 8th & Quarter triplets
14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests
14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets
14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
14.9 4/4 - 1 bar: Half triplets
14.10 4/4 - 1 bar: Half triplets - including rests
14.11 4/4 - 1 bar: Quarter notes, 16th triplets
14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests
14.13 4/4 - 1 bar: 16th triplets - including rests
14.14 4/4 - 1 bar: 16th & 8th triplets
14.15 4/4 - 1 bar: 16th & 8th triplets - including rests
14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets
14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests

15: Triplets, Now in 3/4

15.1 3/4 - 1 bar: Quarter notes, 8th triplets
15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.5 3/4 - 1 bar: 8th & Quarter triplets
15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests
15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets
15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
15.9 3/4 - 1 bar: Quarter notes, 16th triplets
15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests
15.11 3/4 - 1 bar: 16th triplets - including rests
15.12 3/4 - 1 bar: 16th & 8th triplets
15.13 3/4 - 1 bar: 16th & 8th triplets - including rests
15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets
15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests

16: Introducing a New Time Signature: 5/4

16.1 5/4 - 1 bar: 8th & Quarter notes - including rests
16.2 5/4 - 1 bar: 8th & Quarter notes - including rests
16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests
16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

17: Introducing New Time Signatures: 3/8, 4/8 & 6/8

17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes
17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests
17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes
17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests

18: 6/8 with Dotted Subdivision

18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes
18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

19: Introducing the 9/8 Time Signature

19.1 9/8 - 1 bar: 16th & 8th notes
19.2 9/8 - 1 bar: 16th & 8th notes - including rests
19.3 9/8 - 1 bar: 16th, 8th & Quarter notes
19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests
19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes
19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 12/8 Time Signature

20.1 12/8 - 1 bar: 16th & 8th notes
20.2 12/8 - 1 bar: 16th & 8th notes - including rests
20.3 12/8 - 1 bar: 16th, 8th & Quarter notes
20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests
20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes
20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing New Time Signatures: 5/8 & 7/8

21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes
21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests
21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes
21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests

22: Introducing New Time Signatures: 2/2, 3/2 & 4/2

22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes
22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests
22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes
22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests
22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests
22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests

23: 4/4: Mixed Note Groupings

23.1 4/4 - 1 bar: 8th notes, 8th triplets
23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests
23.3 4/4 - 1 bar: Quarter notes, Quarter triplets
23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests
23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
23.7 4/4 - 1 bar: 16th notes, 16th triplets
23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests
23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

24: 3/4: Mixed Note Groupings

24.1 3/4 - 1 bar: 8th notes, 8th triplets
24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests
24.3 3/4 - 1 bar: Quarter notes, Quarter triplets
24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests
24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 3/4 - 1 bar: 16th notes, 16th triplets
24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests
24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 4/4: Introducing 32nd Notes

25.1 4/4 - 1 bar: 8th & Quarter notes - including rests
25.2 4/4 - 1 bar: 16th & 8th notes - including rests
25.3 4/4 - 1 bar: 32nd & 16th notes
25.4 4/4 - 1 bar: 32nd & 16th notes - including rests
25.5 4/4 - 1 bar: 32nd & 16th notes - including rests
25.6 4/4 - 1 bar: 32nd notes - including rests
25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

26: 3/4: 32nd Notes

26.1 3/4 - 1 bar: 8th & Quarter notes - including rests
26.2 3/4 - 1 bar: 16th & 8th notes - including rests
26.3 3/4 - 1 bar: 32nd & 16th notes
26.4 3/4 - 1 bar: 32nd & 16th notes - including rests
26.5 3/4 - 1 bar: 32nd & 16th notes - including rests
26.6 3/4 - 1 bar: 32nd notes - including rests
26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

27: Final roundup

27.1 Simple meters
27.2 Simple meters with rests
27.3 Compound meters
27.4 Compound meters with rests
27.5 Asymmetrical meters I
27.6 Asymmetrical meters II

📕 General Workshops - Rhythm Error Detection


1: 4/4 - 2 bars: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 2 bars: Quarter notes - including rests
1.2 4/4 - 2 bars: 8th & Quarter notes
1.3 4/4 - 2 bars: 8th notes - including rests
1.4 4/4 - 2 bars: 8th & Quarter notes - including rests
1.5 4/4 - 2 bars: Quarter & Half notes - including rests
1.6 4/4 - 2 bars: Half & Whole notes - including rests
1.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests
1.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 2 bars: Half, Quarter & Eighth Notes

2.1 3/4 - 2 bars: Quarter notes - including rests
2.2 3/4 - 2 bars: 8th & Quarter notes
2.3 3/4 - 2 bars: 8th notes - including rests
2.4 3/4 - 2 bars: 8th & Quarter notes - including rests
2.5 3/4 - 2 bars: Quarter & Half notes - including rests
2.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests

3: 2/4 - 2 bars: Half, Quarter & Eighth Notes

3.1 2/4 - 2 bars: Quarter notes - including rests
3.2 2/4 - 2 bars: 8th & Quarter notes
3.3 2/4 - 2 bars: 8th notes - including rests
3.4 2/4 - 2 bars: 8th & Quarter notes - including rests
3.5 2/4 - 2 bars: Quarter & Half notes - including rests
3.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests

4: 4/4 - 4 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 4 bars: Quarter notes - including rests
4.2 4/4 - 4 bars: 8th & Quarter notes
4.3 4/4 - 4 bars: 8th notes - including rests
4.4 4/4 - 4 bars: 8th & Quarter notes - including rests
4.5 4/4 - 4 bars: Quarter & Half notes - including rests
4.6 4/4 - 4 bars: Half & Whole notes - including rests
4.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 4 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 4 bars: Quarter notes - including rests
5.2 3/4 - 4 bars: 8th & Quarter notes
5.3 3/4 - 4 bars: 8th notes - including rests
5.4 3/4 - 4 bars: 8th & Quarter notes - including rests
5.5 3/4 - 4 bars: Quarter & Half notes - including rests
5.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 4 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 4 bars: Quarter notes - including rests
6.2 2/4 - 4 bars: 8th & Quarter notes
6.3 2/4 - 4 bars: 8th notes - including rests
6.4 2/4 - 4 bars: 8th & Quarter notes - including rests
6.5 2/4 - 4 bars: Quarter & Half notes - including rests
6.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests

7: 4/4 - 8 bars: Whole, Half, Quarter & Eighth Notes

7.1 4/4 - 8 bars: Quarter notes - including rests
7.2 4/4 - 8 bars: 8th & Quarter notes
7.3 4/4 - 8 bars: 8th notes - including rests
7.4 4/4 - 8 bars: 8th & Quarter notes - including rests
7.5 4/4 - 8 bars: Quarter & Half notes - including rests
7.6 4/4 - 8 bars: Half & Whole notes - including rests
7.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests
7.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests

8: 4/4: Introducing Sixteenth Note Groupings

8.1 4/4 - 2 bars: 16th & Quarter notes
8.2 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
8.3 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests

9: 3/4: Sixteenth Note Groupings

9.1 3/4 - 2 bars: 16th & Quarter notes
9.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
9.3 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests

10: 2/4: Sixteenth Note Groupings

10.1 2/4 - 2 bars: 16th & Quarter notes
10.2 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
10.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests

11: Advanced Sixteenth Note Groupings

11.1 4/4 - 2 bars: 16th, 8th & Quarter notes
11.2 3/4 - 2 bars: 16th, 8th & Quarter notes
11.3 2/4 - 2 bars: 16th, 8th & Quarter notes
11.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes
11.5 4/4 - 2 bars: 16th, 8th & Quarter notes
11.6 3/4 - 2 bars: 16th, 8th & Quarter notes
11.7 2/4 - 2 bars: 16th, 8th & Quarter notes
11.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes

12: Advanced Sixteenth Note Groupings with Rests

12.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 2 bars: 16th & Quarter notes - including rests
12.6 3/4 - 2 bars: 16th & Quarter notes - including rests
12.7 2/4 - 2 bars: 16th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 2 bars: 16th & Quarter notes - including rests

13: Advanced 16th and 8th Combinations with Rests

13.1 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.2 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.3 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.5 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.6 3/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.7 2/4 - 2 bars: 16th, 8th & Quarter notes - including rests
13.8 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th & Quarter notes - including rests

14: All Note values from the Previous Lessons, Including Rests

14.1 4/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
14.2 3/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests
14.3 2/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests
14.4 2/4, 3/4 & 4/4 - 2 bars: 16th, 8th, Quarter & Half notes - including rests

15: 4/4: Triplets

15.1 4/4 - 2 bars: Quarter notes, 8th triplets
15.2 4/4 - 2 bars: Quarter notes, 8th triplets - including rests
15.3 4/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests
15.4 4/4 - 2 bars: Quarter notes, 8th triplets - including rests
15.5 4/4 - 2 bars: 8th & Quarter triplets
15.6 4/4 - 2 bars: 8th & Quarter triplets - including rests
15.7 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets
15.8 4/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests
15.9 4/4 - 2 bars: Half triplets
15.10 4/4 - 2 bars: Half triplets - including rests
15.11 4/4 - 2 bars: Quarter notes, 16th triplets
15.12 4/4 - 2 bars: Quarter notes, 16th triplets - including rests
15.13 4/4 - 2 bars: 16th triplets - including rests
15.14 4/4 - 2 bars: 16th & 8th triplets
15.15 4/4 - 2 bars: 16th & 8th triplets - including rests
15.16 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets
15.17 4/4 - 2 bars: 16th, 8th, Quarter & Half triplets - including rests

16: Triplets, Now in 3/4

16.1 3/4 - 2 bars: Quarter notes, 8th triplets
16.2 3/4 - 2 bars: Quarter notes, 8th triplets - including rests
16.3 3/4 - 2 bars: Quarter & Half notes, 8th triplets - including rests
16.4 3/4 - 2 bars: Quarter notes, 8th triplets - including rests
16.5 3/4 - 2 bars: 8th & Quarter triplets
16.6 3/4 - 2 bars: 8th & Quarter triplets - including rests
16.7 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets
16.8 3/4 - 2 bars: Quarter notes, 8th & Quarter triplets - including rests
16.9 3/4 - 2 bars: Quarter notes, 16th triplets
16.10 3/4 - 2 bars: Quarter notes, 16th triplets - including rests
16.11 3/4 - 2 bars: 16th triplets - including rests
16.12 3/4 - 2 bars: 16th & 8th triplets
16.13 3/4 - 2 bars: 16th & 8th triplets - including rests
16.14 3/4 - 2 bars: 16th, 8th & Quarter triplets
16.15 3/4 - 2 bars: 16th, 8th & Quarter triplets - including rests

17: Introducing a New Time Signature: 5/4

17.1 5/4 - 2 bars: 8th & Quarter notes - including rests
17.2 5/4 - 2 bars: 8th & Quarter notes - including rests
17.3 5/4 - 2 bars: 8th, Quarter & Half notes - including rests
17.4 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests
17.5 5/4 - 2 bars: 16th, 8th & Quarter notes - including rests
17.6 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
17.7 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
17.8 5/4 - 2 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

18: Introducing New Time Signatures: 3/8, 4/8 & 6/8

18.1 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes
18.2 3/8, 4/8 & 6/8 - 2 bars: 16th & 8th notes - including rests
18.3 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes
18.4 3/8, 4/8 & 6/8 - 2 bars: 16th, 8th & Quarter notes - including rests

19: 6/8 with Dotted Subdivision

19.1 6/8 - 2 bars: 8th notes, Quarter dotted notes
19.2 6/8 - 2 bars: 8th notes, Quarter dotted notes - including rests
19.3 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes
19.4 6/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests
19.5 6/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 9/8 Time Signature

20.1 9/8 - 2 bars: 16th & 8th notes
20.2 9/8 - 2 bars: 16th & 8th notes - including rests
20.3 9/8 - 2 bars: 16th, 8th & Quarter notes
20.4 9/8 - 2 bars: 16th, 8th & Quarter notes - including rests
20.5 9/8 - 2 bars: 8th notes, Quarter dotted notes
20.6 9/8 - 2 bars: 8th notes, Quarter dotted notes - including rests
20.7 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes
20.8 9/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 9/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing the 12/8 Time Signature

21.1 12/8 - 2 bars: 16th & 8th notes
21.2 12/8 - 2 bars: 16th & 8th notes - including rests
21.3 12/8 - 2 bars: 16th, 8th & Quarter notes
21.4 12/8 - 2 bars: 16th, 8th & Quarter notes - including rests
21.5 12/8 - 2 bars: 8th notes, Quarter dotted notes
21.6 12/8 - 2 bars: 8th notes, Quarter dotted notes - including rests
21.7 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes
21.8 12/8 - 2 bars: 8th & Quarter notes, Quarter dotted notes - including rests
21.9 12/8 - 2 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

22: Introducing New Time Signatures: 5/8 & 7/8

22.1 5/8 & 7/8 - 2 bars: 16th & 8th notes
22.2 5/8 & 7/8 - 2 bars: 16th & 8th notes - including rests
22.3 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes
22.4 5/8 & 7/8 - 2 bars: 16th, 8th & Quarter notes - including rests

23: Introducing New Time Signatures: 2/2, 3/2 & 4/2

23.1 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes
23.2 2/2, 3/2 & 4/2 - 2 bars: Half & Whole notes - including rests
23.3 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes
23.4 2/2, 3/2 & 4/2 - 2 bars: Quarter, Half & Whole notes - including rests
23.5 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests
23.6 2/2, 3/2 & 4/2 - 2 bars: 8th, Quarter & Half notes - including rests

24: 4/4: Mixed Note Groupings

24.1 4/4 - 2 bars: 8th notes, 8th triplets
24.2 4/4 - 2 bars: 8th notes, 8th triplets - including rests
24.3 4/4 - 2 bars: Quarter notes, Quarter triplets
24.4 4/4 - 2 bars: Quarter notes, Quarter triplets - including rests
24.5 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets
24.6 4/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 4/4 - 2 bars: 16th notes, 16th triplets
24.8 4/4 - 2 bars: 16th notes, 16th triplets - including rests
24.9 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets
24.10 4/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 4/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 3/4: Mixed Note Groupings

25.1 3/4 - 2 bars: 8th notes, 8th triplets
25.2 3/4 - 2 bars: 8th notes, 8th triplets - including rests
25.3 3/4 - 2 bars: Quarter notes, Quarter triplets
25.4 3/4 - 2 bars: Quarter notes, Quarter triplets - including rests
25.5 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets
25.6 3/4 - 2 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
25.7 3/4 - 2 bars: 16th notes, 16th triplets
25.8 3/4 - 2 bars: 16th notes, 16th triplets - including rests
25.9 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets
25.10 3/4 - 2 bars: 16th & 8th notes, 16th & 8th triplets - including rests
25.11 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
25.12 3/4 - 2 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

26: 4/4: Introducing 32nd Notes

26.1 4/4 - 2 bars: 8th & Quarter notes - including rests
26.2 4/4 - 2 bars: 16th & 8th notes - including rests
26.3 4/4 - 2 bars: 32nd & 16th notes
26.4 4/4 - 2 bars: 32nd & 16th notes - including rests
26.5 4/4 - 2 bars: 32nd & 16th notes - including rests
26.6 4/4 - 2 bars: 32nd notes - including rests
26.7 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes
26.8 4/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests

27: 3/4: 32nd Notes

27.1 3/4 - 2 bars: 8th & Quarter notes - including rests
27.2 3/4 - 2 bars: 16th & 8th notes - including rests
27.3 3/4 - 2 bars: 32nd & 16th notes
27.4 3/4 - 2 bars: 32nd & 16th notes - including rests
27.5 3/4 - 2 bars: 32nd & 16th notes - including rests
27.6 3/4 - 2 bars: 32nd notes - including rests
27.7 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes
27.8 3/4 - 2 bars: 32nd, 16th, 8th & Quarter notes - including rests

28: All the Time Signatures from the Previous Lessons

28.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes
28.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests

📕 General Workshops - Rhythm Sight-Reading


1: 4/4 - 4 bars: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 4 bars: Quarter notes - including rests
1.2 4/4 - 4 bars: 8th & Quarter notes
1.3 4/4 - 4 bars: 8th notes - including rests
1.4 4/4 - 4 bars: 8th & Quarter notes - including rests
1.5 4/4 - 4 bars: Quarter & Half notes - including rests
1.6 4/4 - 4 bars: Half & Whole notes - including rests
1.7 4/4 - 4 bars: Quarter, Half & Whole notes - including rests
1.8 4/4 - 4 bars: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 4 bars: Half, Quarter & Eighth Notes

2.1 3/4 - 4 bars: Quarter notes - including rests
2.2 3/4 - 4 bars: 8th & Quarter notes
2.3 3/4 - 4 bars: 8th notes - including rests
2.4 3/4 - 4 bars: 8th & Quarter notes - including rests
2.5 3/4 - 4 bars: Quarter & Half notes - including rests
2.6 3/4 - 4 bars: 8th, Quarter & Half notes - including rests

3: 2/4 - 4 bars: Half, Quarter & Eighth Notes

3.1 2/4 - 4 bars: Quarter notes - including rests
3.2 2/4 - 4 bars: 8th & Quarter notes
3.3 2/4 - 4 bars: 8th notes - including rests
3.4 2/4 - 4 bars: 8th & Quarter notes - including rests
3.5 2/4 - 4 bars: Quarter & Half notes - including rests
3.6 2/4 - 4 bars: 8th, Quarter & Half notes - including rests

4: 4/4 - 8 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 8 bars: Quarter notes - including rests
4.2 4/4 - 8 bars: 8th & Quarter notes
4.3 4/4 - 8 bars: 8th notes - including rests
4.4 4/4 - 8 bars: 8th & Quarter notes - including rests
4.5 4/4 - 8 bars: Quarter & Half notes - including rests
4.6 4/4 - 8 bars: Half & Whole notes - including rests
4.7 4/4 - 8 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 8 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 8 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 8 bars: Quarter notes - including rests
5.2 3/4 - 8 bars: 8th & Quarter notes
5.3 3/4 - 8 bars: 8th notes - including rests
5.4 3/4 - 8 bars: 8th & Quarter notes - including rests
5.5 3/4 - 8 bars: Quarter & Half notes - including rests
5.6 3/4 - 8 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 8 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 8 bars: Quarter notes - including rests
6.2 2/4 - 8 bars: 8th & Quarter notes
6.3 2/4 - 8 bars: 8th notes - including rests
6.4 2/4 - 8 bars: 8th & Quarter notes - including rests
6.5 2/4 - 8 bars: Quarter & Half notes - including rests
6.6 2/4 - 8 bars: 8th, Quarter & Half notes - including rests

7: 4/4: Introducing Sixteenth Note Groupings

7.1 4/4 - 4 bars: 16th & Quarter notes
7.2 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
7.3 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests

8: 3/4: Sixteenth Note Groupings

8.1 3/4 - 4 bars: 16th & Quarter notes
8.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
8.3 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests

9: 2/4: Sixteenth Note Groupings

9.1 2/4 - 4 bars: 16th & Quarter notes
9.2 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
9.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests

10: Advanced Sixteenth Note Groupings

10.1 4/4 - 4 bars: 16th, 8th & Quarter notes
10.2 3/4 - 4 bars: 16th, 8th & Quarter notes
10.3 2/4 - 4 bars: 16th, 8th & Quarter notes
10.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes
10.5 4/4 - 4 bars: 16th, 8th & Quarter notes
10.6 3/4 - 4 bars: 16th, 8th & Quarter notes
10.7 2/4 - 4 bars: 16th, 8th & Quarter notes
10.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes

11: Advanced Sixteenth Note Groupings with Rests

11.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
11.5 4/4 - 4 bars: 16th & Quarter notes - including rests
11.6 3/4 - 4 bars: 16th & Quarter notes - including rests
11.7 2/4 - 4 bars: 16th & Quarter notes - including rests
11.8 2/4, 3/4 & 4/4 - 4 bars: 16th & Quarter notes - including rests

12: Advanced 16th and 8th Combinations with Rests

12.1 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.6 3/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.7 2/4 - 4 bars: 16th, 8th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th & Quarter notes - including rests

13: All Note values from the Previous Lessons, Including Rests

13.1 4/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
13.2 3/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests
13.3 2/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests
13.4 2/4, 3/4 & 4/4 - 4 bars: 16th, 8th, Quarter & Half notes - including rests

14: 4/4: Triplets

14.1 4/4 - 4 bars: Quarter notes, 8th triplets
14.2 4/4 - 4 bars: Quarter notes, 8th triplets - including rests
14.3 4/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests
14.4 4/4 - 4 bars: Quarter notes, 8th triplets - including rests
14.5 4/4 - 4 bars: 8th & Quarter triplets
14.6 4/4 - 4 bars: 8th & Quarter triplets - including rests
14.7 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets
14.8 4/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests
14.9 4/4 - 4 bars: Half triplets
14.10 4/4 - 4 bars: Half triplets - including rests
14.11 4/4 - 4 bars: Quarter notes, 16th triplets
14.12 4/4 - 4 bars: Quarter notes, 16th triplets - including rests
14.13 4/4 - 4 bars: 16th triplets - including rests
14.14 4/4 - 4 bars: 16th & 8th triplets
14.15 4/4 - 4 bars: 16th & 8th triplets - including rests
14.16 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets
14.17 4/4 - 4 bars: 16th, 8th, Quarter & Half triplets - including rests

15: Triplets, Now in 3/4

15.1 3/4 - 4 bars: Quarter notes, 8th triplets
15.2 3/4 - 4 bars: Quarter notes, 8th triplets - including rests
15.3 3/4 - 4 bars: Quarter & Half notes, 8th triplets - including rests
15.4 3/4 - 4 bars: Quarter notes, 8th triplets - including rests
15.5 3/4 - 4 bars: 8th & Quarter triplets
15.6 3/4 - 4 bars: 8th & Quarter triplets - including rests
15.7 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets
15.8 3/4 - 4 bars: Quarter notes, 8th & Quarter triplets - including rests
15.9 3/4 - 4 bars: Quarter notes, 16th triplets
15.10 3/4 - 4 bars: Quarter notes, 16th triplets - including rests
15.11 3/4 - 4 bars: 16th triplets - including rests
15.12 3/4 - 4 bars: 16th & 8th triplets
15.13 3/4 - 4 bars: 16th & 8th triplets - including rests
15.14 3/4 - 4 bars: 16th, 8th & Quarter triplets
15.15 3/4 - 4 bars: 16th, 8th & Quarter triplets - including rests

16: Introducing a New Time Signature: 5/4

16.1 5/4 - 4 bars: 8th & Quarter notes - including rests
16.2 5/4 - 4 bars: 8th & Quarter notes - including rests
16.3 5/4 - 4 bars: 8th, Quarter & Half notes - including rests
16.4 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests
16.5 5/4 - 4 bars: 16th, 8th & Quarter notes - including rests
16.6 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes - including rests
16.7 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
16.8 5/4 - 4 bars: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

17: Introducing New Time Signatures: 3/8, 4/8 & 6/8

17.1 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes
17.2 3/8, 4/8 & 6/8 - 4 bars: 16th & 8th notes - including rests
17.3 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes
17.4 3/8, 4/8 & 6/8 - 4 bars: 16th, 8th & Quarter notes - including rests

18: 6/8 with Dotted Subdivision

18.1 6/8 - 4 bars: 8th notes, Quarter dotted notes
18.2 6/8 - 4 bars: 8th notes, Quarter dotted notes - including rests
18.3 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes
18.4 6/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests
18.5 6/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

19: Introducing the 9/8 Time Signature

19.1 9/8 - 4 bars: 16th & 8th notes
19.2 9/8 - 4 bars: 16th & 8th notes - including rests
19.3 9/8 - 4 bars: 16th, 8th & Quarter notes
19.4 9/8 - 4 bars: 16th, 8th & Quarter notes - including rests
19.5 9/8 - 4 bars: 8th notes, Quarter dotted notes
19.6 9/8 - 4 bars: 8th notes, Quarter dotted notes - including rests
19.7 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes
19.8 9/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests
19.9 9/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 12/8 Time Signature

20.1 12/8 - 4 bars: 16th & 8th notes
20.2 12/8 - 4 bars: 16th & 8th notes - including rests
20.3 12/8 - 4 bars: 16th, 8th & Quarter notes
20.4 12/8 - 4 bars: 16th, 8th & Quarter notes - including rests
20.5 12/8 - 4 bars: 8th notes, Quarter dotted notes
20.6 12/8 - 4 bars: 8th notes, Quarter dotted notes - including rests
20.7 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes
20.8 12/8 - 4 bars: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 12/8 - 4 bars: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing New Time Signatures: 5/8 & 7/8

21.1 5/8 & 7/8 - 4 bars: 16th & 8th notes
21.2 5/8 & 7/8 - 4 bars: 16th & 8th notes - including rests
21.3 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes
21.4 5/8 & 7/8 - 4 bars: 16th, 8th & Quarter notes - including rests

22: Introducing New Time Signatures: 2/2, 3/2 & 4/2

22.1 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes
22.2 2/2, 3/2 & 4/2 - 4 bars: Half & Whole notes - including rests
22.3 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes
22.4 2/2, 3/2 & 4/2 - 4 bars: Quarter, Half & Whole notes - including rests
22.5 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests
22.6 2/2, 3/2 & 4/2 - 4 bars: 8th, Quarter & Half notes - including rests

23: 4/4: Mixed Note Groupings

23.1 4/4 - 4 bars: 8th notes, 8th triplets
23.2 4/4 - 4 bars: 8th notes, 8th triplets - including rests
23.3 4/4 - 4 bars: Quarter notes, Quarter triplets
23.4 4/4 - 4 bars: Quarter notes, Quarter triplets - including rests
23.5 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets
23.6 4/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
23.7 4/4 - 4 bars: 16th notes, 16th triplets
23.8 4/4 - 4 bars: 16th notes, 16th triplets - including rests
23.9 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets
23.10 4/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests
23.11 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
23.12 4/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

24: 3/4: Mixed Note Groupings

24.1 3/4 - 4 bars: 8th notes, 8th triplets
24.2 3/4 - 4 bars: 8th notes, 8th triplets - including rests
24.3 3/4 - 4 bars: Quarter notes, Quarter triplets
24.4 3/4 - 4 bars: Quarter notes, Quarter triplets - including rests
24.5 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets
24.6 3/4 - 4 bars: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 3/4 - 4 bars: 16th notes, 16th triplets
24.8 3/4 - 4 bars: 16th notes, 16th triplets - including rests
24.9 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets
24.10 3/4 - 4 bars: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 3/4 - 4 bars: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 4/4: Introducing 32nd Notes

25.1 4/4 - 4 bars: 8th & Quarter notes - including rests
25.2 4/4 - 4 bars: 16th & 8th notes - including rests
25.3 4/4 - 4 bars: 32nd & 16th notes
25.4 4/4 - 4 bars: 32nd & 16th notes - including rests
25.5 4/4 - 4 bars: 32nd & 16th notes - including rests
25.6 4/4 - 4 bars: 32nd notes - including rests
25.7 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes
25.8 4/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests

26: 3/4: 32nd Notes

26.1 3/4 - 4 bars: 8th & Quarter notes - including rests
26.2 3/4 - 4 bars: 16th & 8th notes - including rests
26.3 3/4 - 4 bars: 32nd & 16th notes
26.4 3/4 - 4 bars: 32nd & 16th notes - including rests
26.5 3/4 - 4 bars: 32nd & 16th notes - including rests
26.6 3/4 - 4 bars: 32nd notes - including rests
26.7 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes
26.8 3/4 - 4 bars: 32nd, 16th, 8th & Quarter notes - including rests

27: Final roundup

27.1 Simple meters
27.2 Simple meters with rests
27.3 Compound meters
27.4 Compound meters with rests
27.5 Asymmetrical meters I
27.6 Asymmetrical meters II

📕 General Workshops - Rhythmic Dictation


1: 4/4 - 1 bar: Whole, Half, Quarter & Eighth Notes

1.1 4/4 - 1 bar: Quarter notes - including rests
1.2 4/4 - 1 bar: 8th & Quarter notes
1.3 4/4 - 1 bar: 8th notes - including rests
1.4 4/4 - 1 bar: 8th & Quarter notes - including rests
1.5 4/4 - 1 bar: Quarter & Half notes - including rests
1.6 4/4 - 1 bar: Half & Whole notes - including rests
1.7 4/4 - 1 bar: Quarter, Half & Whole notes - including rests
1.8 4/4 - 1 bar: 8th, Quarter, Half & Whole notes - including rests

2: 3/4 - 1 bar: Half, Quarter & Eighth Notes

2.1 3/4 - 1 bar: Quarter notes - including rests
2.2 3/4 - 1 bar: 8th & Quarter notes
2.3 3/4 - 1 bar: 8th notes - including rests
2.4 3/4 - 1 bar: 8th & Quarter notes - including rests
2.5 3/4 - 1 bar: Quarter & Half notes - including rests
2.6 3/4 - 1 bar: 8th, Quarter & Half notes - including rests

3: 2/4 - 1 bar: Half, Quarter & Eighth Notes

3.1 2/4 - 1 bar: Quarter notes - including rests
3.2 2/4 - 1 bar: 8th & Quarter notes
3.3 2/4 - 1 bar: 8th notes - including rests
3.4 2/4 - 1 bar: 8th & Quarter notes - including rests
3.5 2/4 - 1 bar: Quarter & Half notes - including rests
3.6 2/4 - 1 bar: 8th, Quarter & Half notes - including rests

4: 4/4 - 2 bars: Whole, half, Quarter & Eighth Notes

4.1 4/4 - 2 bars: Quarter notes - including rests
4.2 4/4 - 2 bars: 8th & Quarter notes
4.3 4/4 - 2 bars: 8th notes - including rests
4.4 4/4 - 2 bars: 8th & Quarter notes - including rests
4.5 4/4 - 2 bars: Quarter & Half notes - including rests
4.6 4/4 - 2 bars: Half & Whole notes - including rests
4.7 4/4 - 2 bars: Quarter, Half & Whole notes - including rests
4.8 4/4 - 2 bars: 8th, Quarter, Half & Whole notes - including rests

5: 3/4 - 2 bars: Half, Quarter & Eighth Notes

5.1 3/4 - 2 bars: Quarter notes - including rests
5.2 3/4 - 2 bars: 8th & Quarter notes
5.3 3/4 - 2 bars: 8th notes - including rests
5.4 3/4 - 2 bars: 8th & Quarter notes - including rests
5.5 3/4 - 2 bars: Quarter & Half notes - including rests
5.6 3/4 - 2 bars: 8th, Quarter & Half notes - including rests

6: 2/4 - 2 bars: Half, Quarter & Eighth Notes

6.1 2/4 - 2 bars: Quarter notes - including rests
6.2 2/4 - 2 bars: 8th & Quarter notes
6.3 2/4 - 2 bars: 8th notes - including rests
6.4 2/4 - 2 bars: 8th & Quarter notes - including rests
6.5 2/4 - 2 bars: Quarter & Half notes - including rests
6.6 2/4 - 2 bars: 8th, Quarter & Half notes - including rests

7: 4/4: Introducing Sixteenth Note Groupings

7.1 4/4 - 1 bar: 16th & Quarter notes
7.2 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
7.3 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

8: 3/4: Sixteenth Note Groupings

8.1 3/4 - 1 bar: 16th & Quarter notes
8.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
8.3 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests

9: 2/4: Sixteenth Note Groupings

9.1 2/4 - 1 bar: 16th & Quarter notes
9.2 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
9.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests

10: Advanced Sixteenth Note Groupings

10.1 4/4 - 1 bar: 16th, 8th & Quarter notes
10.2 3/4 - 1 bar: 16th, 8th & Quarter notes
10.3 2/4 - 1 bar: 16th, 8th & Quarter notes
10.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes
10.5 4/4 - 1 bar: 16th, 8th & Quarter notes
10.6 3/4 - 1 bar: 16th, 8th & Quarter notes
10.7 2/4 - 1 bar: 16th, 8th & Quarter notes
10.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes

11: Advanced Sixteenth Note Groupings with Rests

11.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
11.5 4/4 - 1 bar: 16th & Quarter notes - including rests
11.6 3/4 - 1 bar: 16th & Quarter notes - including rests
11.7 2/4 - 1 bar: 16th & Quarter notes - including rests
11.8 2/4, 3/4 & 4/4 - 1 bar: 16th & Quarter notes - including rests

12: Advanced 16th and 8th Combinations with Rests

12.1 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.2 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.3 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.5 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.6 3/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.7 2/4 - 1 bar: 16th, 8th & Quarter notes - including rests
12.8 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th & Quarter notes - including rests

13: All Note values from the Previous Lessons, Including Rests

13.1 4/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
13.2 3/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.3 2/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests
13.4 2/4, 3/4 & 4/4 - 1 bar: 16th, 8th, Quarter & Half notes - including rests

14: 4/4: Triplets

14.1 4/4 - 1 bar: Quarter notes, 8th triplets
14.2 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.3 4/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
14.4 4/4 - 1 bar: Quarter notes, 8th triplets - including rests
14.5 4/4 - 1 bar: 8th & Quarter triplets
14.6 4/4 - 1 bar: 8th & Quarter triplets - including rests
14.7 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets
14.8 4/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
14.9 4/4 - 1 bar: Half triplets
14.10 4/4 - 1 bar: Half triplets - including rests
14.11 4/4 - 1 bar: Quarter notes, 16th triplets
14.12 4/4 - 1 bar: Quarter notes, 16th triplets - including rests
14.13 4/4 - 1 bar: 16th triplets - including rests
14.14 4/4 - 1 bar: 16th & 8th triplets
14.15 4/4 - 1 bar: 16th & 8th triplets - including rests
14.16 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets
14.17 4/4 - 1 bar: 16th, 8th, Quarter & Half triplets - including rests

15: Triplets, Now in 3/4

15.1 3/4 - 1 bar: Quarter notes, 8th triplets
15.2 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.3 3/4 - 1 bar: Quarter & Half notes, 8th triplets - including rests
15.4 3/4 - 1 bar: Quarter notes, 8th triplets - including rests
15.5 3/4 - 1 bar: 8th & Quarter triplets
15.6 3/4 - 1 bar: 8th & Quarter triplets - including rests
15.7 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets
15.8 3/4 - 1 bar: Quarter notes, 8th & Quarter triplets - including rests
15.9 3/4 - 1 bar: Quarter notes, 16th triplets
15.10 3/4 - 1 bar: Quarter notes, 16th triplets - including rests
15.11 3/4 - 1 bar: 16th triplets - including rests
15.12 3/4 - 1 bar: 16th & 8th triplets
15.13 3/4 - 1 bar: 16th & 8th triplets - including rests
15.14 3/4 - 1 bar: 16th, 8th & Quarter triplets
15.15 3/4 - 1 bar: 16th, 8th & Quarter triplets - including rests

16: Introducing a New Time Signature: 5/4

16.1 5/4 - 1 bar: 8th & Quarter notes - including rests
16.2 5/4 - 1 bar: 8th & Quarter notes - including rests
16.3 5/4 - 1 bar: 8th, Quarter & Half notes - including rests
16.4 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.5 5/4 - 1 bar: 16th, 8th & Quarter notes - including rests
16.6 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes - including rests
16.7 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets
16.8 5/4 - 1 bar: 16th, 8th, Quarter, Half & Whole notes, 16th, 8th & Quarter triplets - including rests

17: Introducing New Time Signatures: 3/8, 4/8 & 6/8

17.1 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes
17.2 3/8, 4/8 & 6/8 - 1 bar: 16th & 8th notes - including rests
17.3 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes
17.4 3/8, 4/8 & 6/8 - 1 bar: 16th, 8th & Quarter notes - including rests

18: 6/8 with Dotted Subdivision

18.1 6/8 - 1 bar: 8th notes, Quarter dotted notes
18.2 6/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
18.3 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
18.4 6/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
18.5 6/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

19: Introducing the 9/8 Time Signature

19.1 9/8 - 1 bar: 16th & 8th notes
19.2 9/8 - 1 bar: 16th & 8th notes - including rests
19.3 9/8 - 1 bar: 16th, 8th & Quarter notes
19.4 9/8 - 1 bar: 16th, 8th & Quarter notes - including rests
19.5 9/8 - 1 bar: 8th notes, Quarter dotted notes
19.6 9/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
19.7 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
19.8 9/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
19.9 9/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

20: Introducing the 12/8 Time Signature

20.1 12/8 - 1 bar: 16th & 8th notes
20.2 12/8 - 1 bar: 16th & 8th notes - including rests
20.3 12/8 - 1 bar: 16th, 8th & Quarter notes
20.4 12/8 - 1 bar: 16th, 8th & Quarter notes - including rests
20.5 12/8 - 1 bar: 8th notes, Quarter dotted notes
20.6 12/8 - 1 bar: 8th notes, Quarter dotted notes - including rests
20.7 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes
20.8 12/8 - 1 bar: 8th & Quarter notes, Quarter dotted notes - including rests
20.9 12/8 - 1 bar: 16th, 8th & Quarter notes, Quarter dotted notes - including rests

21: Introducing New Time Signatures: 5/8 & 7/8

21.1 5/8 & 7/8 - 1 bar: 16th & 8th notes
21.2 5/8 & 7/8 - 1 bar: 16th & 8th notes - including rests
21.3 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes
21.4 5/8 & 7/8 - 1 bar: 16th, 8th & Quarter notes - including rests

22: Introducing New Time Signatures: 2/2, 3/2 & 4/2

22.1 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes
22.2 2/2, 3/2 & 4/2 - 1 bar: Half & Whole notes - including rests
22.3 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes
22.4 2/2, 3/2 & 4/2 - 1 bar: Quarter, Half & Whole notes - including rests
22.5 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests
22.6 2/2, 3/2 & 4/2 - 1 bar: 8th, Quarter & Half notes - including rests

23: 4/4: Mixed Note Groupings

23.1 4/4 - 1 bar: 8th notes, 8th triplets
23.2 4/4 - 1 bar: 8th notes, 8th triplets - including rests
23.3 4/4 - 1 bar: Quarter notes, Quarter triplets
23.4 4/4 - 1 bar: Quarter notes, Quarter triplets - including rests
23.5 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
23.6 4/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
23.7 4/4 - 1 bar: 16th notes, 16th triplets
23.8 4/4 - 1 bar: 16th notes, 16th triplets - including rests
23.9 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
23.10 4/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
23.11 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
23.12 4/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

24: 3/4: Mixed Note Groupings

24.1 3/4 - 1 bar: 8th notes, 8th triplets
24.2 3/4 - 1 bar: 8th notes, 8th triplets - including rests
24.3 3/4 - 1 bar: Quarter notes, Quarter triplets
24.4 3/4 - 1 bar: Quarter notes, Quarter triplets - including rests
24.5 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets
24.6 3/4 - 1 bar: 8th & Quarter notes, 8th & Quarter triplets - including rests
24.7 3/4 - 1 bar: 16th notes, 16th triplets
24.8 3/4 - 1 bar: 16th notes, 16th triplets - including rests
24.9 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets
24.10 3/4 - 1 bar: 16th & 8th notes, 16th & 8th triplets - including rests
24.11 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets
24.12 3/4 - 1 bar: 16th, 8th & Quarter notes, 16th, 8th & Quarter triplets - including rests

25: 4/4: Introducing 32nd Notes

25.1 4/4 - 1 bar: 8th & Quarter notes - including rests
25.2 4/4 - 1 bar: 16th & 8th notes - including rests
25.3 4/4 - 1 bar: 32nd & 16th notes
25.4 4/4 - 1 bar: 32nd & 16th notes - including rests
25.5 4/4 - 1 bar: 32nd & 16th notes - including rests
25.6 4/4 - 1 bar: 32nd notes - including rests
25.7 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
25.8 4/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

26: 3/4: 32nd Notes

26.1 3/4 - 1 bar: 8th & Quarter notes - including rests
26.2 3/4 - 1 bar: 16th & 8th notes - including rests
26.3 3/4 - 1 bar: 32nd & 16th notes
26.4 3/4 - 1 bar: 32nd & 16th notes - including rests
26.5 3/4 - 1 bar: 32nd & 16th notes - including rests
26.6 3/4 - 1 bar: 32nd notes - including rests
26.7 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes
26.8 3/4 - 1 bar: 32nd, 16th, 8th & Quarter notes - including rests

27: All the Time Signatures from the Previous Lessons

27.1 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes
27.2 Mixed Time Signatures with 32nd, 16th, 8th & Quarter Notes + Rests

📕 General Workshops - Scale Identification


1: Module 1

1.1 Major, Lydian and Mixolydian (begin with 1-1)
1.2 Scales with minor sound (begin with 1-½)
1.3 Phrygian and Locrian (begin with ½-1)
1.4 All modes and harmonic and melodic minor
1.5 Whole tone and variants of Lydian and Mixolydian
1.6 Melodic minor, Locrian (#2) and Dim (1-½)
1.7 Phrygian (#6), Altered and Dim (½-1)
1.8 Derivatives of melodic minor, Whole tone and Dim
1.9 All scales and modes from lessons 1-8
1.10 Derivatives of harmonic minor
1.11 The two pentatonic scales
1.12 All modes - descending
1.13 Derivatives of harmonic minor - descending

📕 Jazz Workshops - Chord Identification


1: Module 1

1.1 Four note chords #1: major
1.2 Four note chords #2: minor
1.3 Four note chords #3: dim7, mi7(b5)
1.4 Four note chords #4
1.5 Four note chords #5: maj7 dissonant
1.6 Four note chords #6: major7 dissonant
1.7 Four note chords #7: minor dissonant
1.8 Four note chords #8: the six most dissonant
1.9 Four note chords #9: all
1.10 Tonic major: Five and six note chords
1.11 Tonic major: 4 to 7 note chords, Lydian scale
1.12 Tonic major, mixed
1.13 Tonic minor: 5 and 6 note chords
1.14 Tonic minor: Dorian and melodic scales
1.15 mi7(b5) chords
1.16 Minor chords, mixed
1.17 Dominants, Mixolydian scale
1.18 Dominants, Mixolydian #11 mode
1.19 Dominants, altered scale
1.20 Dominants, diminished scale
1.21 Dominants, mixed
1.22 All chords, mixed

📕 Jazz Workshops - Chord Identification


1: Module 1

1.1 Four note chords #1: major
1.2 Four note chords #2: minor
1.3 Four note chords #3: dim7, mi7(b5)
1.4 Four note chords #4
1.5 Four note chords #5: maj7 dissonant
1.6 Four note chords #6: major7 dissonant
1.7 Four note chords #7: minor dissonant
1.8 Four note chords #8: the six most dissonant
1.9 Four note chords #9: all
1.10 Tonic major: Five and six note chords
1.11 Tonic major: 4 to 7 note chords, Lydian scale
1.12 Tonic major, mixed
1.13 Tonic minor: 5 and 6 note chords
1.14 Tonic minor: Dorian and melodic scales
1.15 mi7(b5) chords
1.16 Minor chords, mixed
1.17 Dominants, Mixolydian scale
1.18 Dominants, Mixolydian #11 mode
1.19 Dominants, altered scale
1.20 Dominants, diminished scale
1.21 Dominants, mixed
1.22 All chords, mixed

📕 Jazz Workshops - Chord Progressions


1: Module 1

1.1 Diatonic progressions, major
1.2 Diatonic progressions, major
1.3 Diatonic progressions, major
1.4 Diatonic progressions, minor
1.5 Diatonic progressions, minor, with Dominant 7
1.6 Diatonic progressions, major, with Dominant V7/IV
1.7 Diatonic major, with Dominant V7/V
1.8 Diatonic major, with Dominant V7/II
1.9 Diatonic major, with Dominant V7/VI
1.10 Diatonic major, with Dominant V7/III
1.11 Major with all 5 secondary dominants
1.12 Major with tritone substituted dominants #1
1.13 Major with tritone substituted dominants #2
1.14 Major with tritone substituted dominants #3
1.15 Major with a modal interchange chord
1.16 Major with at least 2 modal interchange chords
1.17 Major, various number of modal interchange chords
1.18 All themes mixed!

📕 Jazz Workshops - Melodic Dictation


1: Blues Scales and Songs

1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar)
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar)
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar)
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars)
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars)
1.6 Melodic Dictation: "St. Louis Blues"
1.7 Melodic Dictation: "Beale Street Blues"
1.8 Exam: Blues "Licks" and "St. Louis Blues"

2: 1920's American Swing Hits

2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones)
2.2 Melodic Dictation: "By the Light of the Silvery Moon"
2.3 Melodic Dictation: "Swanee"
2.4 Melodic Dictation: "Rock-a-bye Your Baby"
2.5 Melodic Dictation: "T'ain't Nobody's Business If I Do"
2.6 Exam: American Swing Hits of the 1920's

3: Ballads and Blues in Minor

3.1 Natural Minor Patterns: 3 to 4 tones
3.2 Natural Minor Patterns: 5 to 6 tones
3.3 Melodic Dictation: "St. James Infirmary Blues"
3.4 Melodic Dictation: "Flee as a Bird"
3.5 Melodic Dictation: "King Chanticleer"
3.6 Melodic Dictation: "Some of these Days"
3.7 Exam: Ballads and Blues in Minor Keys

4: Novelty Songs & Rhythms

4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps
4.3 Melodic Dictation: "Missouri Waltz"
4.4 Melodic Dictation: "Sheik of Araby"
4.5 Melodic Dictation: "Ja Da"
4.6 Melodic Dictation: "Ain't We Got Fun"
4.7 Exam: Novelty Songs and Rhythms

5: Irish Ballads & Folk Music

5.1 Major Scales: Two-Measure Melodies with 7th leaps
5.2 Melodic Dictation: "Too Ra Loo Ra Loo Ral"
5.3 Melodic Dictation: "When Irish Eyes are Smiling"
5.4 Melodic Dictation: "Careless Love"
5.5 Melodic Dictation: "The Bells of St. Mary's"
5.6 Exam: Irish Ballads and Folk Music

6: Fun with Irving Berlin

6.1 Melodic Dictation: "Alexander's Ragtime Band"
6.2 Melodic Dictation: "When the Midnight Choo Choo Leaves for Alabam"
6.3 Melodic Dictation: "At the Devil's Ball"
6.4 Melodic Dictation: "Mandy"
6.5 Melodic Dictation: "I Never Knew"
6.6 Exam: Fun with Irving Berlin

7: Transcribe “After You've Gone”

7.1 After You've Gone

📕 Jazz Workshops - Melodic Sight-Singing


1: Blues Scales and Blues Songs

1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar)
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar)
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar)
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars)
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars)
1.6 Listening Activity: "St. Louis Blues" by W.C. Handy
1.7 Sight-Singing: "St. Louis Blues"
1.8 Listening Activity: "Beale Street Blues"
1.9 Sight-Singing: "Beale Street Blues"
1.10 Exam: Blues "Licks" and "The Blues"

2: 1920's American Swing Hits

2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones)
2.2 Listening Activity: "By the Light of the Silvery Moon"
2.3 Sight-Singing: "By the Light of the Silvery Moon"
2.4 Listening Activity: "Swanee" by George Gershwin
2.5 Sight-Singing: "Swanee"
2.6 Listening Activity: "Rock-a-bye Your Baby (With a Dixie Melody)"
2.7 Sight-Singing: "Rock-a-bye Your Baby"
2.8 Listening Activity: "T'ain't Nobody's Business If I Do"
2.9 Sight-Singing: "Taint Nobody's Business..."
2.10 Exam: American Swing Hits of the 1920's

3: Ballads and Blues in Minor

3.1 Natural Minor Patterns: 3 to 4 tones
3.2 Natural Minor Patterns: 5 to 6 tones
3.3 Listening Activity: "St. James Infirmary Blues"
3.4 Sight-Singing: "St. James Infirmary Blues"
3.5 Listening Activity: "Flee as a Bird"
3.6 Sight-Singing: "Flee as a Bird"
3.7 Listening Activity: "King Chanticleer"
3.8 Sight-Singing: "King Chanticleer"
3.9 Listening Activity: "Some of These Days"
3.10 Sight-Singing: "Some of these Days"
3.11 Exam: Ballads and Blues in Minor Keys

4: Novelty Songs & Rhythms

4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps
4.3 Listening Activity: "Missouri Waltz"
4.4 Sight-Singing: "Missouri Waltz"
4.5 Listening Activity: "The Sheik of Araby"
4.6 Sight-Singing: "Sheik of Araby"
4.7 Listening Activity: "Ja Da"
4.8 Sight-Singing: "Ja Da"
4.9 Listening Activity: "Ain't We Got Fun
4.10 Sight-Singing: "Ain't We Got Fun"
4.11 Exam: Novelty songs and Rhythms

5: Irish Ballads & Folk Music

5.1 Major Scales: Two-measure melodies with 7th interval leaps
5.2 Listening Activity: "Too-ra-loo-ra-loo-ra"
5.3 Sight-Singing: "Too Ra Loo"
5.4 Listening Activity: "When Irish Eyes are Smiling"
5.5 Sight-Singing: "When Irish Eyes are Smiling"
5.6 Listening Activity: "Careless Love"
5.7 Sight-Singing: "Careless Love"
5.8 Listening Activity: "The Bells of St. Mary's"
5.9 Sight-Singing: "The Bells of St. Mary's"
5.10 Exam: Irish Ballads and Folk Music

6: Fun with Irving Berlin

6.1 Listening Activity: "Alexander's Ragtime Band"
6.2 Sight-Singing: "Alexander's Ragtime Band"
6.3 Listening Activity: "Midnight Choo Choo"
6.4 Sight-Singing: "When the Midnight Choo Choo"
6.5 Listening Activity: "At the Devil's Ball"
6.6 Sight-Singing: "At the Devil's Ball"
6.7 Listening Activity: "Mandy"
6.8 Sight-Singing: "Mandy"
6.9 Listening Activity: "I Never Knew"
6.10 Sight-Singing: "I Never Knew"
6.11 Exam: Fun with Irving Berlin

7: Sight-Sing “After You've Gone”

7.1 After You've Gone

📕 Jazz Workshops - Melody Singback


1: Blues Scales and Blues Songs

1.1 Blues “licks:” 3 to 4 tones in the Key of C (1 bar)
1.2 Blues “licks:” 3 to 4 tones in the Key of F (1 bar)
1.3 Blues “licks:” 3 to 4 tones in Key of G (1 bar)
1.4 Blues “licks:” 5 to 6 tones in the Key of C (2 bars)
1.5 Melodies on the Blues Scale-7 to 8 tones in the Keys of C, F, and G, (2 bars)
1.6 Sing or play back: "St. Louis Blues"
1.7 Sing or play back: "Beale Street Blues"
1.8 Exam: Blues "Licks" and "The Blues"

2: 1920's American Swing Hits

2.1 Review of Melodic Patterns: Keys of Bb, Eb, A and D (5 to 6 tones)
2.2 Sing or play back: "By the Light of the Silvery Moon"
2.3 Sing or play back: "Swanee"
2.4 Sing or play back: "Rock-a-bye Your Baby"
2.5 Sing or play back: "Taint Nobody's Business..."
2.6 Exam: American Swing Hits of the 1920's

3: Ballads and Blues in Minor

3.1 Natural Minor Patterns: 3 to 4 tones
3.2 Natural Minor Patterns: 5 to 6 tones
3.3 Sing or play back: "St. James Infirmary Blues"
3.4 Sing or play back: "Flee as a Bird"
3.5 Sing or play back: "King Chanticleer"
3.6 Sing or play back: "Some of these Days"
3.7 Exam: Ballads and Blues in Minor Keys

4: Novelty Songs & Rhythms

4.1 Blues Scale: 5 to 6 tones in 3/4 meter with swing 8ths
4.2 Blues Scale: 5 to 6 tones in 3/4 meter with octave leaps
4.3 Sing or play back: "Missouri Waltz"
4.4 Sing or play back: "Sheik of Araby"
4.5 Sing or play back: "Ja Da"
4.6 Sing or play back: "Ain't We Got Fun"
4.7 Exam: Novelty Songs and Rhythms

5: Irish Ballads & Folk Music

5.1 Major Scales: Two-measure melodies with 7th interval leaps
5.2 Sing or play back: "Too Ra Loo"
5.3 Sing or play back: "When Irish Eyes are Smiling"
5.4 Sing or play back: "Careless Love"
5.5 Sing or play back: "The Bells of St. Mary's"
5.6 Exam: Irish Ballads and Folk Music

6: Fun with Irving Berlin

6.1 Sing or play back: "Alexander's Ragtime Band"
6.2 Sing or play back: "When the Midnight Choo Choo"
6.3 Sing or play back: "At the Devil's Ball"
6.4 Sing or play back: "Mandy"
6.5 Sing or play back: "I Never Knew"
6.6 Exam: Fun with Irving Berlin

7: Play “After You've Gone” by ear

7.1 After You've Gone

📕 Jazz Workshops - Rhythm Clapback


1: Module 1

1.1 4/4 swing, half-, quarter- and eighth notes
1.2 4/4 swing with rests
1.3 4/4 swing, quarter notes and eighths, faster tempo
1.4 3/4 swing, quarter notes, eighths and rests
1.5 3/4 and 4/4 swing - two bars!
1.6 4/4 swing with eighth note triplets
1.7 4/4 swing with triplets
1.8 4/4 swing with triplets and rests
1.9 3/4 swing with triplets
1.10 3/4 and 4/4 swing, triplets and rest
1.11 6/8
1.12 6/8 with rests
1.13 6/8, with rests and ties
1.14 4/4 straight with eighths and sixteenths.
1.15 3/4 and 4/4 straight with rests
1.16 6/8 with sixteenths
1.17 6/8 with sixteenths and ties
1.18 6/8 with sixteenths, rests and ties
1.19 6/8 with sixteenths. 2 bars.
1.20 6/8 with sixteenths and ties. 2 bars.
1.21 6/8 with sixteenths, rests and ties
1.22 Medium upswing, quarter notes, eighths and rests
1.23 Up-tempo swing, quarter notes, eighths and rests
1.24 Medium upswing, with rests and ties
1.25 Up-tempo swing, with rests and ties
1.26 Medium upswing, quarter notes, eighths and rests.
1.27 Up-tempo swing, tempo 200. Two bars
1.28 Medium upswing, with rests and ties. Two bars
1.29 Medium upswing, 2 bars, with quarter note triplets
1.30 Up-tempo swing, rests and ties.
1.31 Up-tempo swing, with quarter note triplets
1.32 Sixteenths swing. One bar
1.33 Sixteenths swing with sixteenth note triplets
1.34 Sixteenths swing with triplets and ties
1.35 Sixteenths swing with sixteenth note triplets
1.36 Straight rhythms with 16th and 32nd notes
1.37 Rhythms with 16th and 32nd notes and ties
1.38 Up-tempo swing with quarter note triplets. Two bars
1.39 Up-tempo swing with rests. Two bars
1.40 Up-tempo swing with more eighths. Two bars.
1.41 Up-tempo swing with quarter note triplets. 3 bars!
1.42 Up-tempo swing with rests. 3 bars.
1.43 Swing eighths with straight sixteenths.
1.44 Swing eighths with straight sixteenths and rests.
1.45 Sixteenths swing. 2 bars.
1.46 Sixteenths swing with triplets and ties. 2 bars.
1.47 Up-tempo swing with more eighths.
1.48 Swinging eighths and straight sixteenths.
1.49 Swinging eighths, straight sixteenths and rests.

📕 Jazz Workshops - Rhythm Error Detection


1: Module 1

1.1 4/4 swing, one bar, one error
1.2 4/4 swing, 2 bars, 2 errors
1.3 4/4 swing with rests
1.4 4/4 swing with rests, 2 bars, 2 errors
1.5 4/4 swing, faster tempo
1.6 4/4 swing, 2 bars, 2 errors
1.7 3/4 swing, 2 bars, 2 errors
1.8 3/4 and 4/4 swing, 2 errors
1.9 4/4 swing with eighth note triplets, 2 errors
1.10 4/4 swing with triplets, 2 errors
1.11 4/4 swing with triplets, 3 errors
1.12 4/4 swing with triplets and rests, 2 errors
1.13 4/4 swing with triplets and rests, 3 errors
1.14 3/4 swing with triplets, 2 bars, 2 errors
1.15 3/4 and 4/4 swing, triplets and rests, 4 errors
1.16 6/8, 2 errors
1.17 6/8, 2 errors
1.18 6/8 with rests, 2 errors
1.19 6/8 with rests, 3 errors
1.20 6/8 with rests and more eighths, 2 errors
1.21 6/8 with rests, 4 errors
1.22 4/4 with straight eighths and sixteenths, 2 errors
1.23 4/4 with straight eighths and sixteenths, 4 errors
1.24 3/4 and 4/4 straight, with rests, 2 errors
1.25 3/4 and 4/4 straight, with rests, 4 errors
1.26 6/8 with sixteenths, 2 errors
1.27 6/8 with sixteenths, 3 errors
1.28 6/8 with sixteenths, 2 errors
1.29 6/8 with triplets, 3 errors
1.30 Medium upswing
1.31 Medium upswing
1.32 Sixteenths swing
1.33 Sixteenths swing
1.34 Sixteenths swing with sixteenth note triplets
1.35 Sixteenths swing with sixteenth note triplets
1.36 Straight rhythms with 16th and 32nd notes #1
1.37 Straight rhythms with 16th and 32nd notes #2
1.38 Straight rhythms with 16th and 32nd notes #3
1.39 Up-tempo swing #1
1.40 Up-tempo swing #2
1.41 Up-tempo swing #3
1.42 Swing eighths with straight sixteenths
1.43 Swing eighths with straight sixteenths

📕 Jazz Workshops - Rhythmic Dictation


1: Module 1

1.1 4/4 swing, half-, quarter- and eighth notes
1.2 4/4 swing with rests
1.3 4/4 swing, quarter notes and eighths, faster tempo
1.4 3/4 swing, quarter notes, eighths and rests
1.5 3/4 and 4/4 swing - two bars!
1.6 4/4 swing with eighth note triplets
1.7 4/4 swing with triplets
1.8 4/4 swing with triplets and rests
1.9 3/4 swing with triplets
1.10 3/4 and 4/4 swing, triplets and rest
1.11 6/8
1.12 6/8 with rests
1.13 6/8, with rests and ties
1.14 4/4 straight with eighths and sixteenths.
1.15 3/4 and 4/4 straight with rests
1.16 6/8 with sixteenths
1.17 6/8 with sixteenths and ties
1.18 6/8 with sixteenths, rests and ties
1.19 6/8 with sixteenths. 2 bars.
1.20 6/8 with sixteenths and ties. 2 bars.
1.21 6/8 with sixteenths, rests and ties
1.22 Medium upswing, quarter notes, eighths and rests
1.23 Up-tempo swing, quarter notes, eighths and rests
1.24 Medium upswing, with rests and ties
1.25 Up-tempo swing, with rests and ties
1.26 Medium upswing, quarter notes, eighths and rests.
1.27 Up-tempo swing, tempo 200. Two bars
1.28 Medium upswing, with rests and ties. Two bars
1.29 Medium upswing, 2 bars, with quarter note triplets
1.30 Up-tempo swing, rests and ties.
1.31 Up-tempo swing, with quarter note triplets
1.32 Sixteenths swing. One bar
1.33 Sixteenths swing with sixteenth note triplets
1.34 Sixteenths swing with triplets and ties
1.35 Sixteenths swing with sixteenth note triplets.
1.36 Straight rhythms with 16th and 32nd notes
1.37 Rhythms with 16th and 32nd notes and ties
1.38 Up-tempo swing with quarter note triplets. Two bars
1.39 Up-tempo swing with rests. Two bars
1.40 Up-tempo swing with more eighths. Two bars.
1.41 Up-tempo swing with quarter note triplets. 3 bars!
1.42 Up-tempo swing with rests. 3 bars.
1.43 Swing eighths with straight sixteenths.
1.44 Swing eighths with straight sixteenths and rests.
1.45 Sixteenths swing. 2 bars.
1.46 Sixteenths swing with triplets and ties. 2 bars.
1.47 Up-tempo swing with more eighths.
1.48 Swinging eighths and straight sixteenths.
1.49 Swinging eighths, straight sixteenths and rests.

📕 Jazz Workshops - Rhythmic Sight-Reading


1: Module 1

1.1 4/4 swing, half-, quarter- and eighth notes
1.2 4/4 swing with rests
1.3 4/4 swing, quarter notes and eighths, faster tempo
1.4 3/4 swing, quarter notes, eighths and rests
1.5 3/4 and 4/4 swing - two bars!
1.6 4/4 swing with eighth note triplets
1.7 4/4 swing with triplets
1.8 4/4 swing with triplets and rests
1.9 3/4 swing with triplets
1.10 3/4 and 4/4 swing, triplets and rest
1.11 6/8
1.12 6/8 with rests
1.13 6/8, with rests and ties
1.14 4/4 straight with eighths and sixteenths.
1.15 3/4 and 4/4 straight with rests
1.16 6/8 with sixteenths
1.17 6/8 with sixteenths and ties
1.18 6/8 with sixteenths, rests and ties
1.19 Medium upswing, quarter notes, eighths and rests
1.20 Medium upswing with rests and ties
1.21 Sixteenths swing
1.22 Sixteenths swing with sixteenth note triplets
1.23 Sixteenths swing with triplets and ties
1.24 Straight rhythms with 16th and 32nd notes
1.25 Rhythms with 16th and 32nd notes and ties
1.26 Up-tempo swing
1.27 Up-tempo swing with rests
1.28 Up-tempo swing with more eighths
1.29 Swing eighths with straight sixteenths.
1.30 Swing eighths with straight sixteenths and rests.

📕 RCM Voice - Level 1 to 6


1: Foreword

1.1 Welcome

2: Level 1: Technical Exercises

2.1 Technical Exercise 1 (preparatory lesson)
2.2 Technical Exercise 1
2.3 Technical Exercise 2 (preparatory lesson)
2.4 Technical Exercise 2
2.5 Technical Exercise 3 (preparatory lesson)
2.6 Technical Exercise 3
2.7 Technical Exercises 1–3 (preparatory lesson)
2.8 Technical exercises 1–3

3: Level 1: Clapback

3.1 2/4 Rhythms: one measure, no syncopation
3.2 2/4 Rhythms: one measure, with syncopation
3.3 2/4 Rhythms: three measures, no syncopation
3.4 2/4 Rhythms: three measures, with syncopation
3.5 2/4 Melodies: four measures
3.6 3/4 Rhythms: one measure
3.7 3/4 Melodies: two measures
3.8 3/4 Melodies: three measures
3.9 2/4 and 3/4 melodies

4: Level 1: Intervals

4.1 Ascending Intervals: major 3rd, perfect 5th, perfect octave
4.2 Ascending Interval: major 3rd
4.3 Ascending Interval: major 3rd
4.4 Ascending Interval: perfect 5th
4.5 Ascending Interval: perfect 5th
4.6 Ascending Interval: perfect octave
4.7 Ascending Interval: perfect octave
4.8 Ascending intervals: all intervals
4.9 Ascending Intervals: all intervals
4.10 Descending intervals: minor 3rd, perfect 4th, perfect octave
4.11 Descending Interval: minor 3rd
4.12 Descending Interval: minor 3rd
4.13 Descending Interval: perfect 4th
4.14 Descending Interval: perfect 4th
4.15 Descending Interval: perfect octave
4.16 Descending Interval: perfect octave
4.17 Descending Intervals: all intervals
4.18 Descending Intervals: all intervals
4.19 All intervals
4.20 All intervals

5: Level 1: Sight Singing

5.1 2/4 Melodies: three measures
5.2 2/4 Melodies: four measures
5.3 3/4 Melodies: three measures
5.4 2/4 and 3/4 melodies

6: Level 1: Final Step

6.1 Technical Exercises
6.2 Clapback
6.3 Intervals
6.4 Sight Singing

7: Level 2: Technical Exercises

7.1 Technical Exercise 1 (preparatory lesson)
7.2 Technical Exercise 1
7.3 Technical Exercise 2 (preparatory lesson)
7.4 Technical Exercise 2
7.5 Technical Exercise 3 (preparatory lesson)
7.6 Technical Exercise 3
7.7 Technical Exercise 4 (preparatory lesson)
7.8 Technical Exercise 4
7.9 Technical Exercises 1–4 (preparatory lesson)
7.10 Technical exercises 1–4

8: Level 2: Clapback

8.1 2/4 Melodies (review)
8.2 2/4 Rhythms
8.3 2/4 Melodies
8.4 3/4 Melodies (review)
8.5 3/4 Rhythms
8.6 3/4 Melodies
8.7 2/4 and 3/4 melodies

9: Level 2: Intervals

9.1 Ascending intervals: major 2nd, major 3rd
9.2 Ascending Interval: major 3rd (review)
9.3 Ascending Interval: major 2nd
9.4 Ascending Interval: major 2nd
9.5 Ascending intervals: perfect 4th, perfect 5th, perfect octave
9.6 Ascending Interval: perfect 5th (review)
9.7 Ascending Interval: perfect octave (review)
9.8 Ascending Interval: perfect 4th
9.9 Ascending Interval: perfect 4th
9.10 Ascending Intervals: all intervals
9.11 Ascending Intervals: all intervals
9.12 Descending intervals: minor 3rd, perfect 4th, perfect octave (review)
9.13 Descending Interval: minor 3rd (review)
9.14 Descending Interval: perfect 4th (review)
9.15 Descending Interval: perfect octave (review)
9.16 Descending Intervals: all intervals
9.17 Descending Intervals: all intervals
9.18 All intervals
9.19 All intervals

10: Level 2: Sight Singing

10.1 2/4 Melodies (review)
10.2 2/4 Melodies
10.3 3/4 Melodies (review)
10.4 3/4 Melodies
10.5 2/4 and 3/4 melodies

11: Level 2: Final Step

11.1 Technical Exercises
11.2 Clapback
11.3 Intervals
11.4 Sight Singing

12: Level 3: Technical Exercises

12.1 Technical Exercise 1 (preparatory lesson)
12.2 Technical Exercise 1
12.3 Technical Exercise 2 (preparatory lesson)
12.4 Technical Exercise 2
12.5 Technical Exercise 3 (preparatory lesson)
12.6 Technical Exercise 3
12.7 Technical Exercise 4 (preparatory lesson)
12.8 Technical Exercise 4
12.9 Technical Exercise 5 (preparatory lesson)
12.10 Technical Exercise 5
12.11 Technical Exercises 1–5 (preparatory lesson)
12.12 Technical exercises 1–5

13: Level 3: Clapback

13.1 2/4 Melodies (review)
13.2 2/4 Rhythms
13.3 2/4 Melodies
13.4 3/4 Melodies (review)
13.5 3/4 Rhythms
13.6 3/4 Melodies
13.7 2/4 and 3/4 melodies

14: Level 3: Intervals

14.1 Ascending intervals: major 2nd, major 3rd, major 6th
14.2 Ascending Interval: major 2nd (review)
14.3 Ascending Interval: major 3rd (review)
14.4 Ascending Interval: major 6th
14.5 Ascending Interval: major 6th
14.6 Ascending intervals: perfect 4th, perfect 5th, perfect octave (review)
14.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
14.8 Ascending Intervals: all intervals
14.9 Ascending Intervals: all intervals
14.10 Descending intervals: perfect 4th, perfect 5th
14.11 Descending intervals: all intervals
14.12 Descending Interval: minor 3rd (review)
14.13 Descending Interval: perfect 4th (review)
14.14 Descending Interval: perfect 5th
14.15 Descending Interval: perfect 5th
14.16 Descending Interval: perfect octave (review)
14.17 Descending Intervals: all intervals
14.18 Descending Intervals: all intervals
14.19 All intervals
14.20 All intervals

15: Level 3: Sight Singing

15.1 2/4 Melodies (review)
15.2 3/4 Melodies (review)
15.3 4/4 Melodies: two measures
15.4 Final Step: 4/4 Melodies: four measures

16: Level 3: Final Step

16.1 Technical Exercises
16.2 Clapback
16.3 Intervals
16.4 Sight Singing

17: Level 4: Technical Exercises

17.1 Technical Exercise 1 (preparatory lesson)
17.2 Technical Exercise 1
17.3 Technical Exercise 2 (preparatory lesson)
17.4 Technical Exercise 2
17.5 Technical Exercise 3 (preparatory lesson)
17.6 Technical Exercise 3
17.7 Technical Exercise 4 (preparatory lesson)
17.8 Technical Exercise 4
17.9 Technical Exercise 5 (preparatory lesson)
17.10 Technical Exercise 5
17.11 Technical Exercises 1–5 (preparatory lesson)
17.12 Technical exercises 1–5

18: Level 4: Clapback

18.1 2/4 Melodies (review)
18.2 2/4 Rhythms
18.3 2/4 Melodies
18.4 6/8 Rhythms
18.5 6/8 Melodies
18.6 2/4 and 6/8 melodies

19: Level 4: Intervals

19.1 Ascending Intervals: minor and major 3rds
19.2 Ascending Interval: major 2nd (review)
19.3 Ascending Interval: major 3rd (review)
19.4 Ascending Interval: minor 3rd
19.5 Ascending Interval: minor 3rd
19.6 Ascending Interval: major 6th (review)
19.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
19.8 Ascending Intervals: all intervals
19.9 Ascending Intervals: all intervals
19.10 Ascending Intervals: all intervals
19.11 Descending intervals: perfect 5th, minor 6th
19.12 Descending Interval: minor 3rd (review)
19.13 Descending Interval: minor 6th
19.14 Descending Interval: minor 6th
19.15 Descending Interval: perfect 4th, perfect 5th, perfect octave (review)
19.16 Descending intervals: all intervals
19.17 Descending Intervals: all intervals
19.18 Descending Intervals: all intervals
19.19 All intervals
19.20 All intervals

20: Level 4: Sight Singing

20.1 6/8 Melodies: two measures
20.2 Final Step: 6/8 Melodies: four measures

21: Level 4: Final Step

21.1 Technical Exercises
21.2 Clapback
21.3 Intervals
21.4 Sight Singing

22: Level 5: Technical Exercises

22.1 Technical Exercise 1 (preparatory lesson)
22.2 Technical Exercise 1
22.3 Technical Exercise 2 (preparatory lesson)
22.4 Technical Exercise 2
22.5 Technical Exercise 3 (preparatory lesson)
22.6 Technical Exercise 3
22.7 Technical Exercise 4 (preparatory lesson)
22.8 Technical Exercise 4
22.9 Technical Exercise 5 (preparatory lesson)
22.10 Technical Exercise 5
22.11 Technical Exercises 1–5 (preparatory lesson)
22.12 Technical exercises 1–5

23: Level 5: Singback

23.1 6/8 Melodies
23.2 3/4 Melodies
23.3 6/8 and 3/4 melodies

24: Level 5: Intervals

24.1 Ascending Intervals: minor and major 6ths
24.2 Ascending Interval: major 2nd (review)
24.3 Ascending Interval: minor and major 3rds (review)
24.4 Ascending Interval: major 6th (review)
24.5 Ascending Interval: minor 6th
24.6 Ascending Interval: minor 6th
24.7 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
24.8 Ascending intervals: all intervals
24.9 Ascending Intervals: all intervals
24.10 Ascending Intervals: all intervals
24.11 Descending intervals: minor and major 3rds
24.12 Descending intervals: major 2nd, minor and major 3rds
24.13 Descending intervals: minor and major 6ths
24.14 Descending Interval: minor 3rd (review)
24.15 Descending Interval: minor 6th (review)
24.16 Descending Interval: perfect 4th, perfect 5th, perfect octave (review)
24.17 Descending Interval: major 2nd
24.18 Descending Interval: major 2nd
24.19 Descending Interval: major 3rd
24.20 Descending Interval: major 3rd
24.21 Descending Interval: major 6th
24.22 Descending Interval: major 6th
24.23 Descending intervals: all intervals
24.24 Descending Intervals: all intervals
24.25 Descending Intervals: all intervals
24.26 All intervals
24.27 All intervals

25: Level 5: Chord Identification

25.1 Major and Minor Triads: ascending/harmonic
25.2 Major and Minor Triads: harmonic

26: Level 5: Sight Singing

26.1 3/4 Melodies: two measures
26.2 3/4 Melodies: two measures
26.3 3/4 Melodies: four measures
26.4 3/4 Melodies: four measures
26.5 2/4 Melodies: three measures
26.6 2/4 Melodies: three measures
26.7 2/4 Melodies: six measures
26.8 2/4 Melodies: six measures
26.9 2/4 and 3/4 Melodies
26.10 2/4 and 3/4 Melodies

27: Level 5: Final Step

27.1 Technical Exercises
27.2 Singback
27.3 Intervals
27.4 Chord Identification
27.5 Sight Singing Part 1: rhythm
27.6 Sight Singing Part 2: melody

28: Level 6: Technical Exercises

28.1 Technical Exercise 1 (preparatory lesson)
28.2 Technical Exercise 1
28.3 Technical Exercise 2 (preparatory lesson)
28.4 Technical Exercise 2
28.5 Technical Exercise 3 (preparatory lesson)
28.6 Technical Exercise 3
28.7 Technical Exercise 4 (preparatory lesson)
28.8 Technical Exercise 4
28.9 Technical Exercise 5 (preparatory lesson)
28.10 Technical Exercise 5
28.11 Technical Exercise 6 (preparatory lesson)
28.12 Technical Exercise 6
28.13 Technical Exercises 1–6 (preparatory lesson)
28.14 Technical Exercises 1–6

29: Level 6: Singback

29.1 6/8 Melodies (review)
29.2 3/4 Melodies (review)
29.3 6/8 melodies (short)
29.4 6/8 melodies
29.5 3/4 melodies (short)
29.6 3/4 melodies
29.7 6/8 and 3/4 melodies

30: Level 6: Intervals

30.1 Ascending Intervals: minor and major 2nds
30.2 Ascending Intervals: minor and major 6ths, major 7th
30.3 Ascending interval: major 2nd (review)
30.4 Ascending Intervals: minor and major 3rds (review)
30.5 Ascending Intervals: minor and major 6ths (review)
30.6 Ascending Intervals: perfect 4th, perfect 5th, perfect octave (review)
30.7 Ascending Interval: minor 2nd
30.8 Ascending Interval: minor 2nd
30.9 Ascending Interval: minor 7th
30.10 Ascending Interval: minor 7th
30.11 Ascending intervals: all intervals
30.12 Ascending Intervals: all intervals
30.13 Ascending Intervals: all intervals
30.14 Descending intervals: minor and major 2nds
30.15 Descending intervals: minor and major 6ths, minor 7th
30.16 Descending Interval: major 2nd (review)
30.17 Descending intervals: minor and major 3rds (review)
30.18 Descending Intervals: minor and major 6ths (review)
30.19 Descending Intervals: perfect 4th, perfect 5th, perfect octave (review)
30.20 Descending Interval: minor 2nd
30.21 Descending Interval: minor 2nd
30.22 Descending Interval: minor 7th
30.23 Descending Interval: minor 7th
30.24 Descending intervals: all intervals
30.25 Descending Intervals: all intervals
30.26 Descending Intervals: all intervals
30.27 All intervals
30.28 All intervals

31: Level 6: Chord Identification

31.1 Major and Minor Triads: harmonic (review)
31.2 Major and Minor Triads, Dominant 7th: ascending/harmonic
31.3 Major and Minor Triads, Dominant 7th: harmonic

32: Level 6: Sight Singing

32.1 4/4 Melodies: two measures
32.2 4/4 Melodies: two measures
32.3 4/4 Melodies: four measures
32.4 4/4 Melodies: four measures
32.5 3/4 Melodies: three measures
32.6 3/4 Melodies: three measures
32.7 3/4 Melodies: six measures
32.8 3/4 Melodies: six measures
32.9 3/4 and 4/4 Melodies
32.10 3/4 and 4/4 Melodies

33: Level 6: Final Step

33.1 Technical Exercises
33.2 Singback
33.3 Intervals
33.4 Chord Identification
33.5 Sight Singing Part 1: rhythm
33.6 Sight Singing Part 2: melody

34: Course wrap-up

34.1 Congratulations!